RAW or JPEG which one do you shoot with ?

RAW or JPEG which one do you shoot with ?


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Quite. Personally though, I'd feel short changed if I paid anyone to shoot photos for me and they shot JPEGs on a 7D II.
My customers have never asked what camera I'm using or what format I'm shooting in. They look at the photos and if they are what we agreed to (they always are) they pay me.
 
Everyone shoots RAW. Some people who have no idea like to save their images as JPEGs only, but that's their loss.
BS. Incredibly myopic view.
No, true. There are no advantages to shooting JPEGs - period.
The way I would state this is there is no advantage to shooting JPEGS when it comes to image quality and in many cases a disadvantage depending on what and how you shoot. Now does this make everyone happy probably not.
 
Everyone shoots RAW. Some people who have no idea like to save their images as JPEGs only, but that's their loss.
BS. Incredibly myopic view.
No, true. There are no advantages to shooting JPEGs - period.
Sure there are.
Apart from taking up less room on oh-so-expensive SD cards and hard drives, allowing you a greater burst of JPEGs only, and the ability to send those ground breaking news photos to your editor that little bit faster, name one.
For a company like mine, we would need about $30-40k to move up to shooting raw. Its not just the “oh so expensive sd cards”, it would involve a lot of extra equipment, not mention moving to 1dx2s as the 7d2 buffer depth isnt big enough.

Why would i do that to satisy the two people each year who ask if i shoot raw?

We have to meet an 8pm deadline. We miss, we lose money. Shooting raw just doesnt make commercial sense to us.
What is your business?
 
Everyone shoots RAW. Some people who have no idea like to save their images as JPEGs only, but that's their loss.
BS. Incredibly myopic view.
No, true. There are no advantages to shooting JPEGs - period.
The way I would state this is there is no advantage to shooting JPEGS when it comes to image quality and in many cases a disadvantage depending on what and how you shoot. Now does this make everyone happy probably not.

--
Don Lacy
https://500px.com/lacy
http://www.witnessnature.net/
Fair statement depending on the individuals PP skills. I have seen many here state that the camera does a better job than they can.
Thats because one they confuse Raw conversion with post processing when it is only the first step and two they have not spent the time to actually learn how to post process and three they lack artistic vision.

--
Don Lacy
https://500px.com/lacy
http://www.witnessnature.net/
I’m in my fifteenth year of raw post processing. I’ve been told I have an artistic sense. My photos have been exhibited, sold and published. I’m one of those people on occasion. Not always.
I am glad for you that you are an accomplish photographer I also have sold prints been publish, won national contest, and been exhibited and it really does not mean anything when it comes to post processing knowledge.
My simple D3400 in Green Auto mode senses whether the scene is landscape, portrait or standard and adjusts colors, contrast, dynamic range, shutter, aperture, ISO, AF area and AF mode all within milliseconds. I still don’t seem to have all the nuances down for replicating my camera’s Landscape Picture Control. It seems to emphasize greens and blues while rendering other colors as normal.
Several ways to do this from curve adjustment on on individual color channels to luminosity mask on individual colors to apply saturation and luminance adjustments.
It enhances scene contrast while preserving highlight detail, without introducing noise.
Midtone contrast adjustment using a luminosity mask is one way if you want I can name several more ways
Shall I stop here?
Yeah you should since nothing you said so far is complicated in post if you know what you are doing. I used PS for years and would not have been able to do the thing you mentioned until I bothered to learn it. How exactly do you think your camera does it it is using the same information you have access to.
I’m sure there’s more to how Auto Mode does this so well, that is beyond me. Do I always use it? No.
It would not be beyond you if you wanted to learn how to do it if you want I can recommend some really good videos from some of the best landscape photographers who go in depth on how to do these type of things. I will warn you they are several hours long and you will need keep watching them until you get it and even then it might take you years to develop your own style.

--
Don Lacy
https://500px.com/lacy
http://www.witnessnature.net/
It's interesting that this advice comes down to trekking Lightpath that he can spend at least many hours, up to years, learning to replicate what he can do instantly at the moment.

Don't get me wrong, it is good and knowledgeable advice and of course those skills will be valuable and give him a lot more control and flexibility, but it raises an interesting point. It suggests one clear advantage of JPEGs for those who don't want to invest a lot of time (and money on software) but can still produce very decent images straight out of the camera.

--
Happiness lies in thinking or doing that which one considers beautiful - HIK
To me JPEG is like shooting slide film where what you captured when you pressed the shutter is pretty much what your finale image was while Raw is more like print where capture was just the beginning of the process and the image still needed to be finished in the dark room. When I shot film it was mainly slides and since I have gone digital it is mainly Raw but unlike film there are IQ benefits as well as creative benefits over shooting Raw over JPEG. Now those benefits may not out weigh the convience of JPEG for your type of shooting or your style and I recognized that and to each their own but those benefits are real and that was my point. Now I really don't care if you shoot JPEG or Raw all I know for me and my style of shooting Raw is the better format since I really do not want the engineers at Canon making creative choices for me when it comes to tonal values and their relationship to each other.

--
Don Lacy
https://500px.com/lacy
http://www.witnessnature.net/
 
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Everyone shoots RAW. Some people who have no idea like to save their images as JPEGs only, but that's their loss.
BS. Incredibly myopic view.
No, true. There are no advantages to shooting JPEGs - period.
The way I would state this is there is no advantage to shooting JPEGS when it comes to image quality and in many cases a disadvantage depending on what and how you shoot. Now does this make everyone happy probably not.
 
My camera all have duel cards slots, I set them both to shoot RAW. Second card is backup. --
God created the world and all that is in it. We just get to photograph it.
Kenny
 
Only Raw, if you got the space there is no need to also shoot JPEG
I agree👍 If something is important enough to shoot RAW I don’t want my backup card shooting JPEG.


God created the world and all that is in it. We just get to photograph it.
Kenny
 
I know that may sound odd, but with my pro stuff I don't have time to waste waiting for RAW images to load, and since I get it right in camera under fully controlled unchanging lighting conditions and it's only going online, I don't care about huge colour gamuts. Also I spend less than 2 minutes editing each JPEG image (and NO, batch processing wouldn't work as I have to custom crop each image and then resize it depending on how much I've cropped).

My personal stuff on the other hand I take all the time I want and I do artsy stuff, so I want as much data as I can get from my camera so I shoot RAW in that case.
 
Everyone shoots RAW. Some people who have no idea like to save their images as JPEGs only, but that's their loss.
BS. Incredibly myopic view.
No, true. There are no advantages to shooting JPEGs - period.
Sure there are.
Apart from taking up less room on oh-so-expensive SD cards and hard drives, allowing you a greater burst of JPEGs only, and the ability to send those ground breaking news photos to your editor that little bit faster, name one.
For a company like mine, we would need about $30-40k to move up to shooting raw. Its not just the “oh so expensive sd cards”, it would involve a lot of extra equipment, not mention moving to 1dx2s as the 7d2 buffer depth isnt big enough.

Why would i do that to satisy the two people each year who ask if i shoot raw?
Quite. Personally though, I'd feel short changed if I paid anyone to shoot photos for me and they shot JPEGs on a 7D II.
You don’t understand my business, and frankly i can’t be bothered to explain.
It's not the job of the customer to "understand your business". As a customer, I'm entitled to request information on how you intend to do the job I want.

As for "I can't be bothered to explain" - with that kind of attitude, it's no surprise you also "can't be bothered" understanding or working with RAW to provide a superior product to your customers.

I cannot imagine ever paying anyone to take JPEGs with a 7D Mk II. If I were you, I wouldn't let on who I was in case some of your clients find out...
 
Everyone shoots RAW. Some people who have no idea like to save their images as JPEGs only, but that's their loss.
BS. Incredibly myopic view.
No, true. There are no advantages to shooting JPEGs - period.
Sure there are.
Apart from taking up less room on oh-so-expensive SD cards and hard drives, allowing you a greater burst of JPEGs only, and the ability to send those ground breaking news photos to your editor that little bit faster, name one.
For a company like mine, we would need about $30-40k to move up to shooting raw. Its not just the “oh so expensive sd cards”, it would involve a lot of extra equipment, not mention moving to 1dx2s as the 7d2 buffer depth isnt big enough.

Why would i do that to satisy the two people each year who ask if i shoot raw?
Quite. Personally though, I'd feel short changed if I paid anyone to shoot photos for me and they shot JPEGs on a 7D II
This is because you are a gearhead and not a photographer.
Not at all. When someone I am paying is shooting JPEG it's because they are too lazy and don't care about the final product. It's all about getting the most from the gear you have.
 
Everyone shoots RAW. Some people who have no idea like to save their images as JPEGs only, but that's their loss.
BS. Incredibly myopic view.
No, true. There are no advantages to shooting JPEGs - period.
Sure there are.
Apart from taking up less room on oh-so-expensive SD cards and hard drives, allowing you a greater burst of JPEGs only, and the ability to send those ground breaking news photos to your editor that little bit faster, name one.
For a company like mine, we would need about $30-40k to move up to shooting raw. Its not just the “oh so expensive sd cards”, it would involve a lot of extra equipment, not mention moving to 1dx2s as the 7d2 buffer depth isnt big enough.

Why would i do that to satisy the two people each year who ask if i shoot raw?
Quite. Personally though, I'd feel short changed if I paid anyone to shoot photos for me and they shot JPEGs on a 7D II.
You don’t understand my business, and frankly i can’t be bothered to explain.
It's not the job of the customer to "understand your business". As a customer, I'm entitled to request information on how you intend to do the job I want.

As for "I can't be bothered to explain" - with that kind of attitude, it's no surprise you also "can't be bothered" understanding or working with RAW to provide a superior product to your customers.

I cannot imagine ever paying anyone to take JPEGs with a 7D Mk II. If I were you, I wouldn't let on who I was in case some of your clients find out...
Seriously... Why the preaching? The guy just told you the nature of his business, getting photos out quick.... and that's what JPEGs are good for. Sure, I realize that there is more flexibility to get various looks to pull shadows, etc with RAW, but if you're doing work that doesn't require any of that and photos need to be transferred on a super-tight deadline, then why wouldn't you use JPEGs? You do realize that there are photographers richer and more skilled than any of us in this conversation who provide press type photos and shoot JPEGs exclusively... Right?



The folks that you're talking to here are all folks who very well understand the benefits shoot RAW, but they also understand the benefits of shooting JPEG... It's not that complicated.
 
Everyone shoots RAW. Some people who have no idea like to save their images as JPEGs only, but that's their loss.
BS. Incredibly myopic view.
No, true. There are no advantages to shooting JPEGs - period.
Sure there are.
Apart from taking up less room on oh-so-expensive SD cards and hard drives, allowing you a greater burst of JPEGs only, and the ability to send those ground breaking news photos to your editor that little bit faster, name one.
For a company like mine, we would need about $30-40k to move up to shooting raw. Its not just the “oh so expensive sd cards”, it would involve a lot of extra equipment, not mention moving to 1dx2s as the 7d2 buffer depth isnt big enough.

Why would i do that to satisy the two people each year who ask if i shoot raw?
Quite. Personally though, I'd feel short changed if I paid anyone to shoot photos for me and they shot JPEGs on a 7D II
This is because you are a gearhead and not a photographer.
Not at all. When someone I am paying is shooting JPEG it's because they are too lazy and don't care about the final product. It's all about getting the most from the gear you have.
Rubbish. When I choose a photographer I look at the quality of his portfolio and his credentials. There are great photographers who shoot jpg and lousy photographers who shoot raw. If you don't understand that then you think like a gearhead.

Moti

--
http://www.musicalpix.com
 
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"The RAW file is simply there in case I stuff something up"

I used to think that, and often it is true, but there are subjects where there is so much extra data in the RAW file that you will get a much better image even if there wasn't any "stuffing up" at the taking stage. It is one of the things I've learned from this group.
 
Everyone shoots RAW. Some people who have no idea like to save their images as JPEGs only, but that's their loss.
BS. Incredibly myopic view.
No, true. There are no advantages to shooting JPEGs - period.
Sure there are.
Apart from taking up less room on oh-so-expensive SD cards and hard drives, allowing you a greater burst of JPEGs only, and the ability to send those ground breaking news photos to your editor that little bit faster, name one.
For a company like mine, we would need about $30-40k to move up to shooting raw. Its not just the “oh so expensive sd cards”, it would involve a lot of extra equipment, not mention moving to 1dx2s as the 7d2 buffer depth isnt big enough.

Why would i do that to satisy the two people each year who ask if i shoot raw?
Quite. Personally though, I'd feel short changed if I paid anyone to shoot photos for me and they shot JPEGs on a 7D II.
You don’t understand my business, and frankly i can’t be bothered to explain.
It's not the job of the customer to "understand your business". As a customer, I'm entitled to request information on how you intend to do the job I want.
but you are not a customer so what are you talking about.
As for "I can't be bothered to explain" - with that kind of attitude, it's no surprise you also "can't be bothered" understanding or working with RAW to provide a superior product to your customers.
But this was not addressed to his customers, this was addressed to an utter ignorant who argues about things he knows very little about and don't want to learn.
I cannot imagine ever paying anyone to take JPEGs with a 7D Mk II. If I were you, I wouldn't let on who I was in case some of your clients find out...
I already told you that. You cannot imagine that because you are a gearhead of the worse type and not a photographer.

Moti

--
http://www.musicalpix.com
 
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Everyone shoots RAW. Some people who have no idea like to save their images as JPEGs only, but that's their loss.
BS. Incredibly myopic view.
No, true. There are no advantages to shooting JPEGs - period.
The way I would state this is there is no advantage to shooting JPEGS when it comes to image quality
No advantage to whom? For anyone who is too busy to learn photo editing (which is the case for many people - parents with young families, professionals in demanding jobs, people devoting their time to charitable work etc) then the most cameras deliver JPG quality that is far better than anything those people could do from raw. For them that's a huge advantage.
The whom part is irrelevant it is not part of the equation can you name an instance when shooting JPEG will produce better image quality then a Raw file properly processed.
Your initial statement makes no reference to how the file is processed. The quality of the processing depends almost entirely on the skill of who is doing it, so "whom" is very relevant.
No it is not it does not matter to my initial statement a Jpeg file does not have more IQ then a Raw file just because someone may not be able to extract that IQ does not change that.
What does "more IQ" mean? "Better" and "more" aren't synonyms. And if the process used, whichever it is, has produced the IQ required then the fact that a different process could produce a different result doesn't mean it is "better".
However, now that you've raised a new topic, the answer is that as long as the dynamic range of the scene is less than that of the sensor and the shot is appropriately exposed, there is no reason to expect either JPG or raw to be inherently better. First, "properly" is a matter of opinion - there's no fixed rule about what the "ideal" processing for any image is; and, second, there's no reason to suppose that the camera's algorithms won't deliver a "properly" processed result.
I can think of many instances when a camera algorithms will not deliver a good result if that was the case no one would shoot Raw.
You've changed the topic again. Your question wasn't about the general merits of one format compared to the other, it was about specific cases, which I gave.

There are, of course, many situations where raw can - in the hands of a competent operator - deliver better results. Those situations include the many that fall outside what I said - scene DR exceeds sensor DR, exposure is inappropriate - as well as others. But pointing that out does nothing to falsify what I said.
 
Everyone shoots RAW. Some people who have no idea like to save their images as JPEGs only, but that's their loss.
Does it have to be explained to you? The option of having the camera save a jpg is available. But I don't know anybody that actually says 'do you choose the option for the camera to convert the raw to a jpg or do you shoot raw?'. It's easier - and 100% understood - to simply say 'do you shoot raw or jpg'. Do you bog everything else in life down with semantics?
Perhaps if more people understood what "shooting RAW" meant, they would never choose to shoot JPEG.
Perheps if you understand the reasons why people, including pros, prefer to shoot JPEG, you would never come up with such silly arguments.

Moti
 
Everyone shoots RAW. Some people who have no idea like to save their images as JPEGs only, but that's their loss.
BS. Incredibly myopic view.
No, true. There are no advantages to shooting JPEGs - period.
Sure there are.
Apart from taking up less room on oh-so-expensive SD cards and hard drives, allowing you a greater burst of JPEGs only, and the ability to send those ground breaking news photos to your editor that little bit faster, name one.
For a company like mine, we would need about $30-40k to move up to shooting raw. Its not just the “oh so expensive sd cards”, it would involve a lot of extra equipment, not mention moving to 1dx2s as the 7d2 buffer depth isnt big enough.

Why would i do that to satisy the two people each year who ask if i shoot raw?
Quite. Personally though, I'd feel short changed if I paid anyone to shoot photos for me and they shot JPEGs on a 7D II
This is because you are a gearhead and not a photographer.
Not at all. When someone I am paying is shooting JPEG it's because they are too lazy
Ignorant and arrogant. He has explained the kind of business he is in (via a link) and he shoots JPEG because it is the only practical way to work and the output is good enough to keep his customers very happy. Did you process a thousand RAW files a day in your profession?

The simple fact is you have made a silly statement based on arrogance and lack of knowledge, been shown by multiple members to be a bit of a fool and the only way you can respond is through ad hominem attacks. A bit sad, really.
and don't care about the final product. It's all about getting the most from the gear you have.
 

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