Olympus & ?

Is there something wrong with Panasonic focussing on the value in video? Why wouldn't they play to their strengths and the growing market for content?

It may disappoint people who like Panasonic bodies and shoot stills, but they have no obligation to service that market.

Andrew
Quite right - no obligation to service 'that' market. .... and buyers have no obligation to buy when product does not suit 'their' buyer's market.

I suspect that there is more room to add 'features' (ie: firmware advances) to more dedicated video cameras than there is to stills oriented cameras. The latter might be quite mined out of features with not a lot more gee-whizz to sell.

So by all means sell video-wonder but I am not so sure that the market is leaning as strongly to 'going video' as Panasonic might like to think. The GH6 by all accounts is a remarkable camera but stills is almost and afterthought - the result is the forum goes ape over the (mainly stills) OM-1 and the GH6 gets little mention.

In other words - are we willing to keep updating our kit for no more than better video when stills shooting improvement has stalled? The OM-1 show that there are a few tricks left in the still-shooting locker.

But the reality may be that we might as well be super happy with our G9/GX9 and OM-1 for some time to come. I am, and in no hurry to update my present shutter squeezes.

However the forum does get a lot of its vibe from new product and that new product that gets the best vibes is product mainly aimed at still image shooting.

But maybe Panasonic is waiting on supplies of that new 25mp sensor ramping up?

Not for me to tell Panasonic what to do but if they made no more primarily still-capture camera bodies then I will be perfectly happy with what I already own for quite some time to come.
Personally I feel if the S1 or S1R for example used a top flight hybrid autofocus it would be playing with the big boys currently as a top line product. Sadly Nikon, Canon and Sony eclipsed it completely due mostly to that lack. But as you say Panasonic doesn't care. It's their privilege. and the market will pass on them as a result for stills.
 
The G9 could have been very successful for birding/wildlife, if it had PDAF. For most other applications it is too large and heavy a brick to carry around.
The G9 fits my hands better than any other camera I've ever held. I have no interest in a smaller version if it doesn't have the G9's near-perfect-for-me ergonomics. I tried a G100--no go for me.

If I need PDAF or higher resolution for a particular situation, I'll use my (even larger and heavier) A7RIV kit, but the Panny is just so intuitive and fun to shoot. YMMV, of course.
 
The G9 could have been very successful for birding/wildlife, if it had PDAF. For most other applications it is too large and heavy a brick to carry around.
The G9 fits my hands better than any other camera I've ever held. I have no interest in a smaller version if it doesn't have the G9's near-perfect-for-me ergonomics. I tried a G100--no go for me.

If I need PDAF or higher resolution for a particular situation, I'll use my (even larger and heavier) A7RIV kit, but the Panny is just so intuitive and fun to shoot. YMMV, of course.
I too have an R4. It's 7g heavier than the G9 and a tiny bit smaller. The lenses are what make a difference, so it depends on what you choose. I'm pretty happy with my Tamron 17-28 & 28-75 pair but the whole kit is very heavy thanks to lenses like the 24mm TSE II, 90mm macro, the massive Samyang 135/2 and Tamron 35/1.4. Not to mention using a tripod and a Lee filter set.

The killer feature of MFT for me is IBIS. My perfect ergonomics was the EM1.1, which is now back in service because I like using it so much, along with the GM1 when an EVF is less important than being unobtrusive.

Andrew
 
The G9 could have been very successful for birding/wildlife, if it had PDAF. For most other applications it is too large and heavy a brick to carry around.
The G9 fits my hands better than any other camera I've ever held. I have no interest in a smaller version if it doesn't have the G9's near-perfect-for-me ergonomics. I tried a G100--no go for me.

If I need PDAF or higher resolution for a particular situation, I'll use my (even larger and heavier) A7RIV kit, but the Panny is just so intuitive and fun to shoot. YMMV, of course.
I too have an R4. It's 7g heavier than the G9 and a tiny bit smaller.
I also have a grip extension that adds a bit of weight to the A7RIV. The G9 is near-perfect as-is.
The lenses are what make a difference, so it depends on what you choose.
Yes, indeed. That's where the MFT really helps; I don't make any attempt to get fast (heavy) MFT lenses; that would defeat much of my purpose.
I'm pretty happy with my Tamron 17-28 & 28-75 pair but the whole kit is very heavy thanks to lenses like the 24mm TSE II, 90mm macro, the massive Samyang 135/2 and Tamron 35/1.4. Not to mention using a tripod and a Lee filter set.
I used to have the Samyang 135/2; that was indeed one heavy puppy. Nowadays I mainly use the 24-105, and have a few primes for occasional use.
The killer feature of MFT for me is IBIS. My perfect ergonomics was the EM1.1, which is now back in service because I like using it so much, along with the GM1 when an EVF is less important than being unobtrusive.
Compared to the front element on that 24-105, all my MFT lenses are unobtrusive. :-)

I agree about the IBIS; I've had surprising (to me) good shots indoors handheld with relatively low light; DxO PhotoLab 5's DeepPRIME NR helps a lot.
 
There are some that argue that Panasonic’s contrast detect system can be improved to match phase detect response time, but still there has been no flagship still camera release in MFT.

It was really surprising they didn’t add phase detect to their L mount cameras, since they are competing with Nikon, Canon and Sony in the FF market.

If I had interest or reason to buy a full frame camera, L mount would be at the bottom of the list
 
The G9 could have been very successful for birding/wildlife, if it had PDAF. For most other applications it is too large and heavy a brick to carry around.
The G9 fits my hands better than any other camera I've ever held. I have no interest in a smaller version if it doesn't have the G9's near-perfect-for-me ergonomics. I tried a G100--no go for me.

If I need PDAF or higher resolution for a particular situation, I'll use my (even larger and heavier) A7RIV kit, but the Panny is just so intuitive and fun to shoot. YMMV, of course.
I too have an R4. It's 7g heavier than the G9 and a tiny bit smaller.
I also have a grip extension that adds a bit of weight to the A7RIV. The G9 is near-perfect as-is.
The lenses are what make a difference, so it depends on what you choose.
Yes, indeed. That's where the MFT really helps; I don't make any attempt to get fast (heavy) MFT lenses; that would defeat much of my purpose.
I'm pretty happy with my Tamron 17-28 & 28-75 pair but the whole kit is very heavy thanks to lenses like the 24mm TSE II, 90mm macro, the massive Samyang 135/2 and Tamron 35/1.4. Not to mention using a tripod and a Lee filter set.
I used to have the Samyang 135/2; that was indeed one heavy puppy. Nowadays I mainly use the 24-105, and have a few primes for occasional use.
The killer feature of MFT for me is IBIS. My perfect ergonomics was the EM1.1, which is now back in service because I like using it so much, along with the GM1 when an EVF is less important than being unobtrusive.
Compared to the front element on that 24-105, all my MFT lenses are unobtrusive. :-)

I agree about the IBIS; I've had surprising (to me) good shots indoors handheld with relatively low light; DxO PhotoLab 5's DeepPRIME NR helps a lot.


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There are different scales of unobtrusive! Panasonic seem to figure highly in my small kit.

That 24-105/4 is just too big for me, without a shoulder strap.

Andrew

--
Infinite are the arguments of mages. Truth is a jewel with many facets. Ursula K LeGuin
Please feel free to edit any images that I post
 
Is there something wrong with Panasonic focussing on the value in video? Why wouldn't they play to their strengths and the growing market for content?

It may disappoint people who like Panasonic bodies and shoot stills, but they have no obligation to service that market.

Andrew
Quite right - no obligation to service 'that' market. .... and buyers have no obligation to buy when product does not suit 'their' buyer's market.

I suspect that there is more room to add 'features' (ie: firmware advances) to more dedicated video cameras than there is to stills oriented cameras. The latter might be quite mined out of features with not a lot more gee-whizz to sell.

So by all means sell video-wonder but I am not so sure that the market is leaning as strongly to 'going video' as Panasonic might like to think. The GH6 by all accounts is a remarkable camera but stills is almost and afterthought - the result is the forum goes ape over the (mainly stills) OM-1 and the GH6 gets little mention.
Some time ago the director for the photography curriculum at Ringling College of Art whose graduates are sought after by high end media companies allowed that to graduate, all student had to be proficient in video as well as still photography because these multimedia outlets demanded both. I suspect in the future still photography may actually become simply of a derivative of video, whether we like it or not.
In other words - are we willing to keep updating our kit for no more than better video when stills shooting improvement has stalled? The OM-1 show that there are a few tricks left in the still-shooting locker.
As I've said upthread, want stills oriented? ...shoot OM. Want video?.. shoot Panasonic. It's good we have both to choose from.

the reality may be that we might as well be super happy with our G9/GX9 and OM-1 for some time to come. I am, and in no hurry to update my present shutter squeezes.
However the forum does get a lot of its vibe from new product and that new product that gets the best vibes is product mainly aimed at still image shooting.

But maybe Panasonic is waiting on supplies of that new 25mp sensor ramping up?

Not for me to tell Panasonic what to do but if they made no more primarily still-capture camera bodies then I will be perfectly happy with what I already own for quite some time to come.
 


There are different scales of unobtrusive! Panasonic seem to figure highly in my small kit.
Too small for me; as I mentioned earlier, I had a G100 for a few days, but couldn't get used to the ergonomics.
That 24-105/4 is just too big for me, without a shoulder strap.
Both my cameras have shoulder straps, a habit that saved the Sony when I didn't properly secure it to my tripod; it would have fallen on solid rock at Arches.
 
Quite an intriguing topic! It didn't take long to see that it was more about what Panasonic hasn't offered than an Olympus-related topic.

My first MFT camera was a Panasonic GH3 paired with the 12-35mm f/2.8 lens. It was supposed to be a dedicated video solution as I was also invested in Sony APS-C. At the time, Sony's APS-C lens offerings were rather limited (kindly stated). By contrast, there was an abundance of MFT lenses. It didn't take long for my resolve not to expand into MFT to melt away, especially with Olympus' 5-axis IBIS, the fast Pen Primes and the amazing (to me) Pen E-P5 camera in retro black & silver. Today, 4 out of my 5 MFT cameras are Olympus and my lone Panasonic is a non-current GH4. I did consider upgrading to the GH5ii but decided against it. I also considered getting the GX85 and later, the GX9, but didn't purchase either one. Finally, I have been considering the G9 but haven't gotten past my reservations. Why?

I am not locked into Olympus and probably won't be purchasing OMDS products in the foreseeable future. I really like many of Panasonic's camera features but am puzzled by the apparent refusal to implement embedded PDAF. DFD may be good for single shot AF but falls short for confident AF subject tracking in video (reason for not upgrading to the GH5ii). My other difficulty with Panasonic cameras is associated with what I consider to be model differentiation. I wanted to purchase the G9 for its numerous features, especially for stills but also wanted some excellent video capability (so far, so good). However, I remain frustrated that the G9 has the artificial video recording limit when some of the lower models such as the G85 and G95 do not. The GX85 has so much going for it as a hybrid camera with no AA filter, great IBIS, good 4K but a truly atrocious on board microphone system and no microphone jack. Both the GX85 and GX9 have more appeal as a stills camera but each have a 16:9 aspect ratio for their EVF and waste space when they could have had a 4:3 aspect ratio for stills. Do you see a pattern? It's as if Panasonic's camera efforts were run by as set of twins, a good twin and an evil twin. The good twin packs wonderful features into the camera and the evil twin thinks of ways to sabotage sales.

My $.02!

Jim
 
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Is there something wrong with Panasonic focussing on the value in video? Why wouldn't they play to their strengths and the growing market for content?

It may disappoint people who like Panasonic bodies and shoot stills, but they have no obligation to service that market.

Andrew
Quite right - no obligation to service 'that' market. .... and buyers have no obligation to buy when product does not suit 'their' buyer's market.

I suspect that there is more room to add 'features' (ie: firmware advances) to more dedicated video cameras than there is to stills oriented cameras. The latter might be quite mined out of features with not a lot more gee-whizz to sell.

So by all means sell video-wonder but I am not so sure that the market is leaning as strongly to 'going video' as Panasonic might like to think. The GH6 by all accounts is a remarkable camera but stills is almost and afterthought - the result is the forum goes ape over the (mainly stills) OM-1 and the GH6 gets little mention.
Some time ago the director for the photography curriculum at Ringling College of Art whose graduates are sought after by high end media companies allowed that to graduate, all student had to be proficient in video as well as still photography because these multimedia outlets demanded both. I suspect in the future still photography may actually become simply of a derivative of video, whether we like it or not.
it is now ,i shot a full gig of my daughter (19) in 4k ,i just left the camera recording and told her that she can extract very good stills from it, i went around and shot stills with FF she has just posted images on her social media sites and all the images are extracted stills from video, and i must say they are very nice and she triptych them :-)

Ds
In other words - are we willing to keep updating our kit for no more than better video when stills shooting improvement has stalled? The OM-1 show that there are a few tricks left in the still-shooting locker.
As I've said upthread, want stills oriented? ...shoot OM. Want video?.. shoot Panasonic. It's good we have both to choose from.

the reality may be that we might as well be super happy with our G9/GX9 and OM-1 for some time to come. I am, and in no hurry to update my present shutter squeezes.
However the forum does get a lot of its vibe from new product and that new product that gets the best vibes is product mainly aimed at still image shooting.

But maybe Panasonic is waiting on supplies of that new 25mp sensor ramping up?

Not for me to tell Panasonic what to do but if they made no more primarily still-capture camera bodies then I will be perfectly happy with what I already own for quite some time to come.
 
Is there something wrong with Panasonic focussing on the value in video? Why wouldn't they play to their strengths and the growing market for content?

It may disappoint people who like Panasonic bodies and shoot stills, but they have no obligation to service that market.

Andrew
Quite right - no obligation to service 'that' market. .... and buyers have no obligation to buy when product does not suit 'their' buyer's market.

.........

Not for me to tell Panasonic what to do but if they made no more primarily still-capture camera bodies then I will be perfectly happy with what I already own for quite some time to come.
That is why I stocked up on 4 GM bodies for my basic everyday go anywhere kit. Common spare parts are readily available, free service manuals too. I am good for many years to come. And thereafter, I bet phones will have improved to the point of making that switch for me palatable too.

For larger more featured bodies, I am perfectly happy with the Olympus I have.
 
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Fully agree. But the forum still seems to get a lot of video urging even though it also seems stills oriented basically. I can only assume that video-interests are more noisy.

I can also accept that there is more entry-level commercial potential for video. The dream of an easy second income from a for still shooting is largely illusory. I turned down enquiries for weddings, etc for years because as an accountant it could not possibly justify the time (mainly) and cost of equipment unless I committed to it really seriously.

That was what I was not going to do - I would rather not half heartedly compete with those who wished to make a living out of it.

On the other hand my reasoning should be obvious. The market, from this forum at least, wants great stills camera bodies with possibly the option to do some video.

But the ability to keep punching out stills-oriented camera bodies with exciting vendable features is getting harder.

Ergo - Panasonic (and others) can bring out lots of video enhancements quite easily - this should help sell the next wave of camera bodies .... surely? That might be their reasoning and the result? You can lead a still-shooter to the video water but you cannot necessarily make them drink.

But maybe i have it all wrong and secretly they have this new wonder-sensor in the works that will further excite the still-shooters into a forum frenzy. It is quite interesting how relaxed the forum has been in regard to the GH6 25mp sensor which might find its way into other bodies at some time in the future.

Meanwhile my G9 with 25-50/1.7 is a favourite go-to camera and I can see zero need to update it.
 
Is there something wrong with Panasonic focussing on the value in video? Why wouldn't they play to their strengths and the growing market for content?

It may disappoint people who like Panasonic bodies and shoot stills, but they have no obligation to service that market.

Andrew
Quite right - no obligation to service 'that' market. .... and buyers have no obligation to buy when product does not suit 'their' buyer's market.

I suspect that there is more room to add 'features' (ie: firmware advances) to more dedicated video cameras than there is to stills oriented cameras. The latter might be quite mined out of features with not a lot more gee-whizz to sell.

So by all means sell video-wonder but I am not so sure that the market is leaning as strongly to 'going video' as Panasonic might like to think. The GH6 by all accounts is a remarkable camera but stills is almost and afterthought - the result is the forum goes ape over the (mainly stills) OM-1 and the GH6 gets little mention.
Some time ago the director for the photography curriculum at Ringling College of Art whose graduates are sought after by high end media companies allowed that to graduate, all student had to be proficient in video as well as still photography because these multimedia outlets demanded both. I suspect in the future still photography may actually become simply of a derivative of video, whether we like it or not.
I am happy with this as long as all camera bodies released are not primarily video purposed. Despite my grumbles I am reasonably confident that this will happen. After all the G9 was effectively a GH5 with its video capability seriously toned down and backgrounded.

I don't mind video capability in a camera body as long as it is not 'in my face" and can be easily ignored. The GH6 is apparently quite good at stills but is so video oriented that trying to ignore its video capability might be hard.
In other words - are we willing to keep updating our kit for no more than better video when stills shooting improvement has stalled? The OM-1 show that there are a few tricks left in the still-shooting locker.
As I've said upthread, want stills oriented? ...shoot OM. Want video?.. shoot Panasonic. It's good we have both to choose from.

the reality may be that we might as well be super happy with our G9/GX9 and OM-1 for some time to come. I am, and in no hurry to update my present shutter squeezes.
I prefer the general tenor of the Panasonic interface and am not unhappy with the G9 - it will be a hard camera to even make me feel that it needs updating - so the OM-1 despite its deserved popularity holds no attractions for me.

Hard to think that not so long ago the hawks were circling over the remaindered corpses of a bunch of cheap E-M1ii bodies and some others and OMDS was seen as a new branding for "Mortician". How the weather changes and no doubt Panasonic will come up with something. Their R&D guys are unlikely to have been sleeping. With L-Mount in the doldrums and the OM-1 doing "Firebird" there must be a market there that is stronger than what L-mount is presently offering no matter how much Panasonic is throwing at it.

But of course how do you update near-perfection? The G9 was obviously meant for the long haul and not a short term place-holder.
However the forum does get a lot of its vibe from new product and that new product that gets the best vibes is product mainly aimed at still image shooting.

But maybe Panasonic is waiting on supplies of that new 25mp sensor ramping up?

Not for me to tell Panasonic what to do but if they made no more primarily still-capture camera bodies then I will be perfectly happy with what I already own for quite some time to come.
 
Is there something wrong with Panasonic focussing on the value in video? Why wouldn't they play to their strengths and the growing market for content?

It may disappoint people who like Panasonic bodies and shoot stills, but they have no obligation to service that market.

Andrew
Quite right - no obligation to service 'that' market. .... and buyers have no obligation to buy when product does not suit 'their' buyer's market.

.........

Not for me to tell Panasonic what to do but if they made no more primarily still-capture camera bodies then I will be perfectly happy with what I already own for quite some time to come.
That is why I stocked up on 4 GM bodies for my basic everyday go anywhere kit. Common spare parts are readily available, free service manuals too. I am good for many years to come. And thereafter, I bet phones will have improved to the point of making that switch for me palatable too.

For larger more featured bodies, I am perfectly happy with the Olympus I have.
Yes, you read me well. My last purchase was the Panasonic 25-50/1.7 lens. Very expensive. Physically large but not overly heavy. Brilliant lens. I have been using it on my G9. But I must give it a go on a GM5 .... why? Because I can. That is one of the least appreciated advantages of M4/3.

More lenses like this lens? Yes please - just take your time - I am not made of money .....
 
It's a gear forum with a lot of stills photographers. Panasonic haven't released a high end stills body since the well-regarded GX9.

Why is this somehow the responsibility of stills photographers who happen to choose Olympus bodies?

Post about using the GH6 for videos, why not - some of our Pros do.

My last two lens purchases were a Laowa 10/2 (thanks to Gnine) and a used PL25/1.4 (thanks to jalywol). Picked up my OM1 on Thursday - does that make me a bad person?

My main Panasonic interest is the smaller lenses and bodies, where they out perform Olympus.

Andrew
 
I have an M1.2 and an M1.3, and likely won't buy the OM-1. I have been a still photographer for decades, and I'm pretty happy with my two E-M1 cameras.

Over the past couple of years I've gotten into video, first for professional reasons... I'm a management consultant who has traveled internationally and the pandemic put a halt to that and created the need for live and recorded seminars and presentations. I've used my M1.2 successfully for this, using a third party AC-powered 'battery' so I could go on continuously, along with an ATEM Mini Extreme and an Atomos Ninja V for recording video straight out of the camera for editing. This gives me high quality 4K video and lets me use the 'mixing' I did between me, the presentation, whiteboarding, etc., to make a finished video... the ATEM Mini Extreme captures the camera changes and using DaVinci Resolve I can create a 4K version of the event that was broadcast in HD.

I bought the M1.3 for its ability to run off of a USB power supply and battery, but quickly found that I cannot output HDMI while the USB is connected. This is still a limitation with the OM-1. This limitation of not being able to use both ports simultaneously precludes using either the M1.3 or OM-1 on a gimbal with gimbal control of the camera while outputting HDMI to a recorder (or transmitter). Until this limitation is fixed I won't buy another OM Systems camera.

What I likely will buy is a GH6 for producing my videos. It is so much more capable than the M1.3/OM-1 for recording videos, and I can use the Olys for additional cameras (to capture a real whiteboard or a top-down angle. I can run it off a gimbal when videoing live workshops at customer sites. Etc.

I don't know why OM Systems is ceding the video market to Panasonic, etc. I have to believe that video is the new photography... if a picture is worth a thousand words, how many words is a video worth? Maybe make an OM-10 as a video-focused camera like the GH6, and keep the OM-1 as a photo-focused camera with 4K/60, dual use of HDMI and USB, and anamorphic lens support.
 
There are some that argue that Panasonic’s contrast detect system can be improved to match phase detect response time, but still there has been no flagship still camera release in MFT.
It was really surprising they didn’t add phase detect to their L mount cameras, since they are competing with Nikon, Canon and Sony in the FF market.
If I had interest or reason to buy a full frame camera, L mount would be at the bottom of the list
The odd reality is that if a ultra fast processor and new algorithms could be applied it would indeed be possible for DFD tech to catch up to phase detection. But an engineer friend of mine made it plain that the costs of developing such a processor and the time involved with development of said algorithms would be perhaps a bit prohibitively expensive. Guess we'll have to see if Panny decides to throw the towel in on DFD and join the phase detection crowd. Or if they decide to completely separate themselves from the crowd and take the big dive into the tech needed to elevate their precious DFD to current levels. We shall see.
 
I have an M1.2 and an M1.3, and likely won't buy the OM-1. I have been a still photographer for decades, and I'm pretty happy with my two E-M1 cameras.

Over the past couple of years I've gotten into video, first for professional reasons... I'm a management consultant who has traveled internationally and the pandemic put a halt to that and created the need for live and recorded seminars and presentations. I've used my M1.2 successfully for this, using a third party AC-powered 'battery' so I could go on continuously, along with an ATEM Mini Extreme and an Atomos Ninja V for recording video straight out of the camera for editing. This gives me high quality 4K video and lets me use the 'mixing' I did between me, the presentation, whiteboarding, etc., to make a finished video... the ATEM Mini Extreme captures the camera changes and using DaVinci Resolve I can create a 4K version of the event that was broadcast in HD.

I bought the M1.3 for its ability to run off of a USB power supply and battery, but quickly found that I cannot output HDMI while the USB is connected. This is still a limitation with the OM-1. This limitation of not being able to use both ports simultaneously precludes using either the M1.3 or OM-1 on a gimbal with gimbal control of the camera while outputting HDMI to a recorder (or transmitter). Until this limitation is fixed I won't buy another OM Systems camera.

What I likely will buy is a GH6 for producing my videos. It is so much more capable than the M1.3/OM-1 for recording videos, and I can use the Olys for additional cameras (to capture a real whiteboard or a top-down angle. I can run it off a gimbal when videoing live workshops at customer sites. Etc.

I don't know why OM Systems is ceding the video market to Panasonic, etc. I have to believe that video is the new photography... if a picture is worth a thousand words, how many words is a video worth? Maybe make an OM-10 as a video-focused camera like the GH6, and keep the OM-1 as a photo-focused camera with 4K/60, dual use of HDMI and USB, and anamorphic lens support.
 
There are some that argue that Panasonic’s contrast detect system can be improved to match phase detect response time, but still there has been no flagship still camera release in MFT.
It was really surprising they didn’t add phase detect to their L mount cameras, since they are competing with Nikon, Canon and Sony in the FF market.
If I had interest or reason to buy a full frame camera, L mount would be at the bottom of the list
The odd reality is that if a ultra fast processor and new algorithms could be applied it would indeed be possible for DFD tech to catch up to phase detection. But an engineer friend of mine made it plain that the costs of developing such a processor and the time involved with development of said algorithms would be perhaps a bit prohibitively expensive. Guess we'll have to see if Panny decides to throw the towel in on DFD and join the phase detection crowd. Or if they decide to completely separate themselves from the crowd and take the big dive into the tech needed to elevate their precious DFD to current levels. We shall see.
Why can't they just use one of these gaming computer CPU and put that into the camera? I wouldn't mind an 8 core or even 16 core CPU.

--
In the councils of government, we must guard against the acquisition of unwarranted influence, whether sought or unsought, by the military industrial complex. The potential for the disastrous rise of misplaced power exists and will persist. We must never let the weight of this combination endanger our liberties or democratic processes. We should take nothing for granted. Only an alert and knowledgeable citizenry can compel the proper meshing of the huge industrial and military machinery of defense with our peaceful methods and goals, so that security and liberty may prosper together.
-Dwight D. Eisenhower, 1961
 
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