What is holding Sigma back with the new Merril(s)?

Anyway the Merrills both DP & SD have proved themselves as excellent cameras and I see no need for posts from relatively new posters denigrating them. They have been used by many of us to make amazing pictures over the last nine years and are still doing so.
that's exactly what i say (finally having gotten the SD1 this year) - if anything _needs_ upgrade, is the photographer, full frame merril won't be a magic bullet.
again, those who don't see foveon issues with color in certain circumstances - they certainly need some awareness, not larger frames :p
I agree with your sentiment but can we please respect the memory of Richard B Merrill by spelling his name correctly and capitalizing the "M"?

In any case, there is no indication from Sigma that the "FFF" will be called a "Merrill" ...
 
A 20 Mpix Foveon is not enough for 24x36mm.
76 lp/mm at the sensor would be good enough for any lens except an Otus mebbe. ;-)
Huh? If that was the case, then we wouldn't see any more detail in our photos when we step up from the SD9, SD10, SD14, or SD15 to the SD1 Merrill, but as you know Ted, even when using a zoom lens, like the 17-50mm f2.8 EX OS there is a significant amount of extra detail in those Merrill images.
Huh? How do you measure "detail", Scott?
. . . or were you just joking?
Nope. I realize that numbers other than MP are anathema to your good self - but may I offer, apart from the Otus, the Sigma 65mm DG DN which goes just over 80 lp/mm at f/2.8 and f/4 in the center, which a 20MP full-frame Foveon would almost match and would certainly beat at all other settings or away from the center of the lens.

See for yourself :

https://www.lenstip.com/600.4-Lens_review-Sigma_C_65_mm_f_2_DG_DN_Image_resolution.html
I think at this point you're just being impractical, and shutting your eyes to the obvious Ted.
Gee, thank you, Scott! After all, what would I know about anything?
DP1
DP1

dp2 Quattro
dp2 Quattro

Those are crops from these images at Imaging-Resource:

https://www.imaging-resource.com/PRODS/DP1/FULLRES/DP1hSLI100.JPG

https://www.imaging-resource.com/PRODS/sigma-dp2-quattro/FULLRES/DP2QhSLI0100H.JPG

Much more detail is visible in the image from the Quattro, as you and anyone else can see.
What's missing from your point is that the DP1 brought closer would render the same amount of detail on the circular slide rule and probably sharper. All you have shown us here is that the Quattro has a higher pixel density. Nothing like a fair comparison, eh?

Equally fair:

0929b657adb147d8aaef68362a31dca7.jpg

I'll ask again: "How do you measure "detail", Scott?"

--
Pedantry is hard work, but someone's gotta do it ...
 
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Anyway the Merrills both DP & SD have proved themselves as excellent cameras and I see no need for posts from relatively new posters denigrating them. They have been used by many of us to make amazing pictures over the last nine years and are still doing so.
that's exactly what i say (finally having gotten the SD1 this year) - if anything _needs_ upgrade, is the photographer, full frame merril won't be a magic bullet.
again, those who don't see foveon issues with color in certain circumstances - they certainly need some awareness, not larger frames :p
I agree with your sentiment but can we please respect the memory of Richard B Merrill by spelling his name correctly and capitalizing the "M"?
Thank you Ted. I agree.
In any case, there is no indication from Sigma that the "FFF" will be called a "Merrill" ...
I think it is certain that it will not be called a "Merrill"

S
 
Anyway the Merrills both DP & SD have proved themselves as excellent cameras and I see no need for posts from relatively new posters denigrating them. They have been used by many of us to make amazing pictures over the last nine years and are still doing so.
that's exactly what i say (finally having gotten the SD1 this year) - if anything _needs_ upgrade, is the photographer, full frame merril won't be a magic bullet.
again, those who don't see foveon issues with color in certain circumstances - they certainly need some awareness, not larger frames :p
I agree with your sentiment but can we please respect the memory of Richard B Merrill by spelling his name correctly and capitalizing the "M"?
Thank you Ted. I agree.
In any case, there is no indication from Sigma that the "FFF" will be called a "Merrill" ...
I think it is certain that it will not be called a "Merrill"

S
Why do you think that?
 
I think many have come to expect that modern cameras have high ISO abilities and video. If Sigma is concerned about the foveon sensor not working too well with high ISO above 400 in color and 800 in B&W why don’t they just eliminate the ability to go above 800? And why don’t they just eliminate video altogether?
Agree...being more of a "specialist" camera sets Sigma Foveon apart anyway. Might as well emphasize this and show the best of the best IQ. Only IQ, nothing else.
IQ as in:
?
If this were true, would a Sigma mirrorless camera exist? My guess is no, it wouldn't. Basically, putting image quality first would eliminate a lot of secondary features such as support for phase focusing, features that depend on video access rates.
If you don't get focus right, then you get a blurred image. How is that going to produce good image quality?
<>
Wrong. Image quality comes from focusing perfectly, and we all know that using auto-focus with a DSLR design doesn't do that reliably. Using live-view to focus manually from a tripod is the best way (for static subjects), whether using a DSLR or a mirrorless camera.
IMHO, seizing on focus alone is a straw man fallacy which occurs when someone takes another person’s argument or point, distorts it or exaggerates it in some kind of extreme way (poor focus), and then attacks the extreme distortion, as if that is really the claim the first person is making.

I say that because Image Quality comprises much, much more than just focus, as can be seen listed above ...

--
Pedantry is hard work, but someone's gotta do it ...
 
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I think many have come to expect that modern cameras have high ISO abilities and video. If Sigma is concerned about the foveon sensor not working too well with high ISO above 400 in color and 800 in B&W why don’t they just eliminate the ability to go above 800? And why don’t they just eliminate video altogether?
Agree...being more of a "specialist" camera sets Sigma Foveon apart anyway. Might as well emphasize this and show the best of the best IQ. Only IQ, nothing else.
IQ as in:
?
If this were true, would a Sigma mirrorless camera exist? My guess is no, it wouldn't. Basically, putting image quality first would eliminate a lot of secondary features such as support for phase focusing, features that depend on video access rates.
If you don't get focus right, then you get a blurred image. How is that going to produce good image quality?

<>

Wrong. Image quality comes from focusing perfectly, and we all know that using auto-focus with a DSLR design doesn't do that reliably. Using live-view to focus manually from a tripod is the best way (for static subjects), whether using a DSLR or a mirrorless camera.
IMHO, seizing on focus alone is a straw man fallacy which occurs when someone takes another person’s argument or point, distorts it or exaggerates it in some kind of extreme way (poor focus), and then attacks the extreme distortion, as if that is really the claim the first person is making.

I say that because Image Quality comprises much, much more than just focus, as can be seen listed above ...
Yeah, but without accurate focus everything is rendered useless, unless you're into impressionistic photography. ;)
 
Anyway the Merrills both DP & SD have proved themselves as excellent cameras and I see no need for posts from relatively new posters denigrating them. They have been used by many of us to make amazing pictures over the last nine years and are still doing so.
that's exactly what i say (finally having gotten the SD1 this year) - if anything _needs_ upgrade, is the photographer, full frame merril won't be a magic bullet.
again, those who don't see foveon issues with color in certain circumstances - they certainly need some awareness, not larger frames :p
I agree with your sentiment but can we please respect the memory of Richard B Merrill by spelling his name correctly and capitalizing the "M"?
Thank you Ted. I agree.
In any case, there is no indication from Sigma that the "FFF" will be called a "Merrill" ...
I think it is certain that it will not be called a "Merrill"

S
It won't; but what "pranza" is talking about is a FF 1:1:1 sensor with similar properties to the Merrill.

Don
 
I think many have come to expect that modern cameras have high ISO abilities and video. If Sigma is concerned about the foveon sensor not working too well with high ISO above 400 in color and 800 in B&W why don’t they just eliminate the ability to go above 800? And why don’t they just eliminate video altogether?
Agree...being more of a "specialist" camera sets Sigma Foveon apart anyway. Might as well emphasize this and show the best of the best IQ. Only IQ, nothing else.
IQ as in:
?
If this were true, would a Sigma mirrorless camera exist? My guess is no, it wouldn't. Basically, putting image quality first would eliminate a lot of secondary features such as support for phase focusing, features that depend on video access rates.
If you don't get focus right, then you get a blurred image. How is that going to produce good image quality?

<>

Wrong. Image quality comes from focusing perfectly, and we all know that using auto-focus with a DSLR design doesn't do that reliably. Using live-view to focus manually from a tripod is the best way (for static subjects), whether using a DSLR or a mirrorless camera.
IMHO, seizing on focus alone is a straw man fallacy which occurs when someone takes another person’s argument or point, distorts it or exaggerates it in some kind of extreme way (poor focus), and then attacks the extreme distortion, as if that is really the claim the first person is making.

I say that because Image Quality comprises much, much more than just focus, as can be seen listed above ...
Yeah, but without accurate focus everything is rendered useless, unless you're into impressionistic photography. ;)
Ef'n yew hed'na tole me thet, ah wud never of knowed it. ;-)

--
Always in Manual Everything ...
 
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I'm just glad I can comment off into left field or beyond, and not get too much heat for it. This is a great forum!
 
A 20 Mpix Foveon is not enough for 24x36mm.
76 lp/mm at the sensor would be good enough for any lens except an Otus mebbe. ;-)
Huh? If that was the case, then we wouldn't see any more detail in our photos when we step up from the SD9, SD10, SD14, or SD15 to the SD1 Merrill, but as you know Ted, even when using a zoom lens, like the 17-50mm f2.8 EX OS there is a significant amount of extra detail in those Merrill images.
Huh? How do you measure "detail", Scott?
. . . or were you just joking?
Nope. I realize that numbers other than MP are anathema to your good self - but may I offer, apart from the Otus, the Sigma 65mm DG DN which goes just over 80 lp/mm at f/2.8 and f/4 in the center, which a 20MP full-frame Foveon would almost match and would certainly beat at all other settings or away from the center of the lens.

See for yourself :

https://www.lenstip.com/600.4-Lens_review-Sigma_C_65_mm_f_2_DG_DN_Image_resolution.html
I think at this point you're just being impractical, and shutting your eyes to the obvious Ted.
Gee, thank you, Scott! After all, what would I know about anything?
DP1
DP1

dp2 Quattro
dp2 Quattro

Those are crops from these images at Imaging-Resource:

https://www.imaging-resource.com/PRODS/DP1/FULLRES/DP1hSLI100.JPG

https://www.imaging-resource.com/PRODS/sigma-dp2-quattro/FULLRES/DP2QhSLI0100H.JPG

Much more detail is visible in the image from the Quattro, as you and anyone else can see.
What's missing from your point is that the DP1 brought closer would render the same amount of detail on the circular slide rule and probably sharper. All you have shown us here is that the Quattro has a higher pixel density.
Ummm . . . isn't that how more detail is captured? I mean that's how they did it with film, right? (i.e. more grains of emulsion in the same square of film)
Nothing like a fair comparison, eh?

Equally fair:

0929b657adb147d8aaef68362a31dca7.jpg

I'll ask again: "How do you measure "detail", Scott?"
I don't, but I can look at two photos and see numbers or letters in one, while not being able to make them out in the other, and that shows me there is more detail in one photo than in the other.

Something tells me you're trying to say something, but I am not "getting" it. Can you just be less cryptic, and come right out and tell me what you're trying to say?

--
Scott Barton Kennelly
 
A 20 Mpix Foveon is not enough for 24x36mm.
76 lp/mm at the sensor would be good enough for any lens except an Otus mebbe. ;-)
I've printed 24x36 images from my 14.7mp Merrill that look excellent when using Topaz Gigapixel AI (in Architectural mode) to enlarge the file. BTW, Foveon files uprez very well, much better than Bayer.
It would be interesting to find out if Topaz Gigapixel would do well with a fp L file that has been downsized to 1/4 original pixels. The quality of these pixels ought to equal that of the Merrill, pixel for pixel, should it not?
No, a Merrill sensor will still look different because of how it determines color. You'll have better DR with the Bayer but poorer color variations.
Sigma knows how to determine color from a Foveon sensor, so they might be able to get a close match for it with special processing of a Bayer image. Or am I guessing wrong here and it is impossible?

This is one of several reasons I am becoming interested in the fp L.
 
A 20 Mpix Foveon is not enough for 24x36mm.
76 lp/mm at the sensor would be good enough for any lens except an Otus mebbe. ;-)
Huh? If that was the case, then we wouldn't see any more detail in our photos when we step up from the SD9, SD10, SD14, or SD15 to the SD1 Merrill, but as you know Ted, even when using a zoom lens, like the 17-50mm f2.8 EX OS there is a significant amount of extra detail in those Merrill images.
Huh? How do you measure "detail", Scott?
. . . or were you just joking?
Nope. I realize that numbers other than MP are anathema to your good self - but may I offer, apart from the Otus, the Sigma 65mm DG DN which goes just over 80 lp/mm at f/2.8 and f/4 in the center, which a 20MP full-frame Foveon would almost match and would certainly beat at all other settings or away from the center of the lens.

See for yourself :

https://www.lenstip.com/600.4-Lens_review-Sigma_C_65_mm_f_2_DG_DN_Image_resolution.html
I think at this point you're just being impractical, and shutting your eyes to the obvious Ted.
Gee, thank you, Scott! After all, what would I know about anything?
DP1
DP1

dp2 Quattro
dp2 Quattro

Those are crops from these images at Imaging-Resource:

https://www.imaging-resource.com/PRODS/DP1/FULLRES/DP1hSLI100.JPG

https://www.imaging-resource.com/PRODS/sigma-dp2-quattro/FULLRES/DP2QhSLI0100H.JPG

Much more detail is visible in the image from the Quattro, as you and anyone else can see.
What's missing from your point is that the DP1 brought closer would render the same amount of detail on the circular slide rule and probably sharper. All you have shown us here is that the Quattro has a higher pixel density.
Ummm . . . isn't that how more detail is captured? I mean that's how they did it with film, right? (i.e. more grains of emulsion in the same square of film)
Nothing like a fair comparison, eh?

Equally fair:

0929b657adb147d8aaef68362a31dca7.jpg

I'll ask again: "How do you measure "detail", Scott?"
I don't, but I can look at two photos and see numbers or letters in one, while not being able to make them out in the other, and that shows me there is more detail in one photo than in the other.

Something tells me you're trying to say something, but I am not "getting" it. Can you just be less cryptic, and come right out and tell me what you're trying to say?
Just jumping in here, to muddy the waters: at the pixel level, the older sensor will likely deliver better color resolution with the same amount of detail. Quattro sacrifices color resolution to increase detail resolution and even when you view Quattro lo-res images the loss of image quality is seen, relative to the older sensor.

This is a problem with Quattro, but whether or not it actually exists is controversial.

--
Tom Schum
Copper: Mankind's favorite electrical conductor
 
A 20 Mpix Foveon is not enough for 24x36mm.
76 lp/mm at the sensor would be good enough for any lens except an Otus mebbe. ;-)
I've printed 24x36 images from my 14.7mp Merrill that look excellent when using Topaz Gigapixel AI (in Architectural mode) to enlarge the file. BTW, Foveon files uprez very well, much better than Bayer.
It would be interesting to find out if Topaz Gigapixel would do well with a fp L file that has been downsized to 1/4 original pixels. The quality of these pixels ought to equal that of the Merrill, pixel for pixel, should it not?
No, a Merrill sensor will still look different because of how it determines color. You'll have better DR with the Bayer but poorer color variations.
Sigma knows how to determine color from a Foveon sensor, so they might be able to get a close match for it with special processing of a Bayer image. Or am I guessing wrong here and it is impossible?

This is one of several reasons I am becoming interested in the fp L.
I think they have different "color science" vs the other companies, like Sony, Fuji, Canon, Panasonic, and Nikon, so the images from their cameras will probably look at least slightly different. I think that's a good thing. I can't imagine they can make the fp and fp-L differentiate color as well as a camera with a Foveon sensor can, but who knows? Maybe they can. If so, that will reduce the difference between CFA and Foveon even more, so maybe the fp-L will indeed make an o.k. stand-in for a full-frame Foveon . . . for now.
 
A 20 Mpix Foveon is not enough for 24x36mm.
76 lp/mm at the sensor would be good enough for any lens except an Otus mebbe. ;-)
I've printed 24x36 images from my 14.7mp Merrill that look excellent when using Topaz Gigapixel AI (in Architectural mode) to enlarge the file. BTW, Foveon files uprez very well, much better than Bayer.
It would be interesting to find out if Topaz Gigapixel would do well with a fp L file that has been downsized to 1/4 original pixels. The quality of these pixels ought to equal that of the Merrill, pixel for pixel, should it not?
No, a Merrill sensor will still look different because of how it determines color. You'll have better DR with the Bayer but poorer color variations.
Sigma knows how to determine color from a Foveon sensor, so they might be able to get a close match for it with special processing of a Bayer image. Or am I guessing wrong here and it is impossible?
It's a property of the silicon filtration vs. colored gels, not just a different way of processing the information from the chip. Gels are more limited in their color discrimination than silicon is. Bayer is always going to look like Bayer, it's just the nature of the technology regardless of software.

TANSTAAFL, everything is a tradeoff. If you want the high iso, better DR and higher pixel count of a Bayer you have to trade off color discrimination (not accuracy, which is different).
This is one of several reasons I am becoming interested in the fp L.
 
Sigma knows how to determine color from a Foveon sensor, so they might be able to get a close match for it with special processing of a Bayer image. Or am I guessing wrong here and it is impossible?
It's a property of the silicon filtration vs. colored gels, not just a different way of processing the information from the chip. Gels are more limited in their color discrimination than silicon is. Bayer is always going to look like Bayer, it's just the nature of the technology regardless of software.

TANSTAAFL, everything is a tradeoff. If you want the high iso, better DR and higher pixel count of a Bayer you have to trade off color discrimination (not accuracy, which is different).
Well if anyone can get close to Foveon color science using a Bayer sensor, Sigma would be them.

Interesting thought: would color science shifts such as this introduce noise in odd places, depending on color gradation? If this sort of noise cuts my ISO range down to 3200, I guess I can live with it!
 
A 20 Mpix Foveon is not enough for 24x36mm.
76 lp/mm at the sensor would be good enough for any lens except an Otus mebbe. ;-)
Huh? If that was the case, then we wouldn't see any more detail in our photos when we step up from the SD9, SD10, SD14, or SD15 to the SD1 Merrill, but as you know Ted, even when using a zoom lens, like the 17-50mm f2.8 EX OS there is a significant amount of extra detail in those Merrill images.
Huh? How do you measure "detail", Scott?
. . . or were you just joking?
Nope. I realize that numbers other than MP are anathema to your good self - but may I offer, apart from the Otus, the Sigma 65mm DG DN which goes just over 80 lp/mm at f/2.8 and f/4 in the center, which a 20MP full-frame Foveon would almost match and would certainly beat at all other settings or away from the center of the lens.

See for yourself :

https://www.lenstip.com/600.4-Lens_review-Sigma_C_65_mm_f_2_DG_DN_Image_resolution.html
I think at this point you're just being impractical, and shutting your eyes to the obvious Ted.
Gee, thank you, Scott! After all, what would I know about anything?
DP1
DP1

dp2 Quattro
dp2 Quattro

Those are crops from these images at Imaging-Resource:

https://www.imaging-resource.com/PRODS/DP1/FULLRES/DP1hSLI100.JPG

https://www.imaging-resource.com/PRODS/sigma-dp2-quattro/FULLRES/DP2QhSLI0100H.JPG

Much more detail is visible in the image from the Quattro, as you and anyone else can see.
What's missing from your point is that the DP1 brought closer would render the same amount of detail on the circular slide rule and probably sharper. All you have shown us here is that the Quattro has a higher pixel density.
Ummm . . . isn't that how more detail is captured? I mean that's how they did it with film, right? (i.e. more grains of emulsion in the same square of film)
Nothing like a fair comparison, eh?

Equally fair:

0929b657adb147d8aaef68362a31dca7.jpg

I'll ask again: "How do you measure "detail", Scott?"
I don't, but I can look at two photos and see numbers or letters in one, while not being able to make them out in the other, and that shows me there is more detail in one photo than in the other.

Something tells me you're trying to say something, but I am not "getting" it. Can you just be less cryptic, and come right out and tell me what you're trying to say?
Just jumping in here, to muddy the waters: at the pixel level, the older sensor will likely deliver better color resolution with the same amount of detail. Quattro sacrifices color resolution to increase detail resolution and even when you view Quattro lo-res images the loss of image quality is seen, relative to the older sensor.

This is a problem with Quattro, but whether or not it actually exists is controversial.
Well, this brings to mind the comparison post made by you Tom, which showed a photo from a Sigma camera with an old sensor, and another, basically identical photo (other than what looks like a slight difference in exposure), from the SD Quattro in low-res mode. They looked identical in all ways to me. Even the finest details looked the same to me. Surprisingly even the color looked virtually exactly the same to me. Here is that comparison (for those reading along):

https://www.dpreview.com/forums/post/58888373

Do you remember those?

Viewing those photos again, I see that the focus looked to be slightly more distant in one vs the other (i.e. the trees in the background appear to be in focus more in one shot vs the grass in the foreground appearing to be in better focus in the other shot), and the Quattro photo appears oversharpened to me. I do find the exposure looks the same in some parts of the images, while it looks different in other parts, and that makes me wonder what happened.

One thing I look forward to is being able to compare images from the fp-L to images from the upcoming camera with the "60 MP" full-frame Foveon sensor, using the exact same lens. THAT should be interesting.

--
Scott Barton Kennelly
https://www.bigprintphotos.com/
 
Last edited:
A 20 Mpix Foveon is not enough for 24x36mm.
76 lp/mm at the sensor would be good enough for any lens except an Otus mebbe. ;-)
Huh? If that was the case, then we wouldn't see any more detail in our photos when we step up from the SD9, SD10, SD14, or SD15 to the SD1 Merrill, but as you know Ted, even when using a zoom lens, like the 17-50mm f2.8 EX OS there is a significant amount of extra detail in those Merrill images.
Huh? How do you measure "detail", Scott?
. . . or were you just joking?
Nope. I realize that numbers other than MP are anathema to your good self - but may I offer, apart from the Otus, the Sigma 65mm DG DN which goes just over 80 lp/mm at f/2.8 and f/4 in the center, which a 20MP full-frame Foveon would almost match and would certainly beat at all other settings or away from the center of the lens.

See for yourself :

https://www.lenstip.com/600.4-Lens_review-Sigma_C_65_mm_f_2_DG_DN_Image_resolution.html
I think at this point you're just being impractical, and shutting your eyes to the obvious Ted.
Gee, thank you, Scott! After all, what would I know about anything?
DP1
DP1

dp2 Quattro
dp2 Quattro

Those are crops from these images at Imaging-Resource:

https://www.imaging-resource.com/PRODS/DP1/FULLRES/DP1hSLI100.JPG

https://www.imaging-resource.com/PRODS/sigma-dp2-quattro/FULLRES/DP2QhSLI0100H.JPG

Much more detail is visible in the image from the Quattro, as you and anyone else can see.
What's missing from your point is that the DP1 brought closer would render the same amount of detail on the circular slide rule and probably sharper. All you have shown us here is that the Quattro has a higher pixel density.
Ummm . . . isn't that how more detail is captured? I mean that's how they did it with film, right? (i.e. more grains of emulsion in the same square of film)
Nothing like a fair comparison, eh?

Equally fair:

0929b657adb147d8aaef68362a31dca7.jpg

I'll ask again: "How do you measure "detail", Scott?"
I don't, but I can look at two photos and see numbers or letters in one, while not being able to make them out in the other, and that shows me there is more detail in one photo than in the other.

Something tells me you're trying to say something, but I am not "getting" it. Can you just be less cryptic, and come right out and tell me what you're trying to say?
Just jumping in here, to muddy the waters: at the pixel level, the older sensor will likely deliver better color resolution with the same amount of detail. Quattro sacrifices color resolution to increase detail resolution and even when you view Quattro lo-res images the loss of image quality is seen, relative to the older sensor.

This is a problem with Quattro, but whether or not it actually exists is controversial.
Well, this brings to mind the comparison post made by you Tom, which showed a photo from a Sigma camera with an old sensor, and another, basically identical photo (other than what looks like a slight difference in exposure), from the SD Quattro in low-res mode. They looked identical in all ways to me. Even the finest details looked the same to me. Surprisingly even the color looked virtually exactly the same to me. Here is that comparison (for those reading along):

https://www.dpreview.com/forums/post/58888373

Do you remember those?

Viewing those photos again, I see that the focus looked to be slightly more distant in one vs the other (i.e. the trees in the background appear to be in focus more in one shot vs the grass in the foreground appearing to be in better focus in the other shot), and the Quattro photo appears oversharpened to me. I do find the exposure looks the same in some parts of the images, while it looks different in other parts, and that makes me wonder what happened.

One thing I look forward to is being able to compare images from the fp-L to images from the upcoming camera with the "60 MP" full-frame Foveon sensor, using the exact same lens. THAT should be interesting.
Good find, Scott!

Back then I had trouble. Now I also have trouble telling the difference. For a while I believed the image quality of full res Quattro was indistinguishable from lo res Quattro. Others disagreed. I have slowly come to believe that my SD15 under perfect conditions delivered better image quality than lo res Quattro. Maybe it is just nostalgia!

--
Tom Schum
Copper: Mankind's favorite electrical conductor
 
I don't, but I can look at two photos and see numbers or letters in one, while not being able to make them out in the other, and that shows me there is more detail in one photo than in the other.

Something tells me you're trying to say something, but I am not "getting" it. Can you just be less cryptic, and come right out and tell me what you're trying to say?
Just jumping in here, to muddy the waters: at the pixel level, the older sensor will likely deliver better color resolution with the same amount of detail. Quattro sacrifices color resolution to increase detail resolution and even when you view Quattro lo-res images the loss of image quality is seen, relative to the older sensor.

This is a problem with Quattro, but whether or not it actually exists is controversial.
It exists, but it's a balancing act where Merrill will give you higher color resolution and Quattro gives you more accurate colors (less noise) within that lower resolution. Combining the two would require bigger pixels, something I hoped for in the announced 20mp full frame sensor.
 
Anyway the Merrills both DP & SD have proved themselves as excellent cameras and I see no need for posts from relatively new posters denigrating them. They have been used by many of us to make amazing pictures over the last nine years and are still doing so.
that's exactly what i say (finally having gotten the SD1 this year) - if anything _needs_ upgrade, is the photographer, full frame merril won't be a magic bullet.
again, those who don't see foveon issues with color in certain circumstances - they certainly need some awareness, not larger frames :p
I agree with your sentiment but can we please respect the memory of Richard B Merrill by spelling his name correctly and capitalizing the "M"?
Thank you Ted. I agree.
In any case, there is no indication from Sigma that the "FFF" will be called a "Merrill" ...
I think it is certain that it will not be called a "Merrill"

S
It won't; but what "pranza" is talking about is a FF 1:1:1 sensor with similar properties to the Merrill.
Maybe he was but currently that is just your opinion, not a fact.

@pranza said "full frame merril won't be a magic bullet", period, with no mention of similarity to anything.

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Pedantry is hard work, but someone's gotta do it ...
 
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Anyway the Merrills both DP & SD have proved themselves as excellent cameras and I see no need for posts from relatively new posters denigrating them. They have been used by many of us to make amazing pictures over the last nine years and are still doing so.
that's exactly what i say (finally having gotten the SD1 this year) - if anything _needs_ upgrade, is the photographer, full frame merril won't be a magic bullet.
again, those who don't see foveon issues with color in certain circumstances - they certainly need some awareness, not larger frames :p
I agree with your sentiment but can we please respect the memory of Richard B Merrill by spelling his name correctly and capitalizing the "M"?
Thank you Ted. I agree.
In any case, there is no indication from Sigma that the "FFF" will be called a "Merrill" ...
I think it is certain that it will not be called a "Merrill"

S
Why do you think that?
Because it defines a specific generation of Foveon sensors (one of many 1:1:1 generations) and a future version will inevitably be of another generation.
 

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