>>Challange 11 - Out-takes<<

Andy -- If there'd been any way to separate the two sets of wilted
leaves from the bg so that it could be heavily blurred (a la
shortening DOF in Photoshop, or soemthing like that), it might have
been a better pic. the way it is here, there's just too much going
on around those leaves to give them the focus they need to create a
really worthy shot.
I really wanted to do what you suggested Shudder as I liked the
leaves but not the background. Sadly, my Photoshop skills leave a
lot to be desired!
Best wishes,
Andy
--Hi Andy,

Just had a go with Gaussian Blur and slight darkening with your picture, see what you think !!

Regards



Mike533

Fuji Finepix S602 Zoom.Vivitar 283 Flashgun ,Epson Perfection 1660 Photo Scanner
http://www.pbase.com/mike533
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Hi Alex

While I'm definitely trying to use light to better advantage now, I wish I had a lot of tecnical tricks to share. I will tell you what I THINK I know, from reading, and from trial and error.

I used to think that to take a picture with lots of shadow, like the saddle, meant taking a picture in conditions without much light. But that's not true. That just leads to an overall underexposed, blurry picture because of camera shake.

What you need is good intense lighting, but directional lighting. For me, in that room, it was sunlight, coming from under the pull shade. The window was 4 feet tall. The shade was pulled down all but 6 inches. There was still plenty of light in that room and on that saddle, yet it came from one direction,from the right and slightly below the saddle, there was not ambient light relecting everywhere.

The other thing that I do is use the EV compensation. Why? Because it's the only manual adjustment on the 2800 besides white balance! :D

Seriously, though, I find that if I turn down the EV , as long as there is enough light to begin with, it can make a big difference later on.

Because - and here is the sordid truth - that "special " quality of light becomes revealed only after post processing. Don't get me wrong - you can see the effect in the raw picture. But it is not until you do levels, and bring contrast up, brightness way down, color up, etc that the full effect is drawn out.

i think the EV compensation can help here often--it enriches colors while helping to avoid overexposure as it evens out the light exposure across the picture. Somehow it seems to make the whole process of achieving more contrast without harshness easier to attain.

As far as a tripod - I used one for the saddle picture, but the barn pics were handheld - which was stupid, quite frankly.
The thing that seems to stand out for me with your pictures is the
quality of light that seems to come through.. and I'm trying
desperately to figure out why, given I have a camera that should be
able to take pictures in that kind of light at least as well at the
2800z..

The only thing that springs to mind is that I don't currently use a
tripod; would you be able to reveal if you do? If not, do you have
any tips for taking pictures in locations such as that barn
(obviously it was a bright day outside..)

Cheers

-Alex
--
Gingerbaker
http://www.pbase.com/gingerbaker/galleries
 
Hi Mike

I like the added candle. Nice touch!

Meanwhile, that quite the Kenner Home Micrbiology Kit you had going there! If the CDC finds a European convergence for SARS, West Nile, and West Bronx Tooshy-Go-Mooshy not to worry, mum's the word! :D
I have been very busy of late so didn't have time to comment nor do
much for the challenge.

I did blue-tack a 50mm slr lens onto the end of the extension tube
and tried some ultra macros of my mouldy fruit, and nearly entered
one, orange macro 1, but thought it was too abstract. Still I had
plenty fun with my rotting fruit and had a laugh at the reactions !

Mike Bee

Outakes Ch 11 here

http://homepage.mac.com/thesentinel/PhotoAlbum10.html
--
Gingerbaker
http://www.pbase.com/gingerbaker/galleries
 
I did blue-tack a 50mm slr lens onto the end of the extension tube
and tried some ultra macros of my mouldy fruit, and nearly entered
one, orange macro 1, but thought it was too abstract. Still I had
plenty fun with my rotting fruit and had a laugh at the reactions !
Ghod, Mike! Some of those are sooooo GROSS... I like 'em! :)

I like Orange 3 the best of the abstracts. You might be able to print that at 20x30 and no one woould lever even be clued in as to what it is when displayed at that size. But, you might always walk by it and go, "Ewwwwwww..."

best,
shudder

--
best,
shudder
 
Thank's for the info; most appreciated. I've not really played that much eith the EV compensation on my 6900, it's only really recently that I've started using the full manual mode at all - I'm starting to become much more comfortable with the camera & my abilities. As it's a nice day I'll go for a wander around Oxford and see what I can do ;¬).

As for post in photoshop.. it's weird, I hardly use it (I think it's because I use it every day with my job - it's a great package but you can have too much of it..)

Cheers

-Alex
 

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