How to Win a Photography Argument on DPReview

And of course strictly following compositional guidelines will result in unoriginal photography.
 
Is photography an art? Good question. Don't know.

What is success in photography. Being able to sit back at the end of an editing session, look at your pictures and feel like you didn't waste your time.
Yes...in my case, it's all about my opinion because I'm the customer for my photography. I don't seek to sell my images commercially so no one else's opinion matters to me.
Part of making the transition from civilian to photographer is learning to reduce the world to two-dimensional shapes that you arrange within your frame. A human, for instance, is just a rectangle with a ball on top, a house is a rectangle on its side plus a triangle, trees: sticks and lollipops. Feelings can interfere with learning that skill.
You're assuming my goal is pretty pictures. Usually, it's not.
But looking at your photos, it's clear that you already mastered this part of photography even if you didn't set out to do so.

Finally, about judging photos shot by others, there are two ways to do it. You can go with your impulse—like, hate, move on. Or you can analyze which techniques the photographer used and why they were or were not successful in claiming your attention.
I rarely look at other people's images.
 
Is photography an art? Good question. Don't know.

What is success in photography. Being able to sit back at the end of an editing session, look at your pictures and feel like you didn't waste your time.
Yes...in my case, it's all about my opinion because I'm the customer for my photography. I don't seek to sell my images commercially so no one else's opinion matters to me.
Part of making the transition from civilian to photographer is learning to reduce the world to two-dimensional shapes that you arrange within your frame. A human, for instance, is just a rectangle with a ball on top, a house is a rectangle on its side plus a triangle, trees: sticks and lollipops. Feelings can interfere with learning that skill.
You're assuming my goal is pretty pictures. Usually, it's not.
But looking at your photos, it's clear that you already mastered this part of photography even if you didn't set out to do so.

Finally, about judging photos shot by others, there are two ways to do it. You can go with your impulse—like, hate, move on. Or you can analyze which techniques the photographer used and why they were or were not successful in claiming your attention.
I rarely look at other people's images.
that's a huge mistake

you would be well served to open your mind a little about subjects related to photography - sometimes folks are so in love with their own viewpoints that they really miss out
 
Yes, Method 1 is the only way to win the “Camera Brand A is better than Camera Brand B” argument.
You don't win an argument that way, you avoid an argument which is probably the best way to go. Most people who want to argue have inflexible opinions who probably won't be convinced no matter how many facts you throw at them.
You’re taking this thread far too seriously, my friend.
That's because I honestly thought you took it seriously. If I had known it was fascious I probably wouldn't have replied.
 
Is photography an art? Good question. Don't know.

What is success in photography. Being able to sit back at the end of an editing session, look at your pictures and feel like you didn't waste your time.
Yes...in my case, it's all about my opinion because I'm the customer for my photography. I don't seek to sell my images commercially so no one else's opinion matters to me.
Part of making the transition from civilian to photographer is learning to reduce the world to two-dimensional shapes that you arrange within your frame. A human, for instance, is just a rectangle with a ball on top, a house is a rectangle on its side plus a triangle, trees: sticks and lollipops. Feelings can interfere with learning that skill.
You're assuming my goal is pretty pictures. Usually, it's not.
But looking at your photos, it's clear that you already mastered this part of photography even if you didn't set out to do so.

Finally, about judging photos shot by others, there are two ways to do it. You can go with your impulse—like, hate, move on. Or you can analyze which techniques the photographer used and why they were or were not successful in claiming your attention.
I rarely look at other people's images.
that's a huge mistake
Why? I've done it before and rarely get much out of it.
you would be well served to open your mind a little about subjects related to photography - sometimes folks are so in love with their own viewpoints that they really miss out
If my goal is to document my life and those of my family members, what good does looking at other people's eye-candy do for my goal?
 
Then there’s a whole sub-thread here pondering the philosophy of “What is a good photo?” and I figure they don’t know a good photo when they see one. Hard to take it seriously...
Problem with that attitude is art is subjective not quantitative, what's good to you may not be to someone else and vice versa. Sometimes I show my wife(non photographer) a photo that someone has posted online which I think is fantastic and she's completely at odds with me.

Personally I 'don't get' street photography, I see photo's that everyone praises and I just see a snap of people on the street, to me it's not a 'good photograph' but to others it could be brilliant.
 
How can you argue with somebody who takes good photographs?
Depends on what you are arguing about. If you are discussing the artistic value of a photograph it might be nice to know how good their photos are. If you arguing about what makes a good camera then it doesn't matter if they are a good photographer. It matters how technologically versed about cameras and optics they are.
 
Problem with that attitude is art is subjective not quantitative, what's good to you may not be to someone else and vice versa. Sometimes I show my wife(non photographer) a photo that someone has posted online which I think is fantastic and she's completely at odds with me.
Excellent points.
Personally I 'don't get' street photography, I see photos that everyone praises and I just see a snap of people on the street, to me it's not a 'good photograph' but to others it could be brilliant.
I don't get street photography either so I don't feel qualified to comment on them.
 
I'm saying, based on my own experience that you should learn the techniques of visual expression as quickly and thoroughly as you can because you'll be faster in the field and will be able to more easily create any photo your brain dreams up.

Visual principles are not rules meant to tie your hands. They're solutions to problems and they were created by artists and photographers that came before you. There's no artistic Politburo trying to make you conform to some orthodoxy.

The people who write these principles down in books or on websites are just trying to remind you that you don't have to reinvent the wheel—they have pages and pages of wheel designs ready for you to try. You want to photograph a group of three people? Here's how other people have done it. You want to shoot a river? Here are two ways that it can be accomplished. Solutions. They're solutions, suggestions, not rules.

Think of it this way, when you're dancing, you don't use every step you ever learned. But it's nice to learn a few different styles because then you can hit the dance floor with confidence knowing that whatever genre of music gets played you'll be able to boogie down with style.

The subject of that photo is not one or the other. It's a picture of the size relationship between them. Big, little.

But the idea of that art is all subjective is an incorrect idea that trips up a lot of people. To break through that barrier you have to learn to divorce your personal preferences from the aesthetic judgement you've built up looking at paintings, drawings, and photos by acknowledged masters.

It's like working as a wine critic—I may hate riesling, but that's doesn't matter to me as a professional taster; I have educated my tastebuds so that I can still evaluate the wine using a set of well-defined and universally shared criteria.
Your whole stance is predicated on the premise that one should take photographs for the critical approval of others. Now obviously if you are being paid to take photos, or offer to take photos for somebody as a gift, their opinion matters. But if one is taking photos purely for their own enjoyment, and they are satisfied with their output, what do they gain by shooting in accordance with your rules?
 
I'm saying, based on my own experience that you should learn the techniques of visual expression as quickly and thoroughly as you can because you'll be faster in the field and will be able to more easily create any photo your brain dreams up.
I don't "create" photos.
Visual principles are not rules meant to tie your hands. They're solutions to problems and they were created by artists and photographers that came before you. There's no artistic Politburo trying to make you conform to some orthodoxy.

The people who write these principles down in books or on websites are just trying to remind you that you don't have to reinvent the wheel—they have pages and pages of wheel designs ready for you to try. You want to photograph a group of three people? Here's how other people have done it. You want to shoot a river? Here are two ways that it can be accomplished. Solutions. They're solutions, suggestions, not rules.
Using them would almost entirely defeat the point of the hobby for me. The photography is about documenting my life, the hobby is about figuring out how to do it.
Think of it this way, when you're dancing, you don't use every step you ever learned.
I don't dance.
But it's nice to learn a few different styles because then you can hit the dance floor with confidence knowing that whatever genre of music gets played you'll be able to boogie down with style.
And I don't know why anyone, anywhere, would care about that.
 
I'm saying, based on my own experience that you should learn the techniques of visual expression as quickly and thoroughly as you can because you'll be faster in the field and will be able to more easily create any photo your brain dreams up.
I don't "create" photos.
So you simply photograph whatever happens to be in front of you that captures your interest? You never change position or choose a different focal length to alter the composition to make it pleasing?
Visual principles are not rules meant to tie your hands. They're solutions to problems and they were created by artists and photographers that came before you. There's no artistic Politburo trying to make you conform to some orthodoxy.

The people who write these principles down in books or on websites are just trying to remind you that you don't have to reinvent the wheel—they have pages and pages of wheel designs ready for you to try. You want to photograph a group of three people? Here's how other people have done it. You want to shoot a river? Here are two ways that it can be accomplished. Solutions. They're solutions, suggestions, not rules.
Using them would almost entirely defeat the point of the hobby for me. The photography is about documenting my life, the hobby is about figuring out how to do it.
Think of it this way, when you're dancing, you don't use every step you ever learned.
I don't dance.
That is not surprising.
But it's nice to learn a few different styles because then you can hit the dance floor with confidence knowing that whatever genre of music gets played you'll be able to boogie down with style.
And I don't know why anyone, anywhere, would care about that.
Because it brings some people pleasure.
--
Lee Jay
 
To you sir, I say fiddlesticks. Judging by the work you've posted during this discussion you are an excellent photographer with a refined understanding of cameras, composition, and color. Whether you choose to acknowledge your innate talent or not, it's there.

Gifted people like you are a problem because you are just doing what you do and don't understand the endless hours of hard work that the rest of us have to put in just to be adequate.

I'm saying, based on my own experience that you should learn the techniques of visual expression as quickly and thoroughly as you can because you'll be faster in the field and will be able to more easily create any photo your brain dreams up.
I don't "create" photos.
Visual principles are not rules meant to tie your hands. They're solutions to problems and they were created by artists and photographers that came before you. There's no artistic Politburo trying to make you conform to some orthodoxy.

The people who write these principles down in books or on websites are just trying to remind you that you don't have to reinvent the wheel—they have pages and pages of wheel designs ready for you to try. You want to photograph a group of three people? Here's how other people have done it. You want to shoot a river? Here are two ways that it can be accomplished. Solutions. They're solutions, suggestions, not rules.
Using them would almost entirely defeat the point of the hobby for me. The photography is about documenting my life, the hobby is about figuring out how to do it.
Think of it this way, when you're dancing, you don't use every step you ever learned.
I don't dance.
But it's nice to learn a few different styles because then you can hit the dance floor with confidence knowing that whatever genre of music gets played you'll be able to boogie down with style.
And I don't know why anyone, anywhere, would care about that.
 
I agree with you 100 percent about subjectivity and the related finding that none of us have free will.
I would disagree with you on the free will thing. Not from any religious position, just that the premise is shaky. But that is a discussion for a different forum.
But once you become a photographer or any other kind of artist, you give up your right to make judgements based on your personal ideas about right and wrong, good and bad.
I disagree. Artists make art. Nothing else is required.
For instance, I think Jock Sturges is an old perv and he and David Hamilton should be shot on sight. But I can still recognize that Sturges is a master of light and form.
Doesn't change the value judgement on what he photographs. And Hamilton is dead, so shooting him won't matter much.
As a photographer it is crucial that you are able to separate, divorce, split, build a $5 billion wall between your personal feelings and the part of your brain that makes informed judgements about the use of tools like symmetry, scale, negative space, contrast and all the other compositional techniques that go into photographs.
As in, "Wow, that is a beautiful piece of child porn?" No. There are some things that matter and the artistry doesn't change that.
And wine people don't use their terminology to decide whether a wine is good or bad. They use it to communicate to other people in the wine industry—viticulturists, enologists, wholesalers, retailers, sommeliers, bartenders, consumers— the salient characteristics of what's in the bottle so that they can decide whether it fits their particular need.
But what most people think are the characteristics is rubbish. Very few people can reliably discern the qualities of a wine.
And it's the same with pictures.
I'd agree that the subjectivity is the same.
 
I'm saying, based on my own experience that you should learn the techniques of visual expression as quickly and thoroughly as you can because you'll be faster in the field and will be able to more easily create any photo your brain dreams up.
I don't "create" photos.
So you simply photograph whatever happens to be in front of you that captures your interest?
Yes.
You never change position or choose a different focal length to alter the composition to make it pleasing?
I do that, but I don't go out and look for things to shoot, nor do I create scenes in a studio to shoot.
Visual principles are not rules meant to tie your hands. They're solutions to problems and they were created by artists and photographers that came before you. There's no artistic Politburo trying to make you conform to some orthodoxy.

The people who write these principles down in books or on websites are just trying to remind you that you don't have to reinvent the wheel—they have pages and pages of wheel designs ready for you to try. You want to photograph a group of three people? Here's how other people have done it. You want to shoot a river? Here are two ways that it can be accomplished. Solutions. They're solutions, suggestions, not rules.
Using them would almost entirely defeat the point of the hobby for me. The photography is about documenting my life, the hobby is about figuring out how to do it.
Think of it this way, when you're dancing, you don't use every step you ever learned.
I don't dance.
That is not surprising.
I'll bet you have no idea why, though.
But it's nice to learn a few different styles because then you can hit the dance floor with confidence knowing that whatever genre of music gets played you'll be able to boogie down with style.
And I don't know why anyone, anywhere, would care about that.
Because it brings some people pleasure.
Why would being considered to have "style" by others bring anyone pleasure?
 
To you sir, I say fiddlesticks. Judging by the work you've posted during this discussion you are an excellent photographer with a refined understanding of cameras, composition, and color. Whether you choose to acknowledge your innate talent or not, it's there.

Gifted people like you are a problem because you are just doing what you do and don't understand the endless hours of hard work that the rest of us have to put in just to be adequate.
Okay, whatever, I've been shooting for over 40 years, and I still think I have almost no artistic talent. I'm a good technician, but that's all.
 
And of course strictly following compositional guidelines will result in unoriginal photography.
Well, no. There is pretty much no way of photographing anything that has not been done. The originality isn't in breaking the rules, but in how approaches the subject.

Honestly, originality is nearly impossible. And over-rated.

Original ≠ good. Formula ≠ bad. It is more complex than that.

Yes, I would like people to see my work and not think of anyone else' work, but nearly everything has been done.
 
I don't accept that photography is an art.
And that is rubbish. It meets every criterion.
Such as?
Art is a diverse range of human activities in creating visual, auditory or performing artifacts (artworks), expressing the author's imaginative, conceptual ideas, or technical skill, intended to be appreciated for their beauty or emotional power.

That you cannot see this does not mean everyone else is so impaired.
 

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