Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
Agreed. And I'd recommend the same to the OP if they have displeasure in the IQ beyond the banding.Even if there wasn't banding, bracketing and blending is recommended to get better IQ (lower noise) in areas that dark.I disagree. This is an appropriate tone mapping of the shadows to resemble the scene for human perceptionThat is an extreme push ,
Recent Nikon DSLRs can achieve the same, without the banding. That discrepancy should be resolved first before putting any onus on the photographer to exposure bracket.perhaps try exposure bracketing if you want information in the darkest and brightest area of a subject with such a wide range
I disagree with the continued classification of the localized adjustments as extreme. Plenty of photos in the past were derived from latent images manipulated in exposure, manipulated in development, dodged and burned to make compensations for the scene not providing the ideal illuminance distribution across the photographic medium for capture in a single frame.Yes, it would be nice if the camera didn't have this banding when doing an extreme push of shadows (and yes, this is an extreme push - it appears to be perhaps 6 stops),
What techniques are those, excluding exposure merging?but there are known techniques that excellent photographers use to get better IQ, even with cameras that don't have banding.
Nikon's competitors (e.g. Sony) have demonstrated the ability to mitigate this issue. Nikon is behooved to reach parity before insisting their users compensates for what appears to be readily solvable inadequacies.That's part of the point here. And, with cameras that do sometimes exhibit this behavior when pushed this far, bracketing and blending is the ONLY way to get good IQ.
This is getting reductive. The image will require as much manipulation as the photographer desires for the specific scene and vision; not bounded by some arbitrary standard of what happens to "most [other] images".Fortunately, most images don't require pushing shadows 5-6 stops
That depends on the aesthetic intent determined by the photographer which technical IQ may facilitate.and when an image might call for that, bracketing and blending are the recommended alternatives.
You have to admit that 6 stops is a lot. Yes, people may have been doing that before, but it is a lot. Even without banding, IQ is seriously compromised when shadows are pushed 6 stops (lots of noise, loss of detail and some loss of color accuracy or fidelity).I disagree with the continued classification of the localized adjustments as extreme. Plenty of photos in the past were derived from latent images manipulated in exposure, manipulated in development, dodged and burned to make compensations for the scene not providing the ideal illuminance distribution across the photographic medium for capture in a single frame.Yes, it would be nice if the camera didn't have this banding when doing an extreme push of shadows (and yes, this is an extreme push - it appears to be perhaps 6 stops),
Exposure merging is the way to do it with enhanced IQ. That's how you give those deep shadows an appropriate exposure that can be merged with a highlight saving image.What techniques are those, excluding exposure merging?but there are known techniques that excellent photographers use to get better IQ, even with cameras that don't have banding.
I don't think anyone disagrees. Nikon shouldn't have this issue and they will probably figure it out at some point. I don't know if we really know this is "readily solvable". My guess is that Nikon has some tradeoffs in how they do things and this occasional behavior is an accepted tradeoff for some other image benefit that Nikon thinks is more important. That doesn't mean they want it to remain this way forever, just that this is the best state of their technology at the time. Remember, this is version one for Nikon's FF mirrorless.Nikon's competitors (e.g. Sony) have demonstrated the ability to mitigate this issue. Nikon is behooved to reach parity before insisting their users compensates for what appears to be readily solvable inadequacies.That's part of the point here. And, with cameras that do sometimes exhibit this behavior when pushed this far, bracketing and blending is the ONLY way to get good IQ.
Are you really going to argue that most images require this? Or even that most photographers encounter this issue regularly?This is getting reductive. The image will require as much manipulation as the photographer desires for the specific scene and vision; not bounded by some arbitrary standard of what happens to "most [other] images".Fortunately, most images don't require pushing shadows 5-6 stops
Well, bracketing and blending will get you a better IQ in the shadows and no banding. I'm not sure what "aesthetic intent" in regard to blending or not blending is.That depends on the aesthetic intent determined by the photographer which technical IQ may facilitate.and when an image might call for that, bracketing and blending are the recommended alternatives.
Not in my testing. Why are you so sure? Have you tested?Huh?
Jim, I know you are above average here, any of these sensors pushed from black to +5 needed for this will show banding.
All the Sony examples of banding here over the years.Not in my testing. Why are you so sure? Have you tested?Huh?
Jim, I know you are above average here, any of these sensors pushed from black to +5 needed for this will show banding.
Jim
D850 vs A7rIII vs Z7 vs Z6, -5EV Underexposed, Pushed +5EVAll the Sony examples of banding here over the years.Not in my testing. Why are you so sure? Have you tested?Huh?
Jim, I know you are above average here, any of these sensors pushed from black to +5 needed for this will show banding.
Jim
Thx, only the D850 has no banding.D850 vs A7rIII vs Z7 vs Z6, -5EV Underexposed, Pushed +5EVAll the Sony examples of banding here over the years.Not in my testing. Why are you so sure? Have you tested?Huh?
Jim, I know you are above average here, any of these sensors pushed from black to +5 needed for this will show banding.
Jim
Can you tell me where you see the banding in the A7rIII image?Thx, only the D850 has no banding.D850 vs A7rIII vs Z7 vs Z6, -5EV Underexposed, Pushed +5EVAll the Sony examples of banding here over the years.Not in my testing. Why are you so sure? Have you tested?Huh?
Jim, I know you are above average here, any of these sensors pushed from black to +5 needed for this will show banding.
Jim
More in the A7III, but yes in the A7RIII too, It is different than the Z6, Sony has thicker bands.Can you tell me where you see the banding in the A7rIII image?Thx, only the D850 has no banding.D850 vs A7rIII vs Z7 vs Z6, -5EV Underexposed, Pushed +5EVAll the Sony examples of banding here over the years.Not in my testing. Why are you so sure? Have you tested?Huh?
Jim, I know you are above average here, any of these sensors pushed from black to +5 needed for this will show banding.
Jim
Ok, where?More in the A7III, but yes in the A7RIII too, It is different than the Z6, Sony has thicker bands.Can you tell me where you see the banding in the A7rIII image?Thx, only the D850 has no banding.D850 vs A7rIII vs Z7 vs Z6, -5EV Underexposed, Pushed +5EVAll the Sony examples of banding here over the years.Not in my testing. Why are you so sure? Have you tested?Huh?
Jim, I know you are above average here, any of these sensors pushed from black to +5 needed for this will show banding.
Jim
You seem to care to some degree since you're participating in this discussion.Really who cares?!? I am never going to make a swing of -5 to +5 in a picture. I would bracket!
Posted a couple versions of the OPs pic to show maybe DxO is doing a better job than CaptureOne cleaning up a pic. (Pic that should have been bracketed)Ok, where?More in the A7III, but yes in the A7RIII too, It is different than the Z6, Sony has thicker bands.Can you tell me where you see the banding in the A7rIII image?Thx, only the D850 has no banding.D850 vs A7rIII vs Z7 vs Z6, -5EV Underexposed, Pushed +5EVAll the Sony examples of banding here over the years.Not in my testing. Why are you so sure? Have you tested?Huh?
Jim, I know you are above average here, any of these sensors pushed from black to +5 needed for this will show banding.
Jim
You seem to care to some degree since you're participating in this discussion.Really who cares?!? I am never going to make a swing of -5 to +5 in a picture. I would bracket!
So what? Perhaps it's just as the photographer intended with full regard of the limitations of the system (outside of the banding) for the given exposure. "Extreme" or "a lot" is not wrong.You have to admit that 6 stops is a lot. Yes, people may have been doing that before, but it is a lot. Even without banding, IQ is seriously compromised when shadows are pushed 6 stops (lots of noise, loss of detail and some loss of color accuracy or fidelity).I disagree with the continued classification of the localized adjustments as extreme. Plenty of photos in the past were derived from latent images manipulated in exposure, manipulated in development, dodged and burned to make compensations for the scene not providing the ideal illuminance distribution across the photographic medium for capture in a single frame.Yes, it would be nice if the camera didn't have this banding when doing an extreme push of shadows (and yes, this is an extreme push - it appears to be perhaps 6 stops),
So no additional techniques.Exposure merging is the way to do it with enhanced IQ. That's how you give those deep shadows an appropriate exposure that can be merged with a highlight saving image.What techniques are those, excluding exposure merging?but there are known techniques that excellent photographers use to get better IQ, even with cameras that don't have banding.
I thought you've been writing that you can't do it on a Z even if the banding wasn't present?If you really want to do it with a single Z image, then you either have to learn how to avoid compositions that can trigger the banding (I'm not sure this has been totally figure out, but it appears to have something to do with a bright light source in the image along with a big shadow push) or you have to use one of the RAW developers than handles the banding for you.
I don't think the users of the current Z's should have to wait as long as they are for this issue to be resolved.I don't think anyone disagrees. Nikon shouldn't have this issue and they will probably figure it out at some point. I don't know if we really know this is "readily solvable". My guess is that Nikon has some tradeoffs in how they do things and this occasional behavior is an accepted tradeoff for some other image benefit that Nikon thinks is more important. That doesn't mean they want it to remain this way forever, just that this is the best state of their technology at the time. Remember, this is version one for Nikon's FF mirrorless.Nikon's competitors (e.g. Sony) have demonstrated the ability to mitigate this issue. Nikon is behooved to reach parity before insisting their users compensates for what appears to be readily solvable inadequacies.That's part of the point here. And, with cameras that do sometimes exhibit this behavior when pushed this far, bracketing and blending is the ONLY way to get good IQ.
That's not even what I'm suggesting.Are you really going to argue that most images require this? Or even that most photographers encounter this issue regularly?This is getting reductive. The image will require as much manipulation as the photographer desires for the specific scene and vision; not bounded by some arbitrary standard of what happens to "most [other] images".Fortunately, most images don't require pushing shadows 5-6 stops
Perhaps not so much for color images and particularly when you don't know what in the framed scene will trigger such banding.Z bodies are currently not reliable for a 6-stop shadow push.
IndeedThat's the state of the system. Sometimes they work just fine (no banding), sometimes they do not unless you a use a specific RAW developer. Those are the choices today.
When no banding is present, you get a relatively similar result with a Z7 as you do with a D850. It's possible there's some compromise due to the cells within the sensor that are used for AF on the Z7 even when the larger effect banding isn't triggered - I haven't really studied that, but the theory suggests there are some pixels that can be compromised a bit. So, you can do whatever you want with the Z7.I thought you've been writing that you can't do it on a Z even if the banding wasn't present?
OK, that's your opinion and apparently this particular issue is really important to you. That's fine.I don't think the users of the current Z's should have to wait as long as they are for this issue to be resolved.I don't think anyone disagrees. Nikon shouldn't have this issue and they will probably figure it out at some point. I don't know if we really know this is "readily solvable". My guess is that Nikon has some tradeoffs in how they do things and this occasional behavior is an accepted tradeoff for some other image benefit that Nikon thinks is more important. That doesn't mean they want it to remain this way forever, just that this is the best state of their technology at the time. Remember, this is version one for Nikon's FF mirrorless.Nikon's competitors (e.g. Sony) have demonstrated the ability to mitigate this issue. Nikon is behooved to reach parity before insisting their users compensates for what appears to be readily solvable inadequacies.That's part of the point here. And, with cameras that do sometimes exhibit this behavior when pushed this far, bracketing and blending is the ONLY way to get good IQ.
I've seen no Sony examples of PDAF banding. PDAF striping, sure, but that's a different thing, presents differently, and affects a different part of the tone curve. PDAF banding is a Nikon Z thing, and is caused by Nikon's attempt to fix PDAF striping. In my opinion, the cure is worse than the disease.All the Sony examples of banding here over the years.Not in my testing. Why are you so sure? Have you tested?Huh?
Jim, I know you are above average here, any of these sensors pushed from black to +5 needed for this will show banding.
Guess I am done trying to help around here. Just was trying to show the OP the DxO may have been doing a better job than CapOne cleaning the pics.I've seen no Sony examples of PDAF banding. PDAF striping, sure, but that's a different thing, presents differently, and affects a different part of the tone curve. PDAF banding is a Nikon Z thing, and is caused by Nikon's attempt to fix PDAF striping. In my opinion, the cure is worse than the disease.All the Sony examples of banding here over the years.Not in my testing. Why are you so sure? Have you tested?Huh?
Jim, I know you are above average here, any of these sensors pushed from black to +5 needed for this will show banding.
Your earlier statement that "yes you will see banding on any camera with on sensor PDAF" is incorrect, based upon my experience and fairly intensive testing. It's even difficult sometimes to get the Zx to exhibit PDAF banding when you're trying to get it to band.
Jim
There is nothing reasonable about that level of pushing, if you need to push 5 or more stops I am afraid you are doing it wrong. When a quick burst of bracketed shots would give you far more information to play with. Sometimes the photographer has to put a little thought into it. I believe that there is also a way to fix the banding in post using certain software.I disagree. This is an appropriate tone mapping of the shadows to resemble the scene for human perceptionThat is an extreme push ,
Recent Nikon DSLRs can achieve the same, without the banding. That discrepancy should be resolved first before putting any onus on the photographer to exposure bracket.perhaps try exposure bracketing if you want information in the darkest and brightest area of a subject with such a wide range
Nice to see this is really a non-issue with the correct tool.Using the process described in this post, here is an animated GIF showing the pushed raw before and after banding removal in RawTherapee. This is actually one of the worst banding examples I've seen - RT doesn't remove it all. Direct link to Animated GIF below:
[IMG width="400px" alt="Animated GIF, before and after banding removal in RawTherapee. Click "Original size" to animate."]https://photos.smugmug.com/photos/i-3dQRWk8/0/9c2ebbc0/O/i-3dQRWk8.gif[/IMG]
Animated GIF, before and after banding removal in RawTherapee. Click "Original size" to animate.
Here are the full-sized images:
Full-Sized image (Before Banding Removal)
Full-Sized Image (After Banding Removal)

Not in the images posted. You can even use RAW digger to see there is no banding noise in the Sony file when pushed +5EVMore in the A7III, but yes in the A7RIII too, It is different than the Z6, Sony has thicker bands.Can you tell me where you see the banding in the A7rIII image?Thx, only the D850 has no banding.