joeletx
Veteran Member
If you trade it in.
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Physically downgraded. Downgrades cover a lot of things.I hardly think the EM-5III is a downgraded camera. It is said to be much more effective in C-AF and has numerous software capabilities. It appears to be an excellent mid-grade camera that would make most photographers very happy.Cameras which have been downgraded in some fashion:The GX7 has held more value because in many people’s opinion, Panasonic didn’t make a proper replacement. Remember the howling over the size of the GX8? I have it now and only wish I had bought it sooner, but I listened to the chatter. I think the size of the G9 has made the GX8 more acceptable. Then Panasonic launched the GX85 which seen as a downgrade in some aspects, and now the GX9, which is still not a flagship class camera the way the GX8 was.
Olympus E-M10III, Panasonic GX9, Olympus E-M5III.
Any others?
and you then think the E-M1 should be worth more? Because its been fixed twice?green blobs in the EVF. They replaced the viewfinder and the rear dial and brought the camera back to specs, although the rear dial in my opinion was not needed (already replace once and working perfectly).
Not careful enough, obviously. I've had my E-M1 since launch and had no problems with it whatsoever. I am careful not to let the sun shine through the EVF however, which takes only an atom of thought/effort. Maybe it's easier in the UK since it's rarely sunny ;-)My E-M1 had evf “blobs” (developed within months of ownership) which were fixed with the dodgy back wheel (as supplied). The repaired wheel survived but despite careful use the blobs eventually returned.
Sounds liked the go. I might keep mine as a back-up too. It would be good for practicing technique and testing out new lenses so as not to get too many clicks on the new camera.I still have an E-M1 original. Thought about selling it and the return was so low I thought I might as well keep it. I use it occasionally for things like kayaking. If I drown it, well... Still a good camera.
Unfortunately this is true of all digital cameras.Just out of curiosity, today I checked KEH for selling (to KEH) prices on both my EM1 and GX7 camera bodies both in excellent plus condition. While the EM1 only fetches $95 dollars US, they will give me $129 for the GX7 yet the EM1 is superior in so many ways.
In terms of percent of value, the $600 GX7 bought new is holding up so much better than the EM1 (also bought new), which in my case was overhauled by Olympus last year for green blobs in the EVF. They replaced the viewfinder and the rear dial and brought the camera back to specs, although the rear dial in my opinion was not needed (already replace once and working perfectly).
I am still quite happy with the images they both take and will hold onto them for a while longer. Funny how many of Nikon film cameras are still selling used for more than their original cost (if in good condition).
I gave my EM10 to my 13 year old son. I couldn’t bear to part with it to a buyer I didn’t know for such a low price. Knowing it was going to my son, who would appreciate it and use it to develop his photographic skills, was by far the better option for something I had treasured.How wonderful to have a girlfriend that appreciates a used E-M1 as a gift... or did she? :-D...to my girlfriend, along with a new (to her) 25mm f/1.8. She'll get way more value out of it than I'd get selling it on eBay, especially considering how much obvious wear and tear there was on the body.![]()
My philosophy with all such things is buy new and use till it's worn out. It's not a problem for professionals who often wear their cameras out before a new iteration arrives. The moral of the story might be that anyone who still has a working E-M1, like me, just doesn't shoot enoughUnfortunately this is true of all digital cameras.Just out of curiosity, today I checked KEH for selling (to KEH) prices on both my EM1 and GX7 camera bodies both in excellent plus condition. While the EM1 only fetches $95 dollars US, they will give me $129 for the GX7 yet the EM1 is superior in so many ways.
In terms of percent of value, the $600 GX7 bought new is holding up so much better than the EM1 (also bought new), which in my case was overhauled by Olympus last year for green blobs in the EVF. They replaced the viewfinder and the rear dial and brought the camera back to specs, although the rear dial in my opinion was not needed (already replace once and working perfectly).
I am still quite happy with the images they both take and will hold onto them for a while longer. Funny how many of Nikon film cameras are still selling used for more than their original cost (if in good condition).
I recently saw a low shutter count Nikon D3S on sale in a camera store for £350. When released they were £3500. Goodness knows what the person who sold it to the store got for it... £175-£200 probably.
I think we can safely say that investing in digital cameras is not really something that will make us rich... unless we use them as intended... to produce some stunning images.
The E-M1 is a great camera, I quite like it as a device.Owning both cameras mentioned I would dispute your assertion that the E-M1 is superior.Just out of curiosity, today I checked KEH for selling (to KEH) prices on both my EM1 and GX7 camera bodies both in excellent plus condition. While the EM1 only fetches $95 dollars US, they will give me $129 for the GX7 yet the EM1 is superior in so many ways.
The GX7 was and remains a classic - a prefect rendition of the RF-Style body in digital format.
The interface is very intuitive and Panasonic certainly fitted it up with every bit of technology they had when it launched. Unlike my E-M1 my GX7 has been 100% reliable and has had a lot more use. Today I still use it in parallel with a GX85 and GX9 - in no way do I consider the GX7 inferior for practical use.
My E-M1 had evf “blobs” (developed within months of ownership) which were fixed with the dodgy back wheel (as supplied). The repaired wheel survived but despite careful use the blobs eventually returned. Furthermore the I (personally) think that the GX7 interface is about perfect and intuitive whilst the E-M1 interface has to be learned and assimilated over a much longer period of time. Luckily the Olympus repair centres have a good reputation as they must be needed more often. I would rather own stuff that never fails.In terms of percent of value, the $600 GX7 bought new is holding up so much better than the EM1 (also bought new), which in my case was overhauled by Olympus last year for green blobs in the EVF. They replaced the viewfinder and the rear dial and brought the camera back to specs, although the rear dial in my opinion was not needed (already replace once and working perfectly).
None of my several Panasonic camera bodies have ever developed “blobs” in the evf and I of course use identical dioptre settings and use them in a similar manner.
So the need for your Olympus to be serviced back up to specs has been the answer your own curiosity. You did not mention if the GX7 needed to be repaired.
Anyone buying a second hand E-M1 will no doubt take into account the lottery of their reputation for breakages - and I see that neither of use mentions “strap lugs”.
My argument - GX7 bodies didn’t.Hardly. Early manufactured EM-1's had the problem with the rear dials.
Best that they don’t need repairing in the first place - they are well out of warranty now and if one of the known issues appears it will cost the hapless new owner of second hand goods much more than the buy price to repair. This unknown has a bearing upon the second hand prices of E-M1 bodies.My 2014 camera had that problem and was repaired,
Mine also, I just twirled the rear wheel harder and it responded - I did not even know it was broken as it came that way out of the box - QC issue? The blobs in the evf I just lived with until I realised the rear wheel was faulty - thank you dp M4/3 forum for discussing it. Might as well fix both annoying issues on a single trip to the repair centre. The fixed wheel was marvellously responsive. Olympus Australia tried to deny me warranty even thought the camera was Australian sourced, within warranty period and was known merchandisable quality issues that should have been repaired without cost warranty or otherwise.although I could always make the camera work.
I agree I use wrist straps for security and have never dangled a camera from neck strap since 2000. All the more curious as to how the evf became sun-burned when none of my others ever did.My 2015 EM-1 I had no issues whatsoever for 4 years of shooting mostly in an outdoor environment. As to lugs, I can't think of a worse way to carry a camera than dangling from my neck as I walk, swinging back and forth.
Ah, a birder - we are not all birders, but I also carry my cameras by the grip - even RF style bodies - the wrist strap helps balance the camera body and grip via a loose grasp - the strap being more of a balancing factor than something to dangle from.With my EM-1 II where I expect bird opportunities I carry it with the 300 F4 in my hand by the grip.
Great grip - no argument from me.The grip is so good it is not an issue.
I am sure it is - but buying a second hand one is an unknown as to what issues might be forthcoming. Is there such a thing as a multiple year old E-M1 that has no evf screen burn issues? Everyone should check theirs closely. The burns on my replaced evf are micro-dots that I have to specifically notice - unlike on the original which could hardly be overlooked.Perhaps I might carry it that way for two hours at a time, which is a surprise for me with that combo. When I perceive no opportunity for images I carry it in a chest-mounted bag- no swinging, no discomfort.
The EM-1 I is still an excellent camera and on many hikes it will remain my go to camera because it is quite small and produces great images.
This is not an E-M1 performance issue but obviously very poor QC on an otherwise sophisticated camera tool. Making strong remarks about how good a camera it is/was is an accepted fact - the issue was that the camera had reliability issues which were well known and required a back to base fix. My issue is not on how good the camera is/was but the baggage it carried as breakdown prone which is obviously reflected in it second hand resale value.I do think IC Focus Stacking is better with the EM-1 II and the sensor is better for astro/landscape. The main issue with the EM-1 I and I am sure with the GX7 also is mediocre performance in C-AF for birding.
Try buying a Panasonic GM5 these days.I am still quite happy with the images they both take and will hold onto them for a while longer. Funny how many of Nikon film cameras are still selling used for more than their original cost (if in good condition).![]()
I think that you are quite right - the sun in Australia is frequently quite hot enough to literally fry eggs on a car bonnet. Not only that but we often get weeks on end without a cloud to be seen. The UK would fit over a map of Australia somewhere south of Tasmania. Glasgow is about the same as the “uninhabited” Macquarie Island in the Antarctic region ....Not careful enough, obviously. I've had my E-M1 since launch and had no problems with it whatsoever. I am careful not to let the sun shine through the EVF however, which takes only an atom of thought/effort. Maybe it's easier in the UK since it's rarely sunny ;-)My E-M1 had evf “blobs” (developed within months of ownership) which were fixed with the dodgy back wheel (as supplied). The repaired wheel survived but despite careful use the blobs eventually returned.
People love the GX8 in retrospect like others love the GM5. Both cameras were very capable camera in different type classes. Both failed because their launch price was too high and also each for one different factor.The GX7 has held more value because in many people’s opinion, Panasonic didn’t make a proper replacement. Remember the howling over the size of the GX8? I have it now and only wish I had bought it sooner, but I listened to the chatter. I think the size of the G9 has made the GX8 more acceptable. Then Panasonic launched the GX85 which seen as a downgrade in some aspects, and now the GX9, which is still not a flagship class camera the way the GX8 was.
The S1/S1R was so obviously based on the G9 that one hardly needs a diagramCameras which have been downgraded in some fashion:The GX7 has held more value because in many people’s opinion, Panasonic didn’t make a proper replacement. Remember the howling over the size of the GX8? I have it now and only wish I had bought it sooner, but I listened to the chatter. I think the size of the G9 has made the GX8 more acceptable. Then Panasonic launched the GX85 which seen as a downgrade in some aspects, and now the GX9, which is still not a flagship class camera the way the GX8 was.
Olympus E-M10III, Panasonic GX9, Olympus E-M5III.
Any others?
... and smash it with a hammer so that it cannot be resold. I am not kidding.If you trade it in.
Yeah, I bought a couple Olympus Pens for my son and daughter. One I never saw again, the other I saw in a very dilapidated state after being dropped on concrete a few times. Oh well, times change.I gave my EM10 to my 13 year old son. I couldn’t bear to part with it to a buyer I didn’t know for such a low price. Knowing it was going to my son, who would appreciate it and use it to develop his photographic skills, was by far the better option for something I had treasured.How wonderful to have a girlfriend that appreciates a used E-M1 as a gift... or did she? :-D...to my girlfriend, along with a new (to her) 25mm f/1.8. She'll get way more value out of it than I'd get selling it on eBay, especially considering how much obvious wear and tear there was on the body.![]()
My wife and son sold it on ebay a week later.
:-(