Quattro & Merrill Moon Shot

rick decker

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Tonight:





Quattro Moon
Quattro Moon



Merrill Moon
Merrill Moon





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No surprises there.

The Quattro look soft and the Merrill harsh.

I like the Quattro better. You can enhance local contrast if you want to.

EDIT:

Looking again I see that the Quattro is a bit too soft. Is it really sharp?

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/Roland
Kalpanika X3F tools:
https://github.com/kalpanika/x3f
 
Last edited:
Tonight:

Quattro Moon
Quattro Moon

Merrill Moon
Merrill Moon
Thanks for posting, Rick.

BTW, no contest, ;-)

f07cb838d3204c7fa40b6ee0b440972c.jpg

:-D

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Ted
I always thought that the Quattro has some drawbacks compared to the sensor in the Merrill models. Assuming that everything was set up in the same way, this comparison clearly shows that the Quattro has a disadvantage in S/N and acutance.

I own both models (SD1 and sdQH) and would really love to see a clear advantage for the Quattro. Sigh....
 
Very interesting Rick. Thank you for posting these. Now it might be not just clouds anymore that the Merrills excel at, huh?

BTW, how many shots did you try before you got those two? . . . and can we play with the raw files?

I'm actually surprised what a difference there seems to be. I see that the Merrill shot was made at f5.6 and the Quattro shot was made at f8. Could that be the cause of the softness? Are these OOC jpegs or what?

--
Scott Barton Kennelly
http://www.bigprintphotos.com
 
Last edited:
Tonight:

Quattro Moon
Quattro Moon

Merrill Moon
Merrill Moon
Thanks for posting, Rick.

BTW, no contest, ;-)

f07cb838d3204c7fa40b6ee0b440972c.jpg

:-D

--
Ted
I always thought that the Quattro has some drawbacks compared to the sensor in the Merrill models. Assuming that everything was set up in the same way, this comparison clearly shows that the Quattro has a disadvantage in S/N and acutance.

I own both models (SD1 and sdQH) and would really love to see a clear advantage for the Quattro. Sigh....
Feel like shooting some photos of the moon with each of your two cameras, using your longest high-quality lens and posting your results here?

--
Scott Barton Kennelly
 
Interesting. I have not seen this big a disparity between the two, as a matter of fact I have seen better results from the Q detail wise.

Somehow the Q image isn't all it could be i think. It looks like it was either movement or out of focus in the enlargement.
 
Good comparison, Rick. All the Quattro moon images I've seen are inferior to the best Merrill ones.

And concerning my effort here - there were some high clouds, and the Moon was only about 30 degrees above the horizon when I shot this.

That's my excuse, and I'm sticking to it. :-)

54d7f326b5b642d7a6e1d3bf49a0ff2c.jpg

David
 
dellaaa wrote: ".... out of focus in the enlargement."
Whoa. That takes me back! Squinting through my Patterson focusing aid while reaching back over my head for the knob, getting that Tri-X grain nice and sharp. Nice memories.

Jan
 
I picked the best of the group and set sharpening to -1.0. It was difficult to decide about how much contrast to add. Probably especially subjective in this type of shot.
 
I can make RAW available
Yes please.

Note that robbing the Quattro of a stop of light is always going to be unfair. Where have I seen that done before? ;-)
 
1st one is noticeably (and excellent) sharper than 2nd. I find a lot of contrast work necessary where I am. Probably true for you also?
 
I can make RAW available
Yes please.

Note that robbing the Quattro of a stop of light is always going to be unfair. Where have I seen that done before? ;-)
LOL.

As I recall in those halcyon early Quattro days, wasn't Sigma talking about an extra stop of light compared with Merrill?

So maybe Rick was trying for "equivalent" shots? :-)
 
Args: Please ask Quattro to forgive me. However, unless I am mistaken which is possible, the Quattro showed and needed a half to a stop less light. However in the interests of "truth, justice and the American way", I will make the RAW files available.
 
I have read most of the posts in this thread and it seems to me the Q image needs some sharpening and more NR and higher contrast. But that might not fix what looks like some other problem with blurring and noise.

I do not think SPP NR is as good as it needs to be to deal with the sdQ in some situations. I am puzzled by this, because the dpQ0 doesn't seem to suffer from noise that same way. Just thinking about the sdQ and its sensor, in terms of concept, it ought to do better, and some part of SPP might be the problem. The Q sensor at High Resolution is really not very much like the full-on, three colors at each pixel concept of all the earlier sensors.

From my use of the sdQ my feeling is that the maximum smooth setting of SPP seems to eliminate the detail from the top layer. Without that detail there is not much to recommend High Resolution for any use. Better, I think, if we are going to stay with SPP, more in the middle with the smooth-crunchy settings, and the same goes for NR and slightly increased contrast. And some sharpening is necessary: I think -1.0 sharpening might be good if further work is going to be done in another program. But if we propose, as some argue, that the Q looks/works more like a Bayer sensor, then sharpening is not optional, it is required, and +.5 sharpening in SPP is not extreme.

Finally, there appears to be some interaction between these various settings in SPP, and changing one seems to have some influence on the others. SPP as a "post" processing program seems to be adequate for fast work, in simple cases, and the results can be good, but the best results require minimal work in SPP to convert to a .tif file, and then some work in RT or another similar program.







--
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