Ok, I'm considering to buy a MFT body for macro with adapted Minolta lenses, MD 50mm f3.5 and 100mm f4 macro bellows ( don't try to sell me any MFT glass becouse I'm using tilt and shift so a larger image circle is essential) I'm reasoning this with the ability to use less extension to get the same photo as with larger sensors, have more DOF and with tilt/shift more play.
So a question.. Have any of you around here shooted macro with MFT and some bigger sensors and how you'd compare them?
Teddy
I do a lot of macro work, but not with bellows or tilt shift. I use a variety of dedicated macro lenses, close up diopters, and long teles with extension tubes, to get the shots I am looking for. I do mostly flowers and insects for my subjects, and prefer to do hand-held work, so I appreciate good image stabilization when available, (but make do when I don't have it).
My favorite legacy macro is the Micro Nikkor 55mm f3.5 non-AI lens. I've used it adapted on every M43 body I have had, as well as the Sony A7, when I was using that system. Great lens. I have used a number of others (Minolta AF 50mm f2.8, 100mm f2.8, Tamron 90mm f2.8, etc), and the only one I kept was the Nikon.
In my excursion into FF territory, I found that I did miss the inherently greater DOF due to the crop factor that I had become used to on my M43 cameras, when I was working with the A7. So, when I returned to M43, it was, in part due to that, plus the advantage of being able to get extra reach with long tele lenses without paying a massive weight penalty that I would with the FF gear. That being said, DOF with really close up lenses in M43 is still going to be mighty shallow, and I find that I do still end up using focus stacking at least some of the time, especially with shorter lenses that are used very close to the subject.
My native M43 macro lenses are the PL 45mm f2.8, and now also the Oly 30mm f3.5. Oddly enough, however, last summer I found that I was having a lot more fun using my PL 100-400mm with extension tubes to do most of my close-up work with insects and flowers, rather than with the dedicated macros. Go figure....
As to bodies? I would STRONGLY suggest that you get one of the 20MP sensored bodies for your macro work. There are some improvements in tonal and color gradation in that sensor, as well as shadow noise, that are particularly obvious when doing macro type work with floral or natural subjects. I have owned a number of the 16MP bodies, and would not have switched back from the A7 completely to M43 had I had to work only with one of those. The 20MP, for this type work, is a significant step up, and ended up meeting my needs just fine. (I have the GX8).
Hope this helps....
-J