Considering a GFX50R for only Vintage Manual Lens am I crazy?

Great shots, what I was trying to say is lenses like the 58 1.2 are a very niche lens, and you use it very well as I hope to. I think there are alot of people who think this is a landscape lens, and use the wrong tool for the wrong effect.
Thanks! Actually the 58 1.2 is one of the few wide aperture lenses for FF below 100mm that does landscape well on the 50S/R (less so on the 100/100S) – provided you crop in from the edges a bit at shoot at f/5.6 or smaller aperture. But as I mentioned, there's a lot of copy variation for the 58 1.2.

Panos work well with the 58 1.2 since overlapping image areas can compensate for any corner cropping needed:

 
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Rob, I think we have quite different desires around our lenses, if I was shooting this primarily at f/8 and up, possibly shifting, and aiming for nice in focus sharpness out to the corners, I would for sure be looking elsewhere for a 45. That said, I think mine hangs in there with the 45-85. I'll do some more in depth comparisons on this over the next few weeks.
You, me, and everyone else -- we all have different desires around our lenses!

I truly believe that a lens I would find unsatisfactory for my needs can produce superb images in the hands of someone else. And vice versa. I see that all the time. And I saw it again in your sample images; they look lovely, and clearly show that for pictures that play to the strength of the lens, The P645 A 45/2.8 is a nice lens.

To go on a slight tangent, I have a copy of Bruce Haley's book, Home Fires Volume 1, and am looking forward to getting Volume 2. He shot every picture with a Sony RX1. The book is well printed, each photo getting a nice large page all to itself. The photography is excellent (not surprising because he's an excellent photographer). The pictures are detailed and crisp, front-to-back in most cases. There's really nothing to fault if you're looking for "sharp".

How does he produce these sharp images with everything in focus? He doesn't use focus stacking. Rather, he shoots at f/16 and doesn't fuss about diffraction.

That right there is the difference between someone whose main focus is making and publishing pictures, versus someone whose main focus is testing lenses!
 
Rob, I think we have quite different desires around our lenses, if I was shooting this primarily at f/8 and up, possibly shifting, and aiming for nice in focus sharpness out to the corners, I would for sure be looking elsewhere for a 45. That said, I think mine hangs in there with the 45-85. I'll do some more in depth comparisons on this over the next few weeks.
You, me, and everyone else -- we all have different desires around our lenses!

I truly believe that a lens I would find unsatisfactory for my needs can produce superb images in the hands of someone else. And vice versa. I see that all the time. And I saw it again in your sample images; they look lovely, and clearly show that for pictures that play to the strength of the lens, The P645 A 45/2.8 is a nice lens.

To go on a slight tangent, I have a copy of Bruce Haley's book, Home Fires Volume 1, and am looking forward to getting Volume 2. He shot every picture with a Sony RX1. The book is well printed, each photo getting a nice large page all to itself. The photography is excellent (not surprising because he's an excellent photographer). The pictures are detailed and crisp, front-to-back in most cases. There's really nothing to fault if you're looking for "sharp".

How does he produce these sharp images with everything in focus? He doesn't use focus stacking. Rather, he shoots at f/16 and doesn't fuss about diffraction.

That right there is the difference between someone whose main focus is making and publishing pictures, versus someone whose main focus is testing lenses!
Lol, yes agreed. And thank you for the kind words.

'Home Fires' looks like a great collection from what I can see on the net. It's always interesting and affirming to hear of someone succesfully making powerful evocative images with a method or gear that might be a little bit, umm, open minded. (I'm struggling to find the right adjective here so I hope you get my intent.)
 
Apologies for the thread hijack, but as you guys seem to be streets ahead of all other adapted lens info I can find, please can I ask what the best adapter is to use Pentax 645 lenses on GFX. Specifically I have the Pentax 45mm and 75mm but they are both newer FA / autofocus versions - I am looking to adapt them to a GFX 50R with the minimum fuss (if thats possible?) but am really confused over the different options and concerned about usability / aperture control etc. Any help would be gratefully appreciated! Thanks
 
Apologies for the thread hijack, but as you guys seem to be streets ahead of all other adapted lens info I can find, please can I ask what the best adapter is to use Pentax 645 lenses on GFX. Specifically I have the Pentax 45mm and 75mm but they are both newer FA / autofocus versions - I am looking to adapt them to a GFX 50R with the minimum fuss (if thats possible?) but am really confused over the different options and concerned about usability / aperture control etc. Any help would be gratefully appreciated! Thanks
Hi,

I went through the same confusion as well. The aperture spring in the lens works backwards to most other lenses that I've adapted and requires a sprung lever in the adaptor for proper operation.

The reality is not at all complicated, just not obvious until you hold the unit in your hands.

I started with a cheaper Chinese adaptor, which was perfectly fine ( I have heard some less than favourable reports though, so go that route with caution), however I did upgrade to a Kippon brand adaptor which is notably nicer in use and construction.

Simple answer - buy this one:

https://www.bhphotovideo.com/c/product/1457093-REG/kipon_pentax645_gfx_pentax_645_to_gfx.html

Your FA lenses don't need anything special from the adaptor over what the A lenses require.
 
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Lol, yes agreed. And thank you for the kind words.

'Home Fires' looks like a great collection from what I can see on the net. It's always interesting and affirming to hear of someone succesfully making powerful evocative images with a method or gear that might be a little bit, umm, open minded. (I'm struggling to find the right adjective here so I hope you get my intent.)
Bruce likes to keep it simple and it doesn't get more simple than a fixed lens camera and f/16! As I haul around a back pack full of fiddly gear, I sometimes think he's on to something.
 
Hi,

Ah, yes. Simple. I remember simple.

120 roll film. In a box. One piece of glass, but made up two elements. Fixed focus. One aperture. One shutter speed. Even used a flash bulb unit. Fancy!

I had two of those. One used a waist level finder. The other had a sight tube down the side. Or the top, depending on how you rotated the box. Both were made by Ansco. IIRC the one with the sight tube was the one that had the flash option. Simple. Very simple.

Processing was simple too. B+W film and a tank and make contact prints. Simple. Very simple.

Those cameras might even still be around, although I haven't seen them since the move to the farm in 2004. There's still a shelf with boxes of Old Stuff which hadn't been used since then prior move in 1994. Might be in with that stuff.

My next camera was an Argus 135 rangefinder. I only had one lens for that, although I could have changed that if I had another. That needed focusing, and aperture setting and a shutter speed setting and had a light meter to get all that somewhat near right. Complicated by comparison! Then a real darkroom with an enlarger and then color film too. Complicated. Very complicated.

Stan

--
Amateur Photographer
Professional Electronics Development Engineer
Once you start down the DSLR path, forever will it dominate your destiny! Consume
your bank account, it will! Like mine, it did! :)
 
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Hi,

Ah, yes. Simple. I remember simple.

120 roll film. In a box. One piece of glass, but made up two elements. Fixed focus. One aperture. One shutter speed. Even used a flash bulb unit. Fancy!
You had a shutter?? Luxury!

We had to make a tiny hole by curling up our forefingers and then cover and uncover with our other hand to make an exposure.

And flash bulbs!? We had to collect fireflies and keep them in a bottle that we kept in a black sack.

(Thanks to the Four Yorkshiremen for the inspiration:
)
 
Hi,

So, that was before folks began using the lens cap in a swirling motion and open trays full of exploding magnesium, then. ;)

Did you ever try the large box you crawl into and hang a sheet of paper of the back wall and use a small hole in the opposite wall? You know, trace what you see on the paper?

Stan
 
Hi,

So, that was before folks began using the lens cap in a swirling motion and open trays full of exploding magnesium, then. ;)

Did you ever try the large box you crawl into and hang a sheet of paper of the back wall and use a small hole in the opposite wall? You know, trace what you see on the paper?

Stan
Those were the days! ;)
 

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