D3400 and 70-300 AF-P DX VR first impressions

doonie

Senior Member
Messages
1,462
Reaction score
1,887
I just put together an ultralight and relatively very inexpensive DSLR kit for an upcoming trip to Yosemite. The D3400 and 18-55 AF-P VR came to me with 45 clicks and as new. The 10-20 is a refurb and the 70-300 is a brand new import. Total including shipping was $678 !

I received the 70-300 yesterday so I just went out in the backyard for an hour or so this morning to see what this combination could do. I did the same thing yesterday with the D500 so I got a little better idea of where the lens falters or the body falters.

The most glaring difference was the AF capability and I would blame that on the body. I know, no big revelation there but the point is, this lens, which I bought for $118 performed very well acquiring and holding focus on the D500. It did struggle at times on the D3400 so this body just makes you work a little harder but I wouldn't characterize it as poor performance.

As far as the body goes, I am totally unfamiliar with this class of camera so I'm learning as I go. I shoot Aperture priority 99% of the time and rely very heavily on ISO adjustment (never use auto ISO) and exposure compensation. The exposure compensation is no problem because that button is in the same location as my D500 and I can adjust that on the fly without taking my eye from the viewfinder. Using the FN button on the side of the D3400 is very easy to find, again without taking my eye from the viewfinder, and this adjusts the ISO so again no problem. It's in a different spot than my D500 but I'm already getting used to it. So the lack of control buttons on the D3400 so far is a non issue for me. Do I prefer the layout of the D500 and D750 ? Certainly. But for my intended usage the D3400 should be fine.

Lastly, the accompanying samples are all handheld and I am not a hand held shooter. I shoot wildlife 99% of the time from a tripod so my hand holding skills are questionable. I purposely shot hand held because this will be the way I will use this combination and I'm guessing would be the way most people who own a similar combination would use it. If I was doing a side by side comparison between lenses or just trying to see the absolute best this lens was capable of then a tripod would be a must.

Overall, I'm very impressed with this combination and the price, size, weight, and portability are unbeatable.

5188eb1c751f41d39394fb4cf09428f8.jpg

7ac12d2ceded4c6abde33e33c4fe30b9.jpg

9a67c0cf00f6443196f1be8a33668d92.jpg

6c70f21e3c5c4ce3b9fa6a8b9e9d2062.jpg

462ec7c8c03d4dbd84dec39be731cc90.jpg

ed2a3ffccb4d4153ab4fae7f42972ddc.jpg

8259b95c987547d69fc00505860d0562.jpg

dedbf0028a11440ba17e64182775547e.jpg

f06bc1544d2b49c1bcda9bc05450cea9.jpg

765f3e2b3f404a03b2c8e64621b77f0b.jpg

f9ae01dd4ca84404946d71ad45ae9ac2.jpg
 
Last edited:
doonie.

These are decent / good at 300mm for a body that does not have AF Fine Tune.

I use the AF-P DX 70-300 VR on a D7200. It needed a -3 (minus 3) AF FT adjustment. At first, my copy was not as sharp at 300mm compared to the many samples I had seen. However, it was still much better than all other 70-300 lenses I had tried / used.

I did send in my AF-P DX 70-300 VR to Nikon Service to make it sharper at 300mm - and they did! Unlike the AF-S 70-300 VR lens, Nikon CAN actually improve sharpness at 300mm with these AF-P lenses. The AF-S 70-300 VR was basically a 70-220 f8 lens. I tried 4 new copies and even sent the last one in to Nikon Service. They claimed it was "within spec" - some spec!

This way under-priced AF-P DX 70-300 VR lens is so much sharper at 300mm wide open than any Nikon or 3rd party NN-300 lens.

I would like to see... some samples of your copy of this AF-P lens from your D500 after you have AF Fine Tuned it at 300mm. That would make a nice comparison vs. the images that you posted.

As you may know, your D500 has Menu VR Switch for the AF-P lenses. The D3400 is supposed to be "fully compatible" and therefore it should also have the Menu VR Switch.

After the Feb 2018 firmware updates, my D7100, D7200 bodies were "much more compatible" with AF-P lenses - but, Nikon did not include a Menu VR Switch for them. Unlike many others, I am still optimistic that Nikon will provide this in the next firmware update.

The FX AF-P 70-300 VR is even a bit sharper and has a physical VR switch. It is also f5.6 at the 300mm vs. f6.3 for the DX version. However, it has a bigger price tag - still very reasonable considering the IQ at 300mm wide open (f5.6) and the fast, quiet AF.

Nikon finally has the "70-300 lens bragging rights".

Thanks for posting your findings and your images here. :)

Wayne
 
doonie.

These are decent / good at 300mm for a body that does not have AF Fine Tune.

I use the AF-P DX 70-300 VR on a D7200. It needed a -3 (minus 3) AF FT adjustment. At first, my copy was not as sharp at 300mm compared to the many samples I had seen. However, it was still much better than all other 70-300 lenses I had tried / used.

I did send in my AF-P DX 70-300 VR to Nikon Service to make it sharper at 300mm - and they did! Unlike the AF-S 70-300 VR lens, Nikon CAN actually improve sharpness at 300mm with these AF-P lenses. The AF-S 70-300 VR was basically a 70-220 f8 lens. I tried 4 new copies and even sent the last one in to Nikon Service. They claimed it was "within spec" - some spec!

This way under-priced AF-P DX 70-300 VR lens is so much sharper at 300mm wide open than any Nikon or 3rd party NN-300 lens.

I would like to see... some samples of your copy of this AF-P lens from your D500 after you have AF Fine Tuned it at 300mm. That would make a nice comparison vs. the images that you posted.

As you may know, your D500 has Menu VR Switch for the AF-P lenses. The D3400 is supposed to be "fully compatible" and therefore it should also have the Menu VR Switch.

After the Feb 2018 firmware updates, my D7100, D7200 bodies were "much more compatible" with AF-P lenses - but, Nikon did not include a Menu VR Switch for them. Unlike many others, I am still optimistic that Nikon will provide this in the next firmware update.

The FX AF-P 70-300 VR is even a bit sharper and has a physical VR switch. It is also f5.6 at the 300mm vs. f6.3 for the DX version. However, it has a bigger price tag - still very reasonable considering the IQ at 300mm wide open (f5.6) and the fast, quiet AF.

Nikon finally has the "70-300 lens bragging rights".

Thanks for posting your findings and your images here. :)

Wayne
Thanks for the input Wayne and very good suggestions. I may try AFT with my D500 and then compare if only to find out if I'm getting the best out of the lens on the D3400. I don't see myself using that lens with the D500 but at least it will give me a starting point. I'm also going to try again with a tripod. As I mentioned, my hand holding skills may be partly to blame.
 
Thanks for the input Wayne and very good suggestions. I may try AFT with my D500 and then compare if only to find out if I'm getting the best out of the lens on the D3400. I don't see myself using that lens with the D500 but at least it will give me a starting point. I'm also going to try again with a tripod. As I mentioned, my hand holding skills may be partly to blame.
The VR for this little gem is quite good.

Also, I see that you have the Sigma 150-600 OS Sports. With 600mm of reach on a DX body, you have some good long lens experience to draw from. Shooting at 300mm hand held with a super lightweight rig with a very good VR system should seem to be a much easier task. ;)

Consider some MF shots too. With the new D7200 firmware, the outer MF ring works just like an AF-S lens. I suspect that this also works on your new D3400.

Thanks for your efforts and feedback. :)

Wayne
 
Whicheverway you look at it, sub USD 700 for a package of that capability is excellent value.
 
Whicheverway you look at it, sub USD 700 for a package of that capability is excellent value.
And for me, that was key. I don't have unlimited funds so I sold off a couple lenses that I don't use much anymore to put this package together. The whole idea was a very light DSLR kit that I can use for long hikes that will still give me decent quality. Everytime I've tried to use a P&S or some type of bridge camera I've been frustrated and disappointed so I'm hoping this fits the bill. This hike we have planned for Yosemite covers over 12 miles total with a 3200 ft elevation gain in the first 4.8 miles. Even my D750 and 24-120 f4 seemed way too heavy and now I have much wider and longer FL's and still much lighter. It doesn't match the D750 for IQ but life's all about compromises and I'm still considering also taking the D750 and 24-120 for when we're driving through and not hiking.
 
thanks for your analysis.

And thanks for your shots - in your 'backyard' you have an amazing variety of birds and animals. Nice shots.

I recently got one of these lenses and I think it is great. I am just a recreational shooter.
 
Really well done and glad you discovered Nikon's great combo, budget or not. Love mine.
 
thanks for your analysis.

And thanks for your shots - in your 'backyard' you have an amazing variety of birds and animals. Nice shots.

I recently got one of these lenses and I think it is great. I am just a recreational shooter.
It's really a tiny space but I started feeders about 2 years ago and now I can't stop. My wife is not nearly amused as I am. The chipmunks keep digging in all her planters and she despises them. For me it's just a great place to sit and relax and keep practicing for when I do get a chance to shoot something really interesting.

I think it's a fantastic lens for the price, a little too short for birds though, IMHO. My plans for it are more landscapy.
 
thanks for your analysis.

And thanks for your shots - in your 'backyard' you have an amazing variety of birds and animals. Nice shots.

I recently got one of these lenses and I think it is great. I am just a recreational shooter.
It's really a tiny space but I started feeders about 2 years ago and now I can't stop. My wife is not nearly amused as I am. The chipmunks keep digging in all her planters and she despises them. For me it's just a great place to sit and relax and keep practicing for when I do get a chance to shoot something really interesting.

I think it's a fantastic lens for the price, a little too short for birds though, IMHO. My plans for it are more landscapy.
but as a very portable 'poor man's' access point for birds (plus cropping), I think it is great - certainly snappier than the 55-300 I already had.

 
thanks for your analysis.

And thanks for your shots - in your 'backyard' you have an amazing variety of birds and animals. Nice shots.

I recently got one of these lenses and I think it is great. I am just a recreational shooter.
It's really a tiny space but I started feeders about 2 years ago and now I can't stop. My wife is not nearly amused as I am. The chipmunks keep digging in all her planters and she despises them. For me it's just a great place to sit and relax and keep practicing for when I do get a chance to shoot something really interesting.

I think it's a fantastic lens for the price, a little too short for birds though, IMHO. My plans for it are more landscapy.
but as a very portable 'poor man's' access point for birds (plus cropping), I think it is great - certainly snappier than the 55-300 I already had.

https://www.dpreview.com/forums/post/61240147
No doubt. One just has to try and get a little closer which also takes skill and knowledge of the subjects. I think that's one of the most enjoyable aspects of this whole hobby. We all have a certain amount of tools to work. Not only hardware but also cerebral tools. It's up to each of us to find the right mix and It's very gratifying when that combination comes together to create something enjoyable. Even if it's only ourselves that are doing the enjoying:-)

You pulled some really nice detail out of that crested pigeon. Never even knew there was a crested pigeon.
 
Last edited:
doonie.

These are decent / good at 300mm for a body that does not have AF Fine Tune.

I use the AF-P DX 70-300 VR on a D7200. It needed a -3 (minus 3) AF FT adjustment. At first, my copy was not as sharp at 300mm compared to the many samples I had seen. However, it was still much better than all other 70-300 lenses I had tried / used.

I did send in my AF-P DX 70-300 VR to Nikon Service to make it sharper at 300mm - and they did! Unlike the AF-S 70-300 VR lens, Nikon CAN actually improve sharpness at 300mm with these AF-P lenses. The AF-S 70-300 VR was basically a 70-220 f8 lens. I tried 4 new copies and even sent the last one in to Nikon Service. They claimed it was "within spec" - some spec!

This way under-priced AF-P DX 70-300 VR lens is so much sharper at 300mm wide open than any Nikon or 3rd party NN-300 lens.

I would like to see... some samples of your copy of this AF-P lens from your D500 after you have AF Fine Tuned it at 300mm. That would make a nice comparison vs. the images that you posted.

As you may know, your D500 has Menu VR Switch for the AF-P lenses. The D3400 is supposed to be "fully compatible" and therefore it should also have the Menu VR Switch.

After the Feb 2018 firmware updates, my D7100, D7200 bodies were "much more compatible" with AF-P lenses - but, Nikon did not include a Menu VR Switch for them. Unlike many others, I am still optimistic that Nikon will provide this in the next firmware update.

The FX AF-P 70-300 VR is even a bit sharper and has a physical VR switch. It is also f5.6 at the 300mm vs. f6.3 for the DX version. However, it has a bigger price tag - still very reasonable considering the IQ at 300mm wide open (f5.6) and the fast, quiet AF.

Nikon finally has the "70-300 lens bragging rights".

Thanks for posting your findings and your images here. :)

Wayne
On what basis do you claim that the FX AF-P 70-300 is "even a bit sharper"?

I have both and I don't see any difference.

Cheers

Graeme
 
On what basis do you claim that the FX AF-P 70-300 is "even a bit sharper"?

I have both and I don't see any difference.

Cheers

Graeme
Hi Graeme.

I've heard this from several DPR members.

Remember, we are not talking about a major IQ difference here between these awesome AF-P lenses.

Also, below is a quote from this link to Thom Hogan's review of the FX version.


"On DX bodies — Doesn't require a firmware update for some older bodies like the DX version does, and is slightly better optically against the DX version in the DX frame. Definitely looks great on the 20/24mp DX bodies. Of course, it's bigger, heavier, and more expensive than the DX version, but it is a bit of future-proofing for your gear closet if you're considering some day moving from DX to FX."

If you are not noticing any noticing any difference within equal, controlled testing conditions (same support, same light, same camera, Manual Focus in Live View, tripod, VR Off, etc), then perhaps sample variation could be in play.

Just curious.. Why would you have both the AF-P FX and the AF-P DX?

Wayne
 
You make nice photos so i'd like to ask for you input about something you said.
... I shoot Aperture priority 99% of the time and rely very heavily on ISO adjustment (never use auto ISO) and exposure compensation.
You use A mode almost exclusively and you are obviously happy to control image lightness by using the EC setting. So why don't you use Auto ISO? What do you feel you would be giving up?
 
Last edited:
You make nice photos so i'd like to ask for you input about something you said.
... I shoot Aperture priority 99% of the time and rely very heavily on ISO adjustment (never use auto ISO) and exposure compensation.
You use A mode almost exclusively and you are obviously happy to control image lightness by using the EC setting. So why don't you use Auto ISO? What do you feel you would be giving up?
I guess first of all, that's just the way things worked out naturally for me and I haven't changed. I probably should have said, " I never use auto ISO". The way I worded it some might think I meant you should never use auto ISO. Everyone has their own way of doing things.

2 reasons really. First off, I've seen far too many posts where the user stated " the camera picked too high an ISO'.

For the sake of this discussion, let's assume we're talking about bird photography. If I have to let the camera pick something I'd rather it was the shutter speed. I know the shutter speed range I need to be in with any given scene depending on what I'm shooting and I adjust my ISO accordingly always trying to keep it as low as possible. We're also assuming here we know what aperture we want to be at. If I'm watching a heron fishing for instance, I adjust settings assuming I need a shutter speed high enough to catch a strike or a flyoff. If the bird looks like it's not going anywhere and I feel my ISO's a little too high I'll lower it for a static shot and then raise it again if I'm waiting for the bird to take off. Keep in mind, all these adjustments are made with one finger and my thumb without taking my eye from the viewfinder. Also, I shoot 99% of the time from a tripod with Wimberly head so it's really easy to adjust everything on the fly. If it sounds like a lot of fiddling with adjustments it is. I am adjusting ISO and EC constantly. As far as EC goes; if I'm focused on a wading bird with a dark background behind it I may be at 0 EC or - 03. If the bird takes off I'll spin that dial to the right an dial in positive EC while tracking the bird in the viewfinder. It only takes a split second and just from practice you can look at the brightness of the sky and the color of the bird and know pretty accurately how high to go. And as long as I know I'm at a safe minimum shutter speed to begin with, who cares if it goes from 1/1000 to 1/4000 ? A higher shutter speed never hurt a BIF image. (panning aside).

The second reason is I see no need to. I always get a bit of a laugh from posters who claim " I always shoot Manual... with AUTO ISO" Where I come from, that's just another auto setting.

Chances are this only makes sense to me but maybe it will help someone and thanks for the compliment:-)

I'm sure there are those who see no sense in any of this and that's fine, but I've read so many other methods and even tried some but always go back to this.

Gary
 
Last edited:
The second reason is I see no need to. I always get a bit of a laugh from posters who claim " I always shoot Manual... with AUTO ISO" Where I come from, that's just another auto setting.

Chances are this only makes sense to me but maybe it will help someone and thanks for the compliment:-)

Gary
Hi Gary.

Me too about the "Manual" with Auto ISO. That makes no sense at all to me.

Because so many photogs that were doing "Manual" this way, I decided to call the way I use it: "Full Manual" - Manual Mode with fixed ISO. My whole purpose for using Manual Mode is to take the meters completely out of the equation. Auto ISO uses the meters.

I mainly use Full Manual for subjects that are in consistent light - like BIF on a sunny day. I set the Aperture, SS and ISO to expose for the subject - and that includes exposing for the highlights to prevent BOH in white feathers.

This makes a major difference for BIF with different BGs within the shot sequence. For example... Bird sitting on the water (dark BG) takes off into the bright sky. With "Full Manual" the exposure stays the same regardless of the BG. The bird is perfectly exposed throughout the shot sequence.

If the light on the subject is going to vary - sun and shade / clouds and sun, I use Aperture Priority with Auto ISO with so that I can keep the shutter speeds up within the "dark times".

btw / fwiw... My use for Nikon's U1 and U2 Modes... I save my "Full Manual Exposure" settings for BIF in bright sunlight in U1 and save one for BIF on cloudy days in U2. This makes it fast and easy to quickly switch from Aperture Priority to "Full Manual Exposure" mode.

Wayne
 
doonie.

These are decent / good at 300mm for a body that does not have AF Fine Tune.

I use the AF-P DX 70-300 VR on a D7200. It needed a -3 (minus 3) AF FT adjustment. At first, my copy was not as sharp at 300mm compared to the many samples I had seen. However, it was still much better than all other 70-300 lenses I had tried / used.

I did send in my AF-P DX 70-300 VR to Nikon Service to make it sharper at 300mm - and they did! Unlike the AF-S 70-300 VR lens, Nikon CAN actually improve sharpness at 300mm with these AF-P lenses. The AF-S 70-300 VR was basically a 70-220 f8 lens. I tried 4 new copies and even sent the last one in to Nikon Service. They claimed it was "within spec" - some spec!

This way under-priced AF-P DX 70-300 VR lens is so much sharper at 300mm wide open than any Nikon or 3rd party NN-300 lens.

I would like to see... some samples of your copy of this AF-P lens from your D500 after you have AF Fine Tuned it at 300mm. That would make a nice comparison vs. the images that you posted.

As you may know, your D500 has Menu VR Switch for the AF-P lenses. The D3400 is supposed to be "fully compatible" and therefore it should also have the Menu VR Switch.

After the Feb 2018 firmware updates, my D7100, D7200 bodies were "much more compatible" with AF-P lenses - but, Nikon did not include a Menu VR Switch for them. Unlike many others, I am still optimistic that Nikon will provide this in the next firmware update.

The FX AF-P 70-300 VR is even a bit sharper and has a physical VR switch. It is also f5.6 at the 300mm vs. f6.3 for the DX version. However, it has a bigger price tag - still very reasonable considering the IQ at 300mm wide open (f5.6) and the fast, quiet AF.

Nikon finally has the "70-300 lens bragging rights".

Thanks for posting your findings and your images here. :)

Wayne
On what basis do you claim that the FX AF-P 70-300 is "even a bit sharper"?

I have both and I don't see any difference.

Cheers

Graeme
At 300 the FX AF-P goes to 5.6 vrs the 6.3 of the DX lens. Maybe in bright sunlight that makes little difference. Bring the lens indoors where you notice losing 1 stop.

Maybe go to a zoo & use both lens indoors with a dark cage. Maybe outdoors try in the dark corners or shade. It is possible the center of the FX lens is sharper than the DX glass.
 
I mainly use Full Manual for subjects that are in consistent light - like BIF on a sunny day. I set the Aperture, SS and ISO to expose for the subject - and that includes exposing for the highlights to prevent BOH in white feathers.

This makes a major difference for BIF with different BGs within the shot sequence. For example... Bird sitting on the water (dark BG) takes off into the bright sky. With "Full Manual" the exposure stays the same regardless of the BG. The bird is perfectly exposed throughout the shot sequence.
I definitely have to give this some thought and I'd like to try it out in your exact scenario as that's a situation I come across very often. Although, your bird would need to be sitting in open light. If the bird was in shade and flew into open light ,obviously, all bets are off. Thanks for the input !
 
Last edited:
You make nice photos so i'd like to ask for your input about something you said.
... I shoot Aperture priority 99% of the time and rely very heavily on ISO adjustment (never use auto ISO) and exposure compensation.
You use A mode almost exclusively and you are obviously happy to control image lightness by using the EC setting. So why don't you use Auto ISO? What do you feel you would be giving up?
I guess first of all, that's just the way things worked out naturally for me and I haven't changed.
That's how many of us get to where we are.
I probably should have said, " I never use auto ISO". The way I worded it some might think I meant you should never use auto ISO. Everyone has their own way of doing things.
Not to worry. I actually interpreted what you said in the way you meant it, not as a directive to others.

I'm asking because I see a lot of good photographers saying they don't use Auto-ISO. I'm trying to understand why that is, and more importantly, whether there are any actual advantages in image quality to be had by always avoiding auto-ISO, or whether it is merely a matter of good photographers are generally experienced photographers, and many experienced photographers learned on film where there was no Auto-ISO.
2 reasons really. First off, I've seen far too many posts where the user stated " the camera picked too high an ISO'.
Yeah, I've seen a lot of those posts too. I just don't understand them. Surely the camera used no higher an ISO than it needed to get the result the photographer specified.

What does "too high an ISO" mean? "Too high" for what?

One possibility, and the most obvious one since the ISO setting is essentially a lightness control, is that "too high" an ISO is one which gives too light an image. That shouldn't apply to you since you already know to control lightness using the EC setting. If the image is too light, it is because the photographer set EC too high, not because of Auto-ISO.

The other obvious explanation is that the ISO is too high to avoid unwanted noise. But this doesn't make any sense either. Sometimes this claim is a result of the widespread myth that high ISO causes higher noise. High ISO doesn't cause the noise. The noise is there because the exposure is too low, and the camera set the ISO higher because the exposure was too low to make the image light enough without a higher ISO. So the real problem is too low an exposure, not too high an ISO, and the exposure is too low because the photographer didn't set the aperture wide enough or the shutter slow enough for the available light. If the photographer cannot set the aperture wider (because it is already wide open or because he needs some DOF) and is using as slow a shutter as he dares, then the noise is unavoidable. Don't blame the noise on Auto-ISO.

The camera is just following instructions. It is in an autoexposure mode because the photographer put it there. That means the photographer is trusting the camera to select the target image lightness, as modified by the EC setting. The photographer was responsible for the EC setting and at least one of aperture and shutter.
For the sake of this discussion, let's assume we're talking about bird photography. If I have to let the camera pick something I'd rather it was the shutter speed.
Why? Isn't the minimum acceptable shutter speed, as determined by the speed of wing flap and amount of sensor covered by the moving wing, the most important judgement the photographer can apply to settings for BIF?
I know the shutter speed range I need to be in with any given scene depending on what I'm shooting
Right!
and I adjust my ISO accordingly
That seems rather indirect. Why not adjust your shutter speed itself? This will allow you to be more precise.
always trying to keep it as low as possible.
Is there any chance you are sometimes maybe a stop too high on ISO? Or to put it another way, if you decide that your minimum acceptable shutter speed is 1/1250, do you ever find that after adjusting ISO to be sure that you can get 1/1250 you actually get 1/2500? What about getting 1/1500. 1/1600 or 1/2000? I suppose you do sometimes set ISO higher than needed because you talk below about getting 1/4000 instead of 1/1000. So using your approach sometimes gives you more noise than you need to have.
We're also assuming here we know what aperture we want to be at.
Sure. Would you say you adjust aperture more frequently than you adjust ISO? In your examples you talk about adjusting ISO and EC more than you talk about adjusting aperture, and, of course since you are in A mode, you don't adjust shutter yourself at all. In fact you say "I am adjusting ISO and EC constantly", but don't much mention adjusting aperture.
If I'm watching a heron fishing for instance, I adjust settings assuming I need a shutter speed high enough to catch a strike or a flyoff. If the bird looks like it's not going anywhere and I feel my ISO's a little too high I'll lower it for a static shot and then raise it again if I'm waiting for the bird to take off. Keep in mind, all these adjustments are made with one finger and my thumb without taking my eye from the viewfinder. Also, I shoot 99% of the time from a tripod with Wimberly head so it's really easy to adjust everything on the fly.

If it sounds like a lot of fiddling with adjustments it is.
Yes but possibly not excessive fiddling. There is a lot of fiddling because you need to make these adjustments. Comes with the subject matter, and the selected mode.
I am adjusting ISO and EC constantly. As far as EC goes; if I'm focused on a wading bird with a dark background behind it I may be at 0 EC or - 03. If the bird takes off I'll spin that dial to the right an dial in positive EC while tracking the bird in the viewfinder. It only takes a split second and just from practice you can look at the brightness of the sky and the color of the bird and know pretty accurately how high to go.
Sounds right to me.
And as long as I know I'm at a safe minimum shutter speed to begin with, who cares if it goes from 1/1000 to 1/4000 ? A higher shutter speed never hurt a BIF image. (panning aside).
Really? An image taken at 1/4000 has half the SNR of the image taken at 1/1000. A lot of people can see the two stop difference in noise, unless they are looking at small prints.
The second reason is I see no need to.
Yeah. Let's explore that later.
I always get a bit of a laugh from posters who claim " I always shoot Manual... with AUTO ISO" Where I come from, that's just another auto setting.
You are right of course. It is just another auto setting. It is an Autoexposure mode, just as P, A or S (regardless of whether Auto ISO is enabled) are Autoexposure modes.
Chances are this only makes sense to me
Don't underrate yourself. I expect this makes sense to a lot of folks.
but maybe it will help someone
That's why we are here.
and thanks for the compliment:-)
Your results deserved it.
I'm sure there are those who see no sense in any of this and that's fine, but I've read so many other methods and even tried some but always go back to this.
It sounds to me like you are choosing to use an autoexposure mode and are controlling three of four things yourself, and letting the camera control the fourth. You control aperture directly. You control lightness by adjusting EC, which is the proper way to control lightness in an autoexposure mode. Unless you are constantly chimping, this is a little bit imprecise - you are making an educated guess. Finally you control shutter indirectly, and also a little bit imprecisely, by adjusting ISO setting. You don't care much about the specific ISO setting and are not trying to set a specific shutter. Rather you are just trying to be sure the shutter is at or above a specified minimum. You are not worried about having a faster shutter than the minimum required nor about the possible range of noisiness that comes from this approach. As a result, you may err on the side of caution and set the ISO a little bit higher than it really needs to be in some shots. We can safely say that some of your images are noisier than they need to be.

Let's explore the practical differences between your approach and using A mode with Auto-ISO. This too is an autoexposure mode, and using it you set three things yourself and let the camera control the rest. You set the aperture directly. You control image lightness by adjusting EC. So far, this is just the same as A mode without Auto ISO. The differences are that you set the minimum shutter speed as a parameter of the Auto-ISO settings and then don't have to constantly fiddle with ISO. There are three advantages of this approach over A mode without Auto-ISO:
  1. Your fiddling has been cut in half. yuo now only have to adjust EC, not EC and ISO.
  2. Instead of relying on your manual ISO setting to be high enough to get a fast enough shutter, with Auto-ISO you have a guarantee that the shutter will never fall below the minimum you specify.
  3. And the camera will never set the ISO higher than what you actually need to get the minimum shutter, but will automatically set the shutter and ISO to give the lightness you specified with the EC setting. It will only ever raise ISO above base if it has already slowed the shutter to the minimum you specified. Noise will never be higher than it needs to be.
The net result is that you get the same control over aperture and lightness, and better control over shutter and noise, while having to do less work from shot to shot. For at least some people this is a reason to use Auto-ISO.

There is at least one disadvantage of using A mode with Auto-ISO compared to without Auto-ISO. If you sometimes need to change your minimum shutter speed in a hurry this is harder to do with Auto-ISO. For that situation there is a different mode: M mode with Auto-ISO. Let's explore the practical differences between your approach and using M mode with Auto-ISO. But before we look at the differences, let's look at the similarities. This too is an autoexposure mode, and using it you set three things yourself and let the camera control the fourth. You set the aperture directly. You control image lightness by adjusting EC. Again just the same as your approach. The differences are that you set shutter directly and precisely, while letting the camera adjust ISO. The camera never sets ISO higher than it needs to be for the aperture, shutter and EC you have selected. Instead of indirectly and imprecisely controlling the shutter by adjusting ISO, you control the shutter by controlling the shutter. This lets you set the shutter to what you decide is the necessary minimum speed, and you can easily change that from shot to shot. Not only is your shutter control more precise, you will never have more noise than you need to have.

Again, using Auto-ISO gives you the same control over aperture and lightness, while giving you more precise direct control over shutter and guaranteeing no more noise than is needed for your aperture and shutter choices. The things you control directly are the things you care most about.

So again, I'll ask: what do you think you would be giving up by using Auto-ISO?
 
The second reason is I see no need to. I always get a bit of a laugh from posters who claim " I always shoot Manual... with AUTO ISO" Where I come from, that's just another auto setting.

Chances are this only makes sense to me but maybe it will help someone and thanks for the compliment:-)

Gary
Hi Gary.

Me too about the "Manual" with Auto ISO. That makes no sense at all to me.

Because so many photogs that were doing "Manual" this way, I decided to call the way I use it: "Full Manual" - Manual Mode with fixed ISO. My whole purpose for using Manual Mode is to take the meters completely out of the equation. Auto ISO uses the meters.

I mainly use Full Manual for subjects that are in consistent light - like BIF on a sunny day. I set the Aperture, SS and ISO to expose for the subject - and that includes exposing for the highlights to prevent BOH in white feathers.

This makes a major difference for BIF with different BGs within the shot sequence. For example... Bird sitting on the water (dark BG) takes off into the bright sky. With "Full Manual" the exposure stays the same regardless of the BG. The bird is perfectly exposed throughout the shot sequence.

If the light on the subject is going to vary - sun and shade / clouds and sun, I use Aperture Priority with Auto ISO with so that I can keep the shutter speeds up within the "dark times".

btw / fwiw... My use for Nikon's U1 and U2 Modes... I save my "Full Manual Exposure" settings for BIF in bright sunlight in U1 and save one for BIF on cloudy days in U2. This makes it fast and easy to quickly switch from Aperture Priority to "Full Manual Exposure" mode.

Wayne
What you describe is a perfectly good reason to avoid any autoexposure mode, not just M with Auto-ISO. The same problems apply to P, A or S regardless of whether Auto-ISO is set, and to M with Auto-ISO set.

What I'm trying to understand is whether there are good reasons to use an Autoexposure mode but avoid Auto-ISO.
 
Last edited:

Keyboard shortcuts

Back
Top