Snap Out of It!

Exactly, I had a wedding totally lost due to a film processor eating the the film. Never had a media card failure. Film cameras only shot one photo at a time to one roll of film at a time.

Nothing is risk free, move on...
Cheers
 
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I do not EVER recall seeing a film camera that took 2 rolls of film and recording to both simultaneously.

Yet the "pros" and enthusiasts survived with only a single capture. And then survived the perilous procedures required to turn that undeveloped film into images.

I am NOT saying that dual card slots are not useful. I am saying that digital images captured onto memory cards is far less perilous than film was.

Just trying to put "some" perspective onto this.
And I used to walk uphill in the snow to school barefoot.

Going without a backup was acceptable, when there was no solution. Plus I guarantee that many rolls of film were lost or ruined due to improper loads, bad processing, bad film... etc.

These days its unacceptable for a paid professional to use a single card, when there are many camera options with dual card writing.

For a photographer, losing photos could mean a refund and a hit on their reputation, but for your client, its special and important moments that were lost. These are things they trusted photographers to capture. A photographer needs to make sure that they do everything they can(within reason, dual cards fall into this category) to ensure the images are delivered. The photographer owes it to their client.

The images are important, otherwise, people wouldnt pay photographers to take them.
LOL! I know wedding shooters for YEARS. No one has ever asked if the camera had two card slots!

This is, by far, the funniest post yet!

And of course it's from a Sony guy who's here for what exactly???

The Z6, with so many advantages over the A7rIII, really UPSET the Sony people.

Z6 advantages:

1) Better Ergonomics

2) Better rear LCD

3) MUCH Better viewfinder

4) Faster FPS

5) Better video output potential

6) Modern high speed XQD card

Rob
 
Exactly, I had a wedding totally lost due to a film processor eating the the film. Never had a media card failure. Film cameras only shot one photo at a time to one roll of film at a time.

Nothing is risk free, move on...
Cheers
The point here is that we have Sony people freaking out. They can see how sweet the Z6 looks.

No one is going to be buying the A7III over the Nikon Z6.

And the D850/Z6 pairing is going to be a must have! With those two cameras and your choice of lenses, you can do anything and you also know they're weather sealed and rugged enough to go anywhere.

Rob
 
I do not EVER recall seeing a film camera that took 2 rolls of film and recording to both simultaneously.

Yet the "pros" and enthusiasts survived with only a single capture. And then survived the perilous procedures required to turn that undeveloped film into images.

I am NOT saying that dual card slots are not useful. I am saying that digital images captured onto memory cards is far less perilous than film was.

Just trying to put "some" perspective onto this.
And I used to walk uphill in the snow to school barefoot.

Going without a backup was acceptable, when there was no solution. Plus I guarantee that many rolls of film were lost or ruined due to improper loads, bad processing, bad film... etc.

These days its unacceptable for a paid professional to use a single card, when there are many camera options with dual card writing.

For a photographer, losing photos could mean a refund and a hit on their reputation, but for your client, its special and important moments that were lost. These are things they trusted photographers to capture. A photographer needs to make sure that they do everything they can(within reason, dual cards fall into this category) to ensure the images are delivered. The photographer owes it to their client.

The images are important, otherwise, people wouldnt pay photographers to take them.
LOL! I know wedding shooters for YEARS. No one has ever asked if the camera had two card slots!

This is, by far, the funniest post yet!

And of course it's from a Sony guy who's here for what exactly???

The Z6, with so many advantages over the A7rIII, really UPSET the Sony people.

Z6 advantages:

1) Better Ergonomics

2) Better rear LCD

3) MUCH Better viewfinder

4) Faster FPS

5) Better video output potential

6) Modern high speed XQD card

Rob
Oh no, I have Sony gear. That must mean that I am the enemy, and would never buy Nikon gear. Oh wait, I had a V1, and two J1s as well as a D3200 and a D5100. Oh and oddly enough, I dont own an A7riii or any variant of the A7.

Of course clients dont ask about dual cards. They expect you to get the job done, and you owe it to your client.

On another thread, you were talking about how the Z6 isnt for pros, which is why its okay... and now you are here defending it for Pro use? SO which is it?
 
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I do not EVER recall seeing a film camera that took 2 rolls of film and recording to both simultaneously.

Yet the "pros" and enthusiasts survived with only a single capture. And then survived the perilous procedures required to turn that undeveloped film into images.

I am NOT saying that dual card slots are not useful. I am saying that digital images captured onto memory cards is far less perilous than film was.

Just trying to put "some" perspective onto this.
And I used to walk uphill in the snow to school barefoot.

Going without a backup was acceptable, when there was no solution. Plus I guarantee that many rolls of film were lost or ruined due to improper loads, bad processing, bad film... etc.

These days its unacceptable for a paid professional to use a single card, when there are many camera options with dual card writing.

For a photographer, losing photos could mean a refund and a hit on their reputation, but for your client, its special and important moments that were lost. These are things they trusted photographers to capture. A photographer needs to make sure that they do everything they can(within reason, dual cards fall into this category) to ensure the images are delivered. The photographer owes it to their client.

The images are important, otherwise, people wouldnt pay photographers to take them.
LOL! I know wedding shooters for YEARS. No one has ever asked if the camera had two card slots!

This is, by far, the funniest post yet!

And of course it's from a Sony guy who's here for what exactly???

The Z6, with so many advantages over the A7rIII, really UPSET the Sony people.

Z6 advantages:

1) Better Ergonomics

2) Better rear LCD

3) MUCH Better viewfinder

4) Faster FPS

5) Better video output potential

6) Modern high speed XQD card

Rob
Oh no, I have Sony gear. That must mean that I am the enemy, and would never buy Nikon gear. Oh wait, I had a V1, and two J1s as well as a D3200 and a D5100. Oh and oddly enough, I dont own an A7riii or any variant of the A7.
Yes, that's the point. You own no good gear. Can you even afford any of this stuff? Why comment on ANY of it since you don't own ANY of it. I own some nice cars, but I don't troll around the BMW group because I drive Mercedes.

Of course clients dont ask about dual cards. They expect you to get the job done, and you owe it to your client.
Haven't had an issue yet, nor has more than 20 shooters I know. It's just not a "real" issue. And when someone does have an issue (that I read about online), they can usually recover the pics or the card just gets replaced because it throws an error. I guess it all must be true because it's on the web, right?

On another thread, you were talking about how the Z6 isnt for pros, which is why its okay... and now you are here defending it? SO which is it?
If I buy it, I will use the Z6 for private and pro applications. So?

Rob
 
LOL! I know wedding shooters for YEARS. No one has ever asked if the camera had two card slots!

This is, by far, the funniest post yet!

And of course it's from a Sony guy who's here for what exactly???

The Z6, with so many advantages over the A7rIII, really UPSET the Sony people.

Z6 advantages:

1) Better Ergonomics

2) Better rear LCD

3) MUCH Better viewfinder

4) Faster FPS

5) Better video output potential

6) Modern high speed XQD card

Rob
Oh no, I have Sony gear. That must mean that I am the enemy, and would never buy Nikon gear. Oh wait, I had a V1, and two J1s as well as a D3200 and a D5100. Oh and oddly enough, I dont own an A7riii or any variant of the A7.
Yes, that's the point. You own no good gear. Can you even afford any of this stuff? Why comment on ANY of it since you don't own ANY of it. I own some nice cars, but I don't troll around the BMW group because I drive Mercedes.
Of course clients dont ask about dual cards. They expect you to get the job done, and you owe it to your client.
Haven't had an issue yet, nor has more than 20 shooters I know. It's just not a "real" issue. And when someone does have an issue (that I read about online), they can usually recover the pics or the card just gets replaced because it throws an error. I guess it all must be true because it's on the web, right?
On another thread, you were talking about how the Z6 isnt for pros, which is why its okay... and now you are here defending it? SO which is it?
If I buy it, I will use the Z6 for private and pro applications. So?

Rob
So now you are trashing the V1 and J1, Nikons first attempt at mirrorless?

Obviously since a card failure has never happened to your or your friends... It must never happen..... until it does. And you will be up S creek if are shooting without dual writes.

The defenses I have read in this thread are both Sad and pathetic. "Oh I lost wedding photos... well there are starving people in the world" .... "Sorry about your photos.... S happens". These types of defenses show that some of you dont care about your clients photos as much as you should. As I said earlier, the images are meaningful and important, otherwise they wouldnt hire a photographer to take the pictures.

If you shoot with one card, you are risking your clients photos unnecessarily. Sure it could be 1 in a 100000 shoot chance, but people play and win the lotteries all the time.
 
Imagine this scenario...

You have been out on safari all day getting shots of a lifetime of lions, leopards, cheetah, and elephants...
You get struck by lightning.

There's an earthquake.

Your camera doesn't turn on. Oh no, a piece of man-made tech fails on you! Cry us a river! That's life folks! **** happens!

Even if you were shooting 'royalty' and you lose all your pictures. Oh well. There are people a lot worse off than you in the world, Mr. High and Mighty with all his gear. A lot worse! The majority of people bust their *** just to pay the rent, and there's you worrying about their 'money shot'. Get over it.

This is getting old now.
This is not the type of logic that I want coming from someone photographing my wedding.

A person like you treats those images like a paycheck, and not like the memories that they represent. The images that photographers are hired to capture are cherished moments, that are worth much more to the client than a simple refund.

My cousins photographer lost a set of images on her wedding day, I am not sure how.... but my cousin still tears up thinking about talking about it. Thats BS, that you would just say "Oh well... sorry I lost your pictures, thats life".
Solution: Hire 2 Photographers!
Well I certainly wouldnt hire a photographer that says "Cry us a river! That's life folks! **** happens!" after losing their clients photos.
Because... There are a lot of egotistical big heads on here, some even claiming they only do it for the money. Boasting about the big $K's they make. Some even go so far as to say, and I quote from what I read in these forms, "it doesn't matter if you're the best, most talented photographer in the world, if you don't have the business selling skills and know how to market yourself then you might as well give it all up and try a new hobby" so yeah aww diddums only one card slot, it's all or nothing. Cry us some more! Spoiled brats!
 
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ONE XQD slot is more reliable than 2 SD slots.

XQD is far more robust and reliable than SD. You're literally more likely to have BOTH SD cards fail in a Sony vs. the XQD in the Nikon D850 or Z camera.

One of the primary selling points of XQD (beyond speed) is that it's practically bulletproof compared to SD.

Have a great weekend!

Rob
Have you found any objective reliability specs such as MTBF. I looked and didn't find anything.
MTBF is probably not an applicable measure, and would be deceptive anyway.

Remember, the fretting here is not about any and all forms of card failure: it is about the specific type of failure where the card allows the images to be written on it, but then fails in such a manner that those images cannot be read off it. Plus, cannot be recovered with recovery software.

It does not include many, many other failure modes that stop the camera recognising the card, because then it says 'No card" and you put another one in, and no photos lost.

So what we need to find is the frequency of occurrence of the one, specific failure type that irrecoverably loses images after they have been taken. You are not going to find that, not only because it is such a small category of sub-failure, but because most of the situations that could lead to it involve thoughtless or abusive card management by the user. You don't want to count those modes either.

Of course, if you are actually a thoughtless and abusive card manager while working professionally for paying clients, then, firstly, you are disrespecting your clients and probably should find other employment for their sake, and secondly, good luck with a two-slot camera because there are plenty of ways you can wreck both cards at the same time.

If your preferred model of camera for paid work happens to have only one slot, then if you:
  • buy top quality cards from a reputable supplier;
  • replace them every two years or so, or whenever an event occurs that concerns you;
  • when you buy a new card, before first time used, test each card with a full read-write cycle and check for errors (eliminating the risk of the card being faulty upon purchase, the most likely cause of failure other than abuse);
  • never modify the card's contents off-camera and re-insert and keep shooting -- always reformat if you modify the contents off-camera;
  • other general good practice and care;
  • (optional, if you can't help fretting) change card several times during a paid session and/or use a wireless transmitter to send photos in real time to off-camera storage;
....then you can proceed with confidence that irrecoverable loss of images due to good-practice card failure is one of the least likely ways that you could lose images (at least several of your lifetimes of weekly paid gigs per failure), and you should be fretting about all the other things that could go wrong and ruin the session's images.

cheers
Thanks. I agree with your commentary. MTBF by itself can be very misleading and is almost always misinterpreted, but a relative comparison might be somewhat of an indicator and I have not seen any objective data. That said, the improved physical attributes look positive.
Nope. See what happened to us just a few weeks ago here: https://www.dpreview.com/forums/thread/4304727?page=1
I don't see how you think you have refuted the main points. Even if you had asserted that it was good practice for the whole life of the card, even if you assert it was top quality card from trusted source, even if you assert it was properly tested and checked for errors before first-time use, even if you assert it was replaced after any events of concern, all well and good, but in the end we will never know what that card had been through. Plus, it was not XQD, plus, it was a dual slot camera! Finally, you have not taken it to a professional recovery service, AFAICT.

Nobody is asserting the failure rate is zero. But you have to understand the real odds, instead of the human behaviour of overreacting to rare events and changing all future behaviours because of them. I understand you will overreact -- it's normal to do so -- but rushing onto the internet to scare people into thinking the odds are much higher than reality is not promoting good decisions.

Even in the situation you described, there was more than one person covering the wedding and the gig wasn't ruined. Plus, in my last dot point there are other strategies for worry management.

cheers
 
I'm not a fanboy of any kind. I do however have an opinion that a dual card slot is preferred and even necessary in certain situations.

I can't believe that anyone has a hard time understanding this.
I’ts clear to me. Some people prefer dual slots. Others don’t don’t share that preference. Some are pros, some are not. One could predict that those who prefer dual slots will not buy into Z; and that person could be wrong. Or not. I pre-ordered a Z6. Can anyone do more than guess what my preference is?
My guess is that you're a realist and don't worry about incredibly rare issues, like card failures. I also suspect you want a better version of the Df, a fun camera that will deliver more versatility to your kit. That's what the Df did for many and it stayed in production longer than ANY other DSLR!

And it had one card slot.

Rob
I do suspect that my Df will be looking for a new home soon after my Z6 arrives. That reminds me, I need to order an XQD card.

BTW, I’ve left my spare at home more than once to gain the extra luggage space.
LOL. I sold my Df and it was a mistake, but I am looking at the Z6 as a perfect replacement. The idea that it will add some VR to my ART lenses and work with almost all of my Nikon glass...silent shutter and much more. I really am excited.

I'm going to wait for more reviews, but unless something of a practical nature pops up, I'll be ordering. I'm not sure I'll start with native lenses until the faster stuff comes along.

Did you order a native lens as well?

Rob
Since my D850 arrived (ours delivered within days of each other, I recall), the Df hasn’t seen too much action. That my Z6 might replace the Df wasn’t really in my mind when I placed my order, but the notion has grown over the last 24 hours.

If a glaring problem comes up, I can always cancel, I suppose. I just didn’t want to get into that Purgatory with the D850 again.

I didn’t order Z glass, only the adapter. I want to see how some of my MF glass works on it first (and my 28-70/2.8, though not so sure about the balance on top of the adapter). If I do decide to go new, I’m thinking probably the 35 to start.
Gotcha. I'll take the chance and wait. I waited a bit on the D850 (best camera I've ever used) and I still got one without much drama.

How the D6 stacks up against the Z6 in low light will be interesting.

Rob
The facts are probably easily agreed on:

The D850 is probably the best camera many people have ever used, and the best all round DSLR ever made

XQD is a brilliant card format, better than SD, still very expensive (and will come down with wider use), and offers some but to a degree limited real world benefit for many people

XQD reliability isn't established by what a company that is pushing them tells you - there are examples on DPR of them failing, several in fact - the maths of the number of complaints expressed as a percentage of how many are out there vs SD cards may or may not be worrying, you couldn't possibly tell - examples here


For many, if you could have a 2 x XQD over SD you would, or in a nikon or sony an XQD with even a jpeg backup to SD as a failsafe would be better than one card. In the real world most will never have an issue with one card, but for paid work you either need a D850 or the hassle of another immediate backup system.
 
I do suspect that my Df will be looking for a new home soon after my Z6 arrives. That reminds me, I need to order an XQD card.

BTW, I’ve left my spare at home more than once to gain the extra luggage space.
LOL. I sold my Df and it was a mistake, but I am looking at the Z6 as a perfect replacement. The idea that it will add some VR to my ART lenses and work with almost all of my Nikon glass...silent shutter and much more. I really am excited.

I'm going to wait for more reviews, but unless something of a practical nature pops up, I'll be ordering. I'm not sure I'll start with native lenses until the faster stuff comes along.

Did you order a native lens as well?

Rob
Since my D850 arrived (ours delivered within days of each other, I recall), the Df hasn’t seen too much action. That my Z6 might replace the Df wasn’t really in my mind when I placed my order, but the notion has grown over the last 24 hours.

If a glaring problem comes up, I can always cancel, I suppose. I just didn’t want to get into that Purgatory with the D850 again.

I didn’t order Z glass, only the adapter. I want to see how some of my MF glass works on it first (and my 28-70/2.8, though not so sure about the balance on top of the adapter). If I do decide to go new, I’m thinking probably the 35 to start.
I know its not my money, but I definitely think you should preorder with the 24-70mm F4. Its $600 additional to bundle it, or $1000 separately. Thats a pretty good discount.

It may mean you have to pass on that 256GB XQD card for now!
If I didn’t already have a 28-70, the choice would be simpler, even though that lens is going to be even more of a beast on the Z6 than on my D850. But, I’m really more interested in the Z6 for shooting primes on the street. Of course, that may likely change on delivery day. :)
 
I guess you haven't figured out yet that XQD and SD both use the same type of NAND memory, and that even if it were less prone to failure, it's still just as vulnerable to corruption. Whatever though.
I might expect the firmware to be different, a primary point of failure for SD. And, physically, the XQD are at a different level, appearing to be more shielded from electrical sources and less prone to contact wear. Bent pins may be a concern, but don’t affect the card’s integrity.

An added benefit of XQD is the firmware path to CFexpress which means not only faster transfers, but lower power consumption.

If there are going to be dual slots on the next Z (“pro”) bodies, I’m betting that they’ll both be XQD/CFexpress. SD is the new floppy.
 
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I do not EVER recall seeing a film camera that took 2 rolls of film and recording to both simultaneously.

Yet the "pros" and enthusiasts survived with only a single capture. And then survived the perilous procedures required to turn that undeveloped film into images.

I am NOT saying that dual card slots are not useful. I am saying that digital images captured onto memory cards is far less perilous than film was.

Just trying to put "some" perspective onto this.
 
ONE XQD slot is more reliable than 2 SD slots.
Not more reliable, its just more robust. It can fail in the same way as any other card!!!!
XQD is far more robust and reliable than SD. You're literally more likely to have BOTH SD cards fail in a Sony vs. the XQD in the Nikon D850 or Z camera.

One of the primary selling points of XQD (beyond speed) is that it's practically bulletproof compared to SD.

Have a great weekend!

Rob

--
"We need a bigger boat."
 
I do not EVER recall seeing a film camera that took 2 rolls of film and recording to both simultaneously.

Yet the "pros" and enthusiasts survived with only a single capture. And then survived the perilous procedures required to turn that undeveloped film into images.

I am NOT saying that dual card slots are not useful. I am saying that digital images captured onto memory cards is far less perilous than film was.

Just trying to put "some" perspective onto this.
And I used to walk uphill in the snow to school barefoot.

Going without a backup was acceptable, when there was no solution. Plus I guarantee that many rolls of film were lost or ruined due to improper loads, bad processing, bad film... etc.

These days its unacceptable for a paid professional to use a single card, when there are many camera options with dual card writing.
This is an underlying flaw in the dual card argument, that the boundary of photographic professionalism is staked on the importance of this single feature.
For a photographer, losing photos could mean a refund and a hit on their reputation, but for your client, its special and important moments that were lost. These are things they trusted photographers to capture. A photographer needs to make sure that they do everything they can(within reason, dual cards fall into this category) to ensure the images are delivered. The photographer owes it to their client.

The images are important, otherwise, people wouldnt pay photographers to take them.
You can argue the same of parents taking pictures of their newborn child. Every photo captured has inherent potential for great value to someone, or why would we take it in the first place? To single out “professionals” apart from all other shooters is simply irrelevant to this concern. Bad lighting management or poor composition, or missing the decisive moment for a plethora of reasons is far more of a threat to a successful photo session than the risk of card failure... to anyone.
 
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LOL! I know wedding shooters for YEARS. No one has ever asked if the camera had two card slots!

This is, by far, the funniest post yet!

And of course it's from a Sony guy who's here for what exactly???

The Z6, with so many advantages over the A7rIII, really UPSET the Sony people.

Z6 advantages:

1) Better Ergonomics

2) Better rear LCD

3) MUCH Better viewfinder

4) Faster FPS

5) Better video output potential

6) Modern high speed XQD card

Rob
Oh no, I have Sony gear. That must mean that I am the enemy, and would never buy Nikon gear. Oh wait, I had a V1, and two J1s as well as a D3200 and a D5100. Oh and oddly enough, I dont own an A7riii or any variant of the A7.
Yes, that's the point. You own no good gear. Can you even afford any of this stuff? Why comment on ANY of it since you don't own ANY of it. I own some nice cars, but I don't troll around the BMW group because I drive Mercedes.
Of course clients dont ask about dual cards. They expect you to get the job done, and you owe it to your client.
Haven't had an issue yet, nor has more than 20 shooters I know. It's just not a "real" issue. And when someone does have an issue (that I read about online), they can usually recover the pics or the card just gets replaced because it throws an error. I guess it all must be true because it's on the web, right?
On another thread, you were talking about how the Z6 isnt for pros, which is why its okay... and now you are here defending it? SO which is it?
If I buy it, I will use the Z6 for private and pro applications. So?

Rob
So now you are trashing the V1 and J1, Nikons first attempt at mirrorless?

Obviously since a card failure has never happened to your or your friends... It must never happen..... until it does. And you will be up S creek if are shooting without dual writes.

The defenses I have read in this thread are both Sad and pathetic. "Oh I lost wedding photos... well there are starving people in the world" .... "Sorry about your photos.... S happens". These types of defenses show that some of you dont care about your clients photos as much as you should. As I said earlier, the images are meaningful and important, otherwise they wouldnt hire a photographer to take the pictures.

If you shoot with one card, you are risking your clients photos unnecessarily. Sure it could be 1 in a 100000 shoot chance, but people play and win the lotteries all the time.
No, they don’t. But believing that they do sells lots of lottery tickets.
 
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I guess you haven't figured out yet that XQD and SD both use the same type of NAND memory, and that even if it were less prone to failure, it's still just as vulnerable to corruption. Whatever though.
Sigh...

I think we had given enough talk about 2 card vs 1 card in the past few days, those who had never encountered any loss due to card failure will have no fuss with going with 1 card, and it is totally understandable, I mean why should they?

Those who had experienced card failure in the past probably will learn their lesson and would want to choose 2 cards body if possible, myself included.

In the end, we all vote with our wallets.
 
Exactly, I had a wedding totally lost due to a film processor eating the the film. Never had a media card failure. Film cameras only shot one photo at a time to one roll of film at a time.
I once had a film camera shutter fail mid roll.

With digital with a rear monitor you usually know something is not as it should be before the film comes back from processing.
Nothing is risk free, move on...
+1
 
I do not EVER recall seeing a film camera that took 2 rolls of film and recording to both simultaneously.

Yet the "pros" and enthusiasts survived with only a single capture. And then survived the perilous procedures required to turn that undeveloped film into images.

I am NOT saying that dual card slots are not useful. I am saying that digital images captured onto memory cards is far less perilous than film was.

Just trying to put "some" perspective onto this.
Of course you are right about this and I suffered from such failures before I switched to digital but I would never want to go back to that. With film it ruined at most 36 photos. With digital it could be thousands.

I would not want to go back to the cars made in the 50's and older which were death traps compared to today. On the down side modern cars, cameras etc spoil us so we tend to obsess over inconsequential things.
 
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ONE XQD slot is more reliable than 2 SD slots.

XQD is far more robust and reliable than SD. You're literally more likely to have BOTH SD cards fail in a Sony vs. the XQD in the Nikon D850 or Z camera.

One of the primary selling points of XQD (beyond speed) is that it's practically bulletproof compared to SD.

Have a great weekend!

Rob
 
And I used to walk uphill in the snow to school barefoot.

Going without a backup was acceptable, when there was no solution. Plus I guarantee that many rolls of film were lost or ruined due to improper loads, bad processing, bad film... etc.

These days its unacceptable for a paid professional to use a single card, when there are many camera options with dual card writing.

For a photographer, losing photos could mean a refund and a hit on their reputation, but for your client, its special and important moments that were lost. These are things they trusted photographers to capture. A photographer needs to make sure that they do everything they can(within reason, dual cards fall into this category) to ensure the images are delivered. The photographer owes it to their client.

The images are important, otherwise, people wouldnt pay photographers to take them.
LOL! I know wedding shooters for YEARS. No one has ever asked if the camera had two card slots!
Irrelevant to the discussion because the clients probably don't even know cameras with 2 card slots exist. If the photographer loses all the photos however it's a disaster for photographer and client alike. On the other hand all this really means is this camera may not be the best choice for wedding photographers. For most people however it really doesn't matter.
This is, by far, the funniest post yet!

And of course it's from a Sony guy who's here for what exactly???
I don't know about him but I feel compelled to correct the falsehoods you are bantering about. I'm also curious about any new camera.
The Z6, with so many advantages over the A7rIII, really UPSET the Sony people.
So far I haven't seen many and they were canceled out by possible disadvantages. It's mostly a wash and initial pre production impressions of AF tracking are not as good as the newest Sony E Mount or Nikon's own DSLRs.
Z6 advantages:

1) Better Ergonomics
Maybe but that's a matter of opinion. You can't possibly know that at this point in time. My initial unproven impression is it's on a par with Sony E Mount and inferior to Nikon and Canon DSLRs.
2) Better rear LCD
Z6 does have higher resolution but "much" is a bit over the top. I don't see where that much resolution on that tiny screen helps much.
3) MUCH Better viewfinder
Same viewfinder as is in the A7Riii and A9 with a tiny bit more magnification.
4) Faster FPS
A7Riii is faster, 10 vs 9 FPS without live view and 8 vs 5.5 with live view.
5) Better video output potential
Potential?
6) Modern high speed XQD card
True.

I find your obsession with trying to prove this camera is better than Sony E mount cameras very curious. Before you accuse me of being a Sony apologist, yes I own Sony cameras but none are E Mount. I don't like E Mount cameras, don't own one and don't intend to.

Most of your points above are compared to what E Mount cameras? There are several models available with various capabilities. You also fail to mention the battery life which is much poorer than comparable E Mount cameras.
 
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