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Let's see your 35mm film images pt. III

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A few oldies from 1972 to 2000. Shot with Pentax, Nikon and Leica cameras. Mostly Tri-X but some HP5+ too.



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"El Agua Verde" Lake Zirahuén, MIchoacán Mexico. HP5+ in HC-110. Nikon FM2n & Nikkor 50/1.4.





San Francisco de Asís Parish at Capacuaro, Mich, Mexico. Kodak Ultra 400. Leica MP, Summicron 35/2.
San Francisco de Asís Parish at Capacuaro, Mich, Mexico. Kodak Ultra 400. Leica MP, Summicron 35/2.



Sprinklers. HP5+ in HC-110. Leica M6, CV Nokton 50/1.5
Sprinklers. HP5+ in HC-110. Leica M6, CV Nokton 50/1.5

--Jorge.

--
Better gear not a better photographer makes.

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A few more from the vault...

Monument Valley, Kodachrome 64, 1994
Monument Valley, Kodachrome 64, 1994

June 1982, almost midnight, Cook Inlet and the Sleeping Lady (Mt. Susitna) Alaska. Kodachrome 64
June 1982, almost midnight, Cook Inlet and the Sleeping Lady (Mt. Susitna) Alaska. Kodachrome 64

Knaresborough, Yorkshire, 1993, Kodachrome 64
Knaresborough, Yorkshire, 1993, Kodachrome 64

East Building, National Gallery of Art, Washington DC, 1990, Kodacolor negative.
East Building, National Gallery of Art, Washington DC, 1990, Kodacolor negative.

Market day, western Ireland, 1974, Agfachrome transparency
Market day, western Ireland, 1974, Agfachrome transparency
 
Here's a desert inn, in T-Max 400, with an olympus OM-2S:



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I love the brighton pier.

Me too. These are from 1975, scanned from Agfachrome transparencies.

Brighton sunset
Brighton sunset

Old soldiers never die...
Old soldiers never die...
 
Canon L1, Serenar 2.8/35, Ilford PAN F
Canon L1, Serenar 2.8/35, Ilford PAN F

Canon L1, Serenar 2.8/35, Ilford PAN F
Canon L1, Serenar 2.8/35, Ilford PAN F

--
Steve
Just an Armadillo on the shoulder of the information superhighway.
 
This is as close as I get to 'street photography'.

One shot out of a roll that had a specific purpose, which departs from the 'film' ideal, and as such I posted about it in the Retouching forum. Link here for anyone intrigued: https://www.dpreview.com/forums/thread/4618924

Straight up Tri-x in a K1000 using the SMC-A 50/2.8.

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Share some random shots from Olympus XA2 with various 35mm film

Olympus XA2 , Kodak Colorplus 200
Olympus XA2 , Kodak Colorplus 200



Olympus XA2, Kodak Colorplus 200
Olympus XA2, Kodak Colorplus 200



Olympus XA2, Kodak Colorplus 200
Olympus XA2, Kodak Colorplus 200



Olympus XA2, Kodak Proimage 100
Olympus XA2, Kodak Proimage 100



Olympus XA2, Kodak Proimage 100
Olympus XA2, Kodak Proimage 100



Olympus XA2, Kodak Colorplus 200
Olympus XA2, Kodak Colorplus 200
 
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