Why Bother?

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This debate gets tiresome. It's always framed in these broad generalizations wherein one format is presented as superior/inferior/comparable to another format categorically because it's shown to be superior/inferior/comparable in some specific use cases. That's not how it works.

How it really works is that certain formats/systems have broader shooting envelopes than others. If you're within the shooting envelope of both formats/systems for a given use case, then the IQ difference will likely be insignificant or undetectable (depending primarily on viewing conditions). If you're clearly outside of the shooting envelope of one format/system but still clearly within the envelope of the other, then the IQ difference will likely be visible. Then there's the gray area in between which will vary according to how close/far to the optimal shooting conditions you're at and how you're viewing the images.

That's why camera phone images can range from absolutely stunning to ugly as sin, but so can the best of the best fullframe shots. The real difference is how quickly you find yourself outside of the shooting envelope sweet spot of the smaller, fixed format vs the larger flexible format vs. the various cost and convenience, size, etc. considerations. There's no magic definitive answer here that will allow anyone to argue that this size/format is always superior to that size/format.

Period!
Excellent summary...great points made...however...my comments relate to the small screen "envelope"...as my OP was intended to explore the views of using smartphones within this specific envelope...it was never intended to compare systems for reasons which you provide.
 
This debate gets tiresome. It's always framed in these broad generalizations wherein one format is presented as superior/inferior/comparable to another format categorically because it's shown to be superior/inferior/comparable in some specific use cases. That's not how it works.

How it really works is that certain formats/systems have broader shooting envelopes than others. If you're within the shooting envelope of both formats/systems for a given use case, then the IQ difference will likely be insignificant or undetectable (depending primarily on viewing conditions). If you're clearly outside of the shooting envelope of one format/system but still clearly within the envelope of the other, then the IQ difference will likely be visible. Then there's the gray area in between which will vary according to how close/far to the optimal shooting conditions you're at and how you're viewing the images.

That's why camera phone images can range from absolutely stunning to ugly as sin, but so can the best of the best fullframe shots. The real difference is how quickly you find yourself outside of the shooting envelope sweet spot of the smaller, fixed format vs the larger flexible format vs. the various cost and convenience, size, etc. considerations. There's no magic definitive answer here that will allow anyone to argue that this size/format is always superior to that size/format.

Period!
Excellent summary...great points made...however...my comments relate to the small screen "envelope"...as my OP was intended to explore the views of using smartphones within this specific envelope...it was never intended to compare systems for reasons which you provide.
But if you stop to take notice, the low end gear is not where Olympus' product development and marketing is going. It is going to very sophisticated high end bodies and top lenses - all of which are specialist in function and can demand a higher price. The low end market for cameras has been disappearing for about a decade.
 
This debate gets tiresome. It's always framed in these broad generalizations wherein one format is presented as superior/inferior/comparable to another format categorically because it's shown to be superior/inferior/comparable in some specific use cases. That's not how it works.

How it really works is that certain formats/systems have broader shooting envelopes than others. If you're within the shooting envelope of both formats/systems for a given use case, then the IQ difference will likely be insignificant or undetectable (depending primarily on viewing conditions). If you're clearly outside of the shooting envelope of one format/system but still clearly within the envelope of the other, then the IQ difference will likely be visible. Then there's the gray area in between which will vary according to how close/far to the optimal shooting conditions you're at and how you're viewing the images.

That's why camera phone images can range from absolutely stunning to ugly as sin, but so can the best of the best fullframe shots. The real difference is how quickly you find yourself outside of the shooting envelope sweet spot of the smaller, fixed format vs the larger flexible format vs. the various cost and convenience, size, etc. considerations. There's no magic definitive answer here that will allow anyone to argue that this size/format is always superior to that size/format.

Period!
Excellent summary...great points made...however...my comments relate to the small screen "envelope"...as my OP was intended to explore the views of using smartphones within this specific envelope...it was never intended to compare systems for reasons which you provide.
Viewing conditions (size, display type, viewing lighting, distance, etc.) effectively broaden or narrow the acceptable shooting envelope for ALL systems being compared, not just the smallest. Remember, it's not just the small system that benefits from a more constrained viewing condition. To the extent there's a shooting envelope gap between two systems, it will pretty much scale for each similarly. In the abstract, the gap will remain the same. The real question here is how often you'll be shooting in conditions that exceed the smaller systems shooting envelope (for a given viewing condition). The more that occurs, the less utility of using that system and the increased utility of using a larger and more flexible system.
 
As a MFT shooter notwithstanding my understanding of the convenience vs IQ tradeoff...setting the artistic aspects of photography aside...I am amazed at the ever downward spiraling relative standards of IQ set to defend MFT. If indeed MFT is "good enough" for most casual use relative to print and small screen media then with the advent of more sophisticated phone cameras where does that leave MFT?
You made an excellent point and I agree with it. Unfortunately, it flew over the heads of fanboys.
 
What is with the fixation on minor things like DR and noise.

These are minor and small differences have no effect on creating a great photo.

For example, getting the proper colors is vastly more important. Getting the correct composition is even more important.

Micro four thirds cameras do more (especially for the price) and overall are more helpful (getting the correct composition for more situations) than any other system including smartphones.

It's really just that simple.

Normal people don't look at a photo and say damn those colors are great and the composition is incredibly moving, but there is bit more noise and a little less DR than is possible with a different camera.

They do look at images with no noise and tons of DR and say that is one ugly snapshoot.
Respectfully it depends...and...no I am not espousing the superiority of one system over another...while you are correct that MFT is "good enough" for the vast majority of consumption...as another person has already outlined within this post...it depends on context...to this end a photo can be viewed for its artistic value in terms of composition...colour...etc...but in other applications (medical/advertising etc.) the technical aspects beyond its artistic value are also considered.

To this end MFT is IMHO "good enough" for general contextual photography but if you're looking for providing the best image possible then why not complement your most important artistic aspects of photography with technical superiority?

I suspect its because its a "trade-off" IQ vs practicality relative to a given contextual photographic circumstance...so its not that simple.

BTW...the standard answer in this forum is "the best camera is the one you have with you"...agreed.
 
As a MFT shooter notwithstanding my understanding of the convenience vs IQ tradeoff...setting the artistic aspects of photography aside...I am amazed at the ever downward spiraling relative standards of IQ set to defend MFT. If indeed MFT is "good enough" for most casual use relative to print and small screen media then with the advent of more sophisticated phone cameras where does that leave MFT?
You made an excellent point and I agree with it. Unfortunately, it flew over the heads of fanboys.
You are lost in the fog and are not cognizant of the direction this thread has taken - which of course it naturally would take - shooting envelopes and function versus a simplistic argument.
 
This debate gets tiresome. It's always framed in these broad generalizations wherein one format is presented as superior/inferior/comparable to another format categorically because it's shown to be superior/inferior/comparable in some specific use cases. That's not how it works.

How it really works is that certain formats/systems have broader shooting envelopes than others. If you're within the shooting envelope of both formats/systems for a given use case, then the IQ difference will likely be insignificant or undetectable (depending primarily on viewing conditions). If you're clearly outside of the shooting envelope of one format/system but still clearly within the envelope of the other, then the IQ difference will likely be visible. Then there's the gray area in between which will vary according to how close/far to the optimal shooting conditions you're at and how you're viewing the images.

That's why camera phone images can range from absolutely stunning to ugly as sin, but so can the best of the best fullframe shots. The real difference is how quickly you find yourself outside of the shooting envelope sweet spot of the smaller, fixed format vs the larger flexible format vs. the various cost and convenience, size, etc. considerations. There's no magic definitive answer here that will allow anyone to argue that this size/format is always superior to that size/format.

Period!
Excellent summary...great points made...however...my comments relate to the small screen "envelope"...as my OP was intended to explore the views of using smartphones within this specific envelope...it was never intended to compare systems for reasons which you provide.
But if you stop to take notice, the low end gear is not where Olympus' product development and marketing is going. It is going to very sophisticated high end bodies and top lenses - all of which are specialist in function and can demand a higher price. The low end market for cameras has been disappearing for about a decade.
Absolutely...can't imagine how the camera's and/or lenses can get much better...they produce an excellent product...can hardly wait for the outdated sensor to catch up.
 
As a MFT shooter notwithstanding my understanding of the convenience vs IQ tradeoff...setting the artistic aspects of photography aside...I am amazed at the ever downward spiraling relative standards of IQ set to defend MFT. If indeed MFT is "good enough" for most casual use relative to print and small screen media then with the advent of more sophisticated phone cameras where does that leave MFT?
You made an excellent point and I agree with it. Unfortunately, it flew over the heads of fanboys.
You are lost in the fog and are not cognizant of the direction this thread has taken - which of course it naturally would take - shooting envelopes and function versus a simplistic argument.
No offence taken...its a proven human trait that cognitive absorption/evaluation is a function of familiarity and subliminally perceived threats...its a primordial human characteristic which evidently is applicable to the opinions/perspectives/assertions made as found within this commentary...more concerning is that the same process applies to the remainder of society...interestingly, it speaks volumes about the posters...whether they realize it or not.
 
As a MFT shooter notwithstanding my understanding of the convenience vs IQ tradeoff...setting the artistic aspects of photography aside...I am amazed at the ever downward spiraling relative standards of IQ set to defend MFT. If indeed MFT is "good enough" for most casual use relative to print and small screen media then with the advent of more sophisticated phone cameras where does that leave MFT?
The main reason for buying specialist photographic gear is in most cases not image quality but shooting envelope - the range of photographs you can take and in which situations. As the available aperture size increases you gain the ability to use shallow depth of field, which you might use artistically just for the effect or you might trade off for more exposure at some given shutter speed - either to allow a usable shutter speed in low light or to allow fast shutter speeds to freeze action. Another thing that affects shooting envelope is the range of angles of view available. Phones don't have access to the very wide or very narrow. You might use this potential creatively, to enable the combination of perspective and framing you want, or you might simply use them to get the framing you want from the available camera location. Finally, mFT can collect more light overall than a phone, which means it can deliver photos which have a better pre-noise-reduction signal to noise ratio, which implies that you can use less noise reduction and get fewer NR artefacts.

mFT has a much bigger shooting envelope than even top-end mobile phones. If you're always going to be taking photos from within the phone's shooting envelope, mFT won't give you much in the way of benefit, in exactly the same way that if you always shoot within the mFT envelope, FF is largely pointless. Each step towards a larger envelope costs in terms of size, expense and convenience. mFT is a sweet spot for many.
Yes. m43 is indeed that sweet spot for me, it lets me do everything I want to do, and it does this very well. (Side note: I shoot almost exclusively at or near base ISO)
 
As a MFT shooter notwithstanding my understanding of the convenience vs IQ tradeoff...setting the artistic aspects of photography aside...I am amazed at the ever downward spiraling relative standards of IQ set to defend MFT. If indeed MFT is "good enough" for most casual use relative to print and small screen media then with the advent of more sophisticated phone cameras where does that leave MFT?
The main reason for buying specialist photographic gear is in most cases not image quality but shooting envelope - the range of photographs you can take and in which situations. As the available aperture size increases you gain the ability to use shallow depth of field, which you might use artistically just for the effect or you might trade off for more exposure at some given shutter speed - either to allow a usable shutter speed in low light or to allow fast shutter speeds to freeze action. Another thing that affects shooting envelope is the range of angles of view available. Phones don't have access to the very wide or very narrow. You might use this potential creatively, to enable the combination of perspective and framing you want, or you might simply use them to get the framing you want from the available camera location. Finally, mFT can collect more light overall than a phone, which means it can deliver photos which have a better pre-noise-reduction signal to noise ratio, which implies that you can use less noise reduction and get fewer NR artefacts.

mFT has a much bigger shooting envelope than even top-end mobile phones. If you're always going to be taking photos from within the phone's shooting envelope, mFT won't give you much in the way of benefit, in exactly the same way that if you always shoot within the mFT envelope, FF is largely pointless. Each step towards a larger envelope costs in terms of size, expense and convenience. mFT is a sweet spot for many.
Yes. m43 is indeed that sweet spot for me, it lets me do everything I want to do, and it does this very well. (Side note: I shoot almost exclusively at or near base ISO)
Provides more artistic freedom and for its intended purpose is the "sweet spot" for many relative to their subjective "shooting envelopes"...makes sense...thank you.
 
As a MFT shooter notwithstanding my understanding of the convenience vs IQ tradeoff...setting the artistic aspects of photography aside...I am amazed at the ever downward spiraling relative standards of IQ set to defend MFT. If indeed MFT is "good enough" for most casual use relative to print and small screen media then with the advent of more sophisticated phone cameras where does that leave MFT?
Quote of the month... "setting the artistic aspects of photography aside" and spoken like a true DPR forum warrior.
Why the surprise?...can you really attain the paramount of your I artistic potential with mediocre tools...

When view and perspectives are limited, when intrinsic bias dominates...always call yourself an "artist" first...it seems to solve all.
There it is' the intrinsic bias - m43 is mediocre so artistic potential will be also. Artistic potential begins with the photographer, who in turn becomes a master of this tools to manifest his/her vision. Mediocre photographers seem to like blame the gear 😉

--
If you don't get older and wiser, than you just get older.
 
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As a MFT shooter notwithstanding my understanding of the convenience vs IQ tradeoff...setting the artistic aspects of photography aside...I am amazed at the ever downward spiraling relative standards of IQ set to defend MFT. If indeed MFT is "good enough" for most casual use relative to print and small screen media then with the advent of more sophisticated phone cameras where does that leave MFT?
Quote of the month... "setting the artistic aspects of photography aside" and spoken like a true DPR forum warrior.
Why the surprise?...can you really attain the paramount of your artistic potential with mediocre tools...lucky someone invented and paintbrush or we would still be viewing finger painting in the worlds most prominent art galleries.
Big surprise: Modern photography doesn't have a lot to do with finger painting or photography ten to twenty years ago. The sophisticated software programming in today's m4/3 gear is just eons above that of the past. Although I've shot for 50 years and specialized in mountain landscape for 40, I am a much better photographer today than I was even when very active with older gear. It is so much easier to get great results with modern gear. Take birding; in two weeks with the EM-I II matched with the 300 F4, I can get results I couldn't even have dreamed of until now. It is the gear, I've not changed - at least not much.

Or take macro; my shots with the EM-1 II are basically state of art botanically. My eye for composition is little changed, but the shots I am getting even last Friday of mosses are like wow. It's the gear.
When view and perspectives are limited, when intrinsic bias dominates...always call yourself an "artist" first...it seems to solve all.
I get the feeling you mostly take indoor shots of the cat and can't see the need for gear......
Your implication is correct in that I would not even come close to describe myself as an "artist"...I'm a mediocre photographer at best who is always interested in hearing people describe themselves as artists/pro's/photographers/hobbyists...a major portion of my professional life involves the utilization of images which if interested are summarized elsewhere in this forum.

I view the agency photographers which work for us alongside our in house photographers as highly skilled professionals who are hired for their artistry AND professional quality of their images.

For this they are well compensated earning at least a six-figure income and as such none of them was hired because they take "nice" pictures...they get hired because they deliver what is expected of them within the context provided leveraging their artistic excellence with the best equipment available for the purpose at hand.

But then that's not whats being explored here...we are simply talking about "good enough" photos which meet a particular need such as my need to take pics of cats in the dark.
 
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In defense of those who assumed you shoot Fuji...It is because your profile says your current equipment is a Fuji Camera and a Fuji Lens. Perhaps update your gear profile and add the M43 gear that you also shoot with so that there is no more incorrect assumptions made.

Anyways on to your main point about m43 having no point if one is viewing photos on a small screen anyways.

You are correct...If all you do is take snapshots and view them on your smartphone, then why bother with any camera system at all, this includes the amazing Sony and Fuji systems as well. Why spend all that money on expensive lenses and deal with the hassle of importing photos back into your phone or tablet, when you can just tap the screen on your phone and bingo...insta photo...so yeah what is the point of any camera system in this age of advanced smartphones...Why are any of us even here on DPReview reading about camera gear at all...We must be fools...stop now and go use your phone everyone...as it is good enough for most amateur photographers.

The reason is because most here just enjoy the process of photography as well as the art of photography. The process of photography involves picking up a camera, setting up a tripod, adjusting the settings, adding filters and lighting, finding and visiting a location...etc...etc...This process (I am talking about amateurs here) is the reason many of us have photography as a hobby.

So why bother with m43 when FF is way better and smartphones are good enough? It is because there is so much more to photography then just the final output of any image. I personally use m43 (specifically Olympus) because I like the look and the feel as well as the user interface of Olyumpus's cameras and lenses. I understand the image quality will never compete with a Sony A7R3, but to me it is the process of taking that photo that gives me joy. Plus I have always liked the challenge of trying to squeeze out as much quality as I can from a small sensor vs the brute force approach of FF...I don't like the look and feel of Sony or Fuji cameras and while I take lots of great smartphone cameras, I much rather take photos with my beloved Olympus camera because the user experience is so much better (for me). I am not saying Sony or Fuji do not make great cameras, they absolutely do...Just for me I have settled on m43 for reasons that go way beyond the final output of an image.
 
To this end MFT is IMHO "good enough" for general contextual photography but if you're looking for providing the best image possible then why not complement your most important artistic aspects of photography with technical superiority?
The "best image possible" is very, very subjective. For example, a large format setup might technically provide the best image "possible", but if getting the image requires me to scaling a rock face, then the size of that system is going to be prohibitive. So the best image possible is going to be the one I can capture with the equipment I can carry. And yeah, maybe that means that the best equipment in this case is a smartphone!
I suspect its because its a "trade-off" IQ vs practicality relative to a given contextual photographic circumstance...so its not that simple.
In my mind, it's actually pretty simple. If we're in general agreement that larger sensors result in better light gathering capability and thus "better quality" then anyone "serious" about doing photography should ultimately be hoping to shoot with a large format camera, with the requisite larger lenses, tripods to hold the gear still, etc. But of course, not everyone can A) afford to buy that kind of equipment and B) transport and use that equipment in the situations they'd need to use it. So everyone is balancing overall system size vs. ultimate image quality. Within there, there's a lot of nuance in terms of how you use your cameras in particular. For example, for me IBIS is a non-starter. Fuji makes some great cameras, and their sensors can produce higher "quality" images than MFT, but until recently they haven't had a great solution for people who want to use IBIS - which means I cannot A) use IBIS to use a lower shutter speed and then lower ISO to keep "quality" up, but more importantly B) I cannot use IBIS creatively to use a slow shutter speed in panning shots to give a sense of motion in the background while keeping my foreground subject sharp. It's all a trade off, and that's just fine.
 
As a MFT shooter notwithstanding my understanding of the convenience vs IQ tradeoff...setting the artistic aspects of photography aside...I am amazed at the ever downward spiraling relative standards of IQ set to defend MFT. If indeed MFT is "good enough" for most casual use relative to print and small screen media then with the advent of more sophisticated phone cameras where does that leave MFT?
The main reason for buying specialist photographic gear is in most cases not image quality but shooting envelope - the range of photographs you can take and in which situations. As the available aperture size increases you gain the ability to use shallow depth of field, which you might use artistically just for the effect or you might trade off for more exposure at some given shutter speed - either to allow a usable shutter speed in low light or to allow fast shutter speeds to freeze action. Another thing that affects shooting envelope is the range of angles of view available. Phones don't have access to the very wide or very narrow. You might use this potential creatively, to enable the combination of perspective and framing you want, or you might simply use them to get the framing you want from the available camera location. Finally, mFT can collect more light overall than a phone, which means it can deliver photos which have a better pre-noise-reduction signal to noise ratio, which implies that you can use less noise reduction and get fewer NR artefacts.

mFT has a much bigger shooting envelope than even top-end mobile phones. If you're always going to be taking photos from within the phone's shooting envelope, mFT won't give you much in the way of benefit, in exactly the same way that if you always shoot within the mFT envelope, FF is largely pointless. Each step towards a larger envelope costs in terms of size, expense and convenience. mFT is a sweet spot for many.
Yes. m43 is indeed that sweet spot for me, it lets me do everything I want to do, and it does this very well. (Side note: I shoot almost exclusively at or near base ISO)
Provides more artistic freedom and for its intended purpose is the "sweet spot" for many relative to their subjective "shooting envelopes"...makes sense...thank you.
It's important to remember that increasing sensor size is not always the only/best way to increase a shooting envelope, especially when other fundamental constraints of cost and size are also factored in. Bigger sensors generally mean bigger lenses and greater costs of producing the sensors, lenses, batteries, bodies, etc. Smartphone manufacturers have the light gathering disadvantage of the tiny sensors/lenses they use but can counter that with lower costs of producing those sensors and the lenses and the growing trend toward using more than one of them on the phone and combining their output in clever ways. They can leverage the computing and display capabilities already sunk into a general purpose smart phone and develop computational strategies to overcome the sensor size disadvantage. The sheer production volume advantage they have also drives down costs and ramps up the incentive to innovate and to introduce newer/better sensors and supporting hardware and software. The net result is a complex mix of factors that affect the "shooting envelope." It's important to check that "bigger is always better" mindset at the door when it comes to this shooting envelope/IQ topic.
 
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as my OP was intended to explore the views of using smartphones within this specific envelope...it was never intended to compare systems for reasons which you provide.
Ahem:
If indeed MFT is "good enough" for most casual use relative to print and small screen media then with the advent of more sophisticated phone cameras where does that leave MFT?
There;'s no way of reading that except as a comparison beetween phones and MFT.

If you meant that "smartphones are good enough for the specific envelope that smartphones are good enough", well,d uh. But the envelope for MFT still currently exceeds that for smartphones

But you're just trolling, so I'm just wasting my (virtual) breath.
 
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As a MFT shooter notwithstanding my understanding of the convenience vs IQ tradeoff...setting the artistic aspects of photography aside...I am amazed at the ever downward spiraling relative standards of IQ set to defend MFT. If indeed MFT is "good enough" for most casual use relative to print and small screen media then with the advent of more sophisticated phone cameras where does that leave MFT?
Quote of the month... "setting the artistic aspects of photography aside" and spoken like a true DPR forum warrior.
Why the surprise?...can you really attain the paramount of your I artistic potential with mediocre tools...

When view and perspectives are limited, when intrinsic bias dominates...always call yourself an "artist" first...it seems to solve all.
There it is' the intrinsic bias - m43 is mediocre so artistic potential will be also. Artistic potential begins with the photographer, who in turn becomes a master of this tools to manifest his/her vision. Mediocre photographers seem to like blame the gear 😉
Wow...hope you had a parachute on making that leap...if possible please pause and review your logic or lack thereof.
  1. Nobody said MFT is "mediocre"...its driven by its intended application...in this case the exploration of its application to small screen media relative to smartphones.
  2. Yes...artistic "potential" does begin with the photographer...no question...in support of which one of your seemingly irrelevant points?
  3. I suggest that your reliance on one becoming a "master" is an ongoing process of continuous improvement in which artistic and/or technical quality is measured by its ability to advance toward a nominal value of expectation...look it up and learn something.
  4. Better tools make better artists as they give the gifted ones the options to shape their vision(s) more effectively.
  5. The application of context seems to have eluded you...no worries...I understand what's going on in your head.
  6. Nobody is blaming anything and/or anyone...like I said...strap on that parachute and give it another go...LOL
 
If indeed MFT is "good enough" for most casual use relative to print and small screen media then with the advent of more sophisticated phone cameras where does that leave MFT?
There;'s no way of reading that except as a comparison beetween phones and MFT.

If you meant that "smartphones are good enough for the specific envelope that smartphones are good enough", well,d uh. But the envelope for MFT still currently exceeds that for smartphones
My thought exactly! 😂
 
As a MFT shooter notwithstanding my understanding of the convenience vs IQ tradeoff...setting the artistic aspects of photography aside...I am amazed at the ever downward spiraling relative standards of IQ set to defend MFT. If indeed MFT is "good enough" for most casual use relative to print and small screen media then with the advent of more sophisticated phone cameras where does that leave MFT?
Quote of the month... "setting the artistic aspects of photography aside" and spoken like a true DPR forum warrior.
Why the surprise?...can you really attain the paramount of your I artistic potential with mediocre tools...

When view and perspectives are limited, when intrinsic bias dominates...always call yourself an "artist" first...it seems to solve all.
There it is' the intrinsic bias - m43 is mediocre so artistic potential will be also. Artistic potential begins with the photographer, who in turn becomes a master of this tools to manifest his/her vision. Mediocre photographers seem to like blame the gear 😉
Wow...hope you had a parachute on making that leap...if possible please pause and review your logic or lack thereof.
  1. Nobody said MFT is "mediocre"...
You’re entire opening/purpose for this thread implies it is...

As a MFT shooter notwithstanding my understanding of the convenience vs IQ tradeoff...setting the artistic aspects of photography aside...I am amazed at the ever downward spiraling relative standards of IQ set to defend MFT. If indeed MFT is "good enough" for most casual use relative to print and small screen media then with the advent of more sophisticated phone cameras where does that leave MFT?

Not going to waste my time with your other twisting of points. But why as a Fuji shooter do you spend most of your time here? is it is a case of the bigger guy/sensor picking on the littler guy/sensor?
its driven by its intended application...in this case the exploration of its application to small screen media relative to smartphones.
  1. Yes...artistic "potential" does begin with the photographer...no question...in support of which one of your seemingly irrelevant points?
  2. I suggest that your reliance on one becoming a "master" is an ongoing process of continuous improvement in which artistic and/or technical quality is measured by its ability to advance toward a nominal value of expectation...look it up and learn something.
  3. Better tools make better artists as they give the gifted ones the options to shape their vision(s) more effectively.
  4. The application of context seems to have eluded you...no worries...I understand what's going on in your head.
  5. Nobody is blaming anything and/or anyone...like I said...strap on that parachute and give it another go...LOL
--
If you don't get older and wiser, than you just get older.
 
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