***This week with your MF camera, Aug 14-20 2021***

Some that came out of the computer today. Like last week, untouched by human hand.

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GFA 100, 120 macro, Aputure lights
Honestly sir, I'm not sure what to think about these images. No doubt very interesting and there is a certain beauty to them but they leave me confused. I don't know. I just don't know exactly what to think.
Then look at them some more. Maybe things will begin to clear up for you.
Ok. I've looked enough that it's perfectly clear now. It doesn't work for me. That's not to say some artsy fartsy people might rave over it but.... well there it is. :)
It’s interesting to me how you’re characterizing the people who might like it.
Sorry but it is what it is.
What it is is quite insulting, for the artist and for those that might like it. If you don't like them, that is fine, but why the need to denigrate those that do?

There it is. ;-)

Joe D
Because of what I considered an insulting, rude, and snide reply to my original honest and very polite comment. That road goes both ways.

--
Rodenmg = Mike
 
Some that came out of the computer today. Like last week, untouched by human hand.

6ef28a1f506c4558afe881af9bc5667a.jpg

7d36a9716c4e4db6b236c6ee2926ee81.jpg

40888882bef04713936d8623ab20cb19.jpg

59c268bf72284b4fa0d51779180bdc20.jpg

4ba42ee369ea4c28a76eb87d7528202c.jpg

GFA 100, 120 macro, Aputure lights
Honestly sir, I'm not sure what to think about these images. No doubt very interesting and there is a certain beauty to them but they leave me confused. I don't know. I just don't know exactly what to think.
Then look at them some more. Maybe things will begin to clear up for you.
Ok. I've looked enough that it's perfectly clear now. It doesn't work for me. That's not to say some artsy fartsy people might rave over it but.... well there it is. :)
It’s interesting to me how you’re characterizing the people who might like it.
Sorry but it is what it is.
What it is is quite insulting, for the artist and for those that might like it. If you don't like them, that is fine, but why the need to denigrate those that do?

There it is. ;-)

Joe D
Because of what I considered an insulting, rude, and snide reply to my original honest and very polite comment. That road goes both ways.
I’m sorry you took it that way. I’ve found that spending time with images helps my understand my reaction to them better. I often put images up on my walls where I have to pass them several times a day, and that helps. I thought it might be the same with you.

--
 
Art, like any other discipline has to be studied to be appreciated on more than a superficial level. I usually equate people who refer to those who appreciate art as "artsy fartsy" on par with those who protest against graphs and numbers that help illustrate ideas, who refer to mathematicians as "geeks" or athletes as "jocks". All of that stems from off hand dismissal of things one doesn't understand, and lack of curiosity to find out more about the subject.
Good point, but you need to factor in that different people look for different things in art.

For example, I am, and have always been, a prodigious reader of fiction (reading is my favourite activity). I studied literature at school and in tertiary education to age of 18 because that seemed in tune with my reading passion. This included all the usual works appropriate to that age group and academic level including Chaucer, Shakespeare, Jonson, Marlowe, the metaphysical poets, Flaubert, Austin, Joyce, the war poets etc, etc.

However, the more familiarity I got with great literature, the more I came to realise that it didn't do anything for me. I learned that what I get out of fiction is not what literature is about. I love fiction that is a ripping yarn, that sends you deep into an imaginary world, that creates mystery and puzzles that grip you and sweep you along with the characters and which the author neatly resolves for you by the end of the story (or promises to in the sequel). That is my passion in fiction.

Literary works are rarely like that. I do not want to spend hours of my life reading about the mundane events of a dull tea party, only to be told that I missed the point and it was really a disguised symbolic discourse on the state of local politics in a small village I've never heard of in 1870. Or whatever. I don't find any fun in that. I also find that the inventiveness, skill and technical excellence in a piece of writing may be something that can be appreciated but it is no substitute for being gripped and entertained. If I need to find out about something, I read a non-fiction treatment of the subject, not try and tease it out of a story. The stuff that sends literature fans into paroxysms of joy, I find inutterably dull. And no doubt literary fans would say that my choice of fiction is unsophisticated, juvenile and anti-intellectual.

There is so much deliberate obscurity, disguise, the symbolic, the allegorical in literature. Some people love that. I get that, but it's not me. I forced myself to re-read Dubliners to see whether the perspective of another 40 years had changed my opinion of it. It's considered one of the greatest short story collections of all time and The Dead is a candidate for the greatest short story of all time. I haven't changed my mind, it was torture and it took me ages to read such a slim volume. Alistair Reynolds keeps me up all night turning pages and leaves me emotionally wrung out by the end, but I find I don't care what a genius Shakespeare was, nor do I care about Mr Darcy's fate or Chaunticleer's, for that matter.

I admit it, a philistine. Every one has their own taste and knowing that there are millions of people who prefer custard to single cream can't make me appreciate custard. No one can actually help their taste, they discover it, not create it. Referring to the "artsy fartsy" is a bit contemptuous but likewise, the intellectuals who look down on skillful popular taste have their own issues.

--
DPReview gallery: https://www.dpreview.com/galleries/0286305481
Website: http://www.whisperingcat.co.uk/ (2018 - website revived!)
Flickr: http://www.flickr.com/photos/davidmillier/ (very old!)
 
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Two shots of the Marshall Point Lighthouse. The place that Tom Hanks completed his run in Forrest Gump. One shot is at 45mm with a zoom lens and the other was shot with a 23mm Lens. I prefer the wide angle. All opinions are welcome.



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--
bweberphotographs.com
[email protected]
 
Art, like any other discipline has to be studied to be appreciated on more than a superficial level. I usually equate people who refer to those who appreciate art as "artsy fartsy" on par with those who protest against graphs and numbers that help illustrate ideas, who refer to mathematicians as "geeks" or athletes as "jocks". All of that stems from off hand dismissal of things one doesn't understand, and lack of curiosity to find out more about the subject.
Good point, but you need to factor in that different people look for different things in art.

For example, I am, and have always been, a prodigious reader of fiction (reading is my favourite activity). I studied literature at school and in tertiary education to age of 18 because that seemed in tune with my reading passion. This included all the usual works appropriate to that age group and academic level including Chaucer, Shakespeare, Jonson, Marlowe, the metaphysical poets, Flaubert, Austin, Joyce, the war poets etc, etc.

However, the more familiarity I got with great literature, the more I came to realise that it didn't do anything for me. I learned that what I get out of fiction is not what literature is about. I love fiction that is a ripping yarn, that sends you deep into an imaginary world, that creates mystery and puzzles that grip you and sweep you along with the characters and which the author neatly resolves for you by the end of the story (or promises to in the sequel). That is my passion in fiction.

Literary works are rarely like that. I do not want to spend hours of my life reading about the mundane events of a dull tea party, only to be told that I missed the point and it was really a disguised symbolic discourse on the state of local politics in a small village I've never heard of in 1870. Or whatever. I don't find any fun in that. I also find that the inventiveness, skill and technical excellence in a piece of writing may be something that can be appreciated but it is no substitute for being gripped and entertained. If I need to find out about something, I read a non-fiction treatment of the subject, not try and tease it out of a story. The stuff that sends literature fans into paroxysms of joy, I find inutterably dull. And no doubt literary fans would say that my choice of fiction is unsophisticated, juvenile and anti-intellectual.

There is so much deliberate obscurity, disguise, the symbolic, the allegorical in literature. Some people love that. I get that, but it's not me. I forced myself to re-read Dubliners to see whether the perspective of another 40 years had changed my opinion of it. It's considered one of the greatest short story collections of all time and The Dead is a candidate for the greatest short story of all time. I haven't changed my mind, it was torture and it took me ages to read such a slim volume. Alistair Reynolds keeps me up all night turning pages and leaves me emotionally wrung out by the end, but I find I don't care what a genius Shakespeare was, nor do I care about Mr Darcy's fate or Chaunticleer's, for that matter.

I admit it, a philistine. Every one has their own taste and knowing that there are millions of people who prefer custard to single cream can't make me appreciate custard. No one can actually help their taste, they discover it, not create it. Referring to the "artsy fartsy" is a bit contemptuous but likewise, the intellectuals who look down on skillful popular taste have their own issues.
Everyone has their tastes and everyone is different in the things they like or don't like. However, there has to be a certain effort to investigate things which we don't understand and/or don't appeal to us from the outset. This investigation is very important. It allows us to understand what others see in a piece of work and then we can gain a new appreciation for it or not, but at least, we walk away from this process having learned more than we did before. This is especially important for us as photographers. If we aren't curious and if we don't take the time to investigate the type of work, which we don't understand, our own work will be stale and uninteresting.
 
Art, like any other discipline has to be studied to be appreciated on more than a superficial level. I usually equate people who refer to those who appreciate art as "artsy fartsy" on par with those who protest against graphs and numbers that help illustrate ideas, who refer to mathematicians as "geeks" or athletes as "jocks". All of that stems from off hand dismissal of things one doesn't understand, and lack of curiosity to find out more about the subject.
Good point, but you need to factor in that different people look for different things in art.

For example, I am, and have always been, a prodigious reader of fiction (reading is my favourite activity). I studied literature at school and in tertiary education to age of 18 because that seemed in tune with my reading passion. This included all the usual works appropriate to that age group and academic level including Chaucer, Shakespeare, Jonson, Marlowe, the metaphysical poets, Flaubert, Austin, Joyce, the war poets etc, etc.

However, the more familiarity I got with great literature, the more I came to realise that it didn't do anything for me. I learned that what I get out of fiction is not what literature is about. I love fiction that is a ripping yarn, that sends you deep into an imaginary world, that creates mystery and puzzles that grip you and sweep you along with the characters and which the author neatly resolves for you by the end of the story (or promises to in the sequel). That is my passion in fiction.

Literary works are rarely like that. I do not want to spend hours of my life reading about the mundane events of a dull tea party, only to be told that I missed the point and it was really a disguised symbolic discourse on the state of local politics in a small village I've never heard of in 1870. Or whatever. I don't find any fun in that. I also find that the inventiveness, skill and technical excellence in a piece of writing may be something that can be appreciated but it is no substitute for being gripped and entertained. If I need to find out about something, I read a non-fiction treatment of the subject, not try and tease it out of a story. The stuff that sends literature fans into paroxysms of joy, I find inutterably dull. And no doubt literary fans would say that my choice of fiction is unsophisticated, juvenile and anti-intellectual.

There is so much deliberate obscurity, disguise, the symbolic, the allegorical in literature. Some people love that. I get that, but it's not me. I forced myself to re-read Dubliners to see whether the perspective of another 40 years had changed my opinion of it. It's considered one of the greatest short story collections of all time and The Dead is a candidate for the greatest short story of all time. I haven't changed my mind, it was torture and it took me ages to read such a slim volume. Alistair Reynolds keeps me up all night turning pages and leaves me emotionally wrung out by the end, but I find I don't care what a genius Shakespeare was, nor do I care about Mr Darcy's fate or Chaunticleer's, for that matter.

I admit it, a philistine. Every one has their own taste and knowing that there are millions of people who prefer custard to single cream can't make me appreciate custard. No one can actually help their taste, they discover it, not create it. Referring to the "artsy fartsy" is a bit contemptuous but likewise, the intellectuals who look down on skillful popular taste have their own issues.
Everyone has their tastes and everyone is different in the things they like or don't like. However, there has to be a certain effort to investigate things which we don't understand and/or don't appeal to us from the outset. This investigation is very important. It allows us to understand what others see in a piece of work and then we can gain a new appreciation for it or not, but at least, we walk away from this process having learned more than we did before. This is especially important for us as photographers. If we aren't curious and if we don't take the time to investigate the type of work, which we don't understand, our own work will be stale and uninteresting.
I hear what you are saying but I don't need to understand a photograph, I just need it to look good. I'm that basic. For me it's like music - if it doesn't strike deep to the emotional centre, no amount of studying will ever make it sound good to me. I don't really care about any of the technical, intellectual or artistic content in music. It makes my foot tap and tears flow or it doesn't and that's it. And it doesn't take long to work out what it will be. I know it can be different for others but we are what we are.

Here's an image example: https://www.brucepercy.co.uk/#/lenois-maranhenses-2019/

It's an extremely simple image, there is nothing to understand, you can take in all its information content in 5 secs. And you either think it's beautiful or you don't.
 
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These are some of the pictures from my trip to Ontario - Canada.



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Let me know what you think.

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Take a deep breath before pressing that shutter release button, it helps.
 
Very nice, I like the soft colours and natural look. If it were me I probably would have lifted the shadows too much.

I prefer the central framing I think, but maybe a bit closer, if you were standing on the wooden path maybe might look good?
 
Nice. I think I like 6 best. The portrait shot, the people in the water and including the moon gives a good sense of scale.
 
Very nice morning colors! Especially like the wide angle.

Also, thank you very much for posting full size versions of these images!!! Appreciate it.
 
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FUJIFILM GFX 100S and GF 30mm f/3.5 R LM WR; f/13; 1/85; ISO 100

I am usually not comfortable with photographing people, an underlying a sense of intrusion makes me feel awkward. However, this time it came quite naturally, probably because there was some sort of empathy between myself and the little girl watching the waves.

With best regards

--
IacoPolo
 
These are some of the pictures from my trip to Ontario - Canada.

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Let me know what you think.
These are evocative, the second one with the human silhouette is more engaging. I really like both, well composed and with just what is needed.

--
IacoPolo
 
Thanks, appreciate it 🖐️
 
Thanks, appreciate it 🖐️
 
I like the 5th one the best. I reminds me of painting and the drama you usually see in it.

In the 6th one, the sky is amazing.
 
23mm, after sunset. The actual light at sunset was rather poor due to cloud cover on the western horizon, but there was still some color in the sky as the light faded:

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I love the colors, clouds, and reflection.

--
Take a deep breath before pressing that shutter release button, it helps.
 
Shooting Niagara made me realize the importance of gear. I never needed the 23mm F4, but after visiting thrice in the early morning and attempting to capture Niagara sunrise, I know I need one before visiting Toronto next time.

This one was shot with the GF 32-64mm, and I wish I had the 23mm



The orange light lasted about 45 seconds but made me visit three times in 10 days, wanting more
The orange light lasted about 45 seconds but made me visit three times in 10 days, wanting more

These were taken during my drive from Niagara Falls to Niagara on the lake by the parkway. The other side of the river is the United States.

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Do let me know what you think.

--
Take a deep breath before pressing that shutter release button, it helps.
 

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