Thank you, VfxByArt! I did try to incorporate the gist of some of what you wrote into my claim. At any rate, I acknowledged that a modern digital camera would swiftly become obsolete, but also that I had chosen to spend $7,000 on a Leica (10 times more than I might have spent on, say, a Fujifilm) because of the perceived quality of the thing. I would be prepared to continue to use a well-obsolete camera body for many years, if it gave the "Leica Promise", of exceptional image quality along with superb engineering of the body and its innards. In that sense I was let down by Leica. I had also expected the traditional customer care usually afforded the purchasers of an unusually fine product, beit a Rolls Royce (for whom I worked once), a Tesla or a Leica.
I found myself forced into an examination of just why I DID spend that amount of money - a small fortune to me! - on a camera body. A camera body even lacking the sof-offness of a Leica bearing a red dot, so that people could gaze upon me and marvel, and speculate that I must be either a wonderful photographer or a millionairess or both.
In truth, I was beguiled, partly (more than that, since it was a "without which not" thing) by three things. First, there was the quality obtainable from even a moderately expensive Leica lens (I could afford one lens, the 50mm Summicron, and its quality amazed and inspired me). Second, there was the Leica name and what I connoted to me. Third, when Leica produced a camera dedicated to ONLY taking B&W images, I just felt I had to have it, even though it meant selling my grandchildren into slavery.
In the event, the image quality - not simply the sharpness, but also a fineness in detail and gradation, of the kind you see in some of the images taken by war photographers in Vietnam, say - sometimes just blew me away. However, I ALSO found to my disappointment that the MM (the first of the Monochroms) often required far more post-processing than I had expected - far more, often, than would be needed to produce a nice monochrome image from my 5DMkII.
Realising that this is a Leica forum, I shouldn't stray too far into Canon or Fujifilm territory. However, I too find the 5D a great workhorse, and if I could afford it (I can't), I'm sure the MkIII would trump my old MkII. I also find that Fujifilm produces lovely cameras capable of great results. I DO keep thinking that maybe "the NEXT Fuji model will be the perfect one for me": rangefinder interchangeable, good resolution, simple dials, not too much (any?) reliance on touchscreen, even an articulated LCD (useful for arthritic knees). And not excessively expensive. I FEAR that maybe Fuji is heading in two directions that don't please me: (a) trying to capture the smartphone camera user, and (b) improving their video (if I wanted video, I would buy a video camera). But I hope. And, like you, that perfect Fuji body, together with an adapter for Leica M lenses, would put a smile on my face. My X100T, if it allowed a person to change lenses, would do very nicely, though a few more MP would be OK too.
Finally, I fully agree on having a setup that's small and light enough to have everywhere, since you can't get a photo if the camera is at home. That's why I thought of trading in the MM for the new CL. I had thought of a CL body, together with an adapter to take an M lens (probably 35mm to give 50mm equivalent, since I like to shoot with 50mm). I don't like the absence of markings for aperture and DoF, on the otherwise apparently excellent L/TL lenses.
Thanks a mill for your thoughts. Greetings.
HeatherJ