90MP Canon EOS ‘R5s’ may be in the hands of testers

https://www.canonrumors.com/the-canon-eos-r5s-may-be-in-the-hands-of-testers-cr2/

a small group of photographers have the high-megapixel body in their hands as it’s going through the first phase of testing as a finished product. This source claims that the new sensor is “around 90mp”, which would be quite the bump in resolution over the EOS R5, and would put the cameras into two completely different segments.

Beyond the increased megapixels, I was also told that the EVF will be larger and higher resolution than the EOS R5.


I wonder how fps it can do and how how much rolling shutter? 40% slower fps and 40% longer sensor readout are my guesses. So 7.2fps and 24ms?
12K video better not overheat, or the Youtubers will have a field day with it.
 
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https://www.canonrumors.com/the-canon-eos-r5s-may-be-in-the-hands-of-testers-cr2/

a small group of photographers have the high-megapixel body in their hands as it’s going through the first phase of testing as a finished product. This source claims that the new sensor is “around 90mp”, which would be quite the bump in resolution over the EOS R5, and would put the cameras into two completely different segments.

Beyond the increased megapixels, I was also told that the EVF will be larger and higher resolution than the EOS R5.


I wonder how fps it can do and how how much rolling shutter? 40% slower fps and 40% longer sensor readout are my guesses. So 7.2fps and 24ms?
Last year they were waffling on about an EOS R with 70MP. But this turned out to be the R5 with 45MP. I can personally assure you that testers are under absolute secrecy for legal reasons. They use an existing body (where possible) which is fitted with a new core to conceal the specific camera used.
.
What you might want to be looking at is how Canon admitted to be exploring a Medium Format camera with a super-sized sensor resolution around 4 years ago. This would avoid overcrowding the already crammed Full Frame sensors. If they use a Full Frame sensor with 90MP for the RF mount, you'd likely only have a few lenses capable of resolving the detail.
 
https://www.canonrumors.com/the-canon-eos-r5s-may-be-in-the-hands-of-testers-cr2/

a small group of photographers have the high-megapixel body in their hands as it’s going through the first phase of testing as a finished product. This source claims that the new sensor is “around 90mp”, which would be quite the bump in resolution over the EOS R5, and would put the cameras into two completely different segments.

Beyond the increased megapixels, I was also told that the EVF will be larger and higher resolution than the EOS R5.


I wonder how fps it can do and how how much rolling shutter? 40% slower fps and 40% longer sensor readout are my guesses. So 7.2fps and 24ms?
Last year they were waffling on about an EOS R with 70MP. But this turned out to be the R5 with 45MP. I can personally assure you that testers are under absolute secrecy for legal reasons. They use an existing body (where possible) which is fitted with a new core to conceal the specific camera used.
.
What you might want to be looking at is how Canon admitted to be exploring a Medium Format camera with a super-sized sensor resolution around 4 years ago. This would avoid overcrowding the already crammed Full Frame sensors. If they use a Full Frame sensor with 90MP for the RF mount, you'd likely only have a few lenses capable of resolving the detail.
Roger Ciala at lens rentals did an excellent blog on the subject of the A7R III some years ago where he details you always want to upgrade the least common denominator, be it the glass, or the sensor, but, neither is truly "wasted". A denser sensor will always resolve more detail when the lens remains unchanged. But, you might've gotten better bang for your buck if you'd upgraded the lens first, if that's what you're after.

He's right, I think for example, pairing an R5X against EF glass probably isn't smartest move. That's where using L grade RF glass makes more sense to upgrade first. But, if you already have RF L glass, and you're shooting studio work, the R5X makes sense.
The devil is in the details. I have the 15-35mm and 24-70. The 24-105mmf4 too. So that is a start but of course i would buy more and probably primes too over time. However, the devil is the the details and we may be a year or two away from delivery. I may have more money then and how much will it cost then? How many fps and with which lenses? How about the eye AF? Many question and no answers.

Right now I would happy if they just delivered my R5.
 
Why? Why do we need 90MP, at least for more than a very few things I can think of.

I'd much rather see a camera with the current sensor tech around the 30MP. That is enough of a bump over the 20/24 MP to be useful, but not so big as to have to deal with super large files sizes all the time.

I'd also rather see the RP upgraded with the current sensor tech. Heck just use the 20MP sensor in the R6 and leave everything else as is. Simple to do and will sell by the boatload.

Seems like a 90MP camera is more of a vanity project than a camera really needed by the market.

FWIW I like to do landscape photos (strictly amateur) and I have no desire for 90 MP. I've noticed lately that almost all large prints I see hanging in office spaces etc. are now printed on canvas so they don't need super high MP for that. I just see a tiny and shrinking market for a 90MP camera.

Canon needs to make its original 2 RF camera offerings more competitive and then they should be able to dominate the market as they once did. Repeat the Olympus mistake of going after a small set of niche users (while ignoring the bulk of your users) that are shrinking in number and it won't be good for business.

Save the vanity projects for the point in time when your whole camera line is at least as good as the competition across all segments of the market.
 
Maybe this is in fact the high res pixel shift mode firmware that's in the hands of testers and not actually a new camera. 90 Mpix would fit as double the resolution of the R5.
In one dimension. Who wants more resolution in just one direction?
Could you explain what you mean as I don’t understand what you mean by one direction?
If pixel shift is used to get a 90MP image from a 45MP sensor, then shifting it half pixel either horizontal or vertical is the only clean way to do that, and that is not a great type of shift, as you still have lots of gaps in the red and blue channels.

You could shift 1/2 pixel diagonal, but to record that as 90MP would require a very strange raster, and either of these two option would require conversion to a 180MP image, anyway, as to not throw anything away.
 
If they use a Full Frame sensor with 90MP for the RF mount, you'd likely only have a few lenses capable of resolving the detail.
That's true. It may be forbiddingly expensive to have a lens capable of resolving the full 90MP details from corner to corner.
However, it not difficult for most lens to see improvement in resolution when using a 90MP sensor vs lower resolution sensor - especially near the central portion of the image at its optimal aperture
Not all improvements in resolution require finer details at the older contrast. There's a zone of sampling where you get optimal results for a variety of purposes by getting pixel-level softness when it is due to pixel density. Such a capture can get bombarded with more noise reduction, and can be resampled to a variety of pixel counts with minimal resampling artifacts, and that includes not only resizing, but CA correction, distortion corrections, rotation, etc.

The fact is, when you have a low-res capture that is very sharp, much of that sharpness is artifact, and the data may look better at 100% pixel view with no resampling, but it is a more fragile capture that crumbles quickly if you do much to edit it with any kind of resampling. Low-res is best used "as is".
 
Roger Ciala at lens rentals did an excellent blog on the subject of the A7R III some years ago where he details you always want to upgrade the least common denominator, be it the glass, or the sensor, but, neither is truly "wasted". A denser sensor will always resolve more detail when the lens remains unchanged. But, you might've gotten better bang for your buck if you'd upgraded the lens first, if that's what you're after.

He's right, I think for example, pairing an R5X against EF glass probably isn't smartest move. That's where using L grade RF glass makes more sense to upgrade first. But, if you already have RF L glass, and you're shooting studio work, the R5X makes sense.
That depends on the lens. A lot of EF lenses are pretty soft wide open, and far from their sweet spot, but this is not true for all EF lenses.

Anyone with a Pentax Q and an adapter can see how much center-frame resolution varies with various EF lenses. I get moderately sharp pixel-level details with my 400/4DO II wide open at f/4, sharper at the pixel level than my 24/1.4L is at f/2.8 on a low-density 10D, and the Q is about the pixel density of a 370MP FF. If I put that 24/1.4L on the Q, even in the center of the frame, at f/1.4 is looks like gradients at 100%, with nothing resembling sharpness at that scale.

Anyone who still sees finer detail with a 2x TC on their EF lens than they get at 1.4x, is getting results like they'd get at 4x the pixel density, except that getting it through pixel density, instead, would eliminate the TC's own aberrations and flare (and AF penalty!).

Of course, one must realize that DOF seems much narrower at high magnifications, when you have sharp fast lenses. The conventional concept of DOF relies on perception, usually including low magnification, which makes some depths look more close to optimal focus than they really are (IOW, within a "circle of confusion").
 
The devil is in the details. I have the 15-35mm and 24-70. The 24-105mmf4 too. So that is a start but of course i would buy more and probably primes too over time. However, the devil is the the details and we may be a year or two away from delivery. I may have more money then and how much will it cost then? How many fps and with which lenses? How about the eye AF? Many question and no answers.

Right now I would happy if they just delivered my R5.
I still have at least one neuron set on cancelling the order, but it is unlikely that anything with higher pixel density and R5-level animal AF will come out soon, and the more I struggle with AF with my 90D in OVF AF mode when animal heads and eyes are clearly in the view as the AF hunts back and forth past them, the more I think, "I could have had that with animal AF".

I will miss the 90D IQ; it has fairly low noise and has the finest, most random noise I've ever seen in a camera that I've owned, and the R5 and R6 both have larger, chunkier chromatic high-ISO noise grain in focal-length-limited situations, but the AF misses on the 90D are so frustrating, and I think that Canon has purposely blocked full use of the AF hardware on the 90D for product differentiation, which wouldn't bother me at all if they actually offered a better-AF product with the 90D sensor (or a FF extension of the pixel size and noise), but they haven't, so far.
 
.....better dynamic range and better/smoother highlight roll off, all other characteristics being more or less equal (AF, FPS, Noise, etc.).

--
“You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.”
? Ansel Adams
"It's more important to click with people than to click the shutter" -Alfred Eisenstaedt
 
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I wonder if it’s the 90D/M6ii sensor scaled up. 32.5 MP aps-c scaled up to full frame is about 86 mega pixels.
Very unlikely since Canon has moved on to dual gain. They can’t really use a worse sensor for a high pixel camera, that will be extremely expensive, than for R5.
so 90MP seems reasonable.
 
The devil is in the details. I have the 15-35mm and 24-70. The 24-105mmf4 too. So that is a start but of course i would buy more and probably primes too over time. However, the devil is the the details and we may be a year or two away from delivery. I may have more money then and how much will it cost then? How many fps and with which lenses? How about the eye AF? Many question and no answers.

Right now I would happy if they just delivered my R5.
I still have at least one neuron set on cancelling the order, but it is unlikely that anything with higher pixel density and R5-level animal AF will come out soon, and the more I struggle with AF with my 90D in OVF AF mode when animal heads and eyes are clearly in the view as the AF hunts back and forth past them, the more I think, "I could have had that with animal AF".

I will miss the 90D IQ; it has fairly low noise and has the finest, most random noise I've ever seen in a camera that I've owned, and the R5 and R6 both have larger, chunkier chromatic high-ISO noise grain in focal-length-limited situations, but the AF misses on the 90D are so frustrating, and I think that Canon has purposely blocked full use of the AF hardware on the 90D for product differentiation, which wouldn't bother me at all if they actually offered a better-AF product with the 90D sensor (or a FF extension of the pixel size and noise), but they haven't, so far.
 
Why? Why do we need 90MP, at least for more than a very few things I can think of.

I'd much rather see a camera with the current sensor tech around the 30MP. That is enough of a bump over the 20/24 MP to be useful, but not so big as to have to deal with super large files sizes all the time.

I'd also rather see the RP upgraded with the current sensor tech. Heck just use the 20MP sensor in the R6 and leave everything else as is. Simple to do and will sell by the boatload.

Seems like a 90MP camera is more of a vanity project than a camera really needed by the market.

FWIW I like to do landscape photos (strictly amateur) and I have no desire for 90 MP. I've noticed lately that almost all large prints I see hanging in office spaces etc. are now printed on canvas so they don't need super high MP for that. I just see a tiny and shrinking market for a 90MP camera.

Canon needs to make its original 2 RF camera offerings more competitive and then they should be able to dominate the market as they once did. Repeat the Olympus mistake of going after a small set of niche users (while ignoring the bulk of your users) that are shrinking in number and it won't be good for business.

Save the vanity projects for the point in time when your whole camera line is at least as good as the competition across all segments of the market.
This camera isn't for you, and that's OK. That doesn't mean it shouldn't exist at all. I have no need for 90MP either, though I still miss the sweep panorama mode from my old Sony MILCs. But clearly someone does, otherwise Canon wouldn't bother.
 
Maybe this is in fact the high res pixel shift mode firmware that's in the hands of testers and not actually a new camera. 90 Mpix would fit as double the resolution of the R5.
you can't do pixel shift high res with an AA filter on the sensor. The R5 has an AA filter.
 
I don't understand why there are so many voices saying this rumor has no merit. This is the one rumor that Stevie Wonder could have seen coming. Canon has boasted about a 100 and 250 MP prototype cameras for the better part of 5 years now. Of which, the 100 MP sensor has been in a consumer sized DSLR body through out much of the prototyping. Its was always coming, the question was simply when.

Bumping up the "normal" resolution to 45 MP leads quite well to bumping up the high res camera to 90 MP. In the past, I believe Canon commonly got close to that 2:1 ratio:
  • 1D Mark II N - 8MP compared to the 1Ds Mark II's 16MP.
  • 1D Mark III - 10MP compared to the 1Ds Mark III's 21MP
  • 5D Mark III's - 22MP compared to the 5Ds - 50MP
IMO, the rumor is right on the mark, and continues to show Canon swinging for the fences. Will we see it soon? I'm not sure what to think. Working your way backwards, you have to assume Canon will release an R1 before the next summer Olympic games in 2024 (I'd suspect early to mid 2023). Moving backwards further, if they continue the routine of one advanced enthusiast or pro level body per year, there's capacity for a body in 2022 and 2021. One of these bodies could easily be this high res body rumored here and the other a complete surprise. I'm feel like this all makes sense on a number of levels and don't see any good reason to think any differently.

As far as the final argument over lenses, I'd bet Canon has made any recent lens capable of keeping up with the prototypes they've had for years. Meaning, they likely been building to a standard somewhere in the range of the 100-200MP mark. Also note, an old "low resolution" lens looked quite a bit better on a 5Ds than it did on a 5DIII, and I see no reason for that to be any different for this body as well.
 
In 2015, Canon announced that they were developing a 120MP DSLR, so they have been thinking about high resolution cameras for quite a while.

https://global.canon/en/news/2015/sep08e2.html
Interestingly, this Canon article mentioned bringing an 8K device to market at the same time mentioned bringing a 120mp DSLR to market. I think that makes this rumor even more believable.

For those worried about the lenses being able to resolve that... they also mentioned an large number of the EF line was capable of that in 2015, so there's little doubt that they will have a problem with that for newer RF mount lenses.

--
Mike Jackson - Wildlife Photography Enthusiast
https://www.flickr.com/photos/mj_flickr/
 
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Maybe this is in fact the high res pixel shift mode firmware that's in the hands of testers and not actually a new camera. 90 Mpix would fit as double the resolution of the R5.
you can't do pixel shift high res with an AA filter on the sensor. The R5 has an AA filter.
Care to explain that?

Why would an AA filter stop the sensor from moving?
 
I don't understand why there are so many voices saying this rumor has no merit. This is the one rumor that Stevie Wonder could have seen coming. Canon has boasted about a 100 and 250 MP prototype cameras for the better part of 5 years now. Of which, the 100 MP sensor has been in a consumer sized DSLR body through out much of the prototyping. Its was always coming, the question was simply when.

Bumping up the "normal" resolution to 45 MP leads quite well to bumping up the high res camera to 90 MP. In the past, I believe Canon commonly got close to that 2:1 ratio:
  • 1D Mark II N - 8MP compared to the 1Ds Mark II's 16MP.
  • 1D Mark III - 10MP compared to the 1Ds Mark III's 21MP
  • 5D Mark III's - 22MP compared to the 5Ds - 50MP
IMO, the rumor is right on the mark, and continues to show Canon swinging for the fences. Will we see it soon? I'm not sure what to think. Working your way backwards, you have to assume Canon will release an R1 before the next summer Olympic games in 2024 (I'd suspect early to mid 2023). Moving backwards further, if they continue the routine of one advanced enthusiast or pro level body per year, there's capacity for a body in 2022 and 2021. One of these bodies could easily be this high res body rumored here and the other a complete surprise. I'm feel like this all makes sense on a number of levels and don't see any good reason to think any differently.

As far as the final argument over lenses, I'd bet Canon has made any recent lens capable of keeping up with the prototypes they've had for years. Meaning, they likely been building to a standard somewhere in the range of the 100-200MP mark. Also note, an old "low resolution" lens looked quite a bit better on a 5Ds than it did on a 5DIII, and I see no reason for that to be any different for this body as well.
Evolution is part of life and part of camera technology as well. 90MP is the future. I think it will be too expensive and I don't need that. Nobody needs that claims will never stop evolution and old photographers will go extinct.
 

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