I find street photography shots where the photographer tries to sneak a pic of someone walking past them and gets busted by the subject for it, somewhat disturbing, yet I’ve never heard it discussed. Seems to call into question the entire genre of spy (street) photography for me. Like, you may have right to do it, but it’s borderline creepy when your caught.
it also kind of breaks that wall of illusion that you are viewing a scene without the camera and man holding it there. Now the photographer is part of the scene from behind the scene, this spoiling the moment.
people seem to post these shots right along with shots where the photog is invisible to the scene and subject as if it’s not even thought about. Am I the only one that thinks the difference is huge to the photo?
In Street Photography,
sometimes there is visual contact between photographer and subject and it makes for a compelling photo and is a good thing. Often the photographer shoots without the subject’s awareness. All that matters is the final result, if the photo communicates emotionally to the viewer.
No one is “sneaking” anything, or “busted”. Your attitude shows that you haven’t seen much of the masters of this genre,or know much about it.
I don't have to have a masters degree in 'the genre' to hold this opinion. You are obviously well versed in being butt hurt at any characterization that doesn't hold 'the genre' to the lofty standards set by the founding fathers.
I don't need a devils advocate to say SOMETIMES it makes a shot better. Yes, sometimes it does. Thanks for playing. There will be a door prize on the way out.
So out of the 20 responses so far, not a single person agrees that SOMETIMES it's off putting to make contact with the subject? No, nada, never? You all just want to argue the other way for something to do?
Well, I agree with you, and I think most others did too, caveat being "it depends" but seems you didn't want to hear that the decision whether or not to show those types of photos isn't all that clear-cut. Personally I try my best to never get spotted, I think I'm pretty good at keeping myself "unnoticeable" but if my photo does end up showing awareness by the subject, I have to make a judgement call on it, in a nutshell does the person in the shot look like he's put off and/or do I feel put off about taking the shot.
I swear, this place. I give up. People just want to argue anything.
When I first read your OP, I got the impression you wanted to have an argument because of your choice of words: "sneaky", "busted", "spy photography", "creepy"... I think your wording ensures that people will react defensively.
The argument of whether it’s sneaky or not was not what this was about, yet that seemed to be missed.
Everyone who replied,, if not most, understand what you've made the thread about, as I said though, you've phrased a few things that are bound to provoke. It's like you were a corporate sales rep and I called you a peddler while wanting to discuss your product warranty... of course you're going to take issue with the term "peddler".
While many are open and clear they are taking general public place scenes, many are blurinh the line.
Which line is anyone blurring exactly?
The fact that it touched such a nerve shows a lot about the truth of it though.
Again, "sales rep"/"peddler". Your argument isn't what touched nerves, it's your terminology. "Spy photography"?.... what's your thing... landscapes maybe? Would you be ok with me saying you're a rocks and twigs photographer?
In a gear forum where street photographers look for cameras that excel at stealth, quiet shutters tilting screens, indiscrete bodie, etc., claiming there’s no spying is a little disingenuous, regardless of what you want to call it to justify it. It’s the elephant in the room many refuse to acknowledge because it would degrade the genre.
If you want to really think of it as spying, then that's what it's been going way way back. You're free to think of it this way; however, I'm sure most here who practice the street genre will agree that you, as someone who I suspect does not practice it, doesn't understand the motives of the photographers. You base all this on images indicating the photographer got "busted"... well, so what? Either getting that eye contact is intended, or inconsequential to the context, or the photographer needs to practice not standing out like a ballerina at a country music concert. This has nothing to do with being "sneaky", not in the way you want to believe it does.
When there’s two people walking different directions down a sidewalk and one takes a pic of the other from waist level trying not be noticed, what is that?
Waist level shooting has absolutely nothing to do with trying to not be noticed. Waist level provides a perspective that is favored by some for certain compositions. I do a lot of WL shooting and honestly, I often feel like I'm signalling my presence more than I would if I was composing at eye level.
If it’s of a random average looking person, it’s called ‘street photography ‘. If that subject is a hot chick, and the photographer is an old man, it’s called creepy, right.
Someone out there just wanting to shoot images of hot chicks doesn't make those images automatically "street photography". Same goes for shots of random, average persons. If your gripe boils down to saying the genre has become watered-down through every Tom, **** and Harry shooting monotonous, poorly composed, contextually vacant things and calling it "street", I'll agree with you, the genre used to have a much narrower definition and I'd welcome returning back to a narrower one. But, as I mentioned, images of people looking right at the photographer are, and always were, part & parcel of "street". Sometimes there's a reason for it, sometimes the "glare" wasn't intended but it still wouldn't ruin the shot if the real intent was successfully captured, sometimes yes, they're shots that probably should've been tossed and never shown... but guess what? Rather than lumping us all into one basket, perhaps ask the photographer(s) you have a beef with and judge each one's motivations individually.
Well, I don't call it "spy photography"
but don’t pretend it’s not what it is to legitimize it on the occasions it may be legal, yet not cool.
Well, it's not "spy photography".
Whatever, it’s still not what this threads about. It’s still about eyes looking at you viewing a photo when that wasn’t the intent and why photographers don’t seem to notice one way or the other.
Every photographer notices. To learn the reason(s) for deciding to keep and show that kind of image, as I've said, you should be interviewing individual photographers.