M43/APSC/Full Frame - Best Suited to My Needs

richmorris73

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I am really torn between what route to take to upgrade my current camera.

I currently have a M43 Panasonic G6. I did have a few lenses with it, but have sold most now with the intention of upgrading to FF.

In fairness, at base and low ISO, with reasonable lighting the G6 is actually/probably perfectly adequate for my needs.

My photography is hobby only, and travel, landscape, family, a bit of sports - a mixed bag.

I rarely spend any time post processing. So mostly use OOC jpegs.

I print, mostly A4 size or less, and occasionally larger, but no bigger than A3 generally, if I have photo I like.

The reason I am looking to upgrade is for performance at high ISO, low light, where above ISO 800 or 1600 at a push, I find detail is lost as a result of noise/noise reduction. And it starts to be noticeable in larger (A4+) prints, so that I will not use them.

I am certain that some of this is related to my own skills.

Some of the issue might be resolvable with better/faster prime lenses. (My fastest lens was Leica 12-60 f2.8-4)

I found myself looking at upgrading to a Panasonic G9, and that would seem to offer an improvement in higher ISO performance, but maybe by 1 stop?

Then I thought about a Fuji X-T3, which seems to be maybe slightly better again, but not actually much improved over the G9 (at least at jpegs).

Then of course, I started to look at the latest full frame cameras Sony A7 iii and Nikon Z6 which maybe start to improve by 1 stop again. They are a real step up in IQ as ISO increases.

BUT, for my needs, will I really exploit that benefit at A3 print size, and notice much difference up to ISO 6400?

The other benefit of staying M43 is price and size, which although not critically important, means I would be able to buy, and carry a more versatile M43 kit with a couple of bright, fast primes as well as decent range of versatile zooms.

Or will I be disappointed with a slight improvement in M43, compared to what I would get in FF? It looks like that benefit starts to show from ISO 1600/3200.

I'd appreciate any comments or input based on experience of a similar situation and outcome.

Rich
 
My personal experience is that f/1.7 lenses on m 4/3 give me everything I need in terms of DOF and low light capability, and there is a very good selection of lenses with that speed.
Yes, f/1.7 on an M43 gives results similar to f/3.5 on a full frame. I frequently shoot in that range on full frame.

If that's meeting your needs, then there is no reason to move to a larger sensor, or a wider lens.
 
Depends on the lens. The Panny 42.5mm f/1.4 is pretty good out to the edges wide open. Some of the Canon white FF constant aperture
(constant f-number, the aperture changes as it zooms :-) )
I should have been ready for that.

Yes, I should have said "constant F-number".

Blame Canon for the nomenclature error.
f/2.8 zooms are not exactly stellar at the edges, particularly at one end or the other.
  1. That f/1.4 lens isn't f/1.4 all the way to the edge. It's usually a lot darker at the edges, and probably worse in that respect than the f/2.8 lens.
Again this depends on the lenses. E.g. the Oly 75mm f/1.8 is pretty much perfect at all apertures.
Both the above depend on what you call 'perfect'. Certainly ,many mFT lenses have a very consistent performance edge to edge (it comes from them being oversize for their aperture)
Yes.
but very often at an absolute level,
Also true.
their edge performance can't match the edge performance of FF lenses.
I haven't seen much to demonstrate this but I will take your word for it.
It's just that the FF lenses get a lot better in the centre. And since the arrival of mFT's oversize lens philosophy in FF, it's not actually short of fast lenses with edge to edge performance that surpasses mFT easily.

Every single system is a compromise. It's your choice what is the balance of compromise that suits you best.
Yes.

The point I am trying to make, especially to a beginner is that the difference may not be as great as intuition might suggest, and there are ways (within limits) to work around things if you are using a smaller sensor.
That's the essence of the FF advantage.
In general I agree with you. The OP has to ask himself whether it is worth the cost and weight penalty for those incremental benefits.
Which seems to be exactly what the OP is doing, thoughtfully and systematically.
Agreed, and he should be credited for making the effort.

TEdolph
Hi Tedolph, thanks for your replies.
The more I read on these forums, the more I think that maybe my m43 is just fine with a bright/wide aperture lens when needed.
Then I can easily be convinced that FF with a similar lens (f number) is a significant improvement, especially coupled with a latest generation sensor.
I'll work it out one way or another.
Cheers
Rich
 
Yes, the range of available lenses (in terms of aperture diameter and angle of view) varies with format. Take a 50mm f/1.8 lens on a full frame. This is a relatively inexpensive lens. On an M43 you would need a 25mm f/0.9 lens in order to get the same results. That's not an easy to find lens.
Actually you have a couple of native choices.

With speed booster adapters, you have a lot of choices.

TEdolph
Yes. If you can find the lenses you want in M43, then there is little advantage to moving to a larger sensor.
 
Hi Tedolph, thanks for your replies.
The more I read on these forums, the more I think that maybe my m43 is just fine with a bright/wide aperture lens when needed.
Then I can easily be convinced that FF with a similar lens (f number) is a significant improvement, especially coupled with a latest generation sensor.
I'll work it out one way or another.
Cheers
Rich
A FF with the same f/stop will yield about two stops less noise, and two stop less depth of field than an M43.

However, if you can get an M43 lens that opens two f/stops wider, you will get the same results as a full frame.

This assumes both cameras are of similar generation. If you are shooting an older camera, you should see an improvement going to a current model. That improvement will be independent of an improvement from a wider aperture lens.
 
The more I read on these forums, the more I think that maybe my m43 is just fine with a bright/wide aperture lens when needed.
Then I can easily be convinced that FF with a similar lens (f number) is a significant improvement, especially coupled with a latest generation sensor.
I'll work it out one way or another.
Or split the difference and go with Fuji. :-D
 
Yes. If you can find the lenses you want in M43, then there is little advantage to moving to a larger sensor.
Oops, don't forget, FF cameras can have much higher pixel counts (with more detail visible), and possibly larger dynamic range.
 
Yes. If you can find the lenses you want in M43, then there is little advantage to moving to a larger sensor.
Oops, don't forget, FF cameras can have much higher pixel counts (with more detail visible), and possibly larger dynamic range.
Yes, but if the M43 camera is meeting your needs, there may be little benefit to increasing pixel count or dynamic range.

12 megapixels is more than enough for an 8x10" print at 300 ppi. For many people 20 megapixels is overkill.
 
Yes. If you can find the lenses you want in M43, then there is little advantage to moving to a larger sensor.
Oops, don't forget, FF cameras can have much higher pixel counts (with more detail visible), and possibly larger dynamic range.
Yes, but if the M43 camera is meeting your needs, there may be little benefit to increasing pixel count or dynamic range.

12 megapixels is more than enough for an 8x10" print at 300 ppi. For many people 20 megapixels is overkill.
All the cameras I am considering will have plenty of pixels for my needs!
I would rather have better low light performance than more pixels. 24MP will be plenty for my print sizes (A3 max). Certainly I'd rather anither lens than spend another £1000 on a higher MP camera.
 
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Yes. If you can find the lenses you want in M43, then there is little advantage to moving to a larger sensor.
Oops, don't forget, FF cameras can have much higher pixel counts (with more detail visible), and possibly larger dynamic range.
Yes, but if the M43 camera is meeting your needs, there may be little benefit to increasing pixel count or dynamic range.

12 megapixels is more than enough for an 8x10" print at 300 ppi. For many people 20 megapixels is overkill.
All the cameras I am considering will have plenty of pixels for my needs!
I would rather have better low light performance than more pixels. 24MP will be plenty for my print sizes (A3 max). Certainly I'd rather anither lens than spend another £1000 on a higher MP camera.
Then your answer is to make sure you have a recent model camera and a lens with a wide aperture diameter.

Look at the lenses you can afford in M43, and compare to the lenses you can afford in full frame. Keep in mind that you should be comparing M43 lenses to full frame lenses that are twice as long (in terms of actual focal length).

That will tell you which system is better for you in low light with shallow DoF. Then go buy a current model camera in your chosen system.

If you can't tolerate very shallow DoF (perhaps you are shooting groups of people at a party), then use a DoF calculator to determine the widest aperture that gives you enough DoF. Don't give an advantage to lenses wider than that as you wont be using that additional aperture diameter.
 
Yes. If you can find the lenses you want in M43, then there is little advantage to moving to a larger sensor.
Oops, don't forget, FF cameras can have much higher pixel counts (with more detail visible), and possibly larger dynamic range.
Or, possibly smaller. The E-M1 II for instance, gives a higher base ISO DR than the D5. The real advantage of getting more light energy is not DR but better Signal to Noise. Given that they are both 'Signal' divided by 'Noise', they are often confused. DR is the highest signal divided by the lowest noise, and effectively tells you how large a range of distinguishable tones the camera can record. The SNR at a given signal level is the signal divided by the boise at that level and tells you how 'smooth' will the tone at that level look.
 
Yes. If you can find the lenses you want in M43, then there is little advantage to moving to a larger sensor.
Oops, don't forget, FF cameras can have much higher pixel counts (with more detail visible), and possibly larger dynamic range.
Yes, but if the M43 camera is meeting your needs, there may be little benefit to increasing pixel count or dynamic range.

12 megapixels is more than enough for an 8x10" print at 300 ppi. For many people 20 megapixels is overkill.
All the cameras I am considering will have plenty of pixels for my needs!
I would rather have better low light performance than more pixels. 24MP will be plenty for my print sizes (A3 max). Certainly I'd rather anither lens than spend another £1000 on a higher MP camera.
Then your answer is to make sure you have a recent model camera and a lens with a wide aperture diameter.
Yes, thats the plan!
Look at the lenses you can afford in M43, and compare to the lenses you can afford in full frame. Keep in mind that you should be comparing M43 lenses to full frame lenses that are twice as long (in terms of actual focal length).
Yes, understood. I am compiling my list
That will tell you which system is better for you in low light with shallow DoF. Then go buy a current model camera in your chosen system.
Yes, I guess so.
If you can't tolerate very shallow DoF (perhaps you are shooting groups of people at a party), then use a DoF calculator to determine the widest aperture that gives you enough DoF. Don't give an advantage to lenses wider than that as you wont be using that additional aperture diameter.
Understood. And I'll have to make a judgement here regarding how often I can accept shallow DOF and how often I cannot. Some situations (eg groups of people, landscape) are less tolerant of shallow DoF than others.

Rich
 

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