Wasn't a fan of Zoom lenses....until...

Fabio79

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I wasn't a fan of zoom lenses until..... I got this one !!
It does add some extra weight and size but oh man, what a nice lens !! I also own the XF16mm f1.4 WR but I find myself using the 16-55mm 90% of the time due to it's convenience and quality ! I only wish it was a constant f2 rather than 2.8 although I am aware how much bigger and heavy it would have to get in order to stand the wider constant aperture.
 
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When it first came out, I remember reading reviews that said that using the 16-55 was like having a bag of primes. The image quality across the focal lengths was that good. I've been intrigued by "the brick" because of the praise that it gets, however, I was always concerned that the weight would mean I'd leave it at home in favour of lighter lenses.
 
This lens has been out a while, and was always a stunning lens but just never got the recognition it deserved.

The release of the X-H1 changed all this and has resurrected this lens from the dead.

This combo is just meant to be.
 
This lens has been out a while, and was always a stunning lens but just never got the recognition it deserved.

The release of the X-H1 changed all this and has resurrected this lens from the dead.

This combo is just meant to be.
You are doing the lens a disfavour.

It didn't and doesn't need IBIS. The release of the XH1 had little influence on sales which had never dropped off. It was great on the XT2 and sales among proper photographers had taken off well before the intro of the XH1. Why should a zoom of that range need IBIS for goodness sake? We've been using that range and longer well back into film days. My several safaris were with lenses such as the non stabilised Sigma 50-500mm on FF and mainly APS with great results. There seems to be some sort of fear factor that has crept in, perhaps to newer photographers who expect a camera to do everything including holding their hands.

It is a fact that the weight and solidity of this lens adds the perfect heft to help create a stable platform when fitted to XT1/2/3. I had mine for several years as my main walkaround on XT1/XT2 along with its partner the 90mm f2 - another lens which is apparently impossible to use without an XH1.

What the XH1 has done is extended the usefulness of the lens to very low shutter speeds in low light but it never made a difference to shooting at normal shutter speeds. It does exactly the same on fast primes or the f2s which are pretty lightweight. The extra weight assisted non-stabilised hand-holding with the 16-55mm f2.8 - it never hampered it.

Vic
 
I wasn't a fan of zoom lenses until..... I got this one !!
It does add some extra weight and size but oh man, what a nice lens !! I also own the XF16mm f1.4 WR but I find myself using the 16-55mm 90% of the time due to it's convenience and quality ! I only wish it was a constant f2 rather than 2.8 although I am aware how much bigger and heavy it would have to get in order to stand the wider constant aperture.
Then, if your shooting style and budget allows, get yourself also its "bigger sibling", the 50-140mm f/2.8, and you will be at least as fascinated! ;-)

Herbert
 
Years ago, I rented the 16-55mm to try on my X-Pro2/X-T1. I hated the lens. It felt too big for those bodies. Made everything seem unbalanced.

I took a few years away from Fuji to play with high res, full frame cameras. Decided I missed the Fuji UI so when the X-H1 came out I sold my other systems, got an X-H1 and a number of lenses.

I've always been a fan of primes. And with high res images, I was able to get good pics even with cropping. Realizing I might not have the luxury with the X-H1, I decided to pick up a 16-55mm. After using it for a few months, I am so glad I have it. It's great for landscapes as it allows me to minimize cropping. And it balances so well on the X-H1, I've been using it as my walk around lens.
 
This lens has been out a while, and was always a stunning lens but just never got the recognition it deserved.

The release of the X-H1 changed all this and has resurrected this lens from the dead.

This combo is just meant to be.
You are doing the lens a disfavour.

It didn't and doesn't need IBIS. The release of the XH1 had little influence on sales which had never dropped off. It was great on the XT2 and sales among proper photographers had taken off well before the intro of the XH1. Why should a zoom of that range need IBIS for goodness sake? We've been using that range and longer well back into film days. My several safaris were with lenses such as the non stabilised Sigma 50-500mm on FF and mainly APS with great results. There seems to be some sort of fear factor that has crept in, perhaps to newer photographers who expect a camera to do everything including holding their hands.

It is a fact that the weight and solidity of this lens adds the perfect heft to help create a stable platform when fitted to XT1/2/3. I had mine for several years as my main walkaround on XT1/XT2 along with its partner the 90mm f2 - another lens which is apparently impossible to use without an XH1.

What the XH1 has done is extended the usefulness of the lens to very low shutter speeds in low light but it never made a difference to shooting at normal shutter speeds. It does exactly the same on fast primes or the f2s which are pretty lightweight. The extra weight assisted non-stabilised hand-holding with the 16-55mm f2.8 - it never hampered it.

Vic
 
This lens has been out a while, and was always a stunning lens but just never got the recognition it deserved.

The release of the X-H1 changed all this and has resurrected this lens from the dead.

This combo is just meant to be.
You are doing the lens a disfavour.

It didn't and doesn't need IBIS. The release of the XH1 had little influence on sales which had never dropped off. It was great on the XT2 and sales among proper photographers had taken off well before the intro of the XH1. Why should a zoom of that range need IBIS for goodness sake? We've been using that range and longer well back into film days. My several safaris were with lenses such as the non stabilised Sigma 50-500mm on FF and mainly APS with great results. There seems to be some sort of fear factor that has crept in, perhaps to newer photographers who expect a camera to do everything including holding their hands.

It is a fact that the weight and solidity of this lens adds the perfect heft to help create a stable platform when fitted to XT1/2/3. I had mine for several years as my main walkaround on XT1/XT2 along with its partner the 90mm f2 - another lens which is apparently impossible to use without an XH1.

What the XH1 has done is extended the usefulness of the lens to very low shutter speeds in low light but it never made a difference to shooting at normal shutter speeds. It does exactly the same on fast primes or the f2s which are pretty lightweight. The extra weight assisted non-stabilised hand-holding with the 16-55mm f2.8 - it never hampered it.

Vic
Good for you, but it’s a bit of a coincidence that as soon as people started buying the X-H1, there were many threads on here about ‘the brick’ starting to surface (I hate that name by the way).

And in regards to not needing IBIS or whatever you wish to call it, I find the 16-55mm a perfect landscape lens as it is so versatile with great image quality. Last year I used it on my X-H1 and captured several waterfalls at 0.5 secs handheld all with pin-sharp foliage. It was abolsutely pouring it down and I didn’t want to waste time setting up a tripod. Now you do that with your X-T2 and tell me you don’t need IBIS.
I'm afraid I also have to disagree with Vic as well on this one, particularly his rather definitive statement that "it didn't and doesn't need IBIS." That is technically true, as long as you're shooting in excellent light or on a tripod. However, many of us find ourselves in situations where the light is more challenging and where a tripod is simply very inconvenient or impossible (try dragging one into a cathedral sometimes and see how well that goes).

I strongly prefer the ability to use that lens in a wide variety of environments ranging from excellent light to an early morning/late evening glow. I also really don't like using tripods except where absolutely necessary and in many cases, they're not even allowed in some places I enjoy shooting with that lens. Given how often I find myself in those low light situations, I would have to go a bit beyond Vic's positioning as simply "extending the usefulness of the lens" in case, to finally making it attractive enough to me to be a "must have."

So, I actually didn't choose to buy the 16-55 until I acquired the X-H1 and now, excepting those times when I'm out shooting long (e.g. wildlife), it's all but welded to the camera. It's vastly reduced the need for me to drag along and set up a tripod and has given me the freedom to do the majority of my shooting handheld. That's always been my preference, so yes... it's a game changer technology for me and has made the 16-55 my go to "normal FL" lens.
 
This lens has been out a while, and was always a stunning lens but just never got the recognition it deserved.

The release of the X-H1 changed all this and has resurrected this lens from the dead.

This combo is just meant to be.
Which is why I bought them together last year, put the 16-55 on the H1 and haven't taken it off (nor do I plan to). It has been a revelation.
 
This lens has been out a while, and was always a stunning lens but just never got the recognition it deserved.

The release of the X-H1 changed all this and has resurrected this lens from the dead.

This combo is just meant to be.
Which is why I bought them together last year, put the 16-55 on the H1 and haven't taken it off (nor do I plan to). It has been a revelation.
Exactly! Me too. It’s such a brilliant combination.

Before the X-H1 I had (and still do) a Nikon D750 and Tamron 24-70mm f/2.8 as well as the new Nikon 24-70mm f/2.8 E. Even the newer Nikon 24-70mm optically is no better or worse than the Fuji 16-55mm yet the VR in the Nikon and VC in the Tamron don’t even come close to the IBIS abilities in the X-H1. I was never able to consistently get 0.5 sec keepers on the D750. The final nail in the coffin was that the Nikon 24-70 was almost the size and weight of a 70-200 and I hated carrying it around despite being in denial at the time.

The X-H1 and 16-55mm f/2.8 really are a revelation and a liberation.
 
This lens has been out a while, and was always a stunning lens but just never got the recognition it deserved.

The release of the X-H1 changed all this and has resurrected this lens from the dead.

This combo is just meant to be.
You are doing the lens a disfavour.

It didn't and doesn't need IBIS. The release of the XH1 had little influence on sales which had never dropped off. It was great on the XT2 and sales among proper photographers had taken off well before the intro of the XH1. Why should a zoom of that range need IBIS for goodness sake? We've been using that range and longer well back into film days. My several safaris were with lenses such as the non stabilised Sigma 50-500mm on FF and mainly APS with great results. There seems to be some sort of fear factor that has crept in, perhaps to newer photographers who expect a camera to do everything including holding their hands.

It is a fact that the weight and solidity of this lens adds the perfect heft to help create a stable platform when fitted to XT1/2/3. I had mine for several years as my main walkaround on XT1/XT2 along with its partner the 90mm f2 - another lens which is apparently impossible to use without an XH1.

What the XH1 has done is extended the usefulness of the lens to very low shutter speeds in low light but it never made a difference to shooting at normal shutter speeds. It does exactly the same on fast primes or the f2s which are pretty lightweight. The extra weight assisted non-stabilised hand-holding with the 16-55mm f2.8 - it never hampered it.

Vic
Good for you, but it’s a bit of a coincidence that as soon as people started buying the X-H1, there were many threads on here about ‘the brick’ starting to surface (I hate that name by the way).

And in regards to not needing IBIS or whatever you wish to call it, I find the 16-55mm a perfect landscape lens as it is so versatile with great image quality. Last year I used it on my X-H1 and captured several waterfalls at 0.5 secs handheld all with pin-sharp foliage. It was abolsutely pouring it down and I didn’t want to waste time setting up a tripod. Now you do that with your X-T2 and tell me you don’t need IBIS.
As an old timer I probably still could but where did I say that about the XT2? What I said quite plainly was that the 16-55 was selling well before the XH1. I went on to say that where IBIS scored was not in dealing with a heavy lens but in making very slow shutter speeds possible in low light. Highlighted in bold above if you still miss it.

The 16-55 f2.8 is probably the best all round lens in Mirrorless. I can't really imagine a better landscape lens. It is generally highly versatile.

3005ec7fe1cd481cb5d357cc29d8362b.jpg

Without IBIS because I forgot to switch it on for six weeks and I was leaning on a stick while I took this!

Full frame crop
Full frame crop

Vic

--
The sky is full of holes that let the rain get in, the holes are very small - that's why the rain is thin.
Spike Milligan. Writer, comedian, poet, Goon. 1918 - 2002
 
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Crossed wires I guess. I was merely pointing out that there has been an influx of 16-55mm threads on this forum since the introduction of the X-H1. I think 2 other posters here alone in this thread pretty much did what I did and bought these two to go together.
 
Honestly, I have noticed the uptick in 16-55 threads. And, I will put a fork in it as I know the reason for the increase in traffic for the great lens...Greg.

He reluctantly purchased the lens and then started to go on and on with it. People read and use the suggestions of others in making purchase decisions. Doesn't matter if it was prior or after his purchase of the X-H1. I want to say that it was before. There are indeed others that have benefited very nicely with the pairing and speak loudly enough about how great it is.

It has been a nice thing that this lens keeps getting brought up every now and then in very favorable light!
 
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This lens has been out a while, and was always a stunning lens but just never got the recognition it deserved.

The release of the X-H1 changed all this and has resurrected this lens from the dead.

This combo is just meant to be.
You are doing the lens a disfavour.

It didn't and doesn't need IBIS. The release of the XH1 had little influence on sales which had never dropped off. It was great on the XT2 and sales among proper photographers had taken off well before the intro of the XH1. Why should a zoom of that range need IBIS for goodness sake? We've been using that range and longer well back into film days. My several safaris were with lenses such as the non stabilised Sigma 50-500mm on FF and mainly APS with great results. There seems to be some sort of fear factor that has crept in, perhaps to newer photographers who expect a camera to do everything including holding their hands.

It is a fact that the weight and solidity of this lens adds the perfect heft to help create a stable platform when fitted to XT1/2/3. I had mine for several years as my main walkaround on XT1/XT2 along with its partner the 90mm f2 - another lens which is apparently impossible to use without an XH1.

What the XH1 has done is extended the usefulness of the lens to very low shutter speeds in low light but it never made a difference to shooting at normal shutter speeds. It does exactly the same on fast primes or the f2s which are pretty lightweight. The extra weight assisted non-stabilised hand-holding with the 16-55mm f2.8 - it never hampered it.

Vic
Good for you, but it’s a bit of a coincidence that as soon as people started buying the X-H1, there were many threads on here about ‘the brick’ starting to surface (I hate that name by the way).

And in regards to not needing IBIS or whatever you wish to call it, I find the 16-55mm a perfect landscape lens as it is so versatile with great image quality. Last year I used it on my X-H1 and captured several waterfalls at 0.5 secs handheld all with pin-sharp foliage. It was abolsutely pouring it down and I didn’t want to waste time setting up a tripod. Now you do that with your X-T2 and tell me you don’t need IBIS.
I'm afraid I also have to disagree with Vic as well on this one, particularly his rather definitive statement that "it didn't and doesn't need IBIS." That is technically true, as long as you're shooting in excellent light or on a tripod. However, many of us find ourselves in situations where the light is more challenging and where a tripod is simply very inconvenient or impossible (try dragging one into a cathedral sometimes and see how well that goes).

I strongly prefer the ability to use that lens in a wide variety of environments ranging from excellent light to an early morning/late evening glow. I also really don't like using tripods except where absolutely necessary and in many cases, they're not even allowed in some places I enjoy shooting with that lens. Given how often I find myself in those low light situations, I would have to go a bit beyond Vic's positioning as simply "extending the usefulness of the lens" in case, to finally making it attractive enough to me to be a "must have."

So, I actually didn't choose to buy the 16-55 until I acquired the X-H1 and now, excepting those times when I'm out shooting long (e.g. wildlife), it's all but welded to the camera. It's vastly reduced the need for me to drag along and set up a tripod and has given me the freedom to do the majority of my shooting handheld. That's always been my preference, so yes... it's a game changer technology for me and has made the 16-55 my go to "normal FL" lens.
I shoot sports photography with the 16-55 on an XT-2 in extremely low light settings. Bumping that ISO goes a long ways. Wish I had a better example uploaded on my gallery. Perhaps I'll go hunting for one tonight. Lot of my 1/1600s pics are taken at 800-1600 ISO in very low light settings. Often time on north facing slopes and often times at dusk. The below isn't the best example but its a fun photo I took this weekend.

 

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I can shoot my XH1 and 16-55 with a Wine Country filter kit and 2 stop ND Grad at about 1/60 shutter speed hand held and get excellent results! The 16-55 was on my XT1 and a tripod most of the time shooting landscapes and while I take the tripod with me in the field I find myself using it less and less.

I loved the 16-55 on my XT1 but that lens and the XH1 are indeed the perfect piece of Fuji kit.
 
Forgot to mention that as I only shoot for fun, size and weight is not a major concern for me. I prefer getting higher quality overall, hence, I never considered the 18-55mm (although I know it's Excellent for what is considered "Kit Lens") so I went straight to the 16-55mm and along with it and my X-T3, I'm using the VG-XT3 Battery Grip which is another revelation !! The grip and extra 2 batteries are NEVER leaving my X-T3 body !!!
As I mainly shoot landscape, I'm aiming the XF 8-16mm f2.8 but here in Norway has been a bit harder for me to find one, plus, there is the excellent XF 10-24mm f4... I just ... JUST wish it was WR..... Damn Fuji.... Damn !! (And yes, before anyone say WR is not important, for me it is full priority when shooting outdoor here)
 

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