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kamituel
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Super 35 covers a bit larger sensor area than APS-C, see here: https://cvp.com/support/page/image-sensor-size-comparison
So you need someone who actually used that very lens on A7x camera in Super 35, across the whole zoom range, to confirm.
SergeyFromMoscow
Forum Enthusiast
did you see this test?
briansmith.com
At the ends I think it will (almost) be no vignetting.
Using the Sony A7R with the Sony10-18 F/4 OSS E-mount lens
A pleasant surprise from testing the fullframe coverage of APS E-mount lenses on the Sony A7R was discovering the coverage of Sony 10-18 F4 OSS E-mount lens
briansmith.com
At the ends I think it will (almost) be no vignetting.
G
Glenn Barber
Guest
At Full Frame I can get almost to 12mm without heavy vignetting. If you are shooting Super-35 I would expect this lens to perform all the way to 10mm. I have this combo, and will check it out if I can later today.
I didn’t see that - thanks.
Based on the APC lines (if they are correct) it looks like this lens might give total sensor coverage on the a7r3 for 4K video.
Still hoping someone with an a7r3 and 10-18 has actually tried it, but this looks good. Having a small 10mm lens for a handheld gimbal work (along with the zoom versatility) would just be awesome.
Based on the APC lines (if they are correct) it looks like this lens might give total sensor coverage on the a7r3 for 4K video.
Still hoping someone with an a7r3 and 10-18 has actually tried it, but this looks good. Having a small 10mm lens for a handheld gimbal work (along with the zoom versatility) would just be awesome.
Thanks!! If you could check I’d really appreciate it. I’ve got a long trip coming up and need to dial in a lightweight video solution.
G
Glenn Barber
Guest
There is another post regarding this topic.
It appears that 4K Super 35 on Sony may be within the APS-C frame - so APS-C lenses should work without issue. Which is probably what Sony intended.
It appears that 4K Super 35 on Sony may be within the APS-C frame - so APS-C lenses should work without issue. Which is probably what Sony intended.
G
Glenn Barber
Guest
OK - when I got to the office I popped the 10-18 on the A7R3 and put it in Super 35 4K mode. I took some quick videos of walls and surroundings. There is no physical vignetting cutoff at all. At 10mm you do seem some gradual fall off in the corners - not unlike what you would see with any wide angle lens. It looks pretty good actually - I have only used this lens for still when I needed to get wider FF than my 16-35- taking me to almost to 12mm full frame. I just wish all lenses on the A7r3 were this lightweight.
I also have a power zoom 18-105 that I use on my a6500 - the preferred videographers lens - I plan to try that on the A7r3 for video as well. But that's a bigger lens.
I might add that you might also consider a 28 F2 - also very lightweight - but much brighter.
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