Thinking about moving from APS-C to MFT

I'm an amateur photographer willing to learn and improve.

My journey began with a Casio EXP-600 when DSLRs where too expensive for me. It was a good starting point for me and sparkled my interest in photography.

Years later I bougth a Canon 40D with a Tamron 17-50 2.8 and a Sigma 70-200 2.8

I was mostly interested in photographing motorsports, travels and landscapes. I had fun with this camera and lenses.

They suited my needs really well. The only thing I missing was taking it to mountain hikes, it was too heavy and unconfortable for me. I like to hike light, so I stayed with the Casio.

I took photography courses and became more interested in learn about photography and improve my "art". So I decided it was time to upgrade my kit and bought a 70D, Tokina 11-20 and Tamron 24-70. I kept de Sigma.

Somehow I never really liked the 70D not I enjoyed shooting with it as much as enjoyed with the 40D. I think it's a good camera, but I think it's not at the same level as de 40D. It's like if the 70D is les "pro" than the 40D

Another thing I think it makes photography less enjoyable for me is the weight of my kit. I usualy take the 11-20 and the 24-70 with me, and only take the 70-200 when I think I will really need. But I find sometimes I'm lazy to take the camera with me.

At first I thought about going FF with the A7iii that's getting so much attention lately, but then I realized that this route will be expensive if I want to get quality glass, and that it'll be as heavier as the Canon kit I own. The only benefit I see is improved image quality.
The recently announced and just available for pre-order Tamron 28-75mm looks to be a promising option for pairing with the A7iii . It is small , light and cheap considering what it offers

Dpreview shot showing its size on a Sony body

51e5ff1a0959481baab6e8c4f56ce4c4.jpg
An then I meet a photographer that uses Olympus and he was really pleased with the system, so I investigated about this system and I think it could be what I'm searching for: light, enjoyable, at with good IQ for my needs.

My interests in photography now are really wide: sports, lightpainting, macro, portrait... I know no system fits it all, but I think Olympus will be a good compromise.

So I'd like to hear opinions of people who made this move. And I'd like to know wich camera you'll recomend for sports. For now I'm thinking the camera it suits me is the M1 mark ii.

Thanks and I apologize for my english.
You cannot go wrong with either Olympus or Panasonic though if you do light painting a lot Olympus has a rather useful live composite mode which makes it a doddle :-)

--
Jim Stirling
“Facts are stubborn things; and whatever may be our wishes, our inclinations, or the dictates of our passion, they cannot alter the state of facts and evidence.” John Adams
I know about Tamron for Sony but I think is not that lighter and it's bigger than a M43 equivalent.
Be careful with words like equivalent here ;) The m43 has a close match in focal length, but no match in light gathering ability as long as we speak of zooms. The best you can match in this regard is having 3 primes around the Tamron's range.

However, I was really thinking of replacing my three beloved primes, the 14 f2.5, the 25 f1.4 and the Oly 45 1.8 with this A7+Tamron combo. Even the Tamron goes up only to 75mm, the f2.8 aperture and the greater resolution makes it an easy match for the Oly 45 1.8.
I was thinking about the 24-105 as a general lens for Sony, and then getting the 70-200, a wide lens and some primes for portraits but... it's lot of money and I suspect is not as lighter as MFT or resistant.


--
--------------------------------------------------
 
I'm an amateur photographer willing to learn and improve.

My journey began with a Casio EXP-600 when DSLRs where too expensive for me. It was a good starting point for me and sparkled my interest in photography.

Years later I bougth a Canon 40D with a Tamron 17-50 2.8 and a Sigma 70-200 2.8

I was mostly interested in photographing motorsports, travels and landscapes. I had fun with this camera and lenses.

They suited my needs really well. The only thing I missing was taking it to mountain hikes, it was too heavy and unconfortable for me. I like to hike light, so I stayed with the Casio.

I took photography courses and became more interested in learn about photography and improve my "art". So I decided it was time to upgrade my kit and bought a 70D, Tokina 11-20 and Tamron 24-70. I kept de Sigma.

Somehow I never really liked the 70D not I enjoyed shooting with it as much as enjoyed with the 40D. I think it's a good camera, but I think it's not at the same level as de 40D. It's like if the 70D is les "pro" than the 40D

Another thing I think it makes photography less enjoyable for me is the weight of my kit. I usualy take the 11-20 and the 24-70 with me, and only take the 70-200 when I think I will really need. But I find sometimes I'm lazy to take the camera with me.

At first I thought about going FF with the A7iii that's getting so much attention lately, but then I realized that this route will be expensive if I want to get quality glass, and that it'll be as heavier as the Canon kit I own. The only benefit I see is improved image quality.

An then I meet a photographer that uses Olympus and he was really pleased with the system, so I investigated about this system and I think it could be what I'm searching for: light, enjoyable, at with good IQ for my needs.

My interests in photography now are really wide: sports, lightpainting, macro, portrait... I know no system fits it all, but I think Olympus will be a good compromise.

So I'd like to hear opinions of people who made this move. And I'd like to know wich camera you'll recomend for sports. For now I'm thinking the camera it suits me is the M1 mark ii.

Thanks and I apologize for my english.
I have the canon 40D, EFS 17-55 f2.8, EF70-300 and sigma 12-24.. and the #1 reason why i slowed down my photography was the size and weight of the system.

None of that can be fixed by FF cameras, at all, ever. M43 has the answer by default.. want less weight and size?.. pick a smaller sensor...the A7III isnt the answer if you are concerned about weight.

I compared Olympus to panasonic and both give a good range of cameras, with pretty much similar IQ at similar prices.. but artistically, the Olympus system was a breath of fresh air to me for its jpeg engine.

. not only is everything smaller and lighter, i gave up nothing in IQ or lens quality, but I gained a HUGE degree of artistic expression.. the inbuilt art modes gives a lot of out of camera jpg possibilities for art and impact, and in addition, the "live time", and "live composite" modes are simply phenomenal..

"live time" is a bulb setting where you watch the image "develop" before your eyes, so press the shutter, watch the screen and press the shutter again when you like the image.. no more guess the exposure and fix it later.

"live composite" is an in-camera image stacking system.. set the base exposure..it turns off noise reduction, takes a dark (noise) frame, then you press the shutter again and it takes multiple extra exposures, and you can see the image "develop" on the LCD.. press the shutter again to stop, it takes another dark (noise) frame, and stacks them in camera for a result...

it speaks for itself.. here is a "live composite" shot, tweaked solely for color balance.. lightning mostly in the clouds on a stormy night in eluethera. using live composite for a few minutes of 5 sec shots, stacked and noise reduced in camera... just not possible without photoshop with canon, or sony, or whomever.



4e846caca844489f888c52e6dcb345a7.jpg
 
CCD sensors had so beautiful colors... I am always amazed, and always recognize them based on just the color signature...

Why did they stop using them?
 
I really like the m43 system and have mostly used Olympus bodies. I agree with the earlier poster that the only Olympus bodies that will handle CAF competently are the E-M1s. SAF on the other bodies is very good, but they may not meet your needs for sports or that type of shooting. Panasonic has the DFD system that, from the reports I've read, seems to handle CAF considerably better than the CDAF only Olympus bodies. So I'd take a look at the Panasonic bodies too.
 
I'm an amateur photographer willing to learn and improve.

My journey began with a Casio EXP-600 when DSLRs where too expensive for me. It was a good starting point for me and sparkled my interest in photography.

Years later I bougth a Canon 40D with a Tamron 17-50 2.8 and a Sigma 70-200 2.8

I was mostly interested in photographing motorsports, travels and landscapes. I had fun with this camera and lenses.

They suited my needs really well. The only thing I missing was taking it to mountain hikes, it was too heavy and unconfortable for me. I like to hike light, so I stayed with the Casio.

I took photography courses and became more interested in learn about photography and improve my "art". So I decided it was time to upgrade my kit and bought a 70D, Tokina 11-20 and Tamron 24-70. I kept de Sigma.

Somehow I never really liked the 70D not I enjoyed shooting with it as much as enjoyed with the 40D. I think it's a good camera, but I think it's not at the same level as de 40D. It's like if the 70D is les "pro" than the 40D

Another thing I think it makes photography less enjoyable for me is the weight of my kit. I usualy take the 11-20 and the 24-70 with me, and only take the 70-200 when I think I will really need. But I find sometimes I'm lazy to take the camera with me.

At first I thought about going FF with the A7iii that's getting so much attention lately, but then I realized that this route will be expensive if I want to get quality glass, and that it'll be as heavier as the Canon kit I own. The only benefit I see is improved image quality.
The recently announced and just available for pre-order Tamron 28-75mm looks to be a promising option for pairing with the A7iii . It is small , light and cheap considering what it offers

Dpreview shot showing its size on a Sony body

51e5ff1a0959481baab6e8c4f56ce4c4.jpg
An then I meet a photographer that uses Olympus and he was really pleased with the system, so I investigated about this system and I think it could be what I'm searching for: light, enjoyable, at with good IQ for my needs.

My interests in photography now are really wide: sports, lightpainting, macro, portrait... I know no system fits it all, but I think Olympus will be a good compromise.

So I'd like to hear opinions of people who made this move. And I'd like to know wich camera you'll recomend for sports. For now I'm thinking the camera it suits me is the M1 mark ii.

Thanks and I apologize for my english.
You cannot go wrong with either Olympus or Panasonic though if you do light painting a lot Olympus has a rather useful live composite mode which makes it a doddle :-)

--
Jim Stirling
“Facts are stubborn things; and whatever may be our wishes, our inclinations, or the dictates of our passion, they cannot alter the state of facts and evidence.” John Adams
I know about Tamron for Sony but I think is not that lighter and it's bigger than a M43 equivalent.
There is no m43 equivalent that would be a 14-37.5mm F/1.4 :-) If such a lens did exist it would be far larger and cost much more . Comparing like for like is important when looking at different systems . There is no free lunch
I was thinking about the 24-105 as a general lens for Sony, and then getting the 70-200, a wide lens and some primes for portraits but... it's lot of money and I suspect is not as lighter as MFT or resistant.
I am very happy with the 24-105mm F/4 which gives the same diagonal AOV , same DOF and gathers the same total light as a m43 12-52.5mm F/2 . It costs a good bit more than the Tamron . For me I prefer the longer focal range than the faster aperture. Remember F/4 on FF will give you a bit better DOF control and total light gathering than your F/2.8 lenses on Canon APS. You could also use your FF Canon mount lenses with an adapter and get by all reports very decent performance . The Sigma MC-11 adapter is relativity inexpensive and seems to work well

--
Jim Stirling
“Facts are stubborn things; and whatever may be our wishes, our inclinations, or the dictates of our passion, they cannot alter the state of facts and evidence.” John Adams
 
I'm an amateur photographer willing to learn and improve.

My journey began with a Casio EXP-600 when DSLRs where too expensive for me. It was a good starting point for me and sparkled my interest in photography.

Years later I bougth a Canon 40D with a Tamron 17-50 2.8 and a Sigma 70-200 2.8

I was mostly interested in photographing motorsports, travels and landscapes. I had fun with this camera and lenses.

They suited my needs really well. The only thing I missing was taking it to mountain hikes, it was too heavy and unconfortable for me. I like to hike light, so I stayed with the Casio.

I took photography courses and became more interested in learn about photography and improve my "art". So I decided it was time to upgrade my kit and bought a 70D, Tokina 11-20 and Tamron 24-70. I kept de Sigma.

Somehow I never really liked the 70D not I enjoyed shooting with it as much as enjoyed with the 40D. I think it's a good camera, but I think it's not at the same level as de 40D. It's like if the 70D is les "pro" than the 40D

Another thing I think it makes photography less enjoyable for me is the weight of my kit. I usualy take the 11-20 and the 24-70 with me, and only take the 70-200 when I think I will really need. But I find sometimes I'm lazy to take the camera with me.

At first I thought about going FF with the A7iii that's getting so much attention lately, but then I realized that this route will be expensive if I want to get quality glass, and that it'll be as heavier as the Canon kit I own. The only benefit I see is improved image quality.
The recently announced and just available for pre-order Tamron 28-75mm looks to be a promising option for pairing with the A7iii . It is small , light and cheap considering what it offers

Dpreview shot showing its size on a Sony body

51e5ff1a0959481baab6e8c4f56ce4c4.jpg
An then I meet a photographer that uses Olympus and he was really pleased with the system, so I investigated about this system and I think it could be what I'm searching for: light, enjoyable, at with good IQ for my needs.

My interests in photography now are really wide: sports, lightpainting, macro, portrait... I know no system fits it all, but I think Olympus will be a good compromise.

So I'd like to hear opinions of people who made this move. And I'd like to know wich camera you'll recomend for sports. For now I'm thinking the camera it suits me is the M1 mark ii.

Thanks and I apologize for my english.
You cannot go wrong with either Olympus or Panasonic though if you do light painting a lot Olympus has a rather useful live composite mode which makes it a doddle :-)

--
Jim Stirling
“Facts are stubborn things; and whatever may be our wishes, our inclinations, or the dictates of our passion, they cannot alter the state of facts and evidence.” John Adams
I know about Tamron for Sony but I think is not that lighter and it's bigger than a M43 equivalent.
Be careful with words like equivalent here ;)
Believe me I know this :-) but them is the facts
The m43 has a close match in focal length, but no match in light gathering ability as long as we speak of zooms. The best you can match in this regard is having 3 primes around the Tamron's range.

However, I was really thinking of replacing my three beloved primes, the 14 f2.5, the 25 f1.4 and the Oly 45 1.8 with this A7+Tamron combo. Even the Tamron goes up only to 75mm, the f2.8 aperture and the greater resolution makes it an easy match for the Oly 45 1.8.
I do like the longer focal length range of the 24-105mm I got for my Sony kit and I am very happy with its performance . But it does come in £500 more than the Tamron which is also about 110g lighter. If the Tamron performs as suggested it could be a real winner. If the Tamron had been out when I got the 24-105 it would have given me pause for thought

I was thinking about the 24-105 as a general lens for Sony, and then getting the 70-200, a wide lens and some primes for portraits but... it's lot of money and I suspect is not as lighter as MFT or resistant.
--
--------------------------------------------------
http://peterdegay.wix.com/photos


--
Jim Stirling
“Facts are stubborn things; and whatever may be our wishes, our inclinations, or the dictates of our passion, they cannot alter the state of facts and evidence.” John Adams
 
I'm an amateur photographer willing to learn and improve.

My journey began with a Casio EXP-600 when DSLRs where too expensive for me. It was a good starting point for me and sparkled my interest in photography.

Years later I bougth a Canon 40D with a Tamron 17-50 2.8 and a Sigma 70-200 2.8

I was mostly interested in photographing motorsports, travels and landscapes. I had fun with this camera and lenses.

They suited my needs really well. The only thing I missing was taking it to mountain hikes, it was too heavy and unconfortable for me. I like to hike light, so I stayed with the Casio.

I took photography courses and became more interested in learn about photography and improve my "art". So I decided it was time to upgrade my kit and bought a 70D, Tokina 11-20 and Tamron 24-70. I kept de Sigma.

Somehow I never really liked the 70D not I enjoyed shooting with it as much as enjoyed with the 40D. I think it's a good camera, but I think it's not at the same level as de 40D. It's like if the 70D is les "pro" than the 40D

Another thing I think it makes photography less enjoyable for me is the weight of my kit. I usualy take the 11-20 and the 24-70 with me, and only take the 70-200 when I think I will really need. But I find sometimes I'm lazy to take the camera with me.

At first I thought about going FF with the A7iii that's getting so much attention lately, but then I realized that this route will be expensive if I want to get quality glass, and that it'll be as heavier as the Canon kit I own. The only benefit I see is improved image quality.
The recently announced and just available for pre-order Tamron 28-75mm looks to be a promising option for pairing with the A7iii . It is small , light and cheap considering what it offers

Dpreview shot showing its size on a Sony body

51e5ff1a0959481baab6e8c4f56ce4c4.jpg
An then I meet a photographer that uses Olympus and he was really pleased with the system, so I investigated about this system and I think it could be what I'm searching for: light, enjoyable, at with good IQ for my needs.

My interests in photography now are really wide: sports, lightpainting, macro, portrait... I know no system fits it all, but I think Olympus will be a good compromise.

So I'd like to hear opinions of people who made this move. And I'd like to know wich camera you'll recomend for sports. For now I'm thinking the camera it suits me is the M1 mark ii.

Thanks and I apologize for my english.
You cannot go wrong with either Olympus or Panasonic though if you do light painting a lot Olympus has a rather useful live composite mode which makes it a doddle :-)

--
Jim Stirling
“Facts are stubborn things; and whatever may be our wishes, our inclinations, or the dictates of our passion, they cannot alter the state of facts and evidence.” John Adams
I know about Tamron for Sony but I think is not that lighter and it's bigger than a M43 equivalent.
Be careful with words like equivalent here ;)
Believe me I know this :-) but them is the facts
The m43 has a close match in focal length, but no match in light gathering ability as long as we speak of zooms. The best you can match in this regard is having 3 primes around the Tamron's range.

However, I was really thinking of replacing my three beloved primes, the 14 f2.5, the 25 f1.4 and the Oly 45 1.8 with this A7+Tamron combo. Even the Tamron goes up only to 75mm, the f2.8 aperture and the greater resolution makes it an easy match for the Oly 45 1.8.
I do like the longer focal length range of the 24-105mm I got for my Sony kit and I am very happy with its performance . But it does come in £500 more than the Tamron which is also about 110g lighter. If the Tamron performs as suggested it could be a real winner. If the Tamron had been out when I got the 24-105 it would have given me pause for thought
I was thinking about the 24-105 as a general lens for Sony, and then getting the 70-200, a wide lens and some primes for portraits but... it's lot of money and I suspect is not as lighter as MFT or resistant.
--
--------------------------------------------------
http://peterdegay.wix.com/photos
--
Jim Stirling
“Facts are stubborn things; and whatever may be our wishes, our inclinations, or the dictates of our passion, they cannot alter the state of facts and evidence.” John Adams
Light gathering capabilities are the same, an f2.8 will always be an f2.8, that's what the f number means. What's not the same is the DOF because of the diferent focal lenght needed by each format.
 
I'm an amateur photographer willing to learn and improve.

My journey began with a Casio EXP-600 when DSLRs where too expensive for me. It was a good starting point for me and sparkled my interest in photography.

Years later I bougth a Canon 40D with a Tamron 17-50 2.8 and a Sigma 70-200 2.8

I was mostly interested in photographing motorsports, travels and landscapes. I had fun with this camera and lenses.

They suited my needs really well. The only thing I missing was taking it to mountain hikes, it was too heavy and unconfortable for me. I like to hike light, so I stayed with the Casio.

I took photography courses and became more interested in learn about photography and improve my "art". So I decided it was time to upgrade my kit and bought a 70D, Tokina 11-20 and Tamron 24-70. I kept de Sigma.

Somehow I never really liked the 70D not I enjoyed shooting with it as much as enjoyed with the 40D. I think it's a good camera, but I think it's not at the same level as de 40D. It's like if the 70D is les "pro" than the 40D

Another thing I think it makes photography less enjoyable for me is the weight of my kit. I usualy take the 11-20 and the 24-70 with me, and only take the 70-200 when I think I will really need. But I find sometimes I'm lazy to take the camera with me.

At first I thought about going FF with the A7iii that's getting so much attention lately, but then I realized that this route will be expensive if I want to get quality glass, and that it'll be as heavier as the Canon kit I own. The only benefit I see is improved image quality.
The recently announced and just available for pre-order Tamron 28-75mm looks to be a promising option for pairing with the A7iii . It is small , light and cheap considering what it offers

Dpreview shot showing its size on a Sony body

51e5ff1a0959481baab6e8c4f56ce4c4.jpg
An then I meet a photographer that uses Olympus and he was really pleased with the system, so I investigated about this system and I think it could be what I'm searching for: light, enjoyable, at with good IQ for my needs.

My interests in photography now are really wide: sports, lightpainting, macro, portrait... I know no system fits it all, but I think Olympus will be a good compromise.

So I'd like to hear opinions of people who made this move. And I'd like to know wich camera you'll recomend for sports. For now I'm thinking the camera it suits me is the M1 mark ii.

Thanks and I apologize for my english.
You cannot go wrong with either Olympus or Panasonic though if you do light painting a lot Olympus has a rather useful live composite mode which makes it a doddle :-)

--
Jim Stirling
“Facts are stubborn things; and whatever may be our wishes, our inclinations, or the dictates of our passion, they cannot alter the state of facts and evidence.” John Adams
I know about Tamron for Sony but I think is not that lighter and it's bigger than a M43 equivalent.
Be careful with words like equivalent here ;)
Believe me I know this :-) but them is the facts
The m43 has a close match in focal length, but no match in light gathering ability as long as we speak of zooms. The best you can match in this regard is having 3 primes around the Tamron's range.

However, I was really thinking of replacing my three beloved primes, the 14 f2.5, the 25 f1.4 and the Oly 45 1.8 with this A7+Tamron combo. Even the Tamron goes up only to 75mm, the f2.8 aperture and the greater resolution makes it an easy match for the Oly 45 1.8.
I do like the longer focal length range of the 24-105mm I got for my Sony kit and I am very happy with its performance . But it does come in £500 more than the Tamron which is also about 110g lighter. If the Tamron performs as suggested it could be a real winner. If the Tamron had been out when I got the 24-105 it would have given me pause for thought
I was thinking about the 24-105 as a general lens for Sony, and then getting the 70-200, a wide lens and some primes for portraits but... it's lot of money and I suspect is not as lighter as MFT or resistant.
--
--------------------------------------------------
http://peterdegay.wix.com/photos
--
Jim Stirling
“Facts are stubborn things; and whatever may be our wishes, our inclinations, or the dictates of our passion, they cannot alter the state of facts and evidence.” John Adams
Light gathering capabilities are the same, an f2.8 will always be an f2.8, that's what the f number means. What's not the same is the DOF because of the diferent focal lenght needed by each format.
Errr, exposure may be the same, that is f2.8 at a given iso, will give the same shutter speed.

Light gathering capabilities are not the same. The FF lens, on a FF camera gathers more light due to the larger sensor and that means less noise.

So, in low light, FF has the advantage due to the increased light gathering capabilities.
 
I'm an amateur photographer willing to learn and improve.

My journey began with a Casio EXP-600 when DSLRs where too expensive for me. It was a good starting point for me and sparkled my interest in photography.

Years later I bougth a Canon 40D with a Tamron 17-50 2.8 and a Sigma 70-200 2.8

I was mostly interested in photographing motorsports, travels and landscapes. I had fun with this camera and lenses.

They suited my needs really well. The only thing I missing was taking it to mountain hikes, it was too heavy and unconfortable for me. I like to hike light, so I stayed with the Casio.

I took photography courses and became more interested in learn about photography and improve my "art". So I decided it was time to upgrade my kit and bought a 70D, Tokina 11-20 and Tamron 24-70. I kept de Sigma.

Somehow I never really liked the 70D not I enjoyed shooting with it as much as enjoyed with the 40D. I think it's a good camera, but I think it's not at the same level as de 40D. It's like if the 70D is les "pro" than the 40D

Another thing I think it makes photography less enjoyable for me is the weight of my kit. I usualy take the 11-20 and the 24-70 with me, and only take the 70-200 when I think I will really need. But I find sometimes I'm lazy to take the camera with me.

At first I thought about going FF with the A7iii that's getting so much attention lately, but then I realized that this route will be expensive if I want to get quality glass, and that it'll be as heavier as the Canon kit I own. The only benefit I see is improved image quality.
The recently announced and just available for pre-order Tamron 28-75mm looks to be a promising option for pairing with the A7iii . It is small , light and cheap considering what it offers

Dpreview shot showing its size on a Sony body

51e5ff1a0959481baab6e8c4f56ce4c4.jpg
An then I meet a photographer that uses Olympus and he was really pleased with the system, so I investigated about this system and I think it could be what I'm searching for: light, enjoyable, at with good IQ for my needs.

My interests in photography now are really wide: sports, lightpainting, macro, portrait... I know no system fits it all, but I think Olympus will be a good compromise.

So I'd like to hear opinions of people who made this move. And I'd like to know wich camera you'll recomend for sports. For now I'm thinking the camera it suits me is the M1 mark ii.

Thanks and I apologize for my english.
You cannot go wrong with either Olympus or Panasonic though if you do light painting a lot Olympus has a rather useful live composite mode which makes it a doddle :-)

--
Jim Stirling
“Facts are stubborn things; and whatever may be our wishes, our inclinations, or the dictates of our passion, they cannot alter the state of facts and evidence.” John Adams
I know about Tamron for Sony but I think is not that lighter and it's bigger than a M43 equivalent.
Be careful with words like equivalent here ;)
Believe me I know this :-) but them is the facts
The m43 has a close match in focal length, but no match in light gathering ability as long as we speak of zooms. The best you can match in this regard is having 3 primes around the Tamron's range.

However, I was really thinking of replacing my three beloved primes, the 14 f2.5, the 25 f1.4 and the Oly 45 1.8 with this A7+Tamron combo. Even the Tamron goes up only to 75mm, the f2.8 aperture and the greater resolution makes it an easy match for the Oly 45 1.8.
I do like the longer focal length range of the 24-105mm I got for my Sony kit and I am very happy with its performance . But it does come in £500 more than the Tamron which is also about 110g lighter. If the Tamron performs as suggested it could be a real winner. If the Tamron had been out when I got the 24-105 it would have given me pause for thought
I was thinking about the 24-105 as a general lens for Sony, and then getting the 70-200, a wide lens and some primes for portraits but... it's lot of money and I suspect is not as lighter as MFT or resistant.
--
--------------------------------------------------
http://peterdegay.wix.com/photos
--
Jim Stirling
“Facts are stubborn things; and whatever may be our wishes, our inclinations, or the dictates of our passion, they cannot alter the state of facts and evidence.” John Adams
Light gathering capabilities are the same, an f2.8 will always be an f2.8, that's what the f number means. What's not the same is the DOF because of the diferent focal lenght needed by each format.
Have a look at this short explanation:

https://photo.stackexchange.com/que...t-are-less-bright-than-ff-cameras/91151#91151
 
But that was back in 2008....

My personal take on the EM1.2:
- It has special features which will make your shooting even better and/or easier. In cam focusstacking for macro is great!
- IBIS is fantastic and useful!
- HiRes mode is fantastic for landscape, architecture and still life. A good lens and you get close to Medium format IQ and in some aspects it is better than that.

For me a big downside is the interfacing. Here the Oly really disappointed me. But that is me. I also shoot with GH4 and GM5 as well as EPl5 (Oly) and to me Panasonic camera's are so easy to understand, intuitive etc and the Oly is the complete opposite.

Again" that is me. I do think that interfacing with a cam is way underrated when people ask these questions. I understand, we cannot be absolutistic but we can point people to this important difference.

Lenses personally:
I have just a few Oly lenses and they are fine. I did buy there zooms since until recently all of them lacked OIS. Since Panny bodies lacked IBIS, this was a bad deal for someone who shot Panny cams mostly.
Now if I had to chose again, I still would go for 12-35 and 35-100 F2.8 because of the size and weigth difference with the Oly counterparts (12-40 is not much bigger or heavier than the 12-35).
Also I find the bokeh of the Oly zooms quite nervous. Panasonic lenses have a much more pleasing bokeh, but still can be nervous here and there.

Lenses factually:

When we look at reviews of the higher quality lenses from Panny and Oly both score about the same. Oly does not produce better lenses than Panny nor does Panny (or Leica) produce better pro lenses than Oly.
Some Panny lenses do have OIS and in their professional grade line-up this currently means they do offer DualIS whereas the Oly lenses not always have OIS and this lack the possibility to offer 6,5 stops of stabilisation. To me that would not be too important though since Em1.2 and G9 IBIS is already so very good.

If I were you I would take a close look at the E-M1 mark ii and the Panasonic G9.
 
Hi Rush,

Lensrentals.com is every new camera shopper's best friend in the world.

The kit you have in mind sounds like it's honing in on a ~$3000 - $4000 budget. Is that about right? Olympus E-M1.2 is ~$2,000, then at least another $1,000 - $2000 or more for lenses, assuming you want m4/3 glass similar to the 2.8 zooms you have for your Canon kit.

If you're going to spend that much money, why not block out a few hundred bucks and rent some different kits to try them out yourself?

$300 at Lensrentals.com would get you an E-M1.2 + a Nice Lens, and a Sony A7-something + a Nice Lens (or anything else you'd like to compare--maybe a Fuji X-H1 or X-T2?), both in your hands, for seven days.

Weigh, handle, shoot, examine the results yourself, at your leisure, shooting your subjects in your way. Explore new possibilities. The world is your oyster.

If you're spending a few thousand dollars anyway, it's an inexpensive way to be sure of your investment.

I do it all the time, and I'll tell you: when you have different gear in your hands at the same time, or when you're looking at photographs you've produced with that equipment side-by-side, the differences that'll mean something to you become immediately apparent.

Lots of people have great advice; but you're always better off seeing for yourself. There's no chance of FOMO if you already know, from direct personal experience, that you aren't missing anything.

Good luck!
 
The primary M4/3 advantage is in size and weight. And the longer the lens, the greater that advantage becomes.

8bd0b74d8d7f46d69a61e6c3b569b3a1.jpg

But there are disadvantages too. The APSC sensor is around 48% larger. This means an f/2.8 lens used on an APSC sensor is somewhat faster than an F/2.8 lens used on a Four Thirds sensor. Something like half a stop.

And if you prefer an OVF over an EVF, then you will want a DSLR rather than a MILC camera.

Either way, the cost would be about the same. Around $4,400 for the camera plus three lenses. While the Panasonic G9 body costs a lot more than a Canon 70D or 80D, the Panasonic lenses are quite a bit cheaper than the Tamron or Sigma full frame lenses with the same effective focal lengths.



--
Marty
my blog: http://marty4650.blogspot.com/
 
I have been playing around with a friends 70D system for a few days and I agree with you that it is enormous compared to a typical M43 system. Both the camera and the lenses are so much larger. If the size and weight is putting you off your photography then definitely consider changing systems.

M43 is really great once you factor in the many small primes and zooms available for it, it becomes unbeatable in terms of convenience. There is a slight reduction in low light capability against similar era apsc lenses but its not anything that cannot be overcome with technique and the amazing IBIS goes a long way to addressing the problem if there are no moving elements in the image.
 
You will often read about or hear people tell you that the smaller MFT sensors are going to be more noisy and you take an image quality hit. I say this is not true!

Use the DPR studio scene comparison tool. Since you are using a Canon APS-C camera, let's compare using Canon's current 24mp APSC sensor. Now we can compare to a MFT camera with a 20 mp sensor. Looking at iso 1600 raw, the noise is pretty much the same. In fact the warmer tones are a bit cleaner in the MFT camera. Looking around the details of the test scene, there is no significant resolution advantage either.

If you select a MFT camera with a 16mp sensor, you give up a bit resolution but the image is a bit cleaner still.

Canon's current 24mp APS-C sensor Vs. MFT 20mp sensor
Canon's current 24mp APS-C sensor Vs. MFT 20mp sensor

To be fair, Canon's AF is great for action and video. They have a very fine set of lenses at reasonable cost.

OTOH, MFT gives you good image quality using small cameras and lenses.
 
I'm an amateur photographer willing to learn and improve.

My journey began with a Casio EXP-600 when DSLRs where too expensive for me. It was a good starting point for me and sparkled my interest in photography.

Years later I bougth a Canon 40D with a Tamron 17-50 2.8 and a Sigma 70-200 2.8

I was mostly interested in photographing motorsports, travels and landscapes. I had fun with this camera and lenses.

They suited my needs really well. The only thing I missing was taking it to mountain hikes, it was too heavy and unconfortable for me. I like to hike light, so I stayed with the Casio.

I took photography courses and became more interested in learn about photography and improve my "art". So I decided it was time to upgrade my kit and bought a 70D, Tokina 11-20 and Tamron 24-70. I kept de Sigma.

Somehow I never really liked the 70D not I enjoyed shooting with it as much as enjoyed with the 40D. I think it's a good camera, but I think it's not at the same level as de 40D. It's like if the 70D is les "pro" than the 40D

Another thing I think it makes photography less enjoyable for me is the weight of my kit. I usualy take the 11-20 and the 24-70 with me, and only take the 70-200 when I think I will really need. But I find sometimes I'm lazy to take the camera with me.

At first I thought about going FF with the A7iii that's getting so much attention lately, but then I realized that this route will be expensive if I want to get quality glass, and that it'll be as heavier as the Canon kit I own. The only benefit I see is improved image quality.
The recently announced and just available for pre-order Tamron 28-75mm looks to be a promising option for pairing with the A7iii . It is small , light and cheap considering what it offers

Dpreview shot showing its size on a Sony body

51e5ff1a0959481baab6e8c4f56ce4c4.jpg
An then I meet a photographer that uses Olympus and he was really pleased with the system, so I investigated about this system and I think it could be what I'm searching for: light, enjoyable, at with good IQ for my needs.

My interests in photography now are really wide: sports, lightpainting, macro, portrait... I know no system fits it all, but I think Olympus will be a good compromise.

So I'd like to hear opinions of people who made this move. And I'd like to know wich camera you'll recomend for sports. For now I'm thinking the camera it suits me is the M1 mark ii.

Thanks and I apologize for my english.
You cannot go wrong with either Olympus or Panasonic though if you do light painting a lot Olympus has a rather useful live composite mode which makes it a doddle :-)

--
Jim Stirling
“Facts are stubborn things; and whatever may be our wishes, our inclinations, or the dictates of our passion, they cannot alter the state of facts and evidence.” John Adams
I know about Tamron for Sony but I think is not that lighter and it's bigger than a M43 equivalent.
Be careful with words like equivalent here ;)
Believe me I know this :-) but them is the facts
The m43 has a close match in focal length, but no match in light gathering ability as long as we speak of zooms. The best you can match in this regard is having 3 primes around the Tamron's range.

However, I was really thinking of replacing my three beloved primes, the 14 f2.5, the 25 f1.4 and the Oly 45 1.8 with this A7+Tamron combo. Even the Tamron goes up only to 75mm, the f2.8 aperture and the greater resolution makes it an easy match for the Oly 45 1.8.
I do like the longer focal length range of the 24-105mm I got for my Sony kit and I am very happy with its performance . But it does come in £500 more than the Tamron which is also about 110g lighter. If the Tamron performs as suggested it could be a real winner. If the Tamron had been out when I got the 24-105 it would have given me pause for thought
I was thinking about the 24-105 as a general lens for Sony, and then getting the 70-200, a wide lens and some primes for portraits but... it's lot of money and I suspect is not as lighter as MFT or resistant.
--
--------------------------------------------------
http://peterdegay.wix.com/photos
--
Jim Stirling
“Facts are stubborn things; and whatever may be our wishes, our inclinations, or the dictates of our passion, they cannot alter the state of facts and evidence.” John Adams
Light gathering capabilities are the same, an f2.8 will always be an f2.8, that's what the f number means. What's not the same is the DOF because of the diferent focal lenght needed by each format.
Have a look at this short explanation:

https://photo.stackexchange.com/que...t-are-less-bright-than-ff-cameras/91151#91151
I'm aware of what it's explained there and it's a conversation I don't want to start because there are very passionate people about this.

What I'm saying is that f number is a quotient between focal lenght and aperture size, and nothing else, there's no equivalences, etc.. Of course a FF sensor gets more light, because it's bigger and the same image it's spread over a bigger area.

m43 sensors have more noise because they are smaller, and their "pixels" are smaller, same with APS-C, etc... but the euivalence thing for me is meaningless... why not do the evquivalence with medium format instead of ff?
 
Hi Rush,

Lensrentals.com is every new camera shopper's best friend in the world.

The kit you have in mind sounds like it's honing in on a ~$3000 - $4000 budget. Is that about right? Olympus E-M1.2 is ~$2,000, then at least another $1,000 - $2000 or more for lenses, assuming you want m4/3 glass similar to the 2.8 zooms you have for your Canon kit.

If you're going to spend that much money, why not block out a few hundred bucks and rent some different kits to try them out yourself?

$300 at Lensrentals.com would get you an E-M1.2 + a Nice Lens, and a Sony A7-something + a Nice Lens (or anything else you'd like to compare--maybe a Fuji X-H1 or X-T2?), both in your hands, for seven days.

Weigh, handle, shoot, examine the results yourself, at your leisure, shooting your subjects in your way. Explore new possibilities. The world is your oyster.

If you're spending a few thousand dollars anyway, it's an inexpensive way to be sure of your investment.

I do it all the time, and I'll tell you: when you have different gear in your hands at the same time, or when you're looking at photographs you've produced with that equipment side-by-side, the differences that'll mean something to you become immediately apparent.

Lots of people have great advice; but you're always better off seeing for yourself. There's no chance of FOMO if you already know, from direct personal experience, that you aren't missing anything.

Good luck!
I live in Spain so I think lensrentals won't ship here...

But I found that Olympus has a test program and I asked to try the EM-1 mkII and some lenses for a weekend.
 
You will often read about or hear people tell you that the smaller MFT sensors are going to be more noisy and you take an image quality hit. I say this is not true!

Use the DPR studio scene comparison tool. Since you are using a Canon APS-C camera, let's compare using Canon's current 24mp APSC sensor. Now we can compare to a MFT camera with a 20 mp sensor. Looking at iso 1600 raw, the noise is pretty much the same. In fact the warmer tones are a bit cleaner in the MFT camera. Looking around the details of the test scene, there is no significant resolution advantage either.

If you select a MFT camera with a 16mp sensor, you give up a bit resolution but the image is a bit cleaner still.

Canon's current 24mp APS-C sensor Vs. MFT 20mp sensor
Canon's current 24mp APS-C sensor Vs. MFT 20mp sensor

To be fair, Canon's AF is great for action and video. They have a very fine set of lenses at reasonable cost.

OTOH, MFT gives you good image quality using small cameras and lenses.
I'm aware of this charts and only the noise is what it's stopping me. But tests are tests and I'd like to try it to see how pictures are affected in a real shooting. Luckly I've found about the Olympus test program and they will lend me a camera and some lens for a weekend. It'll be a busy weekend ;)
 
Have you considered using both systems? There are pros and cons to each format and you can mitigate size and weight with the bigger formats and cash in on the benefits of m43's 2x crop, greater DOF and better ibis.

My FF is Sony RX1R. Aps-C is Samsung NX1/NX500. M43 is Panasonic GX80/GX8. 1" is Nikon J5/V2 and Samsung NX mini. I have got carried away and should have concentrated more on glass tbh. On the plus side I can avoid ultra expensive lenses so money saved there helps pay for the bodies! With just one setup you can find yourself having to pay silly money for a lens that is much cheaper on the appropriate system.
 
I'm an amateur photographer willing to learn and improve.

My journey began with a Casio EXP-600 when DSLRs where too expensive for me. It was a good starting point for me and sparkled my interest in photography.

Years later I bougth a Canon 40D with a Tamron 17-50 2.8 and a Sigma 70-200 2.8

I was mostly interested in photographing motorsports, travels and landscapes. I had fun with this camera and lenses.

They suited my needs really well. The only thing I missing was taking it to mountain hikes, it was too heavy and unconfortable for me. I like to hike light, so I stayed with the Casio.

I took photography courses and became more interested in learn about photography and improve my "art". So I decided it was time to upgrade my kit and bought a 70D, Tokina 11-20 and Tamron 24-70. I kept de Sigma.

Somehow I never really liked the 70D not I enjoyed shooting with it as much as enjoyed with the 40D. I think it's a good camera, but I think it's not at the same level as de 40D. It's like if the 70D is les "pro" than the 40D

Another thing I think it makes photography less enjoyable for me is the weight of my kit. I usualy take the 11-20 and the 24-70 with me, and only take the 70-200 when I think I will really need. But I find sometimes I'm lazy to take the camera with me.

At first I thought about going FF with the A7iii that's getting so much attention lately, but then I realized that this route will be expensive if I want to get quality glass, and that it'll be as heavier as the Canon kit I own. The only benefit I see is improved image quality.
The recently announced and just available for pre-order Tamron 28-75mm looks to be a promising option for pairing with the A7iii . It is small , light and cheap considering what it offers

Dpreview shot showing its size on a Sony body

51e5ff1a0959481baab6e8c4f56ce4c4.jpg
An then I meet a photographer that uses Olympus and he was really pleased with the system, so I investigated about this system and I think it could be what I'm searching for: light, enjoyable, at with good IQ for my needs.

My interests in photography now are really wide: sports, lightpainting, macro, portrait... I know no system fits it all, but I think Olympus will be a good compromise.

So I'd like to hear opinions of people who made this move. And I'd like to know wich camera you'll recomend for sports. For now I'm thinking the camera it suits me is the M1 mark ii.

Thanks and I apologize for my english.
You cannot go wrong with either Olympus or Panasonic though if you do light painting a lot Olympus has a rather useful live composite mode which makes it a doddle :-)

--
Jim Stirling
“Facts are stubborn things; and whatever may be our wishes, our inclinations, or the dictates of our passion, they cannot alter the state of facts and evidence.” John Adams
I know about Tamron for Sony but I think is not that lighter and it's bigger than a M43 equivalent.
Be careful with words like equivalent here ;)
Believe me I know this :-) but them is the facts
The m43 has a close match in focal length, but no match in light gathering ability as long as we speak of zooms. The best you can match in this regard is having 3 primes around the Tamron's range.

However, I was really thinking of replacing my three beloved primes, the 14 f2.5, the 25 f1.4 and the Oly 45 1.8 with this A7+Tamron combo. Even the Tamron goes up only to 75mm, the f2.8 aperture and the greater resolution makes it an easy match for the Oly 45 1.8.
I do like the longer focal length range of the 24-105mm I got for my Sony kit and I am very happy with its performance . But it does come in £500 more than the Tamron which is also about 110g lighter. If the Tamron performs as suggested it could be a real winner. If the Tamron had been out when I got the 24-105 it would have given me pause for thought
I was thinking about the 24-105 as a general lens for Sony, and then getting the 70-200, a wide lens and some primes for portraits but... it's lot of money and I suspect is not as lighter as MFT or resistant.
--
--------------------------------------------------
http://peterdegay.wix.com/photos
--
Jim Stirling
“Facts are stubborn things; and whatever may be our wishes, our inclinations, or the dictates of our passion, they cannot alter the state of facts and evidence.” John Adams
Light gathering capabilities are the same, an f2.8 will always be an f2.8, that's what the f number means. What's not the same is the DOF because of the diferent focal lenght needed by each format.
Have a look at this short explanation:

https://photo.stackexchange.com/que...t-are-less-bright-than-ff-cameras/91151#91151
I'm aware of what it's explained there and it's a conversation I don't want to start because there are very passionate people about this.
Yes there are indeed. I wasn't trying to be antagonistic as I am getting my head round this myself. I certainly don't want to start an angry sequence of posts. I was simply replying in my own way.
What I'm saying is that f number is a quotient between focal lenght and aperture size, and nothing else, there's no equivalences, etc.. Of course a FF sensor gets more light, because it's bigger and the same image it's spread over a bigger area.

m43 sensors have more noise because they are smaller, and their "pixels" are smaller, same with APS-C, etc... but the euivalence thing for me is meaningless... why not do the evquivalence with medium format instead of ff?
Why not indeed?

My reason is simply that comparisons with MF are far less relevant because there are far fewer people using this format compared to those familiar with FF and M4/3.
 
The primary M4/3 advantage is in size and weight. And the longer the lens, the greater that advantage becomes.

8bd0b74d8d7f46d69a61e6c3b569b3a1.jpg

But there are disadvantages too. The APSC sensor is around 48% larger. This means an f/2.8 lens used on an APSC sensor is somewhat faster than an F/2.8 lens used on a Four Thirds sensor. Something like half a stop.

And if you prefer an OVF over an EVF, then you will want a DSLR rather than a MILC camera.

Either way, the cost would be about the same. Around $4,400 for the camera plus three lenses. While the Panasonic G9 body costs a lot more than a Canon 70D or 80D, the Panasonic lenses are quite a bit cheaper than the Tamron or Sigma full frame lenses with the same effective focal lengths.

--
Marty
http://www.fluidr.com/photos/marty4650/sets/72157606210120132
http://www.flickr.com/photos/marty4650/sets/72157606210120132/show/
my blog: http://marty4650.blogspot.com/
The Canon is a crop sensor a 70-200mm f/2.8 would give you an effective FF equiv AOV of 112-320mm the Panasonic 35-100mm is not close to that whereas the Olympus 40-150 with its FF equiv of 80-300mm would be a much closer comparison. Though the lens on a Canon body would be equivalent to a 56-160mm F/2.24 m43 lens which doesn't exist .

The comparative prices in the USA between Tamron and m43 lens , must be very different though looking at B&H the Tamron lenses are cheaper across the board and the 80D is also a lot cheaper than the G9

Over here the Canon based outfit would be almost £900 cheaper

https://www.camerapricebuster.co.uk/

Pansonic 7-14mm £ 700

Panasonic 12-35mm £ 750

Olympus 40-150mm £ 1090

Sub-total £2540

Tamron 10-24mm £530

Tamron 17-50m vc 2.8 £350

Tamron 70-200mm vcG2 £1274

Sub-total £2154

G9 £1500 80D £989

Lenses £2540 lenses £2154

Total = £4040 = £3143

This is using the latest version of the respective lenses you can get last gen versions of the Tamron lenses much cheaper

Jim Stirling
“Facts are stubborn things; and whatever may be our wishes, our inclinations, or the dictates of our passion, they cannot alter the state of facts and evidence.” John Adams
 
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