Will Sony consider creating light long telephotos like 500mm?

Perhaps it is time for you to look at the Olympus system, there OM-1 appears to be as exciting as an A1.
Why let go the full frame sensor when you can use the same physical focal length and crop to the same image quality as with the MFT format? For everything else but the few instances you need to crop, the 50 Mp full frame sensor will be the clear winner!

Some are fooled by the angle of view, though, thinking that smaller sensors makes more reach. When using the same physical focal length for the same subject distance, the subjet is captured at exactly thje same image scale, no matter crop or not.
m43 still has a some allure,but it is not for being better iq or for reach really, although it is more affordable in some regards to get that reach fov. the om-1 with the 150-400mm does offer a good package, it will still set you back as much as a A1 and 200-600mm and anything shy/short of cropping to the same fov swings the advantage to full frame ie 600mm on a1 cropped to 1000mm like the om-1 500mm 5.6 with t/c used on the 150-400mm ,m43 biggest advantage is for travel and a lot of that is swings and roundabouts.
Read what I wrote about physical focal length and image scale on the sensor!

My point is that you can use the same physical focal length on larger sensors, crop, and end up with the same image quality as MFT. Bulk & weight of the gear will be pretty much in the same ballpark! That's why I judge MFT of no interest at all for users of larger format sensor cameras.
Yes, the body size is much the same. There is more to it than just the maths. The big deal with m4/3 is the better IBIS you get with the smaller sensor. It is several stops better than a FF and this has real advantages for lens design and use with longer lenses. Further, we can assume that the long lens is needed for sports or wildlife. The Oly adds pro capture and that is a feature that is of considerable interest.
No, it's all about the maths: you can do the same thing (or better) as M43 by cropping in on FF shots, except with FF you can also use the full sensor for better image quality.

IBIS isn't going to anything for you for ultra-telephoto wildlife shot in motion at say 1/2000s+, and you can crop in on FF bodies for equivalent or better reach.

Low-end M43 is a great way to try wildlife photography without breaking the bank, like an RX10IV. High-end M43 is a scam for people who refuse to do math.
Not so. If you have better IBIS you don't need to have as fast a lens, which means you can have a smaller lens. This is about the size of the gear.

I note that you haven't mentioned Pro capture. That's not maths either.
 
Perhaps it is time for you to look at the Olympus system, there OM-1 appears to be as exciting as an A1.
Why let go the full frame sensor when you can use the same physical focal length and crop to the same image quality as with the MFT format? For everything else but the few instances you need to crop, the 50 Mp full frame sensor will be the clear winner!

Some are fooled by the angle of view, though, thinking that smaller sensors makes more reach. When using the same physical focal length for the same subject distance, the subjet is captured at exactly thje same image scale, no matter crop or not.
m43 still has a some allure,but it is not for being better iq or for reach really, although it is more affordable in some regards to get that reach fov. the om-1 with the 150-400mm does offer a good package, it will still set you back as much as a A1 and 200-600mm and anything shy/short of cropping to the same fov swings the advantage to full frame ie 600mm on a1 cropped to 1000mm like the om-1 500mm 5.6 with t/c used on the 150-400mm ,m43 biggest advantage is for travel and a lot of that is swings and roundabouts.
Read what I wrote about physical focal length and image scale on the sensor!

My point is that you can use the same physical focal length on larger sensors, crop, and end up with the same image quality as MFT. Bulk & weight of the gear will be pretty much in the same ballpark! That's why I judge MFT of no interest at all for users of larger format sensor cameras.
Yes, the body size is much the same. There is more to it than just the maths. The big deal with m4/3 is the better IBIS you get with the smaller sensor. It is several stops better than a FF and this has real advantages for lens design and use with longer lenses. Further, we can assume that the long lens is needed for sports or wildlife. The Oly adds pro capture and that is a feature that is of considerable interest.
No, it's all about the maths: you can do the same thing (or better) as M43 by cropping in on FF shots, except with FF you can also use the full sensor for better image quality.

IBIS isn't going to anything for you for ultra-telephoto wildlife shot in motion at say 1/2000s+, and you can crop in on FF bodies for equivalent or better reach.

Low-end M43 is a great way to try wildlife photography without breaking the bank, like an RX10IV. High-end M43 is a scam for people who refuse to do math.
Not so. If you have better IBIS you don't need to have as fast a lens, which means you can have a smaller lens. This is about the size of the gear.

I note that you haven't mentioned Pro capture. That's not maths either.
A moving bird needs a high shutter to freeze the action; stabilization isn't going to affect the amount of light you need.

Pro capture is an interesting gimmick but limited:
  • In the fastest SH1 mode, you don't AF between frames.
  • In the more usable SH2 mode, you require high shutter speed (hey, remember how you were bragging about IBIS and low shutter speeds?).
  • Autofocus accuracy is lower with ProCap SH2.
  • Limited to certain lenses.
I'd rather just shoot at 30FPS with an A1 with the best autofocus on every frame.
 
I’m a Sony Alpha 1 ( and many other bodies ) shooter where my longest lenses are the 200-600 and 100-400. I don’t own an FE 600mm f/4 GM. I have my longer lenses for wildlife an BIF.

I’ve been playing around with the Nikon Z system some and surprised by the prime PF and other lenses they have created that are smaller and lighter and than anything Sony or Canon appear to have. Theses include their 300

I know Sony’s 400/2.8, 600/4, and 200-600 are all great lenses but the are not very light and a challenge to hand hold. Especially as I get older. Does anyone know if Sony have any Developments in this area? While I know these light primes are usually a stop slower the reduced weight seems like a reasonable trade off for better hand holding.

Share your thoughts Take care.
...

I'd buy an FE-mount 400mm f/4-ish prime in a hot second if the price was under $3k. But it would have to be sharper and lighter than my 100-400 GM. My guess is if Sony did anything like that it would be more in the 500mm f/4 area and priced similarly to the 400 and 600 FE primes.
think your right 500mm f4 will come at around 8k...
From 2011 to 2019 Sony sold a 500mm F4 G for $13k--i.e., the same price as the 600mm F4 GM OSS.
 
You might want look into the Minolta 500mm reflex. It is light relatively small and hand holdable. Some might scoff at the bokeh that comes with a catadioptric lens but it is hand holdable.
Jim
Sony even sold it with their name on it for a few years. It is 230 g lighter than the RF 600mm F11 and about half as long. The copy I had was very sharp.
 
Perhaps it is time for you to look at the Olympus system, there OM-1 appears to be as exciting as an A1.
Why let go the full frame sensor when you can use the same physical focal length and crop to the same image quality as with the MFT format? For everything else but the few instances you need to crop, the 50 Mp full frame sensor will be the clear winner!

Some are fooled by the angle of view, though, thinking that smaller sensors makes more reach. When using the same physical focal length for the same subject distance, the subjet is captured at exactly thje same image scale, no matter crop or not.
m43 still has a some allure,but it is not for being better iq or for reach really, although it is more affordable in some regards to get that reach fov. the om-1 with the 150-400mm does offer a good package, it will still set you back as much as a A1 and 200-600mm and anything shy/short of cropping to the same fov swings the advantage to full frame ie 600mm on a1 cropped to 1000mm like the om-1 500mm 5.6 with t/c used on the 150-400mm ,m43 biggest advantage is for travel and a lot of that is swings and roundabouts.
Read what I wrote about physical focal length and image scale on the sensor!

My point is that you can use the same physical focal length on larger sensors, crop, and end up with the same image quality as MFT. Bulk & weight of the gear will be pretty much in the same ballpark! That's why I judge MFT of no interest at all for users of larger format sensor cameras.
Yes, the body size is much the same. There is more to it than just the maths. The big deal with m4/3 is the better IBIS you get with the smaller sensor. It is several stops better than a FF and this has real advantages for lens design and use with longer lenses. Further, we can assume that the long lens is needed for sports or wildlife. The Oly adds pro capture and that is a feature that is of considerable interest.
No, it's all about the maths: you can do the same thing (or better) as M43 by cropping in on FF shots, except with FF you can also use the full sensor for better image quality.

IBIS isn't going to anything for you for ultra-telephoto wildlife shot in motion at say 1/2000s+, and you can crop in on FF bodies for equivalent or better reach.

Low-end M43 is a great way to try wildlife photography without breaking the bank, like an RX10IV. High-end M43 is a scam for people who refuse to do math.
Not so. If you have better IBIS you don't need to have as fast a lens, which means you can have a smaller lens. This is about the size of the gear.

I note that you haven't mentioned Pro capture. That's not maths either.
A moving bird needs a high shutter to freeze the action; stabilization isn't going to affect the amount of light you need.

Pro capture is an interesting gimmick but limited:
  • In the fastest SH1 mode, you don't AF between frames.
  • In the more usable SH2 mode, you require high shutter speed (hey, remember how you were bragging about IBIS and low shutter speeds?).
  • Autofocus accuracy is lower with ProCap SH2.
  • Limited to certain lenses.
I'd rather just shoot at 30FPS with an A1 with the best autofocus on every frame.
I experimented with an Olympus EM1 MKiii with 100-400mm lens recently as I was also looking for a lighter weight setup to my A1 and 200-600. Turns out the weight is fine when the performance is much better. Both since returned.
 
I see most of Nikons lenses as superior for sports,
not with those slow stepper motors, it's infected most of the z-mount lineup... for example, $6500 for the 800pf stepper motor lens is ridiculous.

o.k., i just saw where nikon finally added hi-frequency flicker reduction.
 
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I’m a Sony Alpha 1 ( and many other bodies ) shooter where my longest lenses are the 200-600 and 100-400. I don’t own an FE 600mm f/4 GM. I have my longer lenses for wildlife an BIF.

I’ve been playing around with the Nikon Z system some and surprised by the prime PF and other lenses they have created that are smaller and lighter and than anything Sony or Canon appear to have. Theses include their 300

I know Sony’s 400/2.8, 600/4, and 200-600 are all great lenses but the are not very light and a challenge to hand hold. Especially as I get older. Does anyone know if Sony have any Developments in this area? While I know these light primes are usually a stop slower the reduced weight seems like a reasonable trade off for better hand holding.

Share your thoughts Take care.
...

I'd buy an FE-mount 400mm f/4-ish prime in a hot second if the price was under $3k. But it would have to be sharper and lighter than my 100-400 GM. My guess is if Sony did anything like that it would be more in the 500mm f/4 area and priced similarly to the 400 and 600 FE primes.
think your right 500mm f4 will come at around 8k...
From 2011 to 2019 Sony sold a 500mm F4 G for $13k--i.e., the same price as the 600mm F4 GM OSS.
A 500 f/4.0 wont be lighter than the G 200 .. 600 - and probably not smaller too - the number of people interested in saving a few gram compare to the 3 kg 600 f/4,0 is probably very small.

Sony is all about size and weight lately - therefore I‘d highly doubt a 500 f/4.0
 
Yeah, my 400mm F5.6 doesn't feel much lighter or smaller than the 200-600 G OSS.
 
Perhaps it is time for you to look at the Olympus system, there OM-1 appears to be as exciting as an A1.
Why let go the full frame sensor when you can use the same physical focal length and crop to the same image quality as with the MFT format? For everything else but the few instances you need to crop, the 50 Mp full frame sensor will be the clear winner!

Some are fooled by the angle of view, though, thinking that smaller sensors makes more reach. When using the same physical focal length for the same subject distance, the subjet is captured at exactly thje same image scale, no matter crop or not.
m43 still has a some allure,but it is not for being better iq or for reach really, although it is more affordable in some regards to get that reach fov. the om-1 with the 150-400mm does offer a good package, it will still set you back as much as a A1 and 200-600mm and anything shy/short of cropping to the same fov swings the advantage to full frame ie 600mm on a1 cropped to 1000mm like the om-1 500mm 5.6 with t/c used on the 150-400mm ,m43 biggest advantage is for travel and a lot of that is swings and roundabouts.
Read what I wrote about physical focal length and image scale on the sensor!

My point is that you can use the same physical focal length on larger sensors, crop, and end up with the same image quality as MFT. Bulk & weight of the gear will be pretty much in the same ballpark! That's why I judge MFT of no interest at all for users of larger format sensor cameras.
Yes, the body size is much the same. There is more to it than just the maths. The big deal with m4/3 is the better IBIS you get with the smaller sensor. It is several stops better than a FF and this has real advantages for lens design and use with longer lenses. Further, we can assume that the long lens is needed for sports or wildlife. The Oly adds pro capture and that is a feature that is of considerable interest.
No, it's all about the maths: you can do the same thing (or better) as M43 by cropping in on FF shots, except with FF you can also use the full sensor for better image quality.

IBIS isn't going to anything for you for ultra-telephoto wildlife shot in motion at say 1/2000s+, and you can crop in on FF bodies for equivalent or better reach.

Low-end M43 is a great way to try wildlife photography without breaking the bank, like an RX10IV. High-end M43 is a scam for people who refuse to do math.
Not so. If you have better IBIS you don't need to have as fast a lens, which means you can have a smaller lens. This is about the size of the gear.

I note that you haven't mentioned Pro capture. That's not maths either.
A moving bird needs a high shutter to freeze the action; stabilization isn't going to affect the amount of light you need.

Pro capture is an interesting gimmick but limited:
  • In the fastest SH1 mode, you don't AF between frames.
  • In the more usable SH2 mode, you require high shutter speed (hey, remember how you were bragging about IBIS and low shutter speeds?).
  • Autofocus accuracy is lower with ProCap SH2.
  • Limited to certain lenses.
I'd rather just shoot at 30FPS with an A1 with the best autofocus on every frame.
I experimented with an Olympus EM1 MKiii with 100-400mm lens recently as I was also looking for a lighter weight setup to my A1 and 200-600. Turns out the weight is fine when the performance is much better. Both since returned.
 
I’m a Sony Alpha 1 ( and many other bodies ) shooter...
In which case you could try out what it's like to shoot with a longer but slower and lighter lens by getting hold of a Tamron 70-300 and shooting it in aps-c mode and still have plenty of pixels.

From what I can tell the Canon slow long tele's aren't that good image quality-wise. No idea what Nikon is up to in this space.
 
I’m a Sony Alpha 1 ( and many other bodies ) shooter where my longest lenses are the 200-600 and 100-400. I don’t own an FE 600mm f/4 GM. I have my longer lenses for wildlife an BIF.

I’ve been playing around with the Nikon Z system some and surprised by the prime PF
Sorry mate but there are zero prime PF lenses in Z mount.
The 800 f/6.3 is a PF lens. It has a PF element. It's just not in the name.
 
Yes, the body size is much the same. There is more to it than just the maths. The big deal with m4/3 is the better IBIS you get with the smaller sensor. It is several stops better than a FF and this has real advantages for lens design and use with longer lenses.
1) High quality long lenses has built-in image stabilization that is working together with IBIS.

2) When freezing fast action, stabilization is not needed.
 
I have never pulled the trigger on the Sony 600/4 because of the size and weight. The Olympus Pro 300/4 is a very sharp and fast focusing lens on the OM1. So much smaller and lighter than A1 with Sony 600/4. Looking forward to trying this combo more (mostly used the OM1 in travel so far).
Just use 300 mm focal length and crop with the FF camera, and image quality will be equal to the MFT camera with the 3oo mm lens. About same weight and bulk too, but way more sensor area available for everything else.
 
Yes, the body size is much the same. There is more to it than just the maths. The big deal with m4/3 is the better IBIS you get with the smaller sensor. It is several stops better than a FF and this has real advantages for lens design and use with longer lenses.
1) High quality long lenses has built-in image stabilization that is working together with IBIS.

2) When freezing fast action, stabilization is not needed.
For bird-in-flight, I find that stabilization helps with initial target acquisition and my ability to track the bird.
 
You might want look into the Minolta 500mm reflex. It is light relatively small and hand holdable. Some might scoff at the bokeh that comes with a catadioptric lens but it is hand holdable.
Jim
Sony even sold it with their name on it for a few years. It is 230 g lighter than the RF 600mm F11 and about half as long. The copy I had was very sharp.
With the LA-EA5 the total is about 760g
 
I’m a Sony Alpha 1 ( and many other bodies ) shooter where my longest lenses are the 200-600 and 100-400. I don’t own an FE 600mm f/4 GM. I have my longer lenses for wildlife an BIF.

I’ve been playing around with the Nikon Z system some and surprised by the prime PF and other lenses they have created that are smaller and lighter and than anything Sony or Canon appear to have. Theses include their 300

I know Sony’s 400/2.8, 600/4, and 200-600 are all great lenses but the are not very light and a challenge to hand hold. Especially as I get older. Does anyone know if Sony have any Developments in this area? While I know these light primes are usually a stop slower the reduced weight seems like a reasonable trade off for better hand holding.

Share your thoughts Take care.
...

I'd buy an FE-mount 400mm f/4-ish prime in a hot second if the price was under $3k. But it would have to be sharper and lighter than my 100-400 GM. My guess is if Sony did anything like that it would be more in the 500mm f/4 area and priced similarly to the 400 and 600 FE primes.
think your right 500mm f4 will come at around 8k...
From 2011 to 2019 Sony sold a 500mm F4 G for $13k--i.e., the same price as the 600mm F4 GM OSS.
A 500 f/4.0 wont be lighter than the G 200 .. 600 - and probably not smaller too - the number of people interested in saving a few gram compare to the 3 kg 600 f/4,0 is probably very small.

Sony is all about size and weight lately - therefore I‘d highly doubt a 500 f/4.0
Maybe we should limit these smaller, lighter lenses to 1500 grams which easily covers the three lighter Nikkor lenses I’m thinking about. The 400/4.5, 300 PF, and the 500/5.6 F mount PF.
 
I see most of Nikons lenses as superior for sports,
not with those slow stepper motors, it's infected most of the z-mount lineup... for example, $6500 for the 800pf stepper motor lens is ridiculous.
Have to agree, extremely disappointed Nikon chose to use stepper motors in the 400f4.5 let alone the 800pf. People will argue that not all stepper motors are the same but for my money it isn't acceptable :-|

Not entirely sure whether Sony will go for a 500mm prime, would be nice no doubt, 500f4 or 500f4.5 maybe, could slot in to the range, maybe they will spring a surprise :-D
 
I have never pulled the trigger on the Sony 600/4 because of the size and weight. The Olympus Pro 300/4 is a very sharp and fast focusing lens on the OM1. So much smaller and lighter than A1 with Sony 600/4. Looking forward to trying this combo more (mostly used the OM1 in travel so far).
Just use 300 mm focal length and crop with the FF camera, and image quality will be equal to the MFT camera with the 3oo mm lens. About same weight and bulk too, but way more sensor area available for everything else.
You are right in debating the strange comparison between the OM1 with 300/4 lens and the A1 with 600/4 lens. I don't really understand why this is still always done. A 300mm f4 lens is a 300mm f4 lens and a 600mm f4 lens is a 600mm f4 lens, all regardless of what sensor area size and sensor resolution you place behind it. It makes no sense to me to compare these two lenses.
 
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I have never pulled the trigger on the Sony 600/4 because of the size and weight. The Olympus Pro 300/4 is a very sharp and fast focusing lens on the OM1. So much smaller and lighter than A1 with Sony 600/4. Looking forward to trying this combo more (mostly used the OM1 in travel so far).
Just use 300 mm focal length and crop with the FF camera, and image quality will be equal to the MFT camera with the 3oo mm lens. About same weight and bulk too, but way more sensor area available for everything else.
You are right in debating the strange comparison between the OM1 with 300/4 lens and the A1 with 600/4 lens. I don't really understand why this is still always done. A 300mm f4 lens is a 300mm f4 lens and a 600mm f4 lens is a 600mm f4 lens, all regardless of what sensor area size and sensor resolution you place behind it.
My guess is that MFT people want to compare field of view, so that they can claim that larger sensor systems will be much bigger and heavier. They never say that longer focal length means larger image scale on the sensor and better image quality ... ;-)
 
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I have never pulled the trigger on the Sony 600/4 because of the size and weight. The Olympus Pro 300/4 is a very sharp and fast focusing lens on the OM1. So much smaller and lighter than A1 with Sony 600/4. Looking forward to trying this combo more (mostly used the OM1 in travel so far).
Just use 300 mm focal length and crop with the FF camera, and image quality will be equal to the MFT camera with the 3oo mm lens. About same weight and bulk too, but way more sensor area available for everything else.
You are right in debating the strange comparison between the OM1 with 300/4 lens and the A1 with 600/4 lens. I don't really understand why this is still always done. A 300mm f4 lens is a 300mm f4 lens and a 600mm f4 lens is a 600mm f4 lens, all regardless of what sensor area size and sensor resolution you place behind it.
My guess is that MFT people want to compare field of view, so that they can claim that larger sensor systems will be much bigger and heavier. They never say that longer focal length means larger image scale on the sensor and better image quality ... ;-)
Perhaps for e.g. landscape photography, where little or no cropping takes place, this would make some sense, but for wildlife/bird photography it makes no sense at all to compare field of view, because one is always cropping, and mostly significantly, so there goes the FOV comparison out the window.

Comparing lenses dóes make sense, because longer lenses allow to get truly closer to your subject (opposed to the mostly flawed sense of digital cropping power with high pixel density cameras), lenses with a large aperture allow for better subject isolation and more light gathering, as well as large front elements allowing for higher maximum resolution. These benefits are all sustained by physical science, but the FOV comparison does not tell you anything about the benefits of your system, it only tells you how much you are (digitally) cropping.
 

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