golfhov
Forum Pro
Gotcha. I need to read further on the upcoming firmware. For the record I am not a defender of all things Sony. Although I am kind of curious why you use wide or zone if you constantly override? It works pretty well in expanded flexible and you have multiple input methodsAgreed.and they gave you a silent motor with the 24 but meh optics.....That motor is why I have the Zony 35/2.8. The Samyang is too noisy in video.We will see. Samyang killed it on the 35(minus the motor) but came up short on the 24. I am hoping lightning strikes twice. I also wonder if they will price too low again......
It just is what it is. It is rare to find budget lenses that really shine in all departments. Even those that do still have shortcomings BUT then it is a matter of if those shortcomings are worth the other advantages
That's a good point.In some markets the M series greatly outsells their DSLRs. Part of it is just market practice. In the USA you can find a Canon in most stores that sell a camera. IT may be a very basic model but for the inexperienced they just don't know any better.I can't see why anyone would choose a Rebel DSLR over an M50 if price isn't an issue.
Irony is that my AX100, an older Sony product, has a touchscreen that works very well and lets you use it for playback, menus, etc.not gonna argue that. I really thought that Sony had a religious beef with touch screens for a whileIt has a number of usability advantages over my Sony gear. Canon's touch and drag for moving an AF point is lightyears ahead of Sony's with zero lag and a nice precise feel.
I should have provided more information. I like shooting in wide or zone AF and just narrowing down when I need to as wide/zone work just fine most of the time. Procedure to do so on my a7 III is switch from general purpose zone/wide AF to Lock-on expandable flex spot, tap the subject, press/hold AF-ON. On the M50 its just tap the subject. The results of Sony's system are better as it tracks better, Canon's is easier/quicker to activate. I want Sony's results with Canon's ease of useuhh........am I missing something here? Expanded flexible spot, AFC, tap on it and then engage focus.......this is already pretty good and is supposed to get even better soonWhen shooting with the rear LCD can tap a subject on my a7 III and it will focus on it, but that's it. Focus stays exactly where on the screen I tapped. In the Canon system you tap the subject and it tracks it like you'd expect it to, expanding and shrinking the number of points used as needed..
Nope. Don't listen to me. Try for yourself. There are a few that love the Mfn bar......Ergos are always an opinionI dunno about "always" I think they have a very good track record. BUT I am not giving them always. On the R I don't care for the MFn bar and I don't like the rear wheel location. Sorry, for all the praise some get I don't think the ergos are great. Obviously this is an opinion and not factIt also works like a charm in video. It would be nice to tap and define a subject for the camera to track with my a7 III.
Canon's bodies always feel great to use and have very usable controls.I shouldn't have used always. I should have used almost always. I haven't shot with an EOS R so I'll take your word for it.
I also think I am the only person to say anything about the rear wheel
Welcome to Canon.......That's the worst part of Canon as a consumer. Artificial segmentation. DPAF is Canon's killer app, a great differentiator. It should be everywhere.DPAF is nice. Too bad they cripple the heck out of their video. The RP they completely removed the ability to use the DPAF with video as a way to differentiate the productsPlus DPAF is where it's at for video.
Yeah I wasn't insulting it. Just pointing out it was there.Its a laundry list of things I use all the time.A lot.......obviously there will be those who buy into the Canon R line who aren't as worried about said features.But they are missing features I use.
For 30p yes, but 24p is uncropped (beyond the fact there will always be some sort of "crop" when recording 16:9 video on a 3:2 sensor). I record plenty of family indoor video in 24p. You get the full sensor 6k->4k downsample with the slightly slower shutter making for very clean footage even in very low light.Well remember the a7iii is cropped to 1.2. Not as bad as 1.7 on a $3300 camera......(but now 1.3?)I can forgive the lack of IBIS provided the lenses are all stabilized (looks like RF's f/2.8 zooms will all have stabilization), but I don't want cropped 4k.
It started at the same 1.7Canon's EOS R 4k crop is mystifying to me. The 5D IV uses a crop factor of 1.3x.
AND......you can use EFS lenses on the R but not the 5div so it is somewhat manageable . Somewhat......now I am advocating buying seperste video lenses......That's more livable.
Possible. It is also quite possible that it is just Canon's segmentation issues. If the RP wasn't artificially nuetered in multiple ways they couldn't justify the R price. Then they also couldn't justify whatever "pro" model they release and possible a separate "video" model........The EOS R has the same sensor and a newer chipset. Why can't it do it? Heat dissipation issues?
I get it. These companies need to make a profit and in a contracting market it is difficult. As a market leader Canon seems to have decided to turn the screws on those loyal to them where most other manufacturers seem to be going out of thier way to give users a reason.
Nikon mimiced the a7iii and a7riii. Panasonic seems to have decided to try to go a little upscale. I am guessing Sigma will play the Foveon(sp?) Card .and Canon.......well they decided to be Canon.
WARNING OPINION coming. My two cents is they were watching the markets decided they needed to act and that the R was going to be good enough. That they could slap thier name on some middling stuff and out market the competition and bask in their triumph.they have tried to squeeze in discounts and incentives and it isn't working The RP and rumors of a pro model is a stop gap to try to stop the bleeding.