Poor Bokeh on Olympus zooms - I think not (Andy Rouse)

x
Yet your examples made no such point - just lousy backgrounds on shots that one would not have taken anyway......
Taken or not taken, the aesthetic compositional aspects of the images are irrelevant to how the lens renders the out of focus elements.

I see plenty of images posted to this forum - images which the users took deliberately - which display horrible out of focus backgrounds

Just yesterday there was an image of a Pelican in flight captured with the 300mm F4.
Did you see it ?

here
EM1X Bird Detect BIF experience: Micro Four Thirds Talk Forum: Digital Photography Review (dpreview.com)

It's a very nice image of the pelican - well framed, good wing position, well exposed, and in focus.

The photographer did everything just about right as I see it

But have a look at the nervous rendering of the grass in the background.
The lens did that, not the photographer.

But the Olympus apologists would say - "oh but he should have waited until the bird was clear of the background", or "he shouldn't have taken the image in such harsh light", or "he should have sat down on the ground to take the bird from a different angle".
That is not it at all. One may well take such an image - with any camera or brand. If well done the bird will be sharp; the background will remain junk.
I don’t get junky background like that with my birding lenses, 4/3 or FF
I saw that immediately without opening it to full size. How good the junky background is is a poor metric for lens quality.
i think it’s a completely valid metric, as do others
It is still a junky background. Would i shoot the shot sure, but I would grade it 3*, not 4* or 5*. The shot I showed of the Bittern is maybe 2*; a later image 3*.
Your gradings are a personal matter for you
It won't win any awards; not the photographer's fault. It just is. So be it. A perfectly done and composed shot of a toilet seat with fantastic Bokeh is still a shot of a toilet seat.
If you are a commercial photographer with a plumbing supplier as your client a good image of a toilet seat may be what you’re being paid for :-D
Bokeh is irrelevant on a mediocre shot. How a lens renders a good subject and background is an entirely different matter.
I would judge the pelican shot to have both good subject and good background. The lens did an excellent job on one and something different with the other
 
I’m not sure how “bokeh” is relevant to Andy’s video.

He’s highlighting what he considers to be his best/favourite images of 2020. Why would we expect to find “poor bokeh” or out of focus, or excessive noise or any other undesirable quality in his best images ?

He’s an excellent photographer, but like the rest of us he probably deletes images that don’t meet his quality criteria. We don’t get to see those images, but that doesn’t mean that his equipment sometimes fails to deliver for him.

Poor bokeh on Olympus zooms - I think that Andy has seen his share.

Peter
You are coming across as being very determined to be in a "glass is virtually empty" sort of rut on this subject.

I would bet virtually EVERY lens ever created can have ugly bokeh in SOME circumstances Quelle surprise! Not.

My experience in 4- 5 years of using 12-40 Pro and the 40-150 Pro is that out of 15,000 plus images taken is that very very few have ever been deleted for reasons that had anything to do with bokeh. And the opposite is true that many of my favourite photos are often because of the bokeh the lens has delivered.
 
I’m not sure how “bokeh” is relevant to Andy’s video.

He’s highlighting what he considers to be his best/favourite images of 2020. Why would we expect to find “poor bokeh” or out of focus, or excessive noise or any other undesirable quality in his best images ?

He’s an excellent photographer, but like the rest of us he probably deletes images that don’t meet his quality criteria. We don’t get to see those images, but that doesn’t mean that his equipment sometimes fails to deliver for him.

Poor bokeh on Olympus zooms - I think that Andy has seen his share.

Peter
You are coming across as being very determined to be in a "glass is virtually empty" sort of rut on this subject.
not at all. I acknowledge that the Zuiko m,43 Pro zooms, including the 40-150mm F2.8, and the 300mm F4 Pro Prime are extraordinary in their sharpness. And I’ve never stated that any of the lenses in question produce poor o.o.f backgrounds all of the time. How is that a virtually empty glass ?

But I do (often) respond to those who are blind to the tendency of said lenses to produce an ugly background at times. And reading the title of the this thread I once again wanted to respond.
I would bet virtually EVERY lens ever created can have ugly bokeh in SOME circumstances Quelle surprise! Not.
“Poor Bokeh on Olympus zooms - I think not“ is what the OP says. So you don’t agree with him either it seems.
My experience in 4- 5 years of using 12-40 Pro and the 40-150 Pro is that out of 15,000 plus images taken is that very very few have ever been deleted for reasons that had anything to do with bokeh. And the opposite is true that many of my favourite photos are often because of the bokeh the lens has delivered.
your assessment of your own images is entirely yours to make. Others have their own views on the 40-150mm Pro lens in particular

In life I don’t see full or empty glasses.

Peter
 
x
Yet your examples made no such point - just lousy backgrounds on shots that one would not have taken anyway......
Taken or not taken, the aesthetic compositional aspects of the images are irrelevant to how the lens renders the out of focus elements.

I see plenty of images posted to this forum - images which the users took deliberately - which display horrible out of focus backgrounds

Just yesterday there was an image of a Pelican in flight captured with the 300mm F4.
Did you see it ?

here
EM1X Bird Detect BIF experience: Micro Four Thirds Talk Forum: Digital Photography Review (dpreview.com)

It's a very nice image of the pelican - well framed, good wing position, well exposed, and in focus.

The photographer did everything just about right as I see it

But have a look at the nervous rendering of the grass in the background.
The lens did that, not the photographer.

But the Olympus apologists would say - "oh but he should have waited until the bird was clear of the background", or "he shouldn't have taken the image in such harsh light", or "he should have sat down on the ground to take the bird from a different angle".
That is not it at all. One may well take such an image - with any camera or brand. If well done the bird will be sharp; the background will remain junk.
I don’t get junky background like that with my birding lenses, 4/3 or FF
Sure....you can take a lousy shot and it magically turns into something great. If you believe that, I have a bridge I will sell you.
I saw that immediately without opening it to full size. How good the junky background is is a poor metric for lens quality.
i think it’s a completely valid metric, as do others
You have a mouse in your pocket? All the experts tell you that the quality of the background makes a big difference in IQ. Andy Rouse does a great job of educating photographers about this in several of his Wild Angle videos; choosing just the right background.
It is still a junky background. Would i shoot the shot sure, but I would grade it 3*, not 4* or 5*. The shot I showed of the Bittern is maybe 2*; a later image 3*.
Your gradings are a personal matter for you
Sounds like you overrate yours.
It won't win any awards; not the photographer's fault. It just is. So be it. A perfectly done and composed shot of a toilet seat with fantastic Bokeh is still a shot of a toilet seat.
If you are a commercial photographer with a plumbing supplier as your client a good image of a toilet seat may be what you’re being paid for :-D
Show me a "great" shot of a toilet seat.
Bokeh is irrelevant on a mediocre shot. How a lens renders a good subject and background is an entirely different matter.
I would judge the pelican shot to have both good subject and good background. The lens did an excellent job on one and something different with the other
To me the bird is beautiful and well done. But it does not sit in isolation. The image because of this will not win any awards. Choosing (in birding being lucky enough) to shoot an image with a good background is paramount to a high graded image. I spent two hours perched in a great location day before yesterday to have the opportunity to shoot Harriers, Rough-legged, and Red-tailed Hawks. I hoped to catch the birds just beneath me in a turn with the late sun catching the bird just right. The potentially great image never materialized. Top tier images are all about composition. If I had the birds on a string, I would have gotten a great image if I executed properly.

A top tier image has behavior, background, exposure without harsh light, and a nearly ideal combination of colors, with no distractions from linear elements (especially bright ones). I have a location where I can get images like that with bumblebees and butterflies.
 
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