VictorDB
Forum Enthusiast
I bought my wife (A Pentax shooter from the 80s) a K30 many years ago and she's since backed that up a 90mm Macro and a 50-200 AF lens and she loves using them. This year it developed the aperture block issue, dark images issue which I understand is due to a camera capacitor problem affecting the lenses with electronic aperture actuation.
I took it into the shop that it was bought from and they quoted a repair cost of £250 with a 3 month guarantee which doesn't sound unreasonable except, that according to some on these forums, the solution might not be permanent.
My question is.
1. Who does Pentax Digital SLR repairs in the UK?
2. Does anyone have specific experience of them?
3. If 2 is the case, and you had the aperture block issue in the UK has it stood up to the repair?
An alternative suggested by the shop was to buy a K-70 at either £599 new or £459 used. (I am also currently looking at 7 different Pentax DSLRs (new and used))
I am a Nikon DSLR user but am happy to support my wife's Pentax preference as there are advantages to her system that suit her shooting , such as long familiarity with the system, in-body image stabilisation and very acceptable JPEGs straight out of the box (with RAW for rescue purposes).
There are money no object solutions but I don't live in that milieu
I took it into the shop that it was bought from and they quoted a repair cost of £250 with a 3 month guarantee which doesn't sound unreasonable except, that according to some on these forums, the solution might not be permanent.
My question is.
1. Who does Pentax Digital SLR repairs in the UK?
2. Does anyone have specific experience of them?
3. If 2 is the case, and you had the aperture block issue in the UK has it stood up to the repair?
An alternative suggested by the shop was to buy a K-70 at either £599 new or £459 used. (I am also currently looking at 7 different Pentax DSLRs (new and used))
I am a Nikon DSLR user but am happy to support my wife's Pentax preference as there are advantages to her system that suit her shooting , such as long familiarity with the system, in-body image stabilisation and very acceptable JPEGs straight out of the box (with RAW for rescue purposes).
There are money no object solutions but I don't live in that milieu