Sony Monochrome?

But while the differences decrease with increasing resolution, such as the a7riv, I do think there is room for a one and done b&w camera with the 42mp sensor or maybe the upcoming 33mp sensor. I mean Sony now has 6 full frame product lines, where arguably there is nothing the a1 isn’t best at, so maybe make an a7b?
But the A1 is out of reach for the vast majority of the market. And Sony is still catching up on their backlog of important cameras, like the A7IV.

There will be zero junctures where it makes sense to release an A7M over refreshing any other product line from a sales perspective.
 
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It's irrelevant, because the part of the market willing to pay for a monochrome Sony camera is insignificant.
How much were you assuming a monochrome Sony would cost when you drew your market size conclusions?
More than the current cameras, that's for sure. Unless the new model would be subsidized. Because you have all of the extra costs of a new camera model - separate production runs, marketing, retail space, software, documentation, shipping, etc. - spread over much, much smaller unit sales. It's the same as when people demand special "no-video" cameras at a discount, not understanding economies of scale.

We see this borne out by the complete absence of monochrome cameras from conventional manufacturers. The market is shifting to broader and broader-featured cameras that can do many things and appeal to many people, as the market is shrinking and each model needs to appeal to a larger and larger slice of it to be viable.
 
But while the differences decrease with increasing resolution, such as the a7riv, I do think there is room for a one and done b&w camera with the 42mp sensor or maybe the upcoming 33mp sensor. I mean Sony now has 6 full frame product lines, where arguably there is nothing the a1 isn’t best at, so maybe make an a7b?
But the A1 is out of reach for the vast majority of the market. And Sony is still catching up on their backlog of important cameras, like the A7IV.

There will be zero junctures where it makes sense to release an A7M over refreshing any other product line from a sales perspective.
I think it would have a larger market than the s series, which currently is orphaned in all but the most niche scenarios.
 
It's irrelevant, because the part of the market willing to pay for a monochrome Sony camera is insignificant.
How much were you assuming a monochrome Sony would cost when you drew your market size conclusions?
More than the current cameras, that's for sure.

Unless the new model would be subsidized.
i think a ~1700 usd price point for a b&w a7r3 or similar would be perfect. Ideally with tracking af, and whole sensor video. It will be much more successful if it is comparatively affordable because it will be a second camera for many
Because you have all of the extra costs of a new camera model - separate production runs, marketing, retail space, software, documentation, shipping, etc. - spread over much, much smaller unit sales. It's the same as when people demand special "no-video" cameras at a discount, not understanding economies of scale.
all they really need to do is not update the design frequently.
We see this borne out by the complete absence of monochrome cameras from conventional manufacturers. The market is shifting to broader and broader-featured cameras that can do many things and appeal to many people, as the market is shrinking and each model needs to appeal to a larger and larger slice of it to be viable.
True, but Sony has many more product lines than competing manufacturers.
 
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But while the differences decrease with increasing resolution, such as the a7riv, I do think there is room for a one and done b&w camera with the 42mp sensor or maybe the upcoming 33mp sensor. I mean Sony now has 6 full frame product lines, where arguably there is nothing the a1 isn’t best at, so maybe make an a7b?
But the A1 is out of reach for the vast majority of the market. And Sony is still catching up on their backlog of important cameras, like the A7IV.

There will be zero junctures where it makes sense to release an A7M over refreshing any other product line from a sales perspective.
I think it would have a larger market than the s series, which currently is orphaned in all but the most niche scenarios.
According to B&H, it's the second best selling Sony camera. According to Amazon it is ahead of the A7RIV, A1, A6000, etc.

Video is a large market; don't substitute your preferences for the actual size of the market.
 
But while the differences decrease with increasing resolution, such as the a7riv, I do think there is room for a one and done b&w camera with the 42mp sensor or maybe the upcoming 33mp sensor. I mean Sony now has 6 full frame product lines, where arguably there is nothing the a1 isn’t best at, so maybe make an a7b?
But the A1 is out of reach for the vast majority of the market. And Sony is still catching up on their backlog of important cameras, like the A7IV.

There will be zero junctures where it makes sense to release an A7M over refreshing any other product line from a sales perspective.
I think it would have a larger market than the s series, which currently is orphaned in all but the most niche scenarios.
According to B&H, it's the second best selling Sony camera. According to Amazon it is ahead of the A7RIV, A1, A6000, etc.

Video is a large market; don't substitute your preferences for the actual size of the market.
You are not factoring in recency and other elements, it’s the only non-a1 camera with bionz xr and active stabilization for example. My understanding is that for the 2 series cameras it was about 50/50 with the a7ii and a7rii but less than 5% a7s2

Also b&h is a Manhattan based vendor that extensively serves the regional professional video market.
 
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It's irrelevant, because the part of the market willing to pay for a monochrome Sony camera is insignificant.
How much were you assuming a monochrome Sony would cost when you drew your market size conclusions?
More than the current cameras, that's for sure.

Unless the new model would be subsidized.
i think a ~1700 usd price point for a b&w a7r3 or similar would be perfect. Ideally with tracking af, and whole sensor video.
Because you have all of the extra costs of a new camera model - separate production runs, marketing, retail space, software, documentation, shipping, etc. - spread over much, much smaller unit sales. It's the same as when people demand special "no-video" cameras at a discount, not understanding economies of scale.
all they really need to do is not update the design frequently.
We see this borne out by the complete absence of monochrome cameras from conventional manufacturers. The market is shifting to broader and broader-featured cameras that can do many things and appeal to many people, as the market is shrinking and each model needs to appeal to a larger and larger slice of it to be viable.
True, but Sony has many more product lines than competing manufacturers.
Why would taking off the Bayer filter allow Sony to sell the A7RIII for $1,000 less than it is going for now? Especially when you're demanding massive AF and video upgrades. It would be more expensive than the color version. And more expensive than the current A7RIIIA, which is retailing for $2,700. Maybe you could get a mono A7RII for $1,700 body only, with zero additional improvements.

And updating less frequently means that it's less competitive than other bodies over time and is risking unsold inventory. Basically a big sales stinker.

"I want a really niche camera...and cut the price at least 40%. After big upgrades. Why doesn't Sony do this?"
 
But while the differences decrease with increasing resolution, such as the a7riv, I do think there is room for a one and done b&w camera with the 42mp sensor or maybe the upcoming 33mp sensor. I mean Sony now has 6 full frame product lines, where arguably there is nothing the a1 isn’t best at, so maybe make an a7b?
But the A1 is out of reach for the vast majority of the market. And Sony is still catching up on their backlog of important cameras, like the A7IV.

There will be zero junctures where it makes sense to release an A7M over refreshing any other product line from a sales perspective.
I think it would have a larger market than the s series, which currently is orphaned in all but the most niche scenarios.
According to B&H, it's the second best selling Sony camera. According to Amazon it is ahead of the A7RIV, A1, A6000, etc.

Video is a large market; don't substitute your preferences for the actual size of the market.
You are not factoring in recency and other elements, it’s the only non-a1 camera with bionz xr and active stabilization for example. My understanding is that for the 2 series cameras it was about 50/50 with the a7ii and a7rii but less than 5% a7s2
Video is bigger than ever these days, and even if it was oddly 5% you're still trying to replace it with a <1% camera model.

Bayer removal services exist for this kind of thing to meet the niche. Just like IR conversion services.
 
It's irrelevant, because the part of the market willing to pay for a monochrome Sony camera is insignificant.
How much were you assuming a monochrome Sony would cost when you drew your market size conclusions?
More than the current cameras, that's for sure.

Unless the new model would be subsidized.
i think a ~1700 usd price point for a b&w a7r3 or similar would be perfect. Ideally with tracking af, and whole sensor video.
Because you have all of the extra costs of a new camera model - separate production runs, marketing, retail space, software, documentation, shipping, etc. - spread over much, much smaller unit sales. It's the same as when people demand special "no-video" cameras at a discount, not understanding economies of scale.
all they really need to do is not update the design frequently.
We see this borne out by the complete absence of monochrome cameras from conventional manufacturers. The market is shifting to broader and broader-featured cameras that can do many things and appeal to many people, as the market is shrinking and each model needs to appeal to a larger and larger slice of it to be viable.
True, but Sony has many more product lines than competing manufacturers.
Why would taking off the Bayer filter allow Sony to sell the A7RIII for $1,000 less than it is going for now?
Especially when you're demanding massive AF
It’s only firmware.
and video upgrades.
True. Maybe that would make the a7iv a more relevant base. It’s just, if there is one Sony monochrome, it needs to do both still and video well
It would be more expensive than the color version. And more expensive than the current A7RIIIA, which is retailing for $2,700.
the a7riii has occasionally been down to 1700 I believe.
Maybe you could get a mono A7RII for $1,700 body only, with zero additional improvements.
doubt the a7rii is cheaper to make than the a7riii
And updating less frequently means that it's less competitive than other bodies over time and is risking unsold inventory.
yes.
Basically a big sales stinker.
i don’t think so.
"I want a really niche camera...and cut the price at least 40%. After big upgrades. Why doesn't Sony do this?"
The logic is more, Sony has all these overlapping product lines, why not create one non-overlapping product, at least as a one off. And I think the investment is fairly minor, some firmware tweaks and a new olpf.
 
Even if you waived all development and marketing costs (which Sony couldn't), each additional model creates challenges and costs, from logistical complexity to fighting for shelf space. And each model needs to justify the expense and hassle.

The market already has an answer for this: Bayer removal services. Or, for nearly identical observable quality, shooting in B&W mode.
 
But while the differences decrease with increasing resolution, such as the a7riv, I do think there is room for a one and done b&w camera with the 42mp sensor or maybe the upcoming 33mp sensor. I mean Sony now has 6 full frame product lines, where arguably there is nothing the a1 isn’t best at, so maybe make an a7b?
But the A1 is out of reach for the vast majority of the market. And Sony is still catching up on their backlog of important cameras, like the A7IV.

There will be zero junctures where it makes sense to release an A7M over refreshing any other product line from a sales perspective.
I think it would have a larger market than the s series, which currently is orphaned in all but the most niche scenarios.
According to B&H, it's the second best selling Sony camera. According to Amazon it is ahead of the A7RIV, A1, A6000, etc.

Video is a large market; don't substitute your preferences for the actual size of the market.
You are not factoring in recency and other elements, it’s the only non-a1 camera with bionz xr and active stabilization for example. My understanding is that for the 2 series cameras it was about 50/50 with the a7ii and a7rii but less than 5% a7s2
Video is bigger than ever these days, and even if it was oddly 5% you're still trying to replace it with a <1% camera model.
Doubt there will ever be an s4, in the same form factor. Don’t know exactly what the market is, but it’s probably > 1% and less than 5%. Bear in mind that they are marginal buyers though, while s buyers presumably would just pick another Sony camera.
Bayer removal services exist for this kind of thing to meet the niche. Just like IR conversion services.
Canon sells a stock ir converted camera. I do think Sony could as well.
 
Even if you waived all development and marketing costs (which Sony couldn't), each additional model creates challenges and costs, from logistical complexity to fighting for shelf space. And each model needs to justify the expense and hassle.

The market already has an answer for this: Bayer removal services. Or, for nearly identical observable quality, shooting in B&W mode.
I am not sure if it makes sense financially or not. But the investment would presumably be much less than a wholly different camera, with its own sensor production line, like the s-series. As a one-off, I think it could make sense to try. Interchangeable lens cameras are a niche product largely confined to 40+ year olds anyway. It’s all Leica in a way

By and large, retro oriented niche cameras seem to do well, be it nikon df, Fuji x100 or the entire x series if you will. Or even Leica as a whole.

edit: it’s true as you say, that often the difference is negligible, but when it’s there it’s often very significant. This is a beautiful piece on the subject:

 
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But while the differences decrease with increasing resolution, such as the a7riv, I do think there is room for a one and done b&w camera with the 42mp sensor or maybe the upcoming 33mp sensor. I mean Sony now has 6 full frame product lines, where arguably there is nothing the a1 isn’t best at, so maybe make an a7b?
But the A1 is out of reach for the vast majority of the market. And Sony is still catching up on their backlog of important cameras, like the A7IV.

There will be zero junctures where it makes sense to release an A7M over refreshing any other product line from a sales perspective.
I think it would have a larger market than the s series, which currently is orphaned in all but the most niche scenarios.
According to B&H, it's the second best selling Sony camera. According to Amazon it is ahead of the A7RIV, A1, A6000, etc.

Video is a large market; don't substitute your preferences for the actual size of the market.
You are not factoring in recency and other elements, it’s the only non-a1 camera with bionz xr and active stabilization for example. My understanding is that for the 2 series cameras it was about 50/50 with the a7ii and a7rii but less than 5% a7s2
Video is bigger than ever these days, and even if it was oddly 5% you're still trying to replace it with a <1% camera model.
Doubt there will ever be an s4, in the same form factor. Don’t know exactly what the market is, but it’s probably > 1% and less than 5%. Bear in mind that they are marginal buyers though, while s buyers presumably would just pick another Sony camera.
Why do you think that video is not a market? The A7SIII was outselling the Canon R5 and R6, last year, which are mainstream cameras.

What you prefer doesn't dictate the market, and video is just getting bigger.

Edit: I'm bowing out of this discussion, as I'm not going to convince you out of your feelings and Sony is never going to release a monochrome.
 
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But while the differences decrease with increasing resolution, such as the a7riv, I do think there is room for a one and done b&w camera with the 42mp sensor or maybe the upcoming 33mp sensor. I mean Sony now has 6 full frame product lines, where arguably there is nothing the a1 isn’t best at, so maybe make an a7b?
But the A1 is out of reach for the vast majority of the market. And Sony is still catching up on their backlog of important cameras, like the A7IV.

There will be zero junctures where it makes sense to release an A7M over refreshing any other product line from a sales perspective.
I think it would have a larger market than the s series, which currently is orphaned in all but the most niche scenarios.
According to B&H, it's the second best selling Sony camera. According to Amazon it is ahead of the A7RIV, A1, A6000, etc.

Video is a large market; don't substitute your preferences for the actual size of the market.
You are not factoring in recency and other elements, it’s the only non-a1 camera with bionz xr and active stabilization for example. My understanding is that for the 2 series cameras it was about 50/50 with the a7ii and a7rii but less than 5% a7s2
Video is bigger than ever these days, and even if it was oddly 5% you're still trying to replace it with a <1% camera model.
Doubt there will ever be an s4, in the same form factor. Don’t know exactly what the market is, but it’s probably > 1% and less than 5%. Bear in mind that they are marginal buyers though, while s buyers presumably would just pick another Sony camera.
Why do you think that video is not a market? The A7SIII was outselling the Canon R5 and R6, last year, which are mainstream cameras.
video is a market, but isolated sales figures are not so informative. Oversampled video is superior to the s series in most regards
What you prefer doesn't dictate the market, and video is just getting bigger.
I love video
Edit: I'm bowing out of this discussion, as I'm not going to convince you out of your feelings and Sony is never going to release a monochrome.
we’ll see
 
According to Foveon, maximum about 30% when comparing fine detail resolution.
The Foveon is a color sensor, with multiple layers. Rather a non sequitir.
Single pixel recording.
But as I sais earlier, fine detail reaolution isn't important when you do street photography.
Don’t you think it is arrogant to presume to speak on behalf of all street photographers?
I am talking about the genre.
 
Even with a Bayer matrix, every single pixel is used to capture info about detail. There might be a slight loss in green, though, since the matrix is RGGB. But this does not matter, since we need a matrix of pixels to represent any meaningful detail.

The Bayer matrix is for calculating color. You can spill color pretty much over the boundaries of objects without the eye being able to detect any flaws.
What does this mean? Are you speaking about aliasing?
That all pixels on a color sensor contribute to resolve fine detail.
My final pictures would be just as sharp and detailed as the files from the B & W cameras, unless you pixel peep at insane zoom scale.
Your images may suit your personal resolution standards. Others may have more stringent requirements - they need not be insane to prefer higher resolution.
I am tlking what it takes to notice a difference when comparing a B & W picture made from a color sensor and a B & W sensor with the same pixel count.
I understand the concept.

The point is that a photographer should set his or her own image quality/resolution thresholds.

You have certain standards. Others have much higher standards. Why does this upset you to the point where you argue that your standards should be sufficient for everyone?
It's irrelevant, because the part of the market willing to pay for a monochrome Sony camera is insignificant. Especially when a chunk of the monochrome fanbase wants retro designs and not Sony designs.

It works for Leica due to massive margins and a customer base that is happy to buy multiple flavors of the same camera (and then their special editions).
If some really want a monochrome camera, they don't look for rational arguments. :-)
 
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instead of relying on information given in treads like this one!
Who is doing that?
The highest resolution scientific and astronomical cameras use monochrome sensors and filter wheels for color images.
Resolution is not the main reason for giong monochrome.
You confuse your opinions with facts.
Resolution is balanced to the focal length anyway when doing serious astrophotography. Lack of light is a major factor, and so is control with recorded data. There are also science grade color astro cameras.
There are scientific color cameras. They have lower resolution than their monochrome counterparts.
Isn't facts better than just myths or false claims?
I hope you can see the irony of this line.

There are some MTF comparisons in this debayering study . Debayered MTFs are significantly better.
As said, do your own check, and do some real world tests. What are your findings? This is basically what I say.

There are masured data available, you can investigate a non-debayered raw file, you can do real world tests, you can interwact with others if you don't have the cameras yourself, etc.

Of cause, it takes a bit more than just saying: You are wrong!
 
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What would a dedicated B & W camera add for street photography, compared to RGB files that are converted to black & white?
there are pros and cons of either approach. But while having a cfa negates the need for color filters, Leica m monochrom output is superior for b&w applications. For a number of reasons, but maybe most significantly - no cfa artifacts.
What ARE exactly these benefits of a monochrome sensor?
The great benefit is no color.

My guess is that a 42MP color sensor will outresolve a 24MP B&W image sensor (every single pixel contributes to the light image in a color camera, color is added to that image).

And that a properly processed B&W image from a 42MP camera can look as good as a B&W image taken with a 24MP camera.
Why wouldn’t the higher resolution image look better?
Resolution depends on the output device.
The resolution of the file is independent of the output device. If you care about resolution in your output, in a large print, for example, why wouldn’t the higher resolution file be superior?
Without an output device, how can you view a raw file - or any digital file?
 
Even with a Bayer matrix, every single pixel is used to capture info about detail. There might be a slight loss in green, though, since the matrix is RGGB. But this does not matter, since we need a matrix of pixels to represent any meaningful detail.

The Bayer matrix is for calculating color. You can spill color pretty much over the boundaries of objects without the eye being able to detect any flaws.
What does this mean? Are you speaking about aliasing?
That all pixels on a color sensor contribute to resolve fine detail.
My final pictures would be just as sharp and detailed as the files from the B & W cameras, unless you pixel peep at insane zoom scale.
Your images may suit your personal resolution standards. Others may have more stringent requirements - they need not be insane to prefer higher resolution.
I am tlking what it takes to notice a difference when comparing a B & W picture made from a color sensor and a B & W sensor with the same pixel count.
I understand the concept.

The point is that a photographer should set his or her own image quality/resolution thresholds.

You have certain standards. Others have much higher standards. Why does this upset you to the point where you argue that your standards should be sufficient for everyone?
It's irrelevant, because the part of the market willing to pay for a monochrome Sony camera is insignificant. Especially when a chunk of the monochrome fanbase wants retro designs and not Sony designs.

It works for Leica due to massive margins and a customer base that is happy to buy multiple flavors of the same camera (and then their special editions).
If some really want a monochrome camera, they don't look for rational arguments. :-)
how many people buy a camera for “rational arguments”? How many buy a full frame ilc for “rational arguments”?
 
Even with a Bayer matrix, every single pixel is used to capture info about detail. There might be a slight loss in green, though, since the matrix is RGGB. But this does not matter, since we need a matrix of pixels to represent any meaningful detail.

The Bayer matrix is for calculating color. You can spill color pretty much over the boundaries of objects without the eye being able to detect any flaws.
What does this mean? Are you speaking about aliasing?
That all pixels on a color sensor contribute to resolve fine detail.
My final pictures would be just as sharp and detailed as the files from the B & W cameras, unless you pixel peep at insane zoom scale.
Your images may suit your personal resolution standards. Others may have more stringent requirements - they need not be insane to prefer higher resolution.
I am tlking what it takes to notice a difference when comparing a B & W picture made from a color sensor and a B & W sensor with the same pixel count.
I understand the concept.

The point is that a photographer should set his or her own image quality/resolution thresholds.

You have certain standards. Others have much higher standards. Why does this upset you to the point where you argue that your standards should be sufficient for everyone?
It's irrelevant, because the part of the market willing to pay for a monochrome Sony camera is insignificant. Especially when a chunk of the monochrome fanbase wants retro designs and not Sony designs.

It works for Leica due to massive margins and a customer base that is happy to buy multiple flavors of the same camera (and then their special editions).
If some really want a monochrome camera, they don't look for rational arguments. :-)
how many people buy a camera for “rational arguments”? How many buy a full frame ilc for “rational arguments”?
Just take a look at the discussions on any camera forum ...
 

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