Travelshooter
Senior Member
or more simply... shoot a brick wall
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I think you might be missing the point. Sure you can shoot a brick wall. What does it tell you? It may look sharp, but is it pushing the full capability of the camera. The brick wall is just not a quantitative target.or more simply... shoot a brick wall



Might I suggest checking the camera using a test target rather than some landscape scene. You eliminate a lot of variables and you get more consistent results. One such chart is the ISO12233 chart. It is available here:
http://www.graphics.cornell.edu/~westin/misc/ISO_12233-reschart.pdf
If your lens is decentered, it should be easy to spot.
Be sure your camera is parallel to the test target for best results.
The only problem with landscapes is finding a scene where everything is at equal distances..it also depends on the focussing distance (my RX10 copy had the problem most pronounced at infinity); that is why I also recommended landscapes/horizons..Might I suggest checking the camera using a test target rather than some landscape scene. You eliminate a lot of variables and you get more consistent results. One such chart is the ISO12233 chart. It is available here:
http://www.graphics.cornell.edu/~westin/misc/ISO_12233-reschart.pdf
If your lens is decentered, it should be easy to spot.
Be sure your camera is parallel to the test target for best results.
The only problem with landscapes is finding a scene where everything is at equal ...distances..it also depends on the focussing distance (my RX10 copy had the problem most pronounced at infinity); that is why I also recommended landscapes/horizons..Might I suggest checking the camera using a test target rather than some landscape scene. You eliminate a lot of variables and you get more consistent results. One such chart is the ISO12233 chart. It is available here:
http://www.graphics.cornell.edu/~westin/misc/ISO_12233-reschart.pdf
If your lens is decentered, it should be easy to spot.
Be sure your camera is parallel to the test target for best results.
That will not reveal decentering that affects the corners, a lens tilting slightly at an angle. Also the very long distances typically found in landscapes may be too far away to show much detail. I believe a brick wall shot at the farthest distance possible to fill the frame is a better bet. A decentered lens will show itself at any distance...any horizon where ground meets sky will do: you will notify any difficiency immedately; for shorter distances indeed any wall with fine structure will do..The only problem with landscapes is finding a scene where everything is at equal ...distances
Where did you find specifications that give resolution numbers? I haven't seen anything from Sony regarding guaranteed resolution.That camera should be very capable of resolving 2600 lines per height. The lines in the square above are 2000 lines per height. If you can easily see the lines and spaces then the camera is doing what it should. If they are blurry or not resolvable, you got a bad camera. Quick and dirty! What did the bricks tell you?
2600 isn't that high a resolution. A 20mp sensor is capable of much more.You say it should easily resolve 2600 lines per height in the center. At what focal length? At what aperture? I'm sure those numbers will be specified in the Sony specifications you provide for us.
That camera should be very capable of resolving 2600 lines per height.

It's just a reference to what the sensor is capable of resolving, based on pixel count. It says nothing about lenses.You say it should easily resolve 2600 lines per height in the center. At what focal length? At what aperture? I'm sure those numbers will be specified in the Sony specifications you provide for us.
A 20mp camera is not capable of much more.2600 isn't that high a resolution. A 20mp sensor is capable of much more.
Basically 5% more.OK then drop the term "much" and leave it at more.
5% not 1%, not the same.Basically 1% more. About as close as one ever gets to the same.OK then drop the term "much" and leave it at more.
Steve:Where did you find specifications that give resolution numbers? I haven't seen anything from Sony regarding guaranteed resolution.That camera should be very capable of resolving 2600 lines per height. The lines in the square above are 2000 lines per height. If you can easily see the lines and spaces then the camera is doing what it should. If they are blurry or not resolvable, you got a bad camera. Quick and dirty! What did the bricks tell you?
You say it should easily resolve 2600 lines per height in the center. At what focal length? At what aperture? I'm sure those numbers will be specified in the Sony specifications you provide for us.
My post was already corrected to 5% while you were typing.5% not 1%, not the same.Basically 1% more. About as close as one ever gets to the same.OK then drop the term "much" and leave it at more.
Is there a miracle that allows more sampling than the hardware supports? No. These varying figures all come down to how much blurring you're willing to accept and how much contrast you require. To get even 2736 lines at theoretical maximum sharpness and contrast, each line would have to miraculously land directly centered on a pixel row, which probably ain't gonna happen.I was basing what I said on the old DPR tests where they shot resolution charts and what they referred to as the nyquist limit. The A77 with a horizontal resolution of 6000 pixels was able to resolve 3400-3600, well over (12%) the 3000 lp/ph 1/2 of 6000 would suggest.
"The A77's 24MP pixel count pays off in high levels of detail, accurately resolving up to around 3400 lp/ph which puts it amongst the better APS-C DSLRs currently available, as we'd expect from its high pixel count.
Converting your raw files will get a small extra amount of detail but you pay for it with moiré patterning. However, in real-life images this is much less of an issue than it might appear from our test-chart. As always, if detail resolution is your priority, raw files provide a much better starting point than JPEGs (and you can get a lot more out of them than we've managed here, using our standard sharpening settings).
The red Nyquist line in these images represents the limit of our chart's resolution and the (theoretical) limit of the A77's sensor's resolution, but neither the A77's JPEG nor raw output contains much meaningful detail beyond 3600 lp/ph."
https://www.dpreview.com/reviews/sonyslta77/16
I assume we're all amateurs here, and I'm not arguing ... just pointing out why there are different numbers wherever you look. It's about how close to perfect contrast and sharpness you'll accept. DPR's figures are almost certainly based on some compromise where lowered contrast and increased blurring are deemed acceptable.You can argue with DPR if you want. I'm only repeating what I read as I'm no expert.
But you said the camera should be able to resolve 2600 lines per height. Now you're talking about what the sensor can theoretically resolve. It makes no difference what the sensor can resolve if you hang a crappy lens in front of it. I'm asking where Sony has published what the camera, including the lens, can resolve. That involves all facets of the lens, including the focal length, aperture, contrast, where in the field of view the resolution is being measured, etc.Steve:Where did you find specifications that give resolution numbers? I haven't seen anything from Sony regarding guaranteed resolution.That camera should be very capable of resolving 2600 lines per height. The lines in the square above are 2000 lines per height. If you can easily see the lines and spaces then the camera is doing what it should. If they are blurry or not resolvable, you got a bad camera. Quick and dirty! What did the bricks tell you?
You say it should easily resolve 2600 lines per height in the center. At what focal length? At what aperture? I'm sure those numbers will be specified in the Sony specifications you provide for us.
The sensor on the RX100 has 3648 pixels in the vertical direction. Due to the combining of the illumination of the surrounding pixels in order to give a color value to each pixel, you need to fudge a little. A decent camera system should be capable of resolving stuff by about 1.4 pixels. So 3648/1.4 = 2606 Lines per height. (I rounded off.) A great camera should do 1.3 pixels or 3648/1.3 = 2806 lines per height. An absolutely ideal perfect camera will do the 3648, assuming each line is perfectly aligned with the pixel boundary. Fat chance on ever seeing that, as it does not exist.
The ISO chart is set up for 2000 lines per height. If you can't get good resolution there, your camera is not up to snuff.
You may be able to spot decentering on the brick wall, but it won't tell you if your camera is giving you the performance it should.
I am more concerned if my camera is not giving me the performance I paid for. Certainly decentering is a valid issue, but it is not the only factor.
Steve:But you said the camera should be able to resolve 2600 lines per height. Now you're talking about what the sensor can theoretically resolve. It makes no difference what the sensor can resolve if you hang a crappy lens in front of it. I'm asking where Sony has published what the camera, including the lens, can resolve. That involves all facets of the lens, including the focal length, aperture, contrast, where in the field of view the resolution is being measured, etc.Steve:Where did you find specifications that give resolution numbers? I haven't seen anything from Sony regarding guaranteed resolution.That camera should be very capable of resolving 2600 lines per height. The lines in the square above are 2000 lines per height. If you can easily see the lines and spaces then the camera is doing what it should. If they are blurry or not resolvable, you got a bad camera. Quick and dirty! What did the bricks tell you?
You say it should easily resolve 2600 lines per height in the center. At what focal length? At what aperture? I'm sure those numbers will be specified in the Sony specifications you provide for us.
The sensor on the RX100 has 3648 pixels in the vertical direction. Due to the combining of the illumination of the surrounding pixels in order to give a color value to each pixel, you need to fudge a little. A decent camera system should be capable of resolving stuff by about 1.4 pixels. So 3648/1.4 = 2606 Lines per height. (I rounded off.) A great camera should do 1.3 pixels or 3648/1.3 = 2806 lines per height. An absolutely ideal perfect camera will do the 3648, assuming each line is perfectly aligned with the pixel boundary. Fat chance on ever seeing that, as it does not exist.
The ISO chart is set up for 2000 lines per height. If you can't get good resolution there, your camera is not up to snuff.
You may be able to spot decentering on the brick wall, but it won't tell you if your camera is giving you the performance it should.
I am more concerned if my camera is not giving me the performance I paid for. Certainly decentering is a valid issue, but it is not the only factor.
The OP's issue has no answer if we only discuss sensor resolution. And, sensor resolution is the same in the corners as it is in the center. That's not the case when we talk about a camera because the lens will not be the same in the corners as it is in the center.