tbcass
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And of course strictly following compositional guidelines will result in unoriginal photography.
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No you didn't.
ROTFL. I always loved Monty Python.
Yes...in my case, it's all about my opinion because I'm the customer for my photography. I don't seek to sell my images commercially so no one else's opinion matters to me.Is photography an art? Good question. Don't know.
What is success in photography. Being able to sit back at the end of an editing session, look at your pictures and feel like you didn't waste your time.
You're assuming my goal is pretty pictures. Usually, it's not.Part of making the transition from civilian to photographer is learning to reduce the world to two-dimensional shapes that you arrange within your frame. A human, for instance, is just a rectangle with a ball on top, a house is a rectangle on its side plus a triangle, trees: sticks and lollipops. Feelings can interfere with learning that skill.
I rarely look at other people's images.But looking at your photos, it's clear that you already mastered this part of photography even if you didn't set out to do so.
Finally, about judging photos shot by others, there are two ways to do it. You can go with your impulse—like, hate, move on. Or you can analyze which techniques the photographer used and why they were or were not successful in claiming your attention.
that's a huge mistakeYes...in my case, it's all about my opinion because I'm the customer for my photography. I don't seek to sell my images commercially so no one else's opinion matters to me.Is photography an art? Good question. Don't know.
What is success in photography. Being able to sit back at the end of an editing session, look at your pictures and feel like you didn't waste your time.
You're assuming my goal is pretty pictures. Usually, it's not.Part of making the transition from civilian to photographer is learning to reduce the world to two-dimensional shapes that you arrange within your frame. A human, for instance, is just a rectangle with a ball on top, a house is a rectangle on its side plus a triangle, trees: sticks and lollipops. Feelings can interfere with learning that skill.
I rarely look at other people's images.But looking at your photos, it's clear that you already mastered this part of photography even if you didn't set out to do so.
Finally, about judging photos shot by others, there are two ways to do it. You can go with your impulse—like, hate, move on. Or you can analyze which techniques the photographer used and why they were or were not successful in claiming your attention.
That's because I honestly thought you took it seriously. If I had known it was fascious I probably wouldn't have replied.You’re taking this thread far too seriously, my friend.You don't win an argument that way, you avoid an argument which is probably the best way to go. Most people who want to argue have inflexible opinions who probably won't be convinced no matter how many facts you throw at them.Yes, Method 1 is the only way to win the “Camera Brand A is better than Camera Brand B” argument.
Why? I've done it before and rarely get much out of it.that's a huge mistakeYes...in my case, it's all about my opinion because I'm the customer for my photography. I don't seek to sell my images commercially so no one else's opinion matters to me.Is photography an art? Good question. Don't know.
What is success in photography. Being able to sit back at the end of an editing session, look at your pictures and feel like you didn't waste your time.
You're assuming my goal is pretty pictures. Usually, it's not.Part of making the transition from civilian to photographer is learning to reduce the world to two-dimensional shapes that you arrange within your frame. A human, for instance, is just a rectangle with a ball on top, a house is a rectangle on its side plus a triangle, trees: sticks and lollipops. Feelings can interfere with learning that skill.
I rarely look at other people's images.But looking at your photos, it's clear that you already mastered this part of photography even if you didn't set out to do so.
Finally, about judging photos shot by others, there are two ways to do it. You can go with your impulse—like, hate, move on. Or you can analyze which techniques the photographer used and why they were or were not successful in claiming your attention.
If my goal is to document my life and those of my family members, what good does looking at other people's eye-candy do for my goal?you would be well served to open your mind a little about subjects related to photography - sometimes folks are so in love with their own viewpoints that they really miss out
Problem with that attitude is art is subjective not quantitative, what's good to you may not be to someone else and vice versa. Sometimes I show my wife(non photographer) a photo that someone has posted online which I think is fantastic and she's completely at odds with me.Then there’s a whole sub-thread here pondering the philosophy of “What is a good photo?” and I figure they don’t know a good photo when they see one. Hard to take it seriously...
Depends on what you are arguing about. If you are discussing the artistic value of a photograph it might be nice to know how good their photos are. If you arguing about what makes a good camera then it doesn't matter if they are a good photographer. It matters how technologically versed about cameras and optics they are.How can you argue with somebody who takes good photographs?
Excellent points.Problem with that attitude is art is subjective not quantitative, what's good to you may not be to someone else and vice versa. Sometimes I show my wife(non photographer) a photo that someone has posted online which I think is fantastic and she's completely at odds with me.
I don't get street photography either so I don't feel qualified to comment on them.Personally I 'don't get' street photography, I see photos that everyone praises and I just see a snap of people on the street, to me it's not a 'good photograph' but to others it could be brilliant.
Your whole stance is predicated on the premise that one should take photographs for the critical approval of others. Now obviously if you are being paid to take photos, or offer to take photos for somebody as a gift, their opinion matters. But if one is taking photos purely for their own enjoyment, and they are satisfied with their output, what do they gain by shooting in accordance with your rules?The subject of that photo is not one or the other. It's a picture of the size relationship between them. Big, little.
But the idea of that art is all subjective is an incorrect idea that trips up a lot of people. To break through that barrier you have to learn to divorce your personal preferences from the aesthetic judgement you've built up looking at paintings, drawings, and photos by acknowledged masters.
It's like working as a wine critic—I may hate riesling, but that's doesn't matter to me as a professional taster; I have educated my tastebuds so that I can still evaluate the wine using a set of well-defined and universally shared criteria.
I don't "create" photos.I'm saying, based on my own experience that you should learn the techniques of visual expression as quickly and thoroughly as you can because you'll be faster in the field and will be able to more easily create any photo your brain dreams up.
Using them would almost entirely defeat the point of the hobby for me. The photography is about documenting my life, the hobby is about figuring out how to do it.Visual principles are not rules meant to tie your hands. They're solutions to problems and they were created by artists and photographers that came before you. There's no artistic Politburo trying to make you conform to some orthodoxy.
The people who write these principles down in books or on websites are just trying to remind you that you don't have to reinvent the wheel—they have pages and pages of wheel designs ready for you to try. You want to photograph a group of three people? Here's how other people have done it. You want to shoot a river? Here are two ways that it can be accomplished. Solutions. They're solutions, suggestions, not rules.
I don't dance.Think of it this way, when you're dancing, you don't use every step you ever learned.
And I don't know why anyone, anywhere, would care about that.But it's nice to learn a few different styles because then you can hit the dance floor with confidence knowing that whatever genre of music gets played you'll be able to boogie down with style.
So you simply photograph whatever happens to be in front of you that captures your interest? You never change position or choose a different focal length to alter the composition to make it pleasing?I don't "create" photos.I'm saying, based on my own experience that you should learn the techniques of visual expression as quickly and thoroughly as you can because you'll be faster in the field and will be able to more easily create any photo your brain dreams up.
That is not surprising.Using them would almost entirely defeat the point of the hobby for me. The photography is about documenting my life, the hobby is about figuring out how to do it.Visual principles are not rules meant to tie your hands. They're solutions to problems and they were created by artists and photographers that came before you. There's no artistic Politburo trying to make you conform to some orthodoxy.
The people who write these principles down in books or on websites are just trying to remind you that you don't have to reinvent the wheel—they have pages and pages of wheel designs ready for you to try. You want to photograph a group of three people? Here's how other people have done it. You want to shoot a river? Here are two ways that it can be accomplished. Solutions. They're solutions, suggestions, not rules.
I don't dance.Think of it this way, when you're dancing, you don't use every step you ever learned.
Because it brings some people pleasure.And I don't know why anyone, anywhere, would care about that.But it's nice to learn a few different styles because then you can hit the dance floor with confidence knowing that whatever genre of music gets played you'll be able to boogie down with style.
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Lee Jay
I don't "create" photos.I'm saying, based on my own experience that you should learn the techniques of visual expression as quickly and thoroughly as you can because you'll be faster in the field and will be able to more easily create any photo your brain dreams up.
Using them would almost entirely defeat the point of the hobby for me. The photography is about documenting my life, the hobby is about figuring out how to do it.Visual principles are not rules meant to tie your hands. They're solutions to problems and they were created by artists and photographers that came before you. There's no artistic Politburo trying to make you conform to some orthodoxy.
The people who write these principles down in books or on websites are just trying to remind you that you don't have to reinvent the wheel—they have pages and pages of wheel designs ready for you to try. You want to photograph a group of three people? Here's how other people have done it. You want to shoot a river? Here are two ways that it can be accomplished. Solutions. They're solutions, suggestions, not rules.
I don't dance.Think of it this way, when you're dancing, you don't use every step you ever learned.
And I don't know why anyone, anywhere, would care about that.But it's nice to learn a few different styles because then you can hit the dance floor with confidence knowing that whatever genre of music gets played you'll be able to boogie down with style.
I would disagree with you on the free will thing. Not from any religious position, just that the premise is shaky. But that is a discussion for a different forum.I agree with you 100 percent about subjectivity and the related finding that none of us have free will.
I disagree. Artists make art. Nothing else is required.But once you become a photographer or any other kind of artist, you give up your right to make judgements based on your personal ideas about right and wrong, good and bad.
Doesn't change the value judgement on what he photographs. And Hamilton is dead, so shooting him won't matter much.For instance, I think Jock Sturges is an old perv and he and David Hamilton should be shot on sight. But I can still recognize that Sturges is a master of light and form.
As in, "Wow, that is a beautiful piece of child porn?" No. There are some things that matter and the artistry doesn't change that.As a photographer it is crucial that you are able to separate, divorce, split, build a $5 billion wall between your personal feelings and the part of your brain that makes informed judgements about the use of tools like symmetry, scale, negative space, contrast and all the other compositional techniques that go into photographs.
But what most people think are the characteristics is rubbish. Very few people can reliably discern the qualities of a wine.And wine people don't use their terminology to decide whether a wine is good or bad. They use it to communicate to other people in the wine industry—viticulturists, enologists, wholesalers, retailers, sommeliers, bartenders, consumers— the salient characteristics of what's in the bottle so that they can decide whether it fits their particular need.
I'd agree that the subjectivity is the same.And it's the same with pictures.
Yes.So you simply photograph whatever happens to be in front of you that captures your interest?I don't "create" photos.I'm saying, based on my own experience that you should learn the techniques of visual expression as quickly and thoroughly as you can because you'll be faster in the field and will be able to more easily create any photo your brain dreams up.
I do that, but I don't go out and look for things to shoot, nor do I create scenes in a studio to shoot.You never change position or choose a different focal length to alter the composition to make it pleasing?
I'll bet you have no idea why, though.That is not surprising.Using them would almost entirely defeat the point of the hobby for me. The photography is about documenting my life, the hobby is about figuring out how to do it.Visual principles are not rules meant to tie your hands. They're solutions to problems and they were created by artists and photographers that came before you. There's no artistic Politburo trying to make you conform to some orthodoxy.
The people who write these principles down in books or on websites are just trying to remind you that you don't have to reinvent the wheel—they have pages and pages of wheel designs ready for you to try. You want to photograph a group of three people? Here's how other people have done it. You want to shoot a river? Here are two ways that it can be accomplished. Solutions. They're solutions, suggestions, not rules.
I don't dance.Think of it this way, when you're dancing, you don't use every step you ever learned.
Why would being considered to have "style" by others bring anyone pleasure?Because it brings some people pleasure.And I don't know why anyone, anywhere, would care about that.But it's nice to learn a few different styles because then you can hit the dance floor with confidence knowing that whatever genre of music gets played you'll be able to boogie down with style.
And that is rubbish. It meets every criterion. You don;t view it that way and that is your prerogative. You are still categorically incorrect.I don't accept that photography is an art.
Okay, whatever, I've been shooting for over 40 years, and I still think I have almost no artistic talent. I'm a good technician, but that's all.To you sir, I say fiddlesticks. Judging by the work you've posted during this discussion you are an excellent photographer with a refined understanding of cameras, composition, and color. Whether you choose to acknowledge your innate talent or not, it's there.
Gifted people like you are a problem because you are just doing what you do and don't understand the endless hours of hard work that the rest of us have to put in just to be adequate.
Such as?And that is rubbish. It meets every criterion.I don't accept that photography is an art.
Well, no. There is pretty much no way of photographing anything that has not been done. The originality isn't in breaking the rules, but in how approaches the subject.And of course strictly following compositional guidelines will result in unoriginal photography.
Art is a diverse range of human activities in creating visual, auditory or performing artifacts (artworks), expressing the author's imaginative, conceptual ideas, or technical skill, intended to be appreciated for their beauty or emotional power.Such as?And that is rubbish. It meets every criterion.I don't accept that photography is an art.