Barry Twycross
Senior Member
What about a blue sky? That you have one? That you don't have one?Here's another goody. Blue sky.![]()
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What about a blue sky? That you have one? That you don't have one?Here's another goody. Blue sky.![]()
Yes, but with Luminar AI it doesn't matter what sky, if any, you have, it's up to your mouse to decide, making anything above the horizon obsolete.What about a blue sky? That you have one? That you don't have one?Here's another goody. Blue sky.![]()
I've seen things go south even when people did ask for comments. What many (most?) people seem to want when the ask for comments are *good* comments, but they don't want to have to say that.Unless someone asks for comment, I would typically hold my breath - a lop-sided horizon perhaps being an exception.It's rare that anything good comes from criticizing a photo, even constructively, unless the person posting the photo specifically asks for it. I'll offer praise for good photos, on occasion, but not criticism.I was wondering which errors in photographic technique will most quickly lead to immediate criticism by your peers on line ?
the first one I can think of is having an otherwise wonderful image but missing critical crisp focus of the eyes.
an image like that is immedialty doomed and actually "eye-focus" is a powerful selling point for a camera
can you think of other common errors which are so detrimental ?However, when asked, I have no problem offering constructive comments, which include both the good and the bad. To me, critiques are an integral part of photography for those that are serious about their work.
Well, if I put it out there for comments, I'd say, "Aside from the missed focus, oversharpening, oversaturation, off-level, and halos, how do y'all like this photo? Positive comments only, of course." ;-)what if you took an image and missed eye focus , over sharpened it , over saturated it , did not get the horizon level and it had halos ?
A tilted horizon is probably number one on the list.

I try not to shoot at something that can shoot backhere is a great one
fantastic sunset over a rocky beach .... perfect exposure and composition
you are sure you will get many "likes"
instead the very first post is someone who has noticed that you shot the image at F16
and they have looked up the technical optical specs of the lens and point out that you have exceeded the "diffraction limits " and introduced some slight softening when the file is viewed at very high magnifications
"it's rare that anything good comes from criticizing a photo, even constructively ..."
- Great Bustard
"You'd shoot a man in the back?!"I try not to shoot at something that can shoot backhere is a great one
fantastic sunset over a rocky beach .... perfect exposure and composition
you are sure you will get many "likes"
instead the very first post is someone who has noticed that you shot the image at F16![]()
I said shadows, not pure blackness. It used to be a knee-jerk reaction on DPR to tell everyone to raise the shadows almost to the level of broad daylight, just for the reason that the camera could do it. A knee-jerk is the wrong reason. If you're going to raise the shadows, there needs to be an artistic reason.Where in life do we see shadows so dark that all details are obliterated? "Raising details" in the shadows can raise the depth of an image and make it look more 3D.Raise the shadows.
But we don't see that one much any more. I just ask them what they want to see in the shadows, and refer them to Ansel Adams' photos. Sometimes a shadow is just a shadow.![]()
...rather than a criticism I see commonly levelled: an obsession with "bokeh".
This leads to a desire to take pictures at f/1.4 to get the best "bokeh" out of the bokehliscious lens in question but often at the expense of only having one eye in focus.
"Bokeh" is just background, capturing the subject well has to come first.
Yup, how true. And it's a mistake I've made on occasion.Taking a photo of a person, and something if coming out of the side or top of their head. Like, say, a Christmas ornament coming out the top of the head. This is very common.
What gets me is a person takes an interesting picture and it gets knocked down because a small part of the image is slightly blurry. The picture overall is actually very good and 90 percent of people never notice the imperfection. Yes, I'm talking about one of my pictures and that is why I stopped asking for online critiques. I can understand constructive criticism, but people went overboard on that one picture that threw me over the edge on asking for critiques. No one said anything good about that image when I had family and friends not say one negative thing about the image. Granted they were biased, but still if it was that horrible of a picture someone would has said that a small part of the image was "blurry". That is why I also don't like giving online critiques online as you always have a person who is the so-called "Expert" chime in and say that you don't know what you are talking about. I will just give good comments on the pictures people post online, not say anything negative about pictures I don't like and just simply enjoy the images that people share. I think critiques should be done in person or in a professional setting (like when sending in an image for publication). Online critiques tend to spiral out of control very rapidly and cause many new people to turn away from photography. At least that is my opinion.It's rare that anything good comes from criticizing a photo, even constructively, unless the person posting the photo specifically asks for it. I'll offer praise for good photos, on occasion, but not criticism.I was wondering which errors in photographic technique will most quickly lead to immediate criticism by your peers on line ?
the first one I can think of is having an otherwise wonderful image but missing critical crisp focus of the eyes.
an image like that is immedialty doomed and actually "eye-focus" is a powerful selling point for a camera
can you think of other common errors which are so detrimental ?
Maybe you could provide a link to the picture so we can see what you are concerned about?
- JRP64 wrote:
What gets me is a person takes an interesting picture and it gets knocked down because a small part of the image is slightly blurry. The picture overall is actually very good and 90 percent of people never notice the imperfection. Yes, I'm talking about one of my pictures and that is why I stopped asking for online critiques. I can understand constructive criticism, but people went overboard on that one picture that threw me over the edge on asking for critiques. No one said anything good about that image when I had family and friends not say one negative thing about the image. Granted they were biased, but still if it was that horrible of a picture someone would has said that a small part of the image was "blurry". That is why I also don't like giving online critiques online as you always have a person who is the so-called "Expert" chime in and say that you don't know what you are talking about. I will just give good comments on the pictures people post online, not say anything negative about pictures I don't like and just simply enjoy the images that people share. I think critiques should be done in person or in a professional setting (like when sending in an image for publication). Online critiques tend to spiral out of control very rapidly and cause many new people to turn away from photography. At least that is my opinion.It's rare that anything good comes from criticizing a photo, even constructively, unless the person posting the photo specifically asks for it. I'll offer praise for good photos, on occasion, but not criticism.I was wondering which errors in photographic technique will most quickly lead to immediate criticism by your peers on line ?
the first one I can think of is having an otherwise wonderful image but missing critical crisp focus of the eyes.
an image like that is immedialty doomed and actually "eye-focus" is a powerful selling point for a camera
can you think of other common errors which are so detrimental ?
I've only ever posted for C&C on the black and white forum and the landscape forum, but in both cases I've had nothing but helpful feedback. As a rule, though, I only post stuff I'm struggling with myself and I explain what I'm looking for help with. I don't consciously fish for compliments although I'd be lying if I said I didn't enjoy them if or when they happen.What gets me is a person takes an interesting picture and it gets knocked down because a small part of the image is slightly blurry. The picture overall is actually very good and 90 percent of people never notice the imperfection. Yes, I'm talking about one of my pictures and that is why I stopped asking for online critiques. I can understand constructive criticism, but people went overboard on that one picture that threw me over the edge on asking for critiques. No one said anything good about that image when I had family and friends not say one negative thing about the image. Granted they were biased, but still if it was that horrible of a picture someone would has said that a small part of the image was "blurry". That is why I also don't like giving online critiques online as you always have a person who is the so-called "Expert" chime in and say that you don't know what you are talking about. I will just give good comments on the pictures people post online, not say anything negative about pictures I don't like and just simply enjoy the images that people share. I think critiques should be done in person or in a professional setting (like when sending in an image for publication). Online critiques tend to spiral out of control very rapidly and cause many new people to turn away from photography. At least that is my opinion.
It can be a great piece of art, but still, all the people who didn't make the picture, and maybe couldn't have made the picture, are telling you how they how they would have done it better....Yes, I'm talking about one of my pictures and that is why I stopped asking for online critiques....