Why a Sony A7 IV over a A7r IVa

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Am curious why someone would choose a A7IV over a A7rIVA when the price difference on the market is 500 dollars. Are there new features I am missing in the (slightly newer) A7IV which make it better than what appears on the surface. The surface being a 33 MP engine versus the 61 MP on the Sony A7r IVa.

Is there something appealing in the newer IV that you can point me to? I am confused because $500 doesn't seem to be a huge barrier.

Thanks for the input.

Thomas
 
Am curious why someone would choose a A7IV over a A7rIVA when the price difference on the market is 500 dollars. Are there new features I am missing in the (slightly newer) A7IV which make it better than what appears on the surface. The surface being a 33 MP engine versus the 61 MP on the Sony A7r IVa.

Is there something appealing in the newer IV that you can point me to? I am confused because $500 doesn't seem to be a huge barrier.

Thanks for the input.

Thomas
I would never choose a 33 MP camera over a 60 MP camera. This is like choosing the softer lens over the sharper one.
 
For someone who doesn’t want 61mp resolution, the a7iv is indeed the vastly better camera.
You are vastly stretching the word "vastly" here, don't you think so? Amazing, to what length people go to justify their purchasing decisions :)

As still photographer, the flippy screen already is a deal breaker for me. But if someone would hand me an A74, I could get my work done. In the end, what counts is the results, and for me, having pixels pretty much trumps the rest.
No, it’s not a stretch. If you hate peanut butter, it is vastly better to get the sandwich without peanut butter. If you don’t want 61mp, it is vastly better to get the camera that doesn’t have 61mp. You can simply choose not to flip out the screen.
 
Am curious why someone would choose a A7IV over a A7rIVA when the price difference on the market is 500 dollars. Are there new features I am missing in the (slightly newer) A7IV which make it better than what appears on the surface. The surface being a 33 MP engine versus the 61 MP on the Sony A7r IVa.

Is there something appealing in the newer IV that you can point me to? I am confused because $500 doesn't seem to be a huge barrier.

Thanks for the input.

Thomas
The 61mp thrives on premium glass and make your deficiencies as a photographer more obvious, also its older so A7IV should take the lead as far as AF is concerned but if its outright IQ in ideal light, the A7IV would take a backseat.
This ^^^^^

Though I have seen photos with the A7RIV with the Sony Kit Lens and the photos are great.

But you are correct about ones deficiencies. I'm not as steady as I used to be and your technique has to be spot on using the A7RIV.

Though it begs to question about just how many mega pixels are enough. We have become mega pixel obsessed!
 
For someone who doesn’t want 61mp resolution, the a7iv is indeed the vastly better camera.
You are vastly stretching the word "vastly" here, don't you think so? Amazing, to what length people go to justify their purchasing decisions :)

As still photographer, the flippy screen already is a deal breaker for me. But if someone would hand me an A74, I could get my work done. In the end, what counts is the results, and for me, having pixels pretty much trumps the rest.
25% more linear resolution

good amount for dedicated landscape photographers printing over 30-40”.

I don’t think that many people print anymore, it is a dying culture.



The way I see it, there will be a ton of Riv users ditching megapixels for the iv similar to the time the R2 and 7iii were around and similar price. Another portion of the Riv users will deem it too much trouble to swap, diehards will wait for the R5.
 
Am curious why someone would choose a A7IV over a A7rIVA when the price difference on the market is 500 dollars. Are there new features I am missing in the (slightly newer) A7IV which make it better than what appears on the surface. The surface being a 33 MP engine versus the 61 MP on the Sony A7r IVa.

Is there something appealing in the newer IV that you can point me to? I am confused because $500 doesn't seem to be a huge barrier.

Thanks for the input.

Thomas
I would never choose a 33 MP camera over a 60 MP camera. This is like choosing the softer lens over the sharper one.
Or conversely, I’d never choose 100mb uncompressed files over 40mb lossless compressed files. It’s like choosing a slow rowboat over the race car.



For people that actually have use for 61mp, there would be no reason to take a 33mp sensor over it.



But many (I dare say most) photographers have no use for 61mp — and it comes at a cost. It slows down your workflow and eats storage.



Printing large prints, cropping by 50%, you aren’t going to notice the difference between 33mp and 61mp. But you will notice the difference in workflow.

It’s when you start printing truly massive specialty sizes, that you start to see the difference. That will matter for some people — and be worth paying the price of slower work flow.

It’s a question of cost benefit analysis. Will you benefit from the extra megapixels… or will the slower workflow and storage costs outweigh any benefit.
 
Though it begs to question about just how many mega pixels are enough. We have become mega pixel obsessed!
Old habits die hard. Back when dSLRs were shooting 6mp, any resolution upgrade was definitely a positive... to 10, to 12, 16, 24... So we got into the habit of looking at any increased in resolution as a good thing.

But there is a reason that 24mp has been the "standard" for many years at this point -- By the time we hit 24mp, we were a bit beyond the comparable resolution of the film days. Look at this chart...

print-size-with-legend.jpg


So by the time we hit 24mp, we could print a "superb" 16X24 print. Certainly for your typical consumer, as well as many types of professionals, this is as much as they will ever need.

Now compare the 42mp R3 with the 61mp R4 -- Looking at the closest values in the chart, with the R3, you can print a superb 24X36 and an excellent 30X45. With the R4, you can print a superb 30x45 and an excellent 40X60.

But we are getting into seldom used print sizes. So the number of people who benefit from these increases in resolution become fewer and fewer.

And a key to remember is that the increased resolution is not cost-free. It's not like, "I'd rather have some extra megapixel, so harm." If you're a wedding photographer and ever had to download and process 3,000 images after an event, those unnecessarily large files absolutely slow down your workflow.

--
http://enthusiastphotoblog.com
http://www.flickr.com/photos/havoc315/
 
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Though it begs to question about just how many mega pixels are enough. We have become mega pixel obsessed!
Old habits die hard. Back when dSLRs were shooting 6mp, any resolution upgrade was definitely a positive... to 10, to 12, 16, 24... So we got into the habit of looking at any increased in resolution as a good thing.

But there is a reason that 24mp has been the "standard" for many years at this point -- By the time we hit 24mp, we were a bit beyond the comparable resolution of the film days. Look at this chart...

print-size-with-legend.jpg


So by the time we hit 24mp, we could print a "superb" 16X24 print. Certainly for your typical consumer, as well as many types of professionals, this is as much as they will ever need.

Now compare the 42mp R3 with the 61mp R4 -- Looking at the closest values in the chart, with the R3, you can print a superb 24X36 and an excellent 30X45. With the R4, you can print a superb 30x45 and an excellent 40X60.

But we are getting into seldom used print sizes. So the number of people who benefit from these increases in resolution become fewer and fewer.

And a key to remember is that the increased resolution is not cost-free. It's not like, "I'd rather have some extra megapixel, so harm." If you're a wedding photographer and ever had to download and process 3,000 images after an event, those unnecessarily large files absolutely slow down your workflow.
Interesting chart! Thanks for sharing! When I worked for FedEx in FL in the early 2000's I delivered to a pro portrait photograher. It was during the dawn of digital cameras. I remember him exclaiming "10 mega pixels! Wow! Where will we be in another 10 years!"!!
 
For someone who doesn’t want 61mp resolution, the a7iv is indeed the vastly better camera.
You are vastly stretching the word "vastly" here, don't you think so? Amazing, to what length people go to justify their purchasing decisions :)

As still photographer, the flippy screen already is a deal breaker for me. But if someone would hand me an A74, I could get my work done. In the end, what counts is the results, and for me, having pixels pretty much trumps the rest.
25% more linear resolution

good amount for dedicated landscape photographers printing over 30-40”.
I don’t think that many people print anymore, it is a dying culture.

The way I see it, there will be a ton of Riv users ditching megapixels for the iv similar to the time the R2 and 7iii were around and similar price. Another portion of the Riv users will deem it too much trouble to swap, diehards will wait for the R5.
Yet today few would even bat an eyelash at 33 MP's ... or even 42MP. For me, going from 26 MP's to 42 seemed outrageous, just a few short months ago. Now it's like the new 24.

Sure, there are people who buy the R's for the MP's "just because" they see more as better. These people have always been around. Some discover eventually what they really need, and adjust. Some do not.

I'm not aware of this "mass migration" from R's to Base models you speak of. In fact I would guess the opposite is true. But if YOU are right, and there are just a few "diehards" waiting for the 5R, then they be very disappointed when Sony decides its not worth building it.

It really all comes back to people discovering what they like to do, and what they need to do it. Some never discover that I suppose. Declarative, unsuported blanket statements like the R's are for print only, and "dying cultures".

I have learned in my, ahem, "over 60" years on this earth, that this kind of bombast speaks a lot more about the person saying it vs. the subject at hand.

(PS, I have not printed a photo in at maybe 4 years... and I am interested in the 4R... MORE than the 5R. Reminds me of the joke about the dog waiting by the door, thinking "hurry up and let me out so I can come back in!": I'm thinking of maybe BUYING a 4R ... I guess just so I can sell it for the 4 Base I just don't realize is all I need... LOL.)
 
. The Sony A7iv has the same EVF as the Sony A7riii, which was always a very comfortable EVF for me.
The R3 and R4 do not share the same EVF. The R4 has 5.76m-Dot Tru-Finder OLED EVF. The R3 has a 3.69m-Dot Tru-Finder OLED EVF, while the new 4 Base has a 3.68m-Dot EVF.
Read -- I did not say that the the R4 and R3 have the same EVF. I said the A7iv and A7r3 have the same EVF -- I have compared them side by side, there is absolutely no perceptible difference.
But for others, maybe the fully articulating LCD and true touch screen really enhance the joy and comfort of the shooting experience.
Very subjective ... it's a "deal breaker" for perhaps as many photographers as those who would find it a "joy" or "comfort".
YES! Very subjective! Including, just how valuable is an EVF of 5.76m Dots vs 3.69M dots. For me, once you get to 3.69m dots and higher, it's almost impossible to tell the difference. I've used the 5.76m A7r4. If everything else about the cameras was equal, I would take the higher resolution EVF. But it really is a pretty minor factor in my experience. And not all else is equal.
But for a vast number of shooters, those advantages are extremely minor and outweighed by the advantages of the A7iv.
That's a rather bold and unsubstantiated assumption I think. To those who want\need the features of the 4R, I'm sure those are not "extremely mild" to them. The numbers may be "less vast" than you imagine.
I'm not talking about the 61mp resolution -- That will have a fair number of subscribers. Are you saying that people would throw their cameras in the garbage without a 5.76m EVF? What did those R4 owners do before the R4 existed?!?!?!

So no, don't pretend anybody "needs" a 5.76m dot EVF. It's a nice feature. Nobody needs it. And the A7iv has tons of nice features that the A7rIV lacks. If the R4 had a 24mp sensor, do you think it would still have lots of buyers just to get the 5.76m EVF? (And I'd say that not many people are going to buy the A7iv just for a customizable exposure comp dial though it's a feature I really like).

As to which features matter the most, that's a subjective question. But I don't see hordes of people getting a camera SOLELY for a higher resolution EVF.
The 4RA and 3RA have a higher resolution LCD than the 4 Base. And the 4R has a number of other features not found in the 4 Base.
Thing is, it's a rather small number of features. The only "positive" features that the 4R has, IMO, are the higher resolution EVF and LCD. Now, this is my subjective opinion -- not trying to start a fight -- But for me, the R4 sensor is a negative. I have written extensively on it, I hate it. But that is a subjective issue -- I know there are plenty of people who love it.

So objectively -- The only positive features in the 4R are the higher resolution EVF, higher resolution LCD, and pixel shift technology. That's it -- those 3. Then 1 big subjective difference -- the sensor, which is a positive for some people, and a negative for other people.

For me, the A7iv -- Subjectively, it has a better sensor than the R4. Now objectively -- It has a true touch screen, it has lossless compression, CF Express support, the newest AF system, the newest menu system, 60p 4K support, articulating LCD, customizable exposure compensation dial, more advanced networking including the new Visual Story app, and a slew of other features.
That said, the 4 Base if better "jack of all trades", and Sony made the 4 Base more video capable, and blessed it with a better AF than even the 4R.
Yes, which is why the A7iv is better for many people. The R4 is great for those who want the ultra high resolution.
So, the 4 Base and the 4R are each "better" than the other, in different ways, for different people, based on those people's individual needs, and each camera's feature set, right?
Yes.
Just as the features you list above as making the 4 Base "better" than a 4R are, to many others, minor and inconsequential, because those specific feature you like so much might be exactly why they chose a 4R INSTEAD of a 4 Base.
But there is such a thing as honest discussion, which requires people to be honest with themselves.

There are features that are major difference makers, which drives purchase decisions. The 61mp resolution being an example of such a feature.

There are features that may be somewhat minor to some people, major to others. The a7iv shooting 4k60p May be important to some, meaningless to others.

Then there are things that are truly small. Combining a bunch of small things may drive a purchase decision, but it would be pretty rare for 1 of those small things, alone, to drive a purchase decision. Few people are going to sell their a7r4 and buy the a7iv solely for lossless compression. And few people would switch to the a7r4 solely because of a higher resolution EVF.
For example, for "vastly" many people, the 4R sensor is better than the one in the 4 Base.... for what THEY want.
Other than the poor grammar, absolutely true!!! The resolution difference is a significant factor for many people! The EVF -alone- is not.
And the selfie LCD on the Base is a negative,

not a positive; just as the added video capability, the touch screen functionality, and many of the "slew of other features" you mention, valueless.
Absolutely. Different things will have different levels of value to different people. But if anybody said that the A7iv was the better camera than the A7r4 solely because of lossless compression or solely because of focus depth mapping… Such statements would seem hollow.
LOL, these are just tools. And there are many different tools and processes we can prefer to use over others to get the task done. The 4 Base is not "vastly" anything over the 4R, and visa versa, EXCEPT when it comes to what each of us wants, for the way we want to get the job done.
That’s where you’re wrong. The a7r4 has vastly higher resolution than the a7iv. For someone wanting ultra high resolution, the a7r4 is the vastly better camera.
For someone who doesn’t want 61mp resolution, the a7iv is indeed the vastly better camera.

That’s just objective and honest discussion. Would anybody say the Sony A100 dslr is vastly better than the Sony A1? You could certainly make the argument… the a100 had an OVF, and therefore it’s better than the A1. But that would be a pretty desperate argument.
Always amazing to see people, with a wave, try to dismiss and marginalize one tool, and invalidate anyone who uses it, just because it isn't the tool they prefer to use, instead of respecting that this same tool is perfect for what many others prefer to use.
Agreed—- and that’s the opposite of what I’m doing. I’m not marginalizing either camera. The a7r4 is FANTASTIC if you want the highest resolution. The a7iv is FANTASTIC if you don’t care about ultra high resolution but you want the newest and most advanced features.

This was my original statement that sparked your protests:

“Again, I'm definitely not denying that the A7R4 has advantages. But for a vast number of shooters, those advantages are extremely minor and outweighed by the advantages of the A7iv. Certainly, there are shooters who will be swayed by the advantages of the A7r4”
I don't have either of these cameras, find both equally interesting, and if handed either one, could use it to happily take pictures ... even if I preferred one over the other... even I had to use the one with the flippy vlogger-selfie screen, or the other one with a few more MP's and dots in the EVF.
That’s interesting. Because I have used both cameras. I returned the R4 because it wasn’t for me, but I still own an R3.

So here is a thought… The people I don’t trust are those who assume the superiority of their camera, but haven’t any experience with the cameras they are comparing. Maybe people with actual experience… just maybe their opinions have a bit more credibility.
Have I said either one, or the one I use, are superior? Exactly the opposite. I am merely pointing out that you continue to make over generalizations and declarations about one over the other, passing judgements on which features are important and which to dismiss. It sounds like you may be trying to justifying your own conclusions ... which is anything BUT an honest discussion.

Here's another thought ... credibility and bombast are not the same. You seem to have an abundance of the latter, and a sore lack for the former.
 
You can simply choose not to flip out the screen.
How do you photograph from waist level without flipping out the screen? I do a lot of waist level work (from my days with Hasselblad, I guess) and I hate pointing the camera in one direction and turning my head and look in another direction. Maybe great for youtubers. Not for me.
 
. The Sony A7iv has the same EVF as the Sony A7riii, which was always a very comfortable EVF for me.
The R3 and R4 do not share the same EVF. The R4 has 5.76m-Dot Tru-Finder OLED EVF. The R3 has a 3.69m-Dot Tru-Finder OLED EVF, while the new 4 Base has a 3.68m-Dot EVF.
Read -- I did not say that the the R4 and R3 have the same EVF. I said the A7iv and A7r3 have the same EVF -- I have compared them side by side, there is absolutely no perceptible difference.
But for others, maybe the fully articulating LCD and true touch screen really enhance the joy and comfort of the shooting experience.
Very subjective ... it's a "deal breaker" for perhaps as many photographers as those who would find it a "joy" or "comfort".
YES! Very subjective! Including, just how valuable is an EVF of 5.76m Dots vs 3.69M dots. For me, once you get to 3.69m dots and higher, it's almost impossible to tell the difference. I've used the 5.76m A7r4. If everything else about the cameras was equal, I would take the higher resolution EVF. But it really is a pretty minor factor in my experience. And not all else is equal.
But for a vast number of shooters, those advantages are extremely minor and outweighed by the advantages of the A7iv.
That's a rather bold and unsubstantiated assumption I think. To those who want\need the features of the 4R, I'm sure those are not "extremely mild" to them. The numbers may be "less vast" than you imagine.
I'm not talking about the 61mp resolution -- That will have a fair number of subscribers. Are you saying that people would throw their cameras in the garbage without a 5.76m EVF? What did those R4 owners do before the R4 existed?!?!?!

So no, don't pretend anybody "needs" a 5.76m dot EVF. It's a nice feature. Nobody needs it. And the A7iv has tons of nice features that the A7rIV lacks. If the R4 had a 24mp sensor, do you think it would still have lots of buyers just to get the 5.76m EVF? (And I'd say that not many people are going to buy the A7iv just for a customizable exposure comp dial though it's a feature I really like).

As to which features matter the most, that's a subjective question. But I don't see hordes of people getting a camera SOLELY for a higher resolution EVF.
The 4RA and 3RA have a higher resolution LCD than the 4 Base. And the 4R has a number of other features not found in the 4 Base.
Thing is, it's a rather small number of features. The only "positive" features that the 4R has, IMO, are the higher resolution EVF and LCD. Now, this is my subjective opinion -- not trying to start a fight -- But for me, the R4 sensor is a negative. I have written extensively on it, I hate it. But that is a subjective issue -- I know there are plenty of people who love it.

So objectively -- The only positive features in the 4R are the higher resolution EVF, higher resolution LCD, and pixel shift technology. That's it -- those 3. Then 1 big subjective difference -- the sensor, which is a positive for some people, and a negative for other people.

For me, the A7iv -- Subjectively, it has a better sensor than the R4. Now objectively -- It has a true touch screen, it has lossless compression, CF Express support, the newest AF system, the newest menu system, 60p 4K support, articulating LCD, customizable exposure compensation dial, more advanced networking including the new Visual Story app, and a slew of other features.
That said, the 4 Base if better "jack of all trades", and Sony made the 4 Base more video capable, and blessed it with a better AF than even the 4R.
Yes, which is why the A7iv is better for many people. The R4 is great for those who want the ultra high resolution.
So, the 4 Base and the 4R are each "better" than the other, in different ways, for different people, based on those people's individual needs, and each camera's feature set, right?
Yes.
Just as the features you list above as making the 4 Base "better" than a 4R are, to many others, minor and inconsequential, because those specific feature you like so much might be exactly why they chose a 4R INSTEAD of a 4 Base.
But there is such a thing as honest discussion, which requires people to be honest with themselves.

There are features that are major difference makers, which drives purchase decisions. The 61mp resolution being an example of such a feature.

There are features that may be somewhat minor to some people, major to others. The a7iv shooting 4k60p May be important to some, meaningless to others.

Then there are things that are truly small. Combining a bunch of small things may drive a purchase decision, but it would be pretty rare for 1 of those small things, alone, to drive a purchase decision. Few people are going to sell their a7r4 and buy the a7iv solely for lossless compression. And few people would switch to the a7r4 solely because of a higher resolution EVF.
For example, for "vastly" many people, the 4R sensor is better than the one in the 4 Base.... for what THEY want.
Other than the poor grammar, absolutely true!!! The resolution difference is a significant factor for many people! The EVF -alone- is not.
And the selfie LCD on the Base is a negative,

not a positive; just as the added video capability, the touch screen functionality, and many of the "slew of other features" you mention, valueless.
Absolutely. Different things will have different levels of value to different people. But if anybody said that the A7iv was the better camera than the A7r4 solely because of lossless compression or solely because of focus depth mapping… Such statements would seem hollow.
LOL, these are just tools. And there are many different tools and processes we can prefer to use over others to get the task done. The 4 Base is not "vastly" anything over the 4R, and visa versa, EXCEPT when it comes to what each of us wants, for the way we want to get the job done.
That’s where you’re wrong. The a7r4 has vastly higher resolution than the a7iv. For someone wanting ultra high resolution, the a7r4 is the vastly better camera.
For someone who doesn’t want 61mp resolution, the a7iv is indeed the vastly better camera.

That’s just objective and honest discussion. Would anybody say the Sony A100 dslr is vastly better than the Sony A1? You could certainly make the argument… the a100 had an OVF, and therefore it’s better than the A1. But that would be a pretty desperate argument.
Always amazing to see people, with a wave, try to dismiss and marginalize one tool, and invalidate anyone who uses it, just because it isn't the tool they prefer to use, instead of respecting that this same tool is perfect for what many others prefer to use.
Agreed—- and that’s the opposite of what I’m doing. I’m not marginalizing either camera. The a7r4 is FANTASTIC if you want the highest resolution. The a7iv is FANTASTIC if you don’t care about ultra high resolution but you want the newest and most advanced features.

This was my original statement that sparked your protests:

“Again, I'm definitely not denying that the A7R4 has advantages. But for a vast number of shooters, those advantages are extremely minor and outweighed by the advantages of the A7iv. Certainly, there are shooters who will be swayed by the advantages of the A7r4”
I don't have either of these cameras, find both equally interesting, and if handed either one, could use it to happily take pictures ... even if I preferred one over the other... even I had to use the one with the flippy vlogger-selfie screen, or the other one with a few more MP's and dots in the EVF.
That’s interesting. Because I have used both cameras. I returned the R4 because it wasn’t for me, but I still own an R3.

So here is a thought… The people I don’t trust are those who assume the superiority of their camera, but haven’t any experience with the cameras they are comparing. Maybe people with actual experience… just maybe their opinions have a bit more credibility.
Have I said either one, or the one I use, are superior? Exactly the opposite. I am merely pointing out that you continue to make over generalizations and declarations about one over the other, passing judgements on which features are important and which to dismiss. It sounds like you may be trying to justifying your own conclusions ... which is anything BUT an honest discussion.
let’s be clear, you have zero experience with either of these cameras, but seem to want to dismiss those with experience.



If someone is allergic to peanut butter, it is not overgeneralization to say, “you’d be better off with the sandwich that doesn’t have peanut butter.”

If someone doesn’t want 61mp, it is not overgeneralization to say they would probably be better off with the non-61mp sensor.

And if someone walked up and said, “I want a full frame ultra high resolution camera, should I get the a7r4 or the a6000?” I would honestly answer them, “for full frame high resolution, the a7r4 is vastly superior to the a6000.”

I’m sure you would find that to be an overgeneralization. You would claim that neither camera has any significant advantage for someone who wants full frame high resolution. The a6000 has lots of advantages for such a shooter and neither camera is better for that shooter.



Here's another thought ... credibility and bombast are not the same. You seem to have an abundance of the latter, and a sore lack for the former.
 
You can simply choose not to flip out the screen.
How do you photograph from waist level without flipping out the screen? I do a lot of waist level work (from my days with Hasselblad, I guess) and I hate pointing the camera in one direction and turning my head and look in another direction. Maybe great for youtubers. Not for me.
There is a good hybrid design option, but it is more expensive.

There is a frame out there that can tilt, as the Sony A3's and 4R have, and ALSO tilt in portrait mode, as Fuji X-T3's do, AND also unsnap and swivel out on a pivot, like the new 4 Base and Fuji X-T4 do, that can be rotated for selfies.

I'm not sure this is on any production model as of yet, but recall reading about it and seeing pictures of prototypes.

From what I have been able to gather, it sounds to me like the flippy vlogger screens in vogue these days, extending now into almost all cameras, even high end ones designed for photography, is to some degree (and perhaps the MAIN reason), driven by cost reduction by the mfg. The flippy screen is simpler than the tilt: fewer parts.

This started pre-inflation, but given that, this will I think likely accelerate. I saw this with the Fuji X-T3, which has a solid, 2 way tilt system, all made of aluminum. The X-T4 was a flippy, BUT also made of plastic. There were some complaints of these snapping off when bumped in use in crowded places; the cost to repair was something like $400 USD.

I was disappointed the Sony ayR 3A I recently bought has a plastic, landscape only tilt mechanism.

From experience, manufacture's will do all kinds of things to save even a few pennies. Twice I have seen what was sold in as minor packaging changes, that saved literally a few pennies per selling unit, lead to damage claims and returns from resellers in the $millions USD. I recall a small part change, saving $4 per unit, on product that sold for $75, lead to a full recall.

As someone who finds the new selfie LCD's actually takes away the usefulness of the LCD for over the head or waist shooting, I would be willing to pay a little more for a design that works for both photographers and bloggers, such as the design I described above.
 
. The Sony A7iv has the same EVF as the Sony A7riii, which was always a very comfortable EVF for me.
The R3 and R4 do not share the same EVF. The R4 has 5.76m-Dot Tru-Finder OLED EVF. The R3 has a 3.69m-Dot Tru-Finder OLED EVF, while the new 4 Base has a 3.68m-Dot EVF.
Read -- I did not say that the the R4 and R3 have the same EVF. I said the A7iv and A7r3 have the same EVF -- I have compared them side by side, there is absolutely no perceptible difference.
But for others, maybe the fully articulating LCD and true touch screen really enhance the joy and comfort of the shooting experience.
Very subjective ... it's a "deal breaker" for perhaps as many photographers as those who would find it a "joy" or "comfort".
YES! Very subjective! Including, just how valuable is an EVF of 5.76m Dots vs 3.69M dots. For me, once you get to 3.69m dots and higher, it's almost impossible to tell the difference. I've used the 5.76m A7r4. If everything else about the cameras was equal, I would take the higher resolution EVF. But it really is a pretty minor factor in my experience. And not all else is equal.
But for a vast number of shooters, those advantages are extremely minor and outweighed by the advantages of the A7iv.
That's a rather bold and unsubstantiated assumption I think. To those who want\need the features of the 4R, I'm sure those are not "extremely mild" to them. The numbers may be "less vast" than you imagine.
I'm not talking about the 61mp resolution -- That will have a fair number of subscribers. Are you saying that people would throw their cameras in the garbage without a 5.76m EVF? What did those R4 owners do before the R4 existed?!?!?!

So no, don't pretend anybody "needs" a 5.76m dot EVF. It's a nice feature. Nobody needs it. And the A7iv has tons of nice features that the A7rIV lacks. If the R4 had a 24mp sensor, do you think it would still have lots of buyers just to get the 5.76m EVF? (And I'd say that not many people are going to buy the A7iv just for a customizable exposure comp dial though it's a feature I really like).

As to which features matter the most, that's a subjective question. But I don't see hordes of people getting a camera SOLELY for a higher resolution EVF.
The 4RA and 3RA have a higher resolution LCD than the 4 Base. And the 4R has a number of other features not found in the 4 Base.
Thing is, it's a rather small number of features. The only "positive" features that the 4R has, IMO, are the higher resolution EVF and LCD. Now, this is my subjective opinion -- not trying to start a fight -- But for me, the R4 sensor is a negative. I have written extensively on it, I hate it. But that is a subjective issue -- I know there are plenty of people who love it.

So objectively -- The only positive features in the 4R are the higher resolution EVF, higher resolution LCD, and pixel shift technology. That's it -- those 3. Then 1 big subjective difference -- the sensor, which is a positive for some people, and a negative for other people.

For me, the A7iv -- Subjectively, it has a better sensor than the R4. Now objectively -- It has a true touch screen, it has lossless compression, CF Express support, the newest AF system, the newest menu system, 60p 4K support, articulating LCD, customizable exposure compensation dial, more advanced networking including the new Visual Story app, and a slew of other features.
That said, the 4 Base if better "jack of all trades", and Sony made the 4 Base more video capable, and blessed it with a better AF than even the 4R.
Yes, which is why the A7iv is better for many people. The R4 is great for those who want the ultra high resolution.
So, the 4 Base and the 4R are each "better" than the other, in different ways, for different people, based on those people's individual needs, and each camera's feature set, right?
Yes.
Just as the features you list above as making the 4 Base "better" than a 4R are, to many others, minor and inconsequential, because those specific feature you like so much might be exactly why they chose a 4R INSTEAD of a 4 Base.
But there is such a thing as honest discussion, which requires people to be honest with themselves.

There are features that are major difference makers, which drives purchase decisions. The 61mp resolution being an example of such a feature.

There are features that may be somewhat minor to some people, major to others. The a7iv shooting 4k60p May be important to some, meaningless to others.

Then there are things that are truly small. Combining a bunch of small things may drive a purchase decision, but it would be pretty rare for 1 of those small things, alone, to drive a purchase decision. Few people are going to sell their a7r4 and buy the a7iv solely for lossless compression. And few people would switch to the a7r4 solely because of a higher resolution EVF.
For example, for "vastly" many people, the 4R sensor is better than the one in the 4 Base.... for what THEY want.
Other than the poor grammar, absolutely true!!! The resolution difference is a significant factor for many people! The EVF -alone- is not.
And the selfie LCD on the Base is a negative,

not a positive; just as the added video capability, the touch screen functionality, and many of the "slew of other features" you mention, valueless.
Absolutely. Different things will have different levels of value to different people. But if anybody said that the A7iv was the better camera than the A7r4 solely because of lossless compression or solely because of focus depth mapping… Such statements would seem hollow.
LOL, these are just tools. And there are many different tools and processes we can prefer to use over others to get the task done. The 4 Base is not "vastly" anything over the 4R, and visa versa, EXCEPT when it comes to what each of us wants, for the way we want to get the job done.
That’s where you’re wrong. The a7r4 has vastly higher resolution than the a7iv. For someone wanting ultra high resolution, the a7r4 is the vastly better camera.
For someone who doesn’t want 61mp resolution, the a7iv is indeed the vastly better camera.

That’s just objective and honest discussion. Would anybody say the Sony A100 dslr is vastly better than the Sony A1? You could certainly make the argument… the a100 had an OVF, and therefore it’s better than the A1. But that would be a pretty desperate argument.
Always amazing to see people, with a wave, try to dismiss and marginalize one tool, and invalidate anyone who uses it, just because it isn't the tool they prefer to use, instead of respecting that this same tool is perfect for what many others prefer to use.
Agreed—- and that’s the opposite of what I’m doing. I’m not marginalizing either camera. The a7r4 is FANTASTIC if you want the highest resolution. The a7iv is FANTASTIC if you don’t care about ultra high resolution but you want the newest and most advanced features.

This was my original statement that sparked your protests:

“Again, I'm definitely not denying that the A7R4 has advantages. But for a vast number of shooters, those advantages are extremely minor and outweighed by the advantages of the A7iv. Certainly, there are shooters who will be swayed by the advantages of the A7r4”
I don't have either of these cameras, find both equally interesting, and if handed either one, could use it to happily take pictures ... even if I preferred one over the other... even I had to use the one with the flippy vlogger-selfie screen, or the other one with a few more MP's and dots in the EVF.
That’s interesting. Because I have used both cameras. I returned the R4 because it wasn’t for me, but I still own an R3.

So here is a thought… The people I don’t trust are those who assume the superiority of their camera, but haven’t any experience with the cameras they are comparing. Maybe people with actual experience… just maybe their opinions have a bit more credibility.
Have I said either one, or the one I use, are superior? Exactly the opposite. I am merely pointing out that you continue to make over generalizations and declarations about one over the other, passing judgements on which features are important and which to dismiss. It sounds like you may be trying to justifying your own conclusions ... which is anything BUT an honest discussion.
let’s be clear, you have zero experience with either of these cameras, but seem to want to dismiss those with experience.
Not all all, stop over reacting. You opinions are valid. But they are just your opinions.
If someone is allergic to peanut butter, it is not overgeneralization to say, “you’d be better off with the sandwich that doesn’t have peanut butter.”
You are like a person who tries peanut butter, gets an allergic reaction, decides you don't like the taste anyway, who then pontificates to all that peanuts are an allergen with no redeeming qualities and no one should buy them.
If someone doesn’t want 61mp, it is not overgeneralization to say they would probably be better off with the non-61mp sensor.
That is different from you saying no one really needs 61 MP, only a few outliers who are member of a dying breed anyway ... because all that is needed for is poster size prints anyway. Text book generalization ... and simply the reason the 4R was not for YOU.
And if someone walked up and said, “I want a full frame ultra high resolution camera, should I get the a7r4 or the a6000?” I would honestly answer them, “for full frame high resolution, the a7r4 is vastly superior to the a6000.”
But if they said 74 Base instead of an a6000?
I’m sure you would find that to be an overgeneralization. You would claim that neither camera has any significant advantage for someone who wants full frame high resolution. The a6000 has lots of advantages for such a shooter and neither camera is better for that shooter.
I would ask them what they like to take pictures of, what they do with the ones they take, what they use now, why that is not working for them. Then listen.

From all your commentary so far, my guess is you might ask a few leading questions, to get the opening you are looking for, so you can climb up on your soapbox.
Here's another thought ... credibility and bombast are not the same. You seem to have an abundance of the latter, and a sore lack for the former.
Now that I think of it, you remind me of a couple of the sales people at a local camera store, maybe close to 30 years ago, and long since closed, when began getting into photography as a hobby. I thought they knew everything. They sure knew a lot. But never listened, probably because they never really asked questions.
 
There is a frame out there that can tilt, as the Sony A3's and 4R have, and ALSO tilt in portrait mode, as Fuji X-T3's do, AND also unsnap and swivel out on a pivot, like the new 4 Base and Fuji X-T4 do, that can be rotated for selfies.

I'm not sure this is on any production model as of yet, but recall reading about it and seeing pictures of prototypes.
Panasonic S1H. Pure brilliance...

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You can simply choose not to flip out the screen.
How do you photograph from waist level without flipping out the screen? I do a lot of waist level work (from my days with Hasselblad, I guess) and I hate pointing the camera in one direction and turning my head and look in another direction. Maybe great for youtubers. Not for me.
There is a good hybrid design option, but it is more expensive.

There is a frame out there that can tilt, as the Sony A3's and 4R have, and ALSO tilt in portrait mode, as Fuji X-T3's do, AND also unsnap and swivel out on a pivot, like the new 4 Base and Fuji X-T4 do, that can be rotated for selfies.

I'm not sure this is on any production model as of yet, but recall reading about it and seeing pictures of prototypes.

From what I have been able to gather, it sounds to me like the flippy vlogger screens in vogue these days, extending now into almost all cameras, even high end ones designed for photography, is to some degree (and perhaps the MAIN reason), driven by cost reduction by the mfg. The flippy screen is simpler than the tilt: fewer parts.

This started pre-inflation, but given that, this will I think likely accelerate. I saw this with the Fuji X-T3, which has a solid, 2 way tilt system, all made of aluminum. The X-T4 was a flippy, BUT also made of plastic. There were some complaints of these snapping off when bumped in use in crowded places; the cost to repair was something like $400 USD.

I was disappointed the Sony ayR 3A I recently bought has a plastic, landscape only tilt mechanism.

From experience, manufacture's will do all kinds of things to save even a few pennies. Twice I have seen what was sold in as minor packaging changes, that saved literally a few pennies per selling unit, lead to damage claims and returns from resellers in the $millions USD. I recall a small part change, saving $4 per unit, on product that sold for $75, lead to a full recall.

As someone who finds the new selfie LCD's actually takes away the usefulness of the LCD for over the head or waist shooting, I would be willing to pay a little more for a design that works for both photographers and bloggers, such as the design I described above.
Agree - Sony used to have the "best of both worlds". But I am not willing to wait for some future camera, or switch systems (heavily invested in Sony and Zeiss glass). So I work with what I got, A7r3 with tilt screen. Works perfectly. No flippy screen for me. Thank you :)
 
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Am curious why someone would choose a A7IV over a A7rIVA when the price difference on the market is 500 dollars. Are there new features I am missing in the (slightly newer) A7IV which make it better than what appears on the surface. The surface being a 33 MP engine versus the 61 MP on the Sony A7r IVa.

Is there something appealing in the newer IV that you can point me to? I am confused because $500 doesn't seem to be a huge barrier.

Thanks for the input.

Thomas
I would never choose a 33 MP camera over a 60 MP camera. This is like choosing the softer lens over the sharper one.
Having twice as much MPs is like having a teleconverter with every lens. For anybody shooting wildlife, especially birds, it's a nobrainer which camera to choose.
 
Am curious why someone would choose a A7IV over a A7rIVA when the price difference on the market is 500 dollars. Are there new features I am missing in the (slightly newer) A7IV which make it better than what appears on the surface. The surface being a 33 MP engine versus the 61 MP on the Sony A7r IVa.

Is there something appealing in the newer IV that you can point me to? I am confused because $500 doesn't seem to be a huge barrier.

Thanks for the input.

Thomas
I would never choose a 33 MP camera over a 60 MP camera. This is like choosing the softer lens over the sharper one.
Having twice as much MPs is like having a teleconverter with every lens. For anybody shooting wildlife, especially birds, it's a nobrainer which camera to choose.
It's like having a 1.25x teleconverter that can't be removed. Great if you want every image 1.25 teleconverted. Not great if you don't want every image 1.25x converted.
 
let’s be clear, you have zero experience with either of these cameras, but seem to want to dismiss those with experience.
Not all all, stop over reacting. You opinions are valid. But they are just your opinions.
If someone is allergic to peanut butter, it is not overgeneralization to say, “you’d be better off with the sandwich that doesn’t have peanut butter.”
You are like a person who tries peanut butter, gets an allergic reaction, decides you don't like the taste anyway, who then pontificates to all that peanuts are an allergen with no redeeming qualities and no one should buy them.
That's the exact opposite of what I said. What I said was: If you love peanut butter, then you should get peanut butter. I said if you are allergic to peanut butter, then the sandwich without peanut butter is better.

I never ever said that people who like peanut butter shouldn't get peanut butter. I have been clear throughout, people who like 61mp, should get the A7r4. People who don't like 61mp, the A7iv is mostly a better choice. Shouldn't be controversial. It's an objectively truthful statement.

If someone doesn’t want 61mp, it is not overgeneralization to say they would probably be better off with the non-61mp sensor.
That is different from you saying no one really needs 61 MP,
I never said that. I said, very simple, FOR PEOPLE WHO DO NOT WANT 61MP -- The A7iv is a better camera. That's not an over generalization. It's a simple objectively supported statement.

I have been clear from the start -- 61mp may be appealing to some people. And they would benefit from the A7riv. But people WHO DO NOT WANT 61mp, would be better served with the A7iv. This should not be a controversial statement.

only a few outliers who are member of a dying breed anyway ... because all that is needed for is poster size prints anyway. Text book generalization ... and simply the reason the 4R was not for YOU.
And if someone walked up and said, “I want a full frame ultra high resolution camera, should I get the a7r4 or the a6000?” I would honestly answer them, “for full frame high resolution, the a7r4 is vastly superior to the a6000.”
But if they said 74 Base instead of an a6000?
I’m sure you would find that to be an overgeneralization. You would claim that neither camera has any significant advantage for someone who wants full frame high resolution. The a6000 has lots of advantages for such a shooter and neither camera is better for that shooter.
I would ask them what they like to take pictures of, what they do with the ones they take, what they use now, why that is not working for them. Then listen.

From all your commentary so far, my guess is you might ask a few leading questions, to get the opening you are looking for, so you can climb up on your soapbox.
No, I'd state the obvious. If you want a full frame camera -- the A6000 is not full frame. That's called an objective fact. I wouldn't try to convince them that the A6000 is better than the A7r4. I'd listen to them. They want a full frame, I'd point them to the full frame.

If someone said, I don't want 61mp -- I'd point them to the A7iv over the A7r4. If they said they do want 61mp, I'd point them to the A7r4.

Here's another thought ... credibility and bombast are not the same. You seem to have an abundance of the latter, and a sore lack for the former.
Now that I think of it, you remind me of a couple of the sales people at a local camera store, maybe close to 30 years ago, and long since closed, when began getting into photography as a hobby. I thought they knew everything. They sure knew a lot. But never listened, probably because they never really asked questions.
So you'd ignore the person that wants a full frame camera, and try to sell them the A6000. While yes, if someone asked me which model is full frame, I absolutely would know which models are full frame, and I'd point them to the full frame model, as they requested.
 
. The Sony A7iv has the same EVF as the Sony A7riii, which was always a very comfortable EVF for me.
The R3 has a 3.69m-Dot Tru-Finder OLED EVF, while the new 4 Base has a 3.68m-Dot EVF.
By the way, you should at least provide comments correctly:

As I said, the A7iv has the exact same EVF as the A7r3 --

f0c4b3ee1f62431094f1d007c6cf6bc2.jpg.png

b38eaa39df1f4086ae19d6fc8ba47620.jpg.png

That's the official specs from the Sony imaging website. They both have OLED 3,686,400 dot EVFs.

Yes, the R4 has higher resolution -- Which I have said throughout.

But as I said from the start, the R3 and A7iv have the exact same EVF.

(and subjectively, as I said before, I can tell the difference between the R4 and R3 EVF, but just barely. Very slightly difference, but noticeable when looking side by side.)

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There is people hungry for more pixel, but there is also a big group of people afraid of pixel, they don't even want 60MP and worry about computer processing power, storage...... I know a few of those " I am not buying a 60MP camera because I don't want to buy new computer and new HDD" people,
It's not just storage. Those larger files take longer to transfer to your computer. If you are coming home from a wedding shoot with 3,000 files, there is a big difference between getting them all uploaded to the computer in 5 minutes (CF Expresss 33mp on the Sony A7iv) versus it taking an hour.

With those large files, on many computers, Lightroom/Photoshop may lag with every photo edit.

And those large files, especially without CF-Express, can really slow down your buffer.

So it's not just that those 61mp files take up a lot of memory -- More critically, they SLOW DOWN your workflow.
true, but even with old mac pro I have those uncompressed 7R IV raw is so easy to work with, not to mention with my new M1 MacBook pro i don't see any slow down at all, I can't wait to see what the upcoming MacPro can do for those files, must be crazy fast. yeah but I do get your point those SD card is slow and to transfer and for those don't want to upgrade their computer, bigger file is a issue, just saying if you have the right computer, 35MP and 60MP files makes no difference at all, at least I don't see any in my case. i went out and get the 42MP A7R III not because it has smaller file but because it has better high ISO when I need that.
 
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