16-80 f4 lens quality for Landscapes

JeffWorsnop

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Hello

I am looking to ditch the M4/3 system. I have Oly EM 5 with good quality 12-40 f2.8 and Pana 35-100 f2.8 lenses. Replacing with X t30 or 20 plus 16-80 lens looks a good option. But the 16-80 gets poor reviews for sharpness in numerous tests and reviews. The tests seem to use shots a short distance from the camera. I know it is a challenge to get top quality from a 5 times zoom but can anyone comment on the quality of the 16-80 for landscape and other out and about photography ? The price of the 16-80 compared to Fuji alternatives seems high which seems strange given the apparent lack of sharpness - at least of targets quite close.

Please don't suggest more expensive alternatives because the possible purchase will be funded mostly by selling my M4/3 equipment for about £800.

Jeff

PS I should have said that my main interest is printing to A3 or A3+ to mount in frames .
 
Hello

I am looking to ditch the M4/3 system. I have Oly EM 5 with good quality 12-40 f2.8 and Pana 35-100 f2.8 lenses. Replacing with X t30 or 20 plus 16-80 lens looks a good option. But the 16-80 gets poor reviews for sharpness in numerous tests and reviews. The tests seem to use shots a short distance from the camera. I know it is a challenge to get top quality from a 5 times zoom but can anyone comment on the quality of the 16-80 for landscape and other out and about photography ? The price of the 16-80 compared to Fuji alternatives seems high which seems strange given the apparent lack of sharpness - at least of targets quite close.

Please don't suggest more expensive alternatives because the possible purchase will be funded mostly by selling my M4/3 equipment for about £800.

Jeff

PS I should have said that my main interest is printing to A3 or A3+ to mount in frames .
The reason the lens is somewhat expensive is the same reason it isn’t so strong - it is a 5x zoom.
I used to have an A Sony 16-80 years ago which was sharp but high level of distortion which maybe gives rise to my caution with the Fuji 16-80.
I have the 16-80mm Fuji. It is great for what it is, but their are significant optical compromises that have to me made for a 5x zoom. No free lunches, sadly.
This is just an excuse for a bad design.

The Oly 12-100 f4 has a 8.3x zoom range and it runs circles around the 16-80.
More expensive. Also needs to cover a much smaller sensor.
The same is true of the Nikkor Z 24-200. It's not as impressive as the Oly, but it's fairly close. Much better than the Fuji while being a 8.3x zoom as well.
More expensive, even though it is not constant f/4.
The Nikkor Z 24-120 f4 has the same range as the Fuji while being absolutely excellent optically (the best 24-120 on the market).
More expensive.
The Panasonic 12-60 f2.8-4 is also very good optically.
Again, m43 sensor is a lot smaller.
The Panasonic 12-60 f3.5-5.6 is a budget lens that I owned and it was also much better than the Fuji.
Again, m43 sensor is a lot smaller. And slower at the tele end.
... and the list goes on.
Would you care to list for APSC systems? At least compare apples to apples, not lenses for sensors that are much smaller than APSC (and some more expensive than the Fuji); or lenses for FF that are a lot more expensive than the Fuji.
So, no, the reason is not the 5x zoom range: the Fuji 16-80 is just a bad design.
All designs are compromises. folks just need to select what fits their purposes and budgets. If you require a zoom which is better that the 16-80, also from Fuji, there is the 16-55 - where I live it is almost double the cost.
Sorry but you are wrong:

Fuji XF 16-80 in Amazon.com costs 799$ (https://www.amazon.com/Fujinon-XF16...=1668713349&sprefix=fuji+16-80,aps,213&sr=8-1)

Nikon Z 24-200 in Nikon store in Amazon.com costs 795,96$ (https://www.amazon.com/stores/page/...89fd-9399-4187-9f92-4ba8f6bf2165&ref_=ast_bln)

So the argument against Fuji in this one remains valid. Since Nikon managed to produce a good 24-200 lens for a larger sensor and at a relatively normal size and weight, it is possible to do it also for APSC. For me, Fuji simply don't care to design and sell such a lens.

And the XF 16-55 might be sharp, but is huge, heavy, lacks a flexible focal range and also lacks OIS (needed in older models).
 
If one’s body, such as the XT5, has OIS, does it matter whether the lens does as well? If OIS is very impt, does it matter that the new Sigma doesn’t have it?
I would personally want OIS for a standard zoom, either in the lens, or IBIS in the camera. Sigma not having OIS is part of what keeps that lens so small and compact.

I'm not sure how third party lenses with OIS (i.e. the Tamron 17-70) work with Fuji cameras with IBIS....perhaps others here can chime in on that.
 
I have owned all the fuji mid- range zooms. I have taken good landscapes with all of them but nothing compared to a full frame camera. If landscape were my thing I would look to buy a used Sony A2 with a tamron 17-28 mm. Will outperform any fuji setup to date, including using the so called brick (16-55). Believe it or not I find the 15-45 zoom at the wide end the best fuji has, of course thats my opinion.

I have stated over and over where fuji shines is when you keep it light. You can get an x-t30ii with the 15-45 as a kit new for 999.00. At the sied end of 15mm through around 30mm will produce great shots. I use fuji for street photography, travel and mostly for BW
I have an X-S10 with the 16-80 and was fairly happy with the combination except for the size and weight of the zoom. I bought a 27/2.8 WR and it was a revelation. It's sharper than the 16-80 in every respect and makes the camera much easier to carry around.

I am now thinking about trading in the 16-80 for the new Sigma 18-50 2.8, which from what I have been able to see in reviews, is sharper, smaller, and quite a bit lighter. I think I could give up the extra zoom range for size and weight. At that point, perhaps I would sell the 27mm/2.8 and get a Vitrox 13 mm. Not exactly small, but I really like the ultra-wide perspective.
--
Keith
** Any sufficiently advanced technology is
indistinguishable from magic. - Arthur C. Clarke **
 
For the last 1.5 year I had been using both Fuji xt3 and Olympus gear. After trying the 12-40 and then the 12-100, I realised that Fuji simply don’t care about developing a good sharp red badge zoom all around lens.
Right...
I haven’t tried all Fuji zoom lenses but the only stellar that I found so far and still have is the xf70-300.
So you provide an opinion without any personal experience, that is rich...
I have personal and extended experience from 16-80, 18-135 and 70-300. Before I tried the Olympus 12-40 and 12-100, I thought the 16-80 was a fine lens (and it is very sharp on center, but noticeably weak at corners too). I guess that is not enough for you?

Apart from the 16-55, which I have no interest for, is there any all around Fuji lens I need to test to have an opinion about this subject?
I have now sold my XT3 and may get the XT5 but most probably will only combine it with primes, until they come up with really sharp zoom lens, with good range, WR, aperture ring and acceptable weight and size.
Well, if you knew about lens designs, you would know that acceptable weight and size (which varies from person to person) means that you need to compromise on lens speed and rely more on software corrections for things like CA and geometrical distortion.
I know about lens designs what an average consumer knows (close to zero). But I also know that since Olympus and Nikon made it, Fuji could it too IF they wanted to. This is why I believe, that Fuji simply don't care to design and sell such a lens.

One the other hand, I am still trying to understand what kind of sales are expecting from the 18-120...
 
Well, the Nikon 24-120mm f4 is $1,100. That's the apples to apples comparison. The Nikon also weighs the same as the Fuji 16-55, so there's that.

The 24-200 is f/4-6.3. It's a different lens. I suppose you could compare it to the Fuji 18-135mm f/3.5-5.6 and have a more valid argument. This Nikon is pretty heavy as well at 570g. The Fuji is 490g.

The lens you probably should be comparing the 16-80 to is the Nikon DX 18-140mm, which I doubt performs much differently from the Fuji 16-80. And also still has a different focal length range, so still not quite apples to apples.

All these zoom have compromises. It just depends on what your personal priorities are. If you want ultimate image quality, unless you buy the expensive zooms like the Fuji 16-55 or Nikon 24-120, then you will compromise on size/weight/image quality. Or in the case of m4/3 the compromise is the sensor. I personally find APS-C to be a nice middle ground, and Fuji has a great lens selection that is getting even better with third party lenses such as Tamron and Sigma. Life is good.
 
Hello

I am looking to ditch the M4/3 system. I have Oly EM 5 with good quality 12-40 f2.8 and Pana 35-100 f2.8 lenses. Replacing with X t30 or 20 plus 16-80 lens looks a good option. But the 16-80 gets poor reviews for sharpness in numerous tests and reviews. The tests seem to use shots a short distance from the camera. I know it is a challenge to get top quality from a 5 times zoom but can anyone comment on the quality of the 16-80 for landscape and other out and about photography ? The price of the 16-80 compared to Fuji alternatives seems high which seems strange given the apparent lack of sharpness - at least of targets quite close.

Please don't suggest more expensive alternatives because the possible purchase will be funded mostly by selling my M4/3 equipment for about £800.

Jeff

PS I should have said that my main interest is printing to A3 or A3+ to mount in frames .
I used to own a E-M1 Mk1 + 12-40 f2.8. Great combo. Unfortunately my home was broken into and all my photo gear was stolen.

Instead of buying MFT again, I bought into the Fuji system. Somewhat recently, I bought the Fuji 16-80 f4 for its versatility especially during holidays. The range is fantastic, but the sharpness is below average and plain bad in the corners. The center is always very sharp though.

The Oly 12-40 f2.8 is the best standard zoom I've ever used. So it's no surprise than it's miles ahead of the Fuji when it comes to sharpness, especially in the corners. The Oly is sharp all the way to the corners already at f2.8. To get somewhat ok corners, the Fuji needs to be stopped down to f7.1 minimum.

If you expect similar IQ to your Oly setup, you'll definitely be disappointed with the Fuji 16-80.

Comparing MFT vs Fuji, I'd say that Fuji has fantastic primes, often better than in the MFT equivalents. However, when it comes to zooms, it's the opposite. I used to be very happy with the zooms I had with my MFT gear. In Fuji land, I find the zoom sub-par. Granted, I haven't tried the 16-55 and 50-140, but other zooms didn't impress me, quite the opposite. Now, I only have primes and no Fuji zooms. I'm gonna buy the new Sigma 18-50 f2.8 as soon as it gets available as I believe it will be very good while compact in size.

Here, people will likely tell you the 16-80 is not that great because it's a 5x zoom so compromises were made. This is bs. I owned the Oly 12-100 f4 and that lens was incredible. Very close in IQ to the 12-40 while having a 8x zoom range (and starting at 12mm)! Quite an engineering achievement. It's a shame that Fuji cannot make better zooms (or good zooms that are not very expensive or not huge).

You can inspect a few full-resolution shots I took with my 16-80 on my flickr page here if you want to have an idea of the IQ of the Fuji lens:

https://www.flickr.com/search/?user_id=92066060@N00&view_all=1&text=16-80
Well, as you stated, you haven't tried either the 16-55 or 50-140, which are, without question, among two of Fujifilm's best (and sharpest) zoom lenses. So, let me suggest that you do whatever testing or research you might have done, but this time include at least those two lenses, before coming to a general conclusion like that. I'd also question your leaving these out if they fall into your "huge" category. In the case of the 16-55, a lot of the size and weight is simply attributable to the fact that it is a constant f/2.8 aperture lens. There will inevitably have to be a size/weight cost for that, and I personally have had zero issues handling that lens for any number of different usages. Of course, all this falls into personal preference, but I find it a bit strange that you'd choose to leave those lenses out of your analysis here. Also, given the difference in sensor size, I'm not exactly sure that a comparison with MFT here really tells the whole story either.
But still we are talking about 2 out of 14 zoom lenses. Lets also add the 70-300 (which is really great), the 50-230 which is also a cheap and sharp lens and the 100-400 which I assume is quite sharp. 5 out of 14 lenses. Is that an acceptable rate for Fuji? Even if 7 out of 14 lenses were optically great, would that be enough for Fuji?

On the other hand if you check Fuji primes, you can hardly find a soft or bad lens. Maybe some slow focusing, but definitely not optically bad lenses.

And from a sales & marketing perspective, if you really want to attract users from other brands and mounts, you need to have a good all around zoom lens. A lot of loyal Fuji fans don't care about it, but there are still amateurs out there who prefer the convenience of a zoom than carrying 3 primes and changing lenses.
 
Well, the Nikon 24-120mm f4 is $1,100. That's the apples to apples comparison. The Nikon also weighs the same as the Fuji 16-55, so there's that.

The 24-200 is f/4-6.3. It's a different lens. I suppose you could compare it to the Fuji 18-135mm f/3.5-5.6 and have a more valid argument. This Nikon is pretty heavy as well at 570g. The Fuji is 490g.

The lens you probably should be comparing the 16-80 to is the Nikon DX 18-140mm, which I doubt performs much differently from the Fuji 16-80. And also still has a different focal length range, so still not quite apples to apples.

All these zoom have compromises. It just depends on what your personal priorities are. If you want ultimate image quality, unless you buy the expensive zooms like the Fuji 16-55 or Nikon 24-120, then you will compromise on size/weight/image quality. Or in the case of m4/3 the compromise is the sensor. I personally find APS-C to be a nice middle ground, and Fuji has a great lens selection that is getting even better with third party lenses such as Tamron and Sigma. Life is good.
The only reason I am making these posts is to show that it is feasible for a camera manufacturer to design and produce a good, sharp, not huge or super heavy all around lens. Since Fuji hasn't done it all these years, I have come to the conclusion that such a zoom is not their priority. In my opinion and from a sales & marketing perspective, that is wrong.

Fuji fanatics might be fine with all the different, great primes, but since Fuji decided to attract users from other brands too (looking at PASM models), I believe they need to have a good all around lens.
 
The only reason I am making these posts is to show that it is feasible for a camera manufacturer to design and produce a good, sharp, not huge or super heavy all around lens. Since Fuji hasn't done it all these years, I have come to the conclusion that such a zoom is not their priority. In my opinion and from a sales & marketing perspective, that is wrong.

Fuji fanatics might be fine with all the different, great primes, but since Fuji decided to attract users from other brands too (looking at PASM models), I believe they need to have a good all around lens.
Fair enough. I sure like the size/weight/features of the 18-55 Fuji. It would be good if it got a refresh with WR because I think a compact zoom would be popular and f/2.8-4 is plenty good. The 16-80 also looks good to me, although I would use it as a travel lens and its compromises are acceptable to me. The 16-55 is way too heavy for me for travel purposes, let alone its price. So, I understand your sentiments.
 
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The only reason I am making these posts is to show that it is feasible for a camera manufacturer to design and produce a good, sharp, not huge or super heavy all around lens. Since Fuji hasn't done it all these years, I have come to the conclusion that such a zoom is not their priority. In my opinion and from a sales & marketing perspective, that is wrong.

Fuji fanatics might be fine with all the different, great primes, but since Fuji decided to attract users from other brands too (looking at PASM models), I believe they need to have a good all around lens.
Fair enough. I sure like the size/weight/features of the 18-55 Fuji. It would be good if it got a refresh with WR because I think a compact zoom would be popular and f/2.8-4 is plenty good. The 16-80 also looks good to me, although I would use it as a travel lens and its compromises are acceptable to me. The 16-55 is way too heavy for me for travel purposes, let alone its price. So, I understand your sentiments.
Agree. I also like the 16-80 and have taken many good shots with it despite its weak coreners, but I would like it at least to be a bit longer (e.g. 16-135).
 
...eally sharp zoom lens, with good range, WR, aperture ring and acceptable weight and size.
But who would pay its price? There is always some compromise.
Depends... How many people payed for the 16-55? The 12-100 costs a bit more than 1k$ but seems to be one of the best selling Olympus lens judging by how many people use it in the m43 forum.

I think if Fuji managed to make a red badge good superzoom lens and priced it accordingly (similar to other red badge), it would sell well.
 
Apart from the 16-55, which I have no interest for, is there any all around Fuji lens I need to test to have an opinion about this subject?
Sure, if you want another example of a superb Fujifilm zoom lens, take a look at the 150-600. I’ve done a fair amount of work with it recently, and it offers consistently superb IQ pretty well throughout its range — better even than the 100-400 that preceded it.

I personally really dislike generalizations. Like any other manufacturer, Fuji has some superb lenses and others that are perhaps a bit more mundane. That is true both for their prime and zoom offerings, and it’s also true for their competition. If you believe that Fuji’s best zoom lenses are at FL ranges that don’t meet your needs… so be it, and you then have to choose to either go with primes or find another brand with zooms that can meet your expectations and needs. Plain and simple.

And to your earlier comment… like anyone else here, you’re most certainly entitled to your opinion… even if [IMHO] it happens to be offbase. :-)

--
Jerry-Astro
Fuji Forum co-Mod
 
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Apart from the 16-55, which I have no interest for, is there any all around Fuji lens I need to test to have an opinion about this subject?
Sure, if you want another example of a superb Fujifilm zoom lens, take a look at the 150-600. I’ve done a fair amount of work with it recently, and it offers consistently superb IQ pretty well throughout its range — better even than the 100-400 that preceded it.
Jerry, I am talking about an all around lens. Out of the 16-55, 18-55, 16-80, 18-135 and recently 18-120, only the 16-55 is optically great but has other disadvantages. All the others either have high sample variation or have noticeable weaknesses or both. Do you agree with that or not?
I personally really dislike generalizations.
I also don't like generalizations, but I have a hard time finding a good, sharp all around Fuji zoom lens. I love the Fuji bodies and small WR primes and my 70-300 and eventually will settle with a 16-80, but wish there was a good all around 16-135 lens like the 12-100 or Z24-200.
Like any other manufacturer, Fuji has some superb lenses and others that are perhaps a bit more mundane. That is true both for their prime and zoom offerings, and it’s also true for their competition. If you believe that Fuji’s best zoom lenses are at FL ranges that don’t meet your needs… so be it, and you then have to choose to either go with primes or find another brand with zooms that can meet your expectations and needs. Plain and simple.

And to your earlier comment… like anyone else here, you’re most certainly entitled to your opinion… even if [IMHO] it happens to be offbase. :-)
 
Apart from the 16-55, which I have no interest for, is there any all around Fuji lens I need to test to have an opinion about this subject?
Sure, if you want another example of a superb Fujifilm zoom lens, take a look at the 150-600. I’ve done a fair amount of work with it recently, and it offers consistently superb IQ pretty well throughout its range — better even than the 100-400 that preceded it.
Jerry, I am talking about an all around lens. Out of the 16-55, 18-55, 16-80, 18-135 and recently 18-120, only the 16-55 is optically great but has other disadvantages. All the others either have high sample variation or have noticeable weaknesses or both. Do you agree with that or not?
OK, I appreciate the clarification. I've only had direct experience with the 18-55 out of that list, but based on what I've read here and in various reviews, Your statement doesn't really sound off base. As far as the "other disadvantages," from my perspective, only the weight might fall into that category. Otherwise, I've found the 16-55 to be very close to ideal as a general purpose lens. Perhaps I might also be a bit less sensitive to, or concerned about, weight issues than others here given all the time I spend using longer lenses like the 100-400 (previously) and now the 150-600. I'm pretty used to toting fairly heavy kit around and full well realize that not everyone feels quite the same way about it.
I personally really dislike generalizations.
I also don't like generalizations, but I have a hard time finding a good, sharp all around Fuji zoom lens. I love the Fuji bodies and small WR primes and my 70-300 and eventually will settle with a 16-80, but wish there was a good all around 16-135 lens like the 12-100 or Z24-200.
Again, I've been really impressed with both the 150-600 and 16-55 in terms of IQ and sharpness, but I honestly have not used lenses in that FL range from other vendors, so I have no basis for comparison. It's also entirely possible that our criteria for acceptable IQ might be different, and what might be "meh" to you, I might see differently.
 
Apart from the 16-55, which I have no interest for, is there any all around Fuji lens I need to test to have an opinion about this subject?
Sure, if you want another example of a superb Fujifilm zoom lens, take a look at the 150-600. I’ve done a fair amount of work with it recently, and it offers consistently superb IQ pretty well throughout its range — better even than the 100-400 that preceded it.
Jerry, I am talking about an all around lens. Out of the 16-55, 18-55, 16-80, 18-135 and recently 18-120, only the 16-55 is optically great but has other disadvantages. All the others either have high sample variation or have noticeable weaknesses or both. Do you agree with that or not?
OK, I appreciate the clarification. I've only had direct experience with the 18-55 out of that list, but based on what I've read here and in various reviews, Your statement doesn't really sound off base. As far as the "other disadvantages," from my perspective, only the weight might fall into that category. Otherwise, I've found the 16-55 to be very close to ideal as a general purpose lens. Perhaps I might also be a bit less sensitive to, or concerned about, weight issues than others here given all the time I spend using longer lenses like the 100-400 (previously) and now the 150-600. I'm pretty used to toting fairly heavy kit around and full well realize that not everyone feels quite the same way about it.
I personally really dislike generalizations.
I also don't like generalizations, but I have a hard time finding a good, sharp all around Fuji zoom lens. I love the Fuji bodies and small WR primes and my 70-300 and eventually will settle with a 16-80, but wish there was a good all around 16-135 lens like the 12-100 or Z24-200.
Again, I've been really impressed with both the 150-600 and 16-55 in terms of IQ and sharpness, but I honestly have not used lenses in that FL range from other vendors, so I have no basis for comparison. It's also entirely possible that our criteria for acceptable IQ might be different, and what might be "meh" to you, I might see differently.
I am also not pixel peeping and as I wrote in another thread, some of my best shots were with the XT3+16-80. But when I saw how good the Olympus 12-40 and 12-100 perform and the Nikon Z 24-200 (samples in flickr not personal experience), I also have more demands from Fuji.
 
This thread has made me re-evaluate my 16-80mm, which I was planning on doing since buying the X-H2 anyway..

Looking at shots over the past 2 years from the lens I do find them acceptable, even some portraits taken at 80mm at f4 seem perfectly sharp to me. But as I get older my eyes have also got weaker.. So I decided to take a few shots of my bookshelf to see if I could more easily reveal its weaknesses.

These are 100% crops from the centre of the frame taken with the camera and 16-80mm on a tripod, with a 2 second timer at f4, ISO 125, and a 0.6 second exposure. There are likely loads of variations to my test conditions that may have caused the softness at 80mm beyond the lens optics but I did find it interesting that the weaknesses were much easier to spot:

c7fd64c709fc4e5d8dc434d1f3bbe79b.jpg.png



--
Anthony.
My Fuji X story – what I learned owning 18 Fuji lenses
 
Hello

I am looking to ditch the M4/3 system. I have Oly EM 5 with good quality 12-40 f2.8 and Pana 35-100 f2.8 lenses. Replacing with X t30 or 20 plus 16-80 lens looks a good option. But the 16-80 gets poor reviews for sharpness in numerous tests and reviews. The tests seem to use shots a short distance from the camera. I know it is a challenge to get top quality from a 5 times zoom but can anyone comment on the quality of the 16-80 for landscape and other out and about photography ? The price of the 16-80 compared to Fuji alternatives seems high which seems strange given the apparent lack of sharpness - at least of targets quite close.

Please don't suggest more expensive alternatives because the possible purchase will be funded mostly by selling my M4/3 equipment for about £800.

Jeff

PS I should have said that my main interest is printing to A3 or A3+ to mount in frames .
The reason the lens is somewhat expensive is the same reason it isn’t so strong - it is a 5x zoom.
I used to have an A Sony 16-80 years ago which was sharp but high level of distortion which maybe gives rise to my caution with the Fuji 16-80.
I have the 16-80mm Fuji. It is great for what it is, but their are significant optical compromises that have to me made for a 5x zoom. No free lunches, sadly.
This is just an excuse for a bad design.

The Oly 12-100 f4 has a 8.3x zoom range and it runs circles around the 16-80.
More expensive. Also needs to cover a much smaller sensor.
The same is true of the Nikkor Z 24-200. It's not as impressive as the Oly, but it's fairly close. Much better than the Fuji while being a 8.3x zoom as well.
More expensive, even though it is not constant f/4.
The Nikkor Z 24-120 f4 has the same range as the Fuji while being absolutely excellent optically (the best 24-120 on the market).
More expensive.
The Panasonic 12-60 f2.8-4 is also very good optically.
Again, m43 sensor is a lot smaller.
The Panasonic 12-60 f3.5-5.6 is a budget lens that I owned and it was also much better than the Fuji.
Again, m43 sensor is a lot smaller. And slower at the tele end.
... and the list goes on.
Would you care to list for APSC systems? At least compare apples to apples, not lenses for sensors that are much smaller than APSC (and some more expensive than the Fuji); or lenses for FF that are a lot more expensive than the Fuji.
So, no, the reason is not the 5x zoom range: the Fuji 16-80 is just a bad design.
All designs are compromises. folks just need to select what fits their purposes and budgets. If you require a zoom which is better that the 16-80, also from Fuji, there is the 16-55 - where I live it is almost double the cost.
Sorry but you are wrong:

Fuji XF 16-80 in Amazon.com costs 799$ (https://www.amazon.com/Fujinon-XF16...=1668713349&sprefix=fuji+16-80,aps,213&sr=8-1)

Nikon Z 24-200 in Nikon store in Amazon.com costs 795,96$ (https://www.amazon.com/stores/page/...89fd-9399-4187-9f92-4ba8f6bf2165&ref_=ast_bln)

So the argument against Fuji in this one remains valid. Since Nikon managed to produce a good 24-200 lens for a larger sensor and at a relatively normal size and weight, it is possible to do it also for APSC. For me, Fuji simply don't care to design and sell such a lens.

And the XF 16-55 might be sharp, but is huge, heavy, lacks a flexible focal range and also lacks OIS (needed in older models).

--
Yannis
https://www.flickr.com/photos/127079204@N06/
https://www.instagram.com/yannistzevhotmail/?hl=en
https://www.viewbug.com/member/Yannis76
Fuji knows how to do good zooms. It's just that for the 16-80 they looked for a compact travel friendly zoom:



d00c69d62bfe479ea425c15b3305d5f4.jpg

For me, the size of the 16-80 is near my limit. I wouldn't use it if it was as bigger as the others.
 
Note to self… don’t use the 16-80 for photos of my bookshelf 😉
 
Hello

I am looking to ditch the M4/3 system. I have Oly EM 5 with good quality 12-40 f2.8 and Pana 35-100 f2.8 lenses. Replacing with X t30 or 20 plus 16-80 lens looks a good option. But the 16-80 gets poor reviews for sharpness in numerous tests and reviews. The tests seem to use shots a short distance from the camera. I know it is a challenge to get top quality from a 5 times zoom but can anyone comment on the quality of the 16-80 for landscape and other out and about photography ? The price of the 16-80 compared to Fuji alternatives seems high which seems strange given the apparent lack of sharpness - at least of targets quite close.

Please don't suggest more expensive alternatives because the possible purchase will be funded mostly by selling my M4/3 equipment for about £800.

Jeff

PS I should have said that my main interest is printing to A3 or A3+ to mount in frames .
I have used a 18-55 for several years starting first with X-E1. I have made A3+ prints with an Epson printer . Quality of that lens has been really good enough. There were some quality issues with that lens - I believe I got a good copy.

16-80 is very likely also good enough for A3+ prints. Some testers say that the long end of the lens is not stellar. Check "Optical Limits" site. I would take Fujinon 18-55.

In some tests the praised Fujinon 16 - 55f2,8 is not so much praised...too expensive. Well built and heavy, no OIS

Do you need OIS ? I need
I’d have to disagree with that. If you are using a camera with IBIS, OIS is unnecessary and redundant. The 16-55 is superb, and for me, the weight is a complete non issue. I find the handling to be very comfortable… obviously YMMV. The IQ across its FL range, IMHO, is significantly superior to the 18-55, and I’ve owned and used both. I’ve also read similar reports from others here for years now. Stabilization is not an issue if your camera happens to have IBIS (as does both my previous X-H1 and the X-H2s that I’m currently using).

Bottom line: under no circumstances would I swap my 16-55 with the 18-55 I owned previously, and I found the IQ differences between the two to be noticeably in favor of the 16-55. I’ve rarely found much in the way of criticism of the 16-55 with respect to its IQ. Whether the weight and handling is an issue is a very individual thing… it’s never been a problem for me at all.
I think T30 or 20 was mentioned above and I did not know they have IBIS. OP had also some budget limitations - I did think of him and his wallet ;-) ;-) . Not trying to insult your dear lens. ;-)

I really do not believe in some personal experiences like - "I know my lens is better than yours". Very likely 16-55 is a good lens , but it was not shining in some tests. 18-55 is affordable OIS lens and my experience says, that A3+ landscape prints will look good. Do not have "the brick" - perhaps I just do not know...
 
Hello

I am looking to ditch the M4/3 system. I have Oly EM 5 with good quality 12-40 f2.8 and Pana 35-100 f2.8 lenses. Replacing with X t30 or 20 plus 16-80 lens looks a good option. But the 16-80 gets poor reviews for sharpness in numerous tests and reviews. The tests seem to use shots a short distance from the camera. I know it is a challenge to get top quality from a 5 times zoom but can anyone comment on the quality of the 16-80 for landscape and other out and about photography ? The price of the 16-80 compared to Fuji alternatives seems high which seems strange given the apparent lack of sharpness - at least of targets quite close.

Please don't suggest more expensive alternatives because the possible purchase will be funded mostly by selling my M4/3 equipment for about £800.

Jeff

PS I should have said that my main interest is printing to A3 or A3+ to mount in frames .
I have used a 18-55 for several years starting first with X-E1. I have made A3+ prints with an Epson printer . Quality of that lens has been really good enough. There were some quality issues with that lens - I believe I got a good copy.

16-80 is very likely also good enough for A3+ prints. Some testers say that the long end of the lens is not stellar. Check "Optical Limits" site. I would take Fujinon 18-55.

In some tests the praised Fujinon 16 - 55f2,8 is not so much praised...too expensive. Well built and heavy, no OIS

Do you need OIS ? I need
I’d have to disagree with that. If you are using a camera with IBIS, OIS is unnecessary and redundant. The 16-55 is superb, and for me, the weight is a complete non issue. I find the handling to be very comfortable… obviously YMMV. The IQ across its FL range, IMHO, is significantly superior to the 18-55, and I’ve owned and used both. I’ve also read similar reports from others here for years now. Stabilization is not an issue if your camera happens to have IBIS (as does both my previous X-H1 and the X-H2s that I’m currently using).

Bottom line: under no circumstances would I swap my 16-55 with the 18-55 I owned previously, and I found the IQ differences between the two to be noticeably in favor of the 16-55. I’ve rarely found much in the way of criticism of the 16-55 with respect to its IQ. Whether the weight and handling is an issue is a very individual thing… it’s never been a problem for me at all.
I think T30 or 20 was mentioned above and I did not know they have IBIS. OP had also some budget limitations - I did think of him and his wallet ;-) ;-) . Not trying to insult your dear lens. ;-)

I really do not believe in some personal experiences like - "I know my lens is better than yours". Very likely 16-55 is a good lens , but it was not shining in some tests. 18-55 is affordable OIS lens and my experience says, that A3+ landscape prints will look good. Do not have "the brick" - perhaps I just do not know...
Kari, you didn’t insult my “dear lens.” :-) But, I do have direct experience with both the 18-55 and 16-55, having owned the former lens first for a couple of years, and then subsequently replacing it with the 16-55 after running some comparative tests. I did find the IQ of the latter to be substantially better after doing those tests. Ultimately those results helped finalize my decision to keep the 16-55 and sell off the 18-55. They are both competent lenses, but as I said, my own tests and experience showed enough of a difference to justify the upgrade… for me. Obviously, your experience and/or that of others could easily differ. However, FWIW, I have seen many other comments and a few test results in this forum over the years which seem to support my own experience.

BTW, for me at least, stabilization is a “must have” given the amount of low light photography I tend to do. The 16-55 really didn’t become practical for me until I bought my first IBIS camera, the X-H1. That might also be a deciding factor for people trying to decide which of these two lenses to buy.
 

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