ISO setting and noise

I know that my experience here is of no value to most folks on the dpr forums, but I still wonder if anybody else utilizes jpegs sooc in the audience. Reason being that among the large amount of digital cameras that I have owned since their first release 20+ years ago, one thing has been prevalent. I have never owned a single one that did not provide the best sooc jpeg images at the lowest iso setting available. This includes cameras from the simplest point and shoots to professional dslr's. And without exception, the best quality sooc images from every one of them came from using the lowest iso settings appropriate for the situation. And actually the same experience existed for film cameras for the 40 or so years preceeding that. Anybody else have this belief? It makes life simpler for me in that it's one setting that leaves no doubt where it should be in my camera setup. "Use the lowest iso possible for the lighting and action situation at hand" if I want the highest quality images possible.
The best quality generally comes from using the highest exposure that doesn't blow out important highlights. If you are using the camera in an automatic mode, you can come close to this by using the base ISO setting (typically ISO 100).

If subject lighting, depth of field concerns, or motion blur issues keep you from hitting that exposure, you can maximize your exposure by:
  • Choosing the widest aperture that yields sufficient depth of field
  • Choose the slowest shutter speed that does not result in unwanted motion blur
  • Use Auto-ISO to set the corresponding ISO
The good old exposure triangle.
In case you were not kidding: since ISO is not part of the exposure, there is no such thing as exposure triangle.
This is just a name, but what it represents is perfectly consistent.

The name itself can be justified. If ISO is not part of exposure, it can be used as a kind of exposure indicator or used to set the exposure depending on the mode.

When you read exposure triangle, nowhere it is written that ISO is part of exposure. But is is a kind of exposure setting, even if the relation is inidirect.

In my manual, this is in the section exposure settings, and I think this makes sense
 
Which combined with the senitivity of the recording medium to light affects the brightness of the photo as observed on a print or screen.
Not really.

Consider a typical modern digital camera. If the sensor doesn't detect a signal at ISO 100, it won't detect that signal at ISO 128000. ISO doesn't change the sensitivity of the sensor.
Actually, it can affect the observed "brightness" of the photo. The sensor may detect a weak signal, but at ISO 100 that signal is below the A/D range. Boosting the ISO may pull that signal up into the A/D range and beyond the black point of the Raw histogram.
 
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If subject lighting, depth of field concerns, or motion blur issues keep you from hitting that exposure, you can maximize your exposure by:
  • Choosing the widest aperture that yields sufficient depth of field
  • Choose the slowest shutter speed that does not result in unwanted motion blur
  • Use Auto-ISO to set the corresponding ISO
The good old exposure triangle.
In case you were not kidding: since ISO is not part of the exposure, there is no such thing as exposure triangle.
This is just a name, but what it represents is perfectly consistent.

The name itself can be justified. If ISO is not part of exposure, it can be used as a kind of exposure indicator or used to set the exposure depending on the mode.

When you read exposure triangle, nowhere it is written that ISO is part of exposure. But is is a kind of exposure setting, even if the relation is inidirect.

In my manual, this is in the section exposure settings, and I think this makes sense
I was wondering when the good old Exposure Triangle would make its entrance into this thread. Like in the hundreds of previous ones on DPR, there will now be a cacophony between those who think it can be useful in practice, vs. those who think it's incorrect in theory and should not be used for that reason.
 
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I have yet to hear a coherent explanation of how a Triangle is supposed to help people understand exposure.
It is not supposed to do that and it doesn’t.
It's an additive process. More subject lighting increases exposure. A wider aperture increases exposure.
and decreases depth of field.
A longer shutter increases exposure.
and increases motion blur.
Combine the contributions of these three and you get your total exposure.
I am not interested in "exposure", I am interested in image properties such as "depth of field", "motion blur" and "noise". The triangle demonstrates how these 3 are connected and can be traded one against another by adjusting 3 camera controls: f-stop, shutter speed and ISO setting while keeping the same image lightness under the given constant lighting.

This is how autoexposure works in any camera. The triangle is a list of (f-stop, ss, ISO) options which will give the same image lightness under given lighting. Which option is chosen will NOT affect the image histogram but will affect how the image looks in terms of ("depth of field", "motion blur", "noise").

If one shoots raw, they might find the triangle confusing because they can no longer control image noise with camera's ISO setting. There is an additional step of adjusting "Exposure" in post processing which affects both image lightness and the amount of noise in each tone.
Excellent post !!

The main advantage of the exposure triangle is that it shows that the settings are often a matter of compromise. It is also a good tool to understand the different exposure modes of the camera. So it has many advantages.

Anyway, I do think the exposure triangle is perfectly coherent but it has to be explained correctly.

The debate does not really makes sense, it is more a matter of opnion. Some people think it is a bad tool, others think it is a good tool. I can understand this. It is their opinion not mine.

Last but not least, I have often mentionned that it was elegant mathematically. Every point in the triangle verifies the equation x+y+z = s where s remains constant and x,y,z are the projections on the 3 sides of the triangle. Maths are often beautiful !
 
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Which combined with the senitivity of the recording medium to light affects the brightness of the photo as observed on a print or screen.
Not really.

Consider a typical modern digital camera. If the sensor doesn't detect a signal at ISO 100, it won't detect that signal at ISO 128000.
Like Chris Noble, I disagree with your claim. ISO can help to detect the signal.
 
I am not interested in "exposure", I am interested in image properties such as "depth of field", "motion blur" and "noise". The triangle demonstrates how these 3 are connected
No, because they are not connected if light isn't constant, and because ISO isn't what you think it is.

You can't take a misconception and explain it correctly in any other way but by pointing out it's a misconception.
 
Raising ISO must not mean that NR is added to the raw files. For example, it does not occur with my Leica, Sony, and Nikon cameras, AFAIK. Please let me know if you have measurements that show otherwise. AFAIK, only long exposure NR affects raw files. All high ISO NR is only applied to JPEGs.

No, I do not think anyone says that raising the ISO settings reduces noise because of stronger NR at higher ISOs.
That's the conclusion I have come to. It doesn't apply to all cameras.

Do you have any other explanation ? Or is it just magic ?
When the exposure is invariant, the shot noise is the same. The read noise typically decreases or stays the same as the ISO increases. Therefore the total noise either decreases or stays the same. Since the signal stays the same, SNR either decreases or stays the same.
P2P measurements show that raising ISO reduces noise. If you look at ISO alone (no automatic metering from the camera involved), you will observe that increasing ISO, and everything else remaining equal, reduces noise (increases SNR). That is why some like to use ITTR (ISO to the right).

In my book, two stops ISO movements show not enough SNR improvements to be used for improving IQ. Instead, and at higher ISOs, I'd rather apply one-stop negative EC to the ISO to protect highlights. This works especially well in the Misomatic mode.
How do you think a camera can reduce noise at high ISO settings ?

The method used is may be different for shot noise and read noise.

Don
 
I have yet to hear a coherent explanation of how a Triangle is supposed to help people understand exposure.
It is not supposed to do that and it doesn’t.
It's an additive process. More subject lighting increases exposure. A wider aperture increases exposure.
and decreases depth of field.
A longer shutter increases exposure.
and increases motion blur.
Combine the contributions of these three and you get your total exposure.
I am not interested in "exposure", I am interested in image properties such as "depth of field", "motion blur" and "noise". The triangle demonstrates how these 3 are connected and can be traded one against another by adjusting 3 camera controls: f-stop, shutter speed and ISO setting while keeping the same image lightness under the given constant lighting.

This is how autoexposure works in any camera. The triangle is a list of (f-stop, ss, ISO) options which will give the same image lightness under given lighting. Which option is chosen will NOT affect the image histogram but will affect how the image looks in terms of ("depth of field", "motion blur", "noise").

If one shoots raw, they might find the triangle confusing because they can no longer control image noise with camera's ISO setting. There is an additional step of adjusting "Exposure" in post processing which affects both image lightness and the amount of noise in each tone.
"Autoexposure" or metering sets the exposure (shutter speed and aperture) according to ISO, exposure compensation, and metering used (spot, matrix, etc.). I do not see a triangle.
 
Bob, my guess is that the catalyst for this thread was a recent discussion in a different thread about the amount of noise an ISO setting contributes to a photo. As you know, the topic of noise in photos is a contentious one. Disagreements are sometimes the product of miscommunication between the participants.

To illustrate, one person might say, "High ISO images are noisier," and somebody might respond, "High ISO images are not noisier." The immediate impression one might take from this exchange, is that the two participants fundamentally disagree. However, there is a scenario in which the two people may largely be in agreement.

Suppose the underlying and unspoken context of the first comment is that it's an observation about the prominence of shot noise in a photo made with a low exposure. A high ISO was used to deliver a photo having a pleasing lightness but the underlying weak exposure results in an image displaying prominent shot noise.

Suppose the second comment is made from an underlying but unspoken context as a clarification that noise gets more prominent in low light photos but it's not the high ISO that's the primary contributor. It's shot noise that we see. Read noise decreases as ISO increases so, isn't the culprit.

In this scenario, it's possible the participants agree that shot noise is what we're seeing. But they may be misunderstanding each other. The second commenter may assume (incorrectly) that the first commenter is making an observation about the contribution of read noise to an image's appearance. The first commenter may misunderstand the response as denying that shot noise becomes more prominent as exposure (and the total light used to make a photo) decreases.

This "disagreement" arises from miscommunication; an absence of context or clarifying info in the written comments. The unfortunate outcome is an appearance of a fundamental disagreement about a topic on which the participants are broadly in agreement.

Now, I can't speak for the OP or any participants in this thread other than myself. My sense - and I may be mistaken - is that there's some miscommunication at play, here. That's why I posted a series of graphs illustrating that read noise does, in fact, tend to decrease as ISO increases.

https://www.dpreview.com/forums/post/66429775

So, when some folks talk about the common misperception that noise increases as ISO increases, those comments can be misunderstood as a denial that shot noise becomes more prominent as exposure decreases and less total light is used to make a photo. In fact, just the opposite is true. Calling out the high ISO noise misperception is an acknowledgement that photos look noisier as ISO increases. However, the reason for that noisier look is less total light being used (more prominent shot noise) and not, as some mistakenly believe, the result of increased read noise at higher ISOs.

The structure of this argument goes something like this:
  • Shot noise, which is determined by the total light used to make a photo, is typically the most prominent kind of noise we see in a photo.
  • Shot noise becomes more prominent as exposure (and total light used) decreases.
  • While the ISO used tends to increase as exposure decreases, the resulting correlation between high ISOs and noise visibility, is not evidence of causation.
  • It's not the read noise at high ISOs that makes photos look noisier. In fact, the amount of read noise is probably lower than the read noise in a well-exposed photo made at a low ISO.
  • It's the reduced signal-to-noise ratio (SNR) and corresponding increase in the prominence of shot noise that we see.
  • At very high ISOs, pattern noise and other artifacts can make read noise stand out and be more prominent. However, these are outlier situations and atypical of most photography.
So, yes, photos made at low ISOs typically do look best and have the highest quality. They're well-exposed with a high SNR and minimally visible shot noise. As exposure gets lower and less total light is used to make a photo, shot noise becomes more prominent and ultimately annoying. We use higher ISOs when making these photos but it's not read noise that compromises image quality. It's the more prominent shot noise that we see.
The general claim is that noise is less at higher ISO settings at the same exposure (aperture and speed). Nobody denies that when you raise the ISO the metering system will give less exposure, and hence more noise. The claim is that, at any given manually set exposure, the higher the ISO number the better. This doesn't seem to be the case with my tests.

Don
I do not think your tests were correct. See all other comments in this thread regarding your test.
 
If subject lighting, depth of field concerns, or motion blur issues keep you from hitting that exposure, you can maximize your exposure by:
  • Choosing the widest aperture that yields sufficient depth of field
  • Choose the slowest shutter speed that does not result in unwanted motion blur
  • Use Auto-ISO to set the corresponding ISO
The good old exposure triangle.
In case you were not kidding: since ISO is not part of the exposure, there is no such thing as exposure triangle.
This is just a name, but what it represents is perfectly consistent.

The name itself can be justified. If ISO is not part of exposure, it can be used as a kind of exposure indicator or used to set the exposure depending on the mode.

When you read exposure triangle, nowhere it is written that ISO is part of exposure. But is is a kind of exposure setting, even if the relation is inidirect.

In my manual, this is in the section exposure settings, and I think this makes sense
I was wondering when the good old Exposure Triangle would make its entrance into this thread. Like in the hundreds of previous ones on DPR, there will now be a cacophony between those who think it can be useful in practice, vs. those who think it's incorrect in theory and should not be used for that reason.
Oh, it's incorrect in practice.
 
Which combined with the senitivity of the recording medium to light affects the brightness of the photo as observed on a print or screen.
Not really.

Consider a typical modern digital camera. If the sensor doesn't detect a signal at ISO 100, it won't detect that signal at ISO 128000. ISO doesn't change the sensitivity of the sensor.
Actually, it can affect the observed "brightness" of the photo. The sensor may detect a weak signal, but at ISO 100 that signal is below the A/D range. Boosting the ISO may pull that signal up into the A/D range and beyond the black point of the Raw histogram.
Pushing or intensifying film after the exposure is made has nothing to do with film responsivity.

--
http://www.libraw.org/
 
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I have yet to hear a coherent explanation of how a Triangle is supposed to help people understand exposure.
It is not supposed to do that and it doesn’t.
It's called the "exposure triangle" and, unfortunately, it's used in most photography workshops to teach exposure and how a camera manages exposure. It's fundamentally wrong and its continued use is the source of widespread misunderstanding about photography.
It's an additive process. More subject lighting increases exposure. A wider aperture increases exposure.
and decreases depth of field.
A longer shutter increases exposure.
and increases motion blur.
Combine the contributions of these three and you get your total exposure.
I am not interested in "exposure", I am interested in image properties such as "depth of field", "motion blur" and "noise". The triangle demonstrates how these 3 are connected and can be traded one against another by adjusting 3 camera controls: f-stop, shutter speed and ISO setting while keeping the same image lightness under the given constant lighting.
ISO read noise is not a significant contributor of visible noise in most photography. Shot noise is and ISO has no direct affect on shot noise. The so-called exposure triangle fails as a tool for understanding how to control exposure, the amount of light delivered to a sensor, or the presence of noise in photographs.
This is how autoexposure works in any camera. The triangle is a list of (f-stop, ss, ISO) options which will give the same image lightness under given lighting. Which option is chosen will NOT affect the image histogram but will affect how the image looks in terms of ("depth of field", "motion blur", "noise").
All of which are more easily and accurately understood when we remove ISO from the equation.
If one shoots raw, they might find the triangle confusing because they can no longer control image noise with camera's ISO setting.
Anyone who thinks they're controlling noise by changing ISO, is confused. This is one of the unfortunate outcomes of the popular use of the so-called exposure triangle. It's used to teach a fundamentally wrong understanding of the sources of visible noise in photos and how to minimize the visibility of noise in photos.

Quite simply, ISOs from 64 to 25600 almost never contribute visible read noise in a photo. Shot noise is the culprit and is strictly a function of the total light used to make a photo. A photographer manages visible noise by managing exposure through f-stop, shutter speed, and the modification of ambient light.
There is an additional step of adjusting "Exposure" in post processing which affects both image lightness and the amount of noise in each tone.
It is literally impossible to adjust exposure after a shutter actuation has completed. This is why ISO, a setting applid after the shutter actuation during processing of a JPEG, is not an exposure setting.

--
Bill Ferris Photography
Flagstaff, AZ
http://www.billferris.photoshelter.com
 
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No, because they are not connected if light isn't constant,
And if the light is constant, they are connected?
and because ISO isn't what you think it is.
i understand the process ISO (the internationally recognized organization that sets standards for various metrics) uses for determine sensitivity of photographic mediums.

I understand that the ISO setting is, in effect, the gain or volume setting on an pre-amplifier. This gain, applied to the input signal - the amount of light received by an individual light sensitive receptor (a pixel). Also that the amount of gain applied to the input from an individual pixel is also modulated by the Bayer matrix function, white balance setting, and “picture style” controls in the camera, and/or by a raw processing program like ACR, Capture One, etc., including sharpening, contrast, exposure,

I understand that on the camera, the histogram and clipping indicators, , as well as the appearance of the image is shaped by those in-camera “picture style” settings, and that the same is true with settings in raw processing program.

Iliah, since you are one of two resident experts (the other being Bill Claff) in these matters, do I understand all of the above correctly?

--
To see my work, please visit http://www.ellisvener.com
Or on Instagram @EllisVenerStudio
 
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Which combined with the senitivity of the recording medium to light affects the brightness of the photo as observed on a print or screen.
Not really.

Consider a typical modern digital camera. If the sensor doesn't detect a signal at ISO 100, it won't detect that signal at ISO 128000.
Like Chris Noble, I disagree with your claim. ISO can help to detect the signal.
When the shutter closes and signal collection completes, the ISO setting has played no part yet.
 
The general claim is that noise is less at higher ISO settings at the same exposure (aperture and speed). Nobody denies that when you raise the ISO the metering system will give less exposure, and hence more noise. The claim is that, at any given manually set exposure, the higher the ISO number the better. This doesn't seem to be the case with my tests.
In most cases, you will not introduce significantly more read noise when increasing ISO at a given exposure. The Sigma fp you tested is an outlier. Read noise noticeably increases between ISO 320 and 500. For many other cameras, this is not the case. For most cameras, including your fp, the broader slope of a line graphing noise shows reduced read noise as ISO increases.

From a purely practical standpoint, the biggest risk of increasing ISO in the scenario described is the potential to blow out and lose detail in highlights. While some digital cameras include ISO information as a tag on a raw file, many (I'm looking at you, Nikon) apply ISO in a manner that can irreparably blow out highlights. There's no more than a 1-stop margin of error.

As a general rule, I wouldn't recommend pushing ISO more than 2/3-stop in search of reduced read noise. If pushing ISO 2/3-stop moves a camera into its invariant range, there are more tangible benefits to that from a standpoint of potential to recover detail in both highlights and shadows.
 
No, because they are not connected if light isn't constant,
And if the light is constant, they are connected?
Think of this: how is ISO setting connected to noise or exposure?
and because ISO isn't what you think it is.
i understand the process ISO (the internationally recognized organization that sets standards for various metrics) uses for determine sensitivity of photographic mediums.
In this case, they don't consider a sensor (or raw) to be a photographic media.
I understand that the ISO setting is, in effect, the gain or volume setting on an pre-amplifier. This gain, applied to the input signal - the amount of light received by an individual light sensitive receptor (a pixel).
Nothing is applied to light apart from conversion on a photo diode. This conversion is characterized by conversion gain. This conversion gain is a function of full well capacity and maximum voltage permitted for output. What this gain controls is saturation signal and noise.

Whatever are the mechanisms behind ISO "implementation" in a camera, they don't deal with light as an input signal.

Gain is a too generic and often misused term to be used without qualifications. There are several places in the signal conversion / processing chain where different kinds of gain are applied.
Also that the amount of gain applied to the input from an individual pixel is also modulated by the Bayer matrix function, white balance setting, and “picture style” controls in the camera, and/or by a raw processing program like ACR, Capture One, etc., including sharpening, contrast, exposure,
I wouldn't call it gain modulation. Those factors act upon raw data, not upon gain.
I understand that on the camera, the histogram and clipping indicators, , as well as the appearance of the image is shaped by those in-camera “picture style” settings, and that the same is true with settings in raw processing program.
For now, and for most of the cameras, yes. In some cases one can creatively use camera settings to get more true-to-raw zebras, counteract WB, contrast enhancements, etc,
Iliah, since you are one of two resident experts (the other being Bill Claff) in these matters, do I understand all of the above correctly?
There many more than 2 people here who understand and can accurately explain those matters. I don't think you should ignore them.
 
Which combined with the senitivity of the recording medium to light affects the brightness of the photo as observed on a print or screen.
Not really.

Consider a typical modern digital camera. If the sensor doesn't detect a signal at ISO 100, it won't detect that signal at ISO 128000.
Like Chris Noble, I disagree with your claim. ISO can help to detect the signal.
When the shutter closes and signal collection completes, the ISO setting has played no part yet.
You are incorrect for all the digital cameras where the ISO control is implemented as a variable analog gain stage between the sensor and the A/D.
 
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Which combined with the senitivity of the recording medium to light affects the brightness of the photo as observed on a print or screen.
Not really.

Consider a typical modern digital camera. If the sensor doesn't detect a signal at ISO 100, it won't detect that signal at ISO 128000.
Like Chris Noble, I disagree with your claim. ISO can help to detect the signal.
When the shutter closes and signal collection completes, the ISO setting has played no part yet.
You are incorrect for all the digital cameras where the ISO control is implemented as a variable analog gain stage between the sensor and the A/D.
I understand that the sensor is read out after the mechanical shutter closes. If that is the case, isn't ISO applied only while reading the data from the sensor and after the exposure completes?
 
Which combined with the senitivity of the recording medium to light affects the brightness of the photo as observed on a print or screen.
Not really.

Consider a typical modern digital camera. If the sensor doesn't detect a signal at ISO 100, it won't detect that signal at ISO 128000.
Like Chris Noble, I disagree with your claim. ISO can help to detect the signal.
When the shutter closes and signal collection completes, the ISO setting has played no part yet.
You are incorrect for all the digital cameras where the ISO control is implemented as a variable analog gain stage between the sensor and the A/D.
I understand that the sensor is read out after the mechanical shutter closes. If that is the case, isn't ISO applied only while reading the data from the sensor and after the exposure completes?
The "signal collection" consists of reading out the sensor data (analog), amplifying it, converting it to digital, and recording it in memory. Whatever ISO setting was set at the moment the shutter button is pressed is the one that is applied to the rest of the process.
 

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