Is it ethical/legal to use another's art as a subject?

ROFLMAO!

I read the other day that a "stalker" of Britney Spears was sueing her because of emotional distress that her bodyguards had inflicted on her. LOL.
Well, you know, anyone can be sued by anyone for anything these
days. There seems to be no limit. Last mo there was a case settled
in court where people had sued an ice cream stand when they
discovered the icecream that was advertised as low fat was indeed
not. The settlement? Hold onto your hat!!! - Coupons for more ice
cream!!!!!!!!!! I kid you not!!
--
http://www.outboundmusic.com
Your link to independent music!
 
My personal opinion is that yours is a piece of art unto its own. I think there is enough artistry in transposing a physical object into a one dimensional piece of art made of light, to make it all it's own. Enough goes into workign with light and shadow, angle of view, background and framing to dispute any argument in my mind.

WArmly,
Lonnit
I have similar concerns, but in my case the person's artwork was a
large sculpture. I did a tight composition and wonder if anyone,
including the artist, would recognize it. But, just because it has
been abstracted it still is a shot of the artist's work, though a
relatively small piece of it. Is it my work (the image I recorded)
or strictly his no matter how I photographed it? Would I need
permission to have it published, or to sell it?



--
Tom
http://www.pbase.com/tomrok
--
Please visit my gallery at http://www.pbase.com/lonnit/root

and offer your comments. The fastest way for me to learn is when you tell me what I'm doing right and what I'm doing wrong, what you like and what you don't. I welcome all opinions. :)



WARNING: 10D-itis is contagious!!!!!!!
 
I read the other day that a "stalker" of Britney Spears was sueing
her because of emotional distress that her bodyguards had inflicted
on her. LOL.
Well, you know, anyone can be sued by anyone for anything these
days. There seems to be no limit. Last mo there was a case settled
in court where people had sued an ice cream stand when they
discovered the icecream that was advertised as low fat was indeed
not. The settlement? Hold onto your hat!!! - Coupons for more ice
cream!!!!!!!!!! I kid you not!!
--
http://www.outboundmusic.com
Your link to independent music!
--
Please visit my gallery at http://www.pbase.com/lonnit/root

and offer your comments. The fastest way for me to learn is when you tell me what I'm doing right and what I'm doing wrong, what you like and what you don't. I welcome all opinions. :)



WARNING: 10D-itis is contagious!!!!!!!
 
You are saying that a bit of silver halide or a figment of computer
memory could diminish or dilute the original masterpiece, even by
massive exposition to the great audience of the world. At that
notion, I respectfully but strongly disagree.
... it is off limits to take photographs. The Italian government has decided that and they now own it! If they want no photographs to be taken of it, it is ok by me. I am a guest in their country and as I guest I respect their wishes. I do not spend my time going into the logic or reasons why they do things or tried to justify why "I" should take a photography of something they ask me not to photography in the first place.

They say no photographs, I say ok and enjoy what I am seeing with my own eyes. If a church asks no photographs, maybe they think it is being disrespectful to take photographs inside a church in the first place. I should see thing from there point of view. There are churches, museums and other places off limits to photograph in the United States. I can ask why, say that does not make sense, on and on.

You can disagree with me since I think a photographer who intentionally takes a photograph of something and the photographer know they were not allowed to, is stealing in the first place. Other would say if I can get way with it is not stealing since I not harming anything. Same stupid reasoning for them to get illegal cable!
Michelangelo did not spend the time to create it, just to have
it hidden away in some building.
It not hidden away in some building. It is being protected. The last time it was damage was from some lunatic that took a hammer and tried to destroy it. If I recall a toe was completely damaged. I do not recall seeing a sign saying certain people are not welcome, everyone is welcome, pay your entrance fee you are in.

Bill

--

New Yorkers like to think that their city is the center of the universe, and after spending some time there, I am not so sure they are wrong.

Bob Krist, Spirit of Place
 
... your own? Leonardo Da Vinci would be turning in his grave.
I agree.
But would I feel taht way if I was shooting Michaelangel's statue of David
You cannot take photographs of Michelangelo's David located in
Accademia. It is off limits to take photographs or video tape it
and rightfully so! Any photographer taking photos of David without
permission would from the Accademia I think they are stealing or at
least are a disrespectful guest.
Statues are tough... I think that was an excellent analogy though that if you think of the statue as human the same releases should apply.

--
New Yorkers like to think that their city is the center of the
universe, and after spending some time there, I am not so sure they
are wrong.
Phew! I didn't think I was wrong, but it's good to be validated!!!! LOL! ;)

Warmly,
Lonnit
Bob Krist, Spirit of Place
--
Please visit my gallery at http://www.pbase.com/lonnit/root

and offer your comments. The fastest way for me to learn is when you tell me what I'm doing right and what I'm doing wrong, what you like and what you don't. I welcome all opinions. :)



WARNING: 10D-itis is contagious!!!!!!!
 
You cannot take photographs of Michelangelo's David located in
Accademia. It is off limits to take photographs or video tape it
and rightfully so! Any photographer taking photos of David without
permission would from the Accademia I think they are stealing or at
least are a disrespectful guest.
I think that position is completely without merit.

Art is meant to be experienced. Michelangelo did not spend the
time to create it, just to have it hidden away in some building. I
am quite sure that painters and charcoalists were drawing studies
of David, and quite likely with his blessing. Today's public does
not wield charcoal in the course of their travels, they wield a
camera.

You are saying that a bit of silver halide or a figment of computer
memory could diminish or dilute the original masterpiece, even by
massive exposition to the great audience of the world. At that
notion, I respectfully but strongly disagree.
Hmmmm... a thought. Had these great works never been photographed or filmed, most of us would never have the pleasure of experiencing them. How would we be educated. I think we have to look at purpose - for commercial profit - no. For education, yes. Now the problem: for a PBS documentary there is no profit involved. For a school textbook - the book is a commercial retail item that is sold at profit. Is that worth denying our children the education if nobody can/will foot the bill for the documentary to be made?

Next concept - copyright pertains to credit and profit. Disgraceful as it might be, lets say Budwieser places a Bud Lite in David's hand. They sell an ocean of beer b/c of it and make $ millions in profits. Let's say they actually disired to give the artist his share. The artist is long gone. Who is the rightful recipient of that money? His heirs? For how many generations? In music isnt' it 99 (?) yrs and then it's public domain? Doesnt' any artist's work become public domain after a certain period of time? I think perhaps credit should be given but I don't think releases or money are necessarily in order. Opinions?

Warmly,
Lonnit

--
Please visit my gallery at http://www.pbase.com/lonnit/root

and offer your comments. The fastest way for me to learn is when you tell me what I'm doing right and what I'm doing wrong, what you like and what you don't. I welcome all opinions. :)



WARNING: 10D-itis is contagious!!!!!!!
 
William C misunderstood my post. I understand the government thinks it's protecting the original work. I am not advocating taking pictures where they're not allowed by fiat or by host. I merely disagree with the government's reasoning. I likewise disagree with the New Yorkers who think disallowing photographs of buildings and bridges will protect them.

As for the copyright issue-- this varies country by country, and piece by piece. David is a national treasure of Italy. Italy can decide that for that piece only, all rights of reproduction belong to Italy. Silly concept, but it's there. Without individual exceptions like this, the work is still a well-known example of a given artist's work. You can make derivative works on Taming of the Shrew, and your stage performances are yours alone, but you could never publish a printed copy of Shakespeare's original, verbatim, and pretend it's yours. Even if you did, people would see through it, thanks to the fame of the original. This is where copyright issues transition into issues of plagiarism.

--
[ e d @ h a l l e y . c c ] http://www.halley.cc/pix/
 
I shot this today just because I liked it. I also like it as a
photo in the manner it is composed.
This is a derivative work. The question you have is, is it removed
enough to stand on its own as a new piece of art, or is it a
trivial reflection of another artist's original?
Which is basically what I was saying.... I thought it not enough to stand on it's own.
I won't answer that to remain neutral, and it's a very gray line in
art in general. However, here are some guidelines. Only you and
your audience can really judge these.
  • does it significantly alter the viewer's impression, versus the
original?
I like that. Excellent. I think that's pretty clear.
(I would so no; viewers of the original barn see basically the same
thing.)
Exaclty - I took the viewpoint of a typical viewer.
  • does it have a significantly different relevance to the audience?
  • does it juxtapose any novel elements to alter the overall meaning?
  • does it have a meaning to be discovered solely in its place of
exposition?
Right. If a dog was peeing on it in the shot that would certainly change this and be a statement unto itself. It would now take on new meaning. It wouldn't matter what was painted on teh barn, the attention would be on the dog and the fact that he was peeing on the art, not in the art itself.
(I would say no; the tree or fence doesn't impart commentary.)
Agreed.
(I would say no; you had no social commentary by posting to the web.)
In this case, my sole reason for posting it to the web was for the purpose of establishing this conversation so that I know waht the legal/ethical boundries are in the future. I personally felt that it was NOT a photo that stood on it's own as art and therefor started to wonder what WOULD be the boundries and the acceptable.
Andy Warhol's canonical example which really shaped this whole
argument is the "Campbell's Soup Label." It is a direct graphic
reproduction of the company's soup can label, but by virtue of its
place of exposition (a gallery) it had a significantly different
relevance to the audience (fine art critics). The impression of
the label in that setting wasn't whether it would sell soup, but
how American society and cultural in general was becoming
mass-produced, just like a common foodstock. Thus, it is a novel
piece of art, though still a derivative work of Campbell's
industrial commercial artwork.
If he were to profit by the picture I would still say that Campbell's would be due it's payment. Ok, let't take a look at my "Waiting for Poptarts". The only thing relevent to "Pop-tarts" is the title of the shot. I've been stumped in my search to find a new title for it for an idea I have for a commercial use of it. I would assume that legally I cannot use the name "pop-tarts". I was trying to come up with a creative spelling to overcome this obstacle, with no success. :(
Similar rules of lineage govern the designs of the "coat of arms"
insignia for houses in England. If it's not distinguished by two
variations from its lineage, it's not a proper new house. Change
the left rampant boar to a rampant lion, and also add a chevron of
azure to the shield.
Those are nice/neat little guidelines. There is no grey area. Unfortunately it's impossible to make such precise stipulations that apply to every use of every graphic in every industry. :( Seems the determination is left to the most talented, creative, and convincing lawyer.

Warmly,
Lonnit

--
Please visit my gallery at http://www.pbase.com/lonnit/root

and offer your comments. The fastest way for me to learn is when you tell me what I'm doing right and what I'm doing wrong, what you like and what you don't. I welcome all opinions. :)



WARNING: 10D-itis is contagious!!!!!!!
 
As for the copyright issue-- this varies country by country, and
piece by piece. David is a national treasure of Italy. Italy can
decide that for that piece only, all rights of reproduction belong
to Italy. Silly concept, but it's there. Without individual
exceptions like this, the work is still a well-known example of a
given artist's work. You can make derivative works on Taming of
the Shrew, and your stage performances are yours alone, but you
could never publish a printed copy of Shakespeare's original,
verbatim, and pretend it's yours. Even if you did, people would
see through it, thanks to the fame of the original. This is where
copyright issues transition into issues of plagiarism.
My question was not specifically to the statue, "David". It was a generalization. Italy has laid claim to ownership so like it or not that's the deal. But waht about all the rest of the great masterpieces or anything else? Is the current owner the one entitled to grant permissions and receive money? If an art collector owns the original does that make him entitled to the rights as well? Or are the rights controlled by the heirs?

WArmly,
Lonnit

--
Please visit my gallery at http://www.pbase.com/lonnit/root

and offer your comments. The fastest way for me to learn is when you tell me what I'm doing right and what I'm doing wrong, what you like and what you don't. I welcome all opinions. :)



WARNING: 10D-itis is contagious!!!!!!!
 
There is more than one kind of issue here. When you are dealing
with a situation where the picture might be a substitute for buying
the art or it might provide a way for you to study somebody's craft
or design techniques, its generally illegal to take a picture even
for personal use.
I find it hard to believe that students in an art class, learning technique by copying the great masters, are actually breaking the law. I dont' see how it can be illegal for personal study. Is this legal fact or your opinion/assumption?
In the case where something is put on public display, as appears to
be the case in your picture, I assume that the issue is likely
along the lines that DavidP suggests. That is if you are taking a
picture where the art is an incidental part of the picture its all
right. But if the art is the main subject, you have to worry about
who owns the intellectual property.
Which is what I opened with. :)
Personally, I would worry more about the legal issues than the
ethics unless I was really trying to rip someone off. I would not
worry much about taking a picture for personal use unless someone
stopped me.
Oh, I had no concern about taking it for tossing in my family photo album.
real question of intellectual property rights.
Exactly. I always prefer to err on the side of caution.
pictures on the web might also have its own potential issues even
when there was no money involved.
'twould be ironic for me to be sued for my shot which was uploaded for the sole purpose of starting a thread to get agreement that this is the type of shot that should not be attempted to be used without permission! LOL!

WArmly,
Lonnit

--
Please visit my gallery at http://www.pbase.com/lonnit/root

and offer your comments. The fastest way for me to learn is when you tell me what I'm doing right and what I'm doing wrong, what you like and what you don't. I welcome all opinions. :)



WARNING: 10D-itis is contagious!!!!!!!
 
The other day I wanted to post a message pretty much like your
Lonnit, regarding whether is legal, morally acceptable to shoot
pictures of some nice architecture and call it an original work of
art.
Personally i love taking pictures of buildings, trying to underline
some details of it... What do you guys think of this?
Is a picture of the Brooklin Bridge "legal"? Should the
photographer ask for "permission" before publishing it? Of course
the answer is not, but then why taking a picture of a bridge is any
different than taking a picture of a statue or a painting?
Not really. Before the bridge or building was brought to 3-d it was indeed drawn by the architect/engineer, probably rendered as well. Bringing it back to paper brings it full cylcle to copying its original so that armgument doesnt' hold water. ;)

BTW, there was jsut a big thread on achitecture you should search and read. Dang - just looked thru all my old threads and cant' find the link for you. OH WAIT!! I printed out a sheet - search the internet for "The Photographer's Right - Your Rights and Remedies When Stopped or Confronted for Photography." Oh, here's an addy... try looking for it at http://www.krages.com . Architecture is fair game. If you see it from a public space you can shoot it. On private property they have the right to stop you. So that may mean as little as taking 2 steps backwards. ;) You can assume that in a private space you can take pix without explicit permission, but should request permission if the owner is likely to object. If the property owner tells you no then you are legally obligated to stop. Additionally anyone can be photographed without permission except in places wehre they should reasonably expect privacy, like bathrooms and dressing rooms, medical facilities and inside there home.

WArmly,
Lonnit

--
Please visit my gallery at http://www.pbase.com/lonnit/root

and offer your comments. The fastest way for me to learn is when you tell me what I'm doing right and what I'm doing wrong, what you like and what you don't. I welcome all opinions. :)



WARNING: 10D-itis is contagious!!!!!!!
 
What are the creatures on the tree?
UGH!!! What the heck!! It looks like a cartoon moose head with bunny ears instead of antlers!!!!! LOL!

No creatures, jsut a mangly ol' tree.

Lonnit

--
Please visit my gallery at http://www.pbase.com/lonnit/root

and offer your comments. The fastest way for me to learn is when you tell me what I'm doing right and what I'm doing wrong, what you like and what you don't. I welcome all opinions. :)



WARNING: 10D-itis is contagious!!!!!!!
 
My question was not specifically to the statue, "David". It was a
generalization. Italy has laid claim to ownership so like it or not
that's the deal. But waht about all the rest of the great
masterpieces or anything else? Is the current owner the one
entitled to grant permissions and receive money? If an art
collector owns the original does that make him entitled to the
rights as well? Or are the rights controlled by the heirs?
It depends on the works.

The owner of the installation, e.g., the museum, owns the reproduction rights of installed originals. They don't own the reproduction rights of those items they do not own, such as those on loan by the artist. Bill Gates spent some of his personal fortune on acquiring reproduction rights on many museum pieces, as well as founding the stock image company Corbis, and Microsoft (though I hate to praise them) produced a very nice CD ROM for exploring daVinci's notebooks.

Music has many components of reproduction rights. Record labels typically purchase the entire copyright, unless the artist is well known. The artist (as well as anyone else) can still sing and perform the song live, and that's where most really earn their living, even though they don't own the rights to the song anymore. The labels are squeezing even these live rights away from the real creators. Famous artists sometimes buy these rights back for their own works, or even the rights of other artists' songs.

However, books are designed for reproduction in the first place, and you don't record a performance of a text, per se. Authors retain copyrights of the words, not the paper, and they grant reproduction rights to a publisher with limits. Rarely does a book author give up their original rights. Thus, the heirs control the rights until the work lapses into the public domain.

--
[ e d @ h a l l e y . c c ] http://www.halley.cc/pix/
 
Sorry but you can't do that, at least not sell/use those pictures for profit...

But asking copyright-law questions in here is not so smart sicne this is an international board and laws differ...

Of course there are a lot of loopholes... For instance in most laws there are laws saying long the authors copyright is viable, as i doubt anyone is going to puniosh you for selling pictures of the pyramids :D

At least here in Finland it is 50 years after the authors death... of course there are issues with the current owner of the piece of art, but that's another story....
 
Thanks for the encouraging words, Lonnit. Maybe if I don't tell anyone what it is and where I took it from I'll be okay.
My personal opinion is that yours is a piece of art unto its own. I
think there is enough artistry in transposing a physical object
into a one dimensional piece of art made of light, to make it all
it's own. Enough goes into workign with light and shadow, angle of
view, background and framing to dispute any argument in my mind.

WArmly,
Lonnit
--
Tom
http://www.pbase.com/tomrok
 
Yes, in the U.S., at least, you are free to take pictures of buildings which are visible from a public place, and you can do whatever you want with the photos.

(From a copyright perspective. I'm not aware of any law which prohibits you from taking a picture of a bridge or the outside of a power plant or whatever, although we have clearly heard examples of individuals being questioned by the authorities for doing so.)

Section 120 of the U.S. Copyright Law says:

" § 120 · Scope of exclusive rights in architectural works
(a) Pictorial Representations Permitted.—The copyright in an architectural
work that has been constructed does not include the right to prevent the
making, distributing, or public display of pictures, paintings, photographs, or

other pictorial representations of the work, if the building in which the work is
embodied is located in or ordinarily visible from a public place.
(b) Alterations to and Destruction of Buildings.—Notwithstanding the

provisions of section 106(2), the owners of a building embodying an architectural

work may, without the consent of the author or copyright owner of the architectural
work, make or authorize the making of alterations to such building, and
destroy or authorize the destruction of such building."

Here's the link:

http://www.copyright.gov/title17/chapter01.pdf

--
Patrick Martin
http://www.patrickmartin.com
 
Additionally anyone can be photographed without permission except
in places wehre they should reasonably expect privacy, like
bathrooms and dressing rooms, medical facilities and inside there
home.
This is interesting, so "street photography" is always ok?
If I take a picture of somebody in the street they can't be mad at me?

--
Francesco Gallarotti
-----------------------------
http://www.gallarotti.net
 

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