Is the concept of IQ bad?

Agree, and basically the same except no art whatsoever meant in my photos. I don't do art. I think we need a forum for this type of photography.
Maybe be prepared for an artist interpreting your non-art as art. It’s in the eye of the beholder.
No actually, it has nothing to do with eyes of beholders, it's simply a fact, art has defined how we visualise the world and the way we render it in two dimensional images.
 
Agree, and basically the same except no art whatsoever meant in my photos. I don't do art. I think we need a forum for this type of photography.
Maybe be prepared for an artist interpreting your non-art as art. It’s in the eye of the beholder.
No actually, it has nothing to do with eyes of beholders, it's simply a fact, art has defined how we visualise the world and the way we render it in two dimensional images.
Bob A L wanted to claim the exception for his particular photographs.

A professional sculptor once insisted that for him my photographs were art, when I wanted to just describe them as craft. That’s what I meant, by “eye of the beholder”.

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https://www.flickr.com/people/vrankin/
 
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Is it a distraction that takes away emphasis on what can really matter in a photo (i.e., composition and lighting)? For example, if people spent as much time studying lighting techniques as they do researching pixel pitch, MTF charts, etc., would there be better results?
It's not a matter of picking between technique and esthetics. You need both.
 
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Is it a distraction that takes away emphasis on what can really matter in a photo (i.e., composition and lighting)? For example, if people spent as much time studying lighting techniques as they do researching pixel pitch, MTF charts, etc., would there be better results?
I use the concept of image quality when trying to get the most out of my money.

When buying a lens I'm looking for the sharpest one, with good AF performance of course.
+1. I’m quite taken lately, by those willing to pay $700 for one of the latest MF lenses that renders mushy unsharp images until stopped down to f/4. (Voigtländer 35mm f1.2). The “character” apparently matters in some way that eludes me.

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https://www.flickr.com/people/vrankin/
 
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Seriously.

How often have we seen contributors asking for advice on a new camera wanting "the best possible IQ" as a criterion. In such cases it is just a buzz word.

It's a bit like those pubs that advertise "good food served here". I've never seen one advertising "adequate food served here"
The irony is that for the type of output most people produce, the 'IQ' from anything with a 4/3 sensor upwards is virtually indistinguishable.

The 'look' of the image will have far more to do with the photographer.

If someone provides a proper use case and a budget, it's easier to advise. Large prints? Low light? Fast action? Some cameras will be better than others.
The real irony is the so called "Look" is so similar between all photographers. So much then for the so called modern greats.
 
When someone says "I can't use camera X because it has no EVF/flip screen/4K/tracking etc, it just makes me wonder if this is about photography or some internal conflict left unresolved in some people.
 
Is it a distraction that takes away emphasis on what can really matter in a photo (i.e., composition and lighting)?
And subject, don't forget subject. But, No, there's no one that doesn't understand that. It's elementary.
For example, if people spent as much time studying lighting techniques as they do researching pixel pitch, MTF charts, etc., would there be better results?
That's just something that forums seem to need to exist for the purpose of platituding. It's not an actual issue.
 
Neat.
 
Art is not the interpretation afterwards. Art is the act of making the thing.
 
Seriously.

How often have we seen contributors asking for advice on a new camera wanting "the best possible IQ" as a criterion. In such cases it is just a buzz word.

It's a bit like those pubs that advertise "good food served here". I've never seen one advertising "adequate food served here"
The irony is that for the type of output most people produce, the 'IQ' from anything with a 4/3 sensor upwards is virtually indistinguishable.

The 'look' of the image will have far more to do with the photographer.

If someone provides a proper use case and a budget, it's easier to advise. Large prints? Low light? Fast action? Some cameras will be better than others.
The real irony is the so called "Look" is so similar between all photographers. So much then for the so called modern greats.
Citations required. I see a great deal of variety in most contemporary photography, which "modern greats" are you referring to?
 
Is it a distraction that takes away emphasis on what can really matter in a photo (i.e., composition and lighting)? For example, if people spent as much time studying lighting techniques as they do researching pixel pitch, MTF charts, etc., would there be better results?
I use the concept of image quality when trying to get the most out of my money.

When buying a lens I'm looking for the sharpest one, with good AF performance of course.
+1. I’m quite taken lately, by those willing to pay $700 for one of the latest MF lenses that renders mushy unsharp images until stopped down to f/4. (Voigtländer 35mm f1.2). The “character” apparently matters in some way that eludes me.
I think this one cost me about a dollar:



08682c8885414fcb86d07678bd6ec624.jpg

This lens was expensive -- about $60. In this test shot it's stopped down to about f/8.



7461c691393641638043877a1a26a51e.jpg

Don
 
Art is not the interpretation afterwards. Art is the act of making the thing.
Thank you. I didn't study art.
Art teacher told me art class is where you learn the rules you should break. :)
Isn't that one of the problems here? Many people here are creating images based on well worn art historical tropes but because they haven't studied art history, they don't realise.
 
Is it a distraction that takes away emphasis on what can really matter in a photo (i.e., composition and lighting)? For example, if people spent as much time studying lighting techniques as they do researching pixel pitch, MTF charts, etc., would there be better results?
I use the concept of image quality when trying to get the most out of my money.

When buying a lens I'm looking for the sharpest one, with good AF performance of course.
+1. I’m quite taken lately, by those willing to pay $700 for one of the latest MF lenses that renders mushy unsharp images until stopped down to f/4. (Voigtländer 35mm f1.2). The “character” apparently matters in some way that eludes me.
I think this one cost me about a dollar:

08682c8885414fcb86d07678bd6ec624.jpg
You overpaid.
This lens was expensive -- about $60. In this test shot it's stopped down to about f/8.

7461c691393641638043877a1a26a51e.jpg

Don
So composition matters the most, after all?
 
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Is it a distraction that takes away emphasis on what can really matter in a photo (i.e., composition and lighting)? For example, if people spent as much time studying lighting techniques as they do researching pixel pitch, MTF charts, etc., would there be better results?
For many there actually wouldn't be, because becoming good at composition, lighting etc. requires certain tallents which may then be boosted by formal learning and practice - when someone just doesn't have tallent, no amount of learning will help.

The ability to chase the IQ dragon otoh is only limited by one's surplus income and free time and as such will forever be pandered to by the industry.
 
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Is it a distraction that takes away emphasis on what can really matter in a photo (i.e., composition and lighting)? For example, if people spent as much time studying lighting techniques as they do researching pixel pitch, MTF charts, etc., would there be better results?
I use the concept of image quality when trying to get the most out of my money.

When buying a lens I'm looking for the sharpest one, with good AF performance of course.
+1. I’m quite taken lately, by those willing to pay $700 for one of the latest MF lenses that renders mushy unsharp images until stopped down to f/4. (Voigtländer 35mm f1.2). The “character” apparently matters in some way that eludes me.
I think this one cost me about a dollar:

08682c8885414fcb86d07678bd6ec624.jpg

This lens was expensive -- about $60. In this test shot it's stopped down to about f/8.
Wow, you get good deals!


 
Yes, poor IQ can ruin great lighting and composition.

The "concept" of IQ is not new. Daily discussion on the internet certainly is.

When a mentor seriously intoduced me to photography 42 years ago I quickly began honing my skills and knowledge. My search to achieve professional imagery seen in monthly publications, and public displays, eventually lead me to fine grain films, better lenses, medium format, and even large format, many years later. I did that on my own through books, magazines, and fellow photographers.

Those of us who recognized that the first digital cameras lead to a very significant degradation in professional level image quality then sought out the improvements in the technology over the years. Of course all this knowledge and discussion came about through the internet. There were huge developments for the masses just about every year from 2004 until about 2016 which created a ground swell of interest in image quality.

Learning used to be a very private and personal experience. I began learning home renovation from my dad when I was a young boy. Now I go to the internet and get bombarded with new methods and techniques.

The same thing has happened with photography. I have gone from personal mentors to the living knowledge on the internet. The pinnacle of digital image quality was pretty much reached by about 2016. The last six years has been more about different ways of delivering that quality.

Yes, now that I have obtained good tools to photograph with, I find it much easier, and much more fun to concentrate on image making. However, while I continually look to improve my image making, I also continue to make tweaks to improve the image quality along the way too.
 

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