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Since the original discussion, I have become an A7R2 owner. I intended selling the RX1 to help the purchase. I still can't manage to decide to sell the RX1. It's size/weight /silence/built in flash convenience plus that fabulous lens and IQ still have me reaching for it often in preference to the A7R2.I couldn't stand the a7r loud shutter and slow autofocus. I ended up buying the Sony RX1RII for around $1900 a year ago used. No regrets.
That’s an amazing price to pick up an RX1RII. The mark two really fixes all the issues I have with my RX1: Better AF, tilty screen, EVF... and an upgraded sensor to boot. Just can’t justify the price.I couldn't stand the a7r loud shutter and slow autofocus. I ended up buying the Sony RX1RII for around $1900 a year ago used. No regrets.
Marc, thank you sooo much. Super useful write up and exactly the kind of comparison I was after. Also, the photo you posted with the comparison to the 28/2.0 is just what I needed to compare. I usually carry the A7 (now replaced with A7rii) along with the RX1, and I'm wondering i keep my old A7 instead of the RX1 then it'll be too clumbersome carrying both A7 and A7rii.I did a comparison of the two (RX1R and A7RII), as I own both: http://camera.hifivoice.com/Gear/rx1r-vs-a7rii/
The RX1R is smaller, although that doesn't make it pocketable. It will fit in large coat pockets, but you'll need a bag to seriously carry it around. In practice, it feels comparable to the A7 with a 35mm f/2.8 lens, you can carry both of them around in a similar bag ((I use a Lowepro Apex 100).
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Hence, I would go for an A7(II or RII), it is more flexible and more reliable.
Again, thank you so much for sharing your views, I think it’s just confirming that I should leave my prejudice behind and try the 28/2.0 on my A7 (Or my A7Rii) and get less caught up with the ‘magic’ of the RX1. It sounds from your experience that I’ll be just as happy with the rendering, and be able to leave behind my pet hates of the RX1 (unreliable AF, no tilty screen - useful for shooting my kids at their level, no EVF for outdoor use).I think you will hardly miss the rendering of the RX1 when you use the 28mm f/2.0, it has a quite similar character to the RX1, only when you zoom in you can see the onion rings in bright bokeh balls.
Honestly, for the price I think the 28mm is unbeatable. Only if you expect razor-sharp wide angle landscapes you'd better look somewhere else (where stopped down it is pretty OK).
Honestly, I have not so much experience with the 55mm f/1.8 yet. It's smaller DoF does help a lot of course with making objects pop out, and it is very very sharp as well. What I see is that the sort of vibrancy in Sony/Zeiss lenses is mainly due to the contrast, and a less warm redenering of the colours. So indeed, in Lightroom sliders like "Clarity", "Blacks", "Contrast" and "Vibrance" can make the lens results a bit similar. You can make this a default setting, so during import you can get what you are looking for. I always fin myself warming up the photos out of the Sony a bit, they tend to be a bit blue/green compared to for instance Nikon (who do render shadow tones a bit (too) red).Last question, do you find colour rendering and micro contrast to be on the same level as the Zeiss? I have the 55/1.8 as well, and although it’s completely subjective I find there’s some kind of ‘pop’ to the way the colours come out. I need less vibrancy/saturation adjustment in LR.
Lucille has some examples to show the pop of the 28mm f/2:Last question, do you find colour rendering and micro contrast to be on the same level as the Zeiss?
Hi All,Lucille has some examples to show the pop of the 28mm f/2:Last question, do you find colour rendering and micro contrast to be on the same level as the Zeiss?
https://www.talkemount.com/threads/the-zeiss-35mm-f-2-8-a-lens-i-dislike.14131/page-4
Or have a look around in the Flickr group of the lens:
https://www.flickr.com/groups/2819900@N21/
Ok, good to know!The 28 lets you get in closer when you switch it to manual focus.
Exactly. I picked up a mint copy for 400sgd. Also surprised by its out of focus rendering.The FE 28/2 is a highly underrated lens. It's an immense value for the money, especially if you find a mint used one. I was actually surprised by it's smooth rendering, which is something that I like about it. It might not be the smallest lens, but it's not big either, and it's super light.