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I like these sorts of images. You can feel the texture and the symbolism of the old weathering barn vs the old gnarled wood stump is strong. However, there are several things about the image that significantly weaken it for me. First, counteracting the juxtaposition of the two subjects is the fact that they are visually competing with each other. The distance is too great and makes them feel disconnected in a way that makes it difficult to appreciate one without feeling that other is getting in the way. The second issue I have is the sky is featureless and boring. There's a lot of contrast and texture in the image and, especially with the featureless, sky it feels like it's lacking in tonal subtlety. I'd like to see more definition in the sky with greater differentiation in the tonal zones. A minor point is that the image feels slightly tilted down on the left side. That can be easily fixed. Hope these comments are helpful. Thanks for sharing.
There can only be one subject in a photo?Hiya
What is the main subject of the photo, the barn or the twisted stump? I think there is potential there but maybe looking for a different composition is needed. (This is a problem I have too).
John
I agree and will also add that we nearly all have this difficulty.Hiya
What is the main subject of the photo, the barn or the twisted stump? I think there is potential there but maybe looking for a different composition is needed. (This is a problem I have too).
John
The b/w tonality and detail is good. The composition doesn't quite work for me though, the foreground competes too much and intrudes on the barn, and there isn't quite enough DOF to keep the barn sharp. Going wider, and giving some space between the foreground stump and letting it lead into the barn in the distant might work better.
You could try this, but I doubt you will get a pleasing result with a kit lens, and even f/2.8 lenses are often not enough for this effect unless the foreground is very close. Going wider, like 14mm should allow you to keep both sharp, which is preferred, imho, and will also change the perspective to emphasize the shape and size of the foreground object, while giving some space between it and the barn.I like the suggestions of separating the barn from the stump and choosing a day when the sky has more contrast to it. What if I were to shoot at a larger aperture making the stump sharp and blurring the barn out some?
If you want to show texture, devote max. of pixels you have to a stump. It means you do not crop. You have to be close to stump, and DOF will resolve by itself since barn is far away.I like the suggestions of separating the barn from the stump and choosing a day when the sky has more contrast to it. What if I were to shoot at a larger aperture making the stump sharp and blurring the barn out some?
Nice. Purely my opinion but I'd lighten up the grass. It's competing too much for attention. If your editing software emulates black and white filters, maybe a yellow or orange.
There can only be one subject in a photo?Hiya
What is the main subject of the photo, the barn or the twisted stump? I think there is potential there but maybe looking for a different composition is needed. (This is a problem I have too).
John
My approach would be to get closer to the gnarled stump or the barn. Try it and you will see that the composition is the main downside to the image working well. One would have to show the options to give more advice. I like the old gnarled dead trees. Nice for texture and in monochrome too.I like the suggestions of separating the barn from the stump and choosing a day when the sky has more contrast to it. What if I were to shoot at a larger aperture making the stump sharp and blurring the barn out some?

Of course not, and I like the idea of the foreground but for me it doesn't work in this case as it overlaps the barn.There can only be one subject in a photo?Hiya
What is the main subject of the photo, the barn or the twisted stump? I think there is potential there but maybe looking for a different composition is needed. (This is a problem I have too).
John
Roberts, sometimes now and then a rescue has to be abandoned. A frank C and C would be to ask the question what attracted you to make this image. Then even go back and try ten more at different angles and distances. Examine each one and which grabs you. Pick the most interesting and balanced and one that draws you and others to look and look again. Then for yoursefl decide on technical things like the white sky and lack of clouds. How to fix. Texture and contrast. How to fix.Yeah, my thoughts too. I was thinking is it a picture of a barn or a stump and my eyes were flicking between the two not quite able to settle. Maybe an out of focus barn would give context without competing with the stump.
Actually I tried many different angles but all other angles brought unwanted distractions into view. Guess I'l have to give up on this site.Roberts, sometimes now and then a rescue has to be abandoned. A frank C and C would be to ask the question what attracted you to make this image. Then even go back and try ten more at different angles and distances. Examine each one and which grabs you. Pick the most interesting and balanced and one that draws you and others to look and look again. Then for yoursefl decide on technical things like the white sky and lack of clouds. How to fix. Texture and contrast. How to fix.Yeah, my thoughts too. I was thinking is it a picture of a barn or a stump and my eyes were flicking between the two not quite able to settle. Maybe an out of focus barn would give context without competing with the stump.
One is one's best critic I think even when others have ideas. You get there by looking at comparable shots of the subject matter for one thing..... What seems obvious to some is obscure to others. Good intentions of course...But need to say one is to be commended to ask for opinions. If it says something to you, then opinions are worth what they cost. aloha nui loa.