Stills vs Video

Buy PowerDirector and you'll find video editing a lot easier. There's a bit of a learning curve, but once you master the basics, it becomes fairly easy.

There's also a special deal going on right now with PowerDirector: https://www.cyberlink.com/products/powerdirector-ultra/features_en_AU.html?&r=1 and if you also buy AudioDirector, you'll get it at a good price.

The stuff shown on the site might look schmaltzy, but the program is actually quite good and doesn't require the most modern PC to run.
 
So, let me say this about that: I just saw the photo book my niece put together with a selection of professionally shot wedding pictures. The ones she selected are all good and a couple are breathtakingly beautiful (my compliments to their photographer). It is possible to flip through the album in perhaps 10 minutes or so and really appreciate how happy everyone was, and what happened at the wedding.

Now, suppose instead they had hired a videographer and and had over an hour of video from the ceremony and several more hours of video from the party? Who would watch it, ever?

Until people stop saying "wedding album" and start saying "wedding video", I think stills clearly have their place.

I've made photobooks of visits to my daughter and my only grand daughter, and even though I do have video clips, the photo books are what sit out on my coffee table and get picked up and looked at. I doubt anyone besides my wife and daughter have seen the video clips.
 
I can see where he's coming from. He may've been hinting at travel vlogging, that seemingly making you feel like you're actually there with the vlogger exploring new places. But I disagree in a bit of a different way. Vlogging may be better suited for wide open spaces, but not nature or urban life for example.
I don't see how you arrive at that opinion. I've seen a lot of "vlogging" style travel videos featuring urban life and, IMO, they seem to do quite well.
It of course depends on the genre and the aesthetic style, be it colour or monochrome or any other visual experimentation which is much more flexible imo in stills than video.
Maybe I'm not being imaginative enough but I can't think of a photo technique that can't also be used with video.
That's when I wondered: why do I prefer stills much more to video? Perhaps because when you capture a still picture of something, you look at the whole composition and imagine the environment around that. You're using your own imagination to fill the captured world with more life and imagine yourself in it, whereas with video the captured world is already fixed and you're not given time to slow down and look that world.
I can understand that. Photos allow you to freeze an instant so you can explore it at your leisure, and you're more tempted to explore to the edges of the frame. You can do this with video, as well, but it requires more effort since the video is continually pulling you through its narrative.
TL; DR perhaps the main reason why I prefer stills to video is because I like stills more as a way of telling an open-ended story of the captured world.

Now I'm curious which of the two do others here prefer and why.
I prefer shooting both. The two mediums complement each other and video also lets me include sound which can also be very strong in and of itself. For creating a comprehensive and entertaining memento of my travels and family, I think video is a necessity. For purely artistic pursuits, I'm happy to work with stills only.

BTW I make my videos available online (Vimeo) and on the digital streaming box at home. This ease of accessibility means that my family have watched my travel videos several times since they're available in the same place that many of our movies and TV shows are found. And for the videos I make of our shared vacations with friends, they are also watched multiple times because my friends can watch them over the Internet via Vimeo.

Best of all is the fact that to record amazing video, I don't need to bring along any additional gear. (Although I will admit that sometimes I'll bring along an action video camera for its extreme durability, small size, and remarkable stabilization [Sony BOSS]).
 
Great post, hank you for the thoughtful commentary
Capturing reality. Or interpreting reality. Occasionally warping it or creating a new one.

When it comes to artistic freedom, usually less is more. Two clashing mentalities here. The more information you provide your audience, the less engaged they become mentally with the material.
Generally all too true. Our eyes glaze over and we watch passively rather than be provoked to ask questions or even really think.
Purest form would be a sketch. Your mind has to fill in a lot of blanks. Then we move on to full fledged paintings. From there we go to photography, video, 3D virtual realities and so forth.

When you're trying to document reality, you obviously want to capture as much information as possible. So it's 3D all the way if possible.
One of my major objections to programs such Power Director is the degree to which they cater to GoPro style vieography - ultra-wide angle, 3D and increasingly 360 degree.- which, after the initial rush provided by the deluge of light and colou, quickly reduces to vapid, unselective, impersonal imagery.
But when you treat the medium as art, then it's a matter of preference. No right or wrong answer, whatever balances it better for the creator.
No right or wrong, perhaps. But beauty or interest, or absence of same, often varying to some degree with the viewer.
The funny thing is that photography was invented exactly because of the need to document more accurately. And video was its natural evolution.
But both also very quickly also prostituted themselves to exaggeration and the telling of outright lies.
So we got an art form that's extremely young by art standards, yet in this short amount of time, managed to create groups of traditionalists that outright dismiss its evolution as being impure.

This is human stupidity at it's finest really. You don't have to enjoy shooting video. If you prefer expressing yourself with stills, that's fine. But there's quite a number of photographers around here who treat video as a plague on photography and that's just sad. And funny.
 
In my observation video images will engage a larger, but less engaged audience. I'm not sure engaged is the right word, less committed, intelligent, seeking, deep, something. It's like the difference between people who go see a movie rather than reading the book. They get the story but lose the thing the author created. Movies are just easier to consume.

A still is a slice of time created by the photographer to show only the details he/she wants in the way he/she wants them. The rest is up to the viewer to supply and imagine.

Video, particularly amateur video, is a recording of an event. A historical record, less than a creation.

Making video bores me. I can spend hours get one photograph right.

Tom
 
That's odd, because I don't find anything like that when I open PowerDirector, nor do I get any ads.

When you start PowerDirector, do you start in simple mode or the full mode?
 
Capturing reality. Or interpreting reality. Occasionally warping it or creating a new one.

When it comes to artistic freedom, usually less is more. Two clashing mentalities here. The more information you provide your audience, the less engaged they become mentally with the material.
It much depends on the material :)
Purest form would be a sketch. Your mind has to fill in a lot of blanks. Then we move on to full fledged paintings. From there we go to photography, video, 3D virtual realities and so forth.

When you're trying to document reality, you obviously want to capture as much information as possible. So it's 3D all the way if possible. But when you treat the medium as art, then it's a matter of preference. No right or wrong answer, whatever balances it better for the creator.

The funny thing is that photography was invented exactly because of the need to document more accurately. And video was its natural evolution. So we got an art form that's extremely young by art standards, yet in this short amount of time, managed to create groups of traditionalists that outright dismiss its evolution as being impure.

This is human stupidity at it's finest really. You don't have to enjoy shooting video. If you prefer expressing yourself with stills, that's fine. But there's quite a number of photographers around here who treat video as a plague on photography and that's just sad. And funny.

--
https://www.flickr.com/photos/jjsterg/
 
One of my major objections to programs such Power Director is the degree to which they cater to GoPro style vieography - ultra-wide angle, 3D and increasingly 360 degree.- which, after the initial rush provided by the deluge of light and colou, quickly reduces to vapid, unselective, impersonal imagery.
I have no idea how you're using PowerDirector, but what you are saying is completely false. To me , your comments indicates someone that doesn't know how to use the program. I started using PowerDirector and AudioDirector in a serious way only two weeks ago.

I produced this from a video with no sound whatsoever and added background music, and sound recorded from other devices. It consists of one video clip and 21 separate audio clips combined/blended together.


PowerDirector works with every video capable camera I have. It's designed to work with any video camera, no more, no less than say DaVinci Resolve.
 
That's odd, because I don't find anything like that when I open PowerDirector, nor do I get any ads.

When you start PowerDirector, do you start in simple mode or the full mode?
 
One of my major objections to programs such Power Director is the degree to which they cater to GoPro style vieography - ultra-wide angle, 3D and increasingly 360 degree.- which, after the initial rush provided by the deluge of light and colou, quickly reduces to vapid, unselective, impersonal imagery.
I have no idea how you're using PowerDirector, but what you are saying is completely false. To me , your comments indicates someone that doesn't know how to use the program. I started using PowerDirector and AudioDirector in a serious way only two weeks ago.

I produced this from a video with no sound whatsoever and added background music, and sound recorded from other devices. It consists of one video clip and 21 separate audio clips combined/blended together.

Then you are obviously much smarter and more talented than I. I record events, recently mostly classical solo and chamber music performances. The more complicated stuff I mention is still in production/ not yet approved for public posting by the artists and concert boards involved.Here are a couple of simple ones I feel free to post.



And a recent spur-of-the-moment clip for the local German community.


These are simple single camera grabs The ones in the pipeline are more complicated. They use a master WAV track, from a couple Schoepps mics high-mounted as a Blumlein pair feeding a Stereo Devices digital recorder. Sound tracks from the tripod mounted OM5ii (still my mainstay) and G85 and the EM1I operate actively for closeup clips are then just used to synch, though I always equip one of the two high cameras with a decent shotgun and preamp as an emergency backup.
PowerDirector works with every video capable camera I have. It's designed to work with any video camera, no more, no less than say DaVinci Resolve.
Yes, but whole focus for DaVinci Resolve seems much more professional. The tutorials certainly seem to be, Unfortunately I've been unable to get it to work properly on my most powerful compute, a hex-core Windows PC. Just finally got a reasonably fast iMac to replace an ancient MBP, so this may be a solution.
You enjoy working with Power Director. I have found it very frustrating.
 
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One of my major objections to programs such Power Director is the degree to which they cater to GoPro style vieography - ultra-wide angle, 3D and increasingly 360 degree.- which, after the initial rush provided by the deluge of light and colou, quickly reduces to vapid, unselective, impersonal imagery.
I have no idea how you're using PowerDirector, but what you are saying is completely false. To me , your comments indicates someone that doesn't know how to use the program. I started using PowerDirector and AudioDirector in a serious way only two weeks ago.

I produced this from a video with no sound whatsoever and added background music, and sound recorded from other devices. It consists of one video clip and 21 separate audio clips combined/blended together.

Then you are obviously much smarter and more talented than I. I record events, recently mostly classical solo and chamber music performances. The more complicated stuff I mention is still in production/ not yet approved for public posting by the artists and concert boards involved.Here are a couple of simple ones I feel free to post.



And a recent spur-of-the-moment clip for the local German community.


These are simple single camera grabs The ones in the pipeline are more complicated. They use a master WAV track, from a couple Schoepps mics high-mounted as a Blumlein pair feeding a Stereo Devices digital recorder. Sound tracks from the tripod mounted OM5ii (still my mainstay) and G85 and the EM1I operate actively for closeup clips are then just used to synch, though I always equip one of the two high cameras with a decent shotgun and preamp as an emergency backup.
PowerDirector works with every video capable camera I have. It's designed to work with any video camera, no more, no less than say DaVinci Resolve.
Yes, but whole focus for DaVinci Resolve seems much more professional. The tutorials certainly seem to be, Unfortunately I've been unable to get it to work properly on my most powerful compute, a hex-core Windows PC. Just finally got a reasonably fast iMac to replace an ancient MBP, so this may be a solution.

You enjoy working with Power Director. I have found it very frustrating.
That's all pretty simple stuff with the camera positioned in just one spot. I wouldn't rave about the sound (can't hear the player speak) or camera positioning (power isolators and whatever in the background and heads in the way), zooming too much, jerky panning, varying colour casts and focus drift. All the best gear in the world isn't going to make video any good if the basics are ignored. I think the video editor is the least of your problems.

I use Rode microphones and an external audio/sound recorder (Olympus LS-14, but higher grade models are available) that is designed for music etc and remotely controlled, it also sets the ambient background noise so that the sound is properly balanced. I'm also starting to compile video from multiple cameras.

I find PowerDirector to be a capable and functional tool. Sure, you can get better like DaVinci, which it's far more valuable for those who are doing professional video. When people suggest that PowerDirector is crap, I see that it reflects more on the user than the program, much like when people say some camera is crap, because they don't know the basics of photography.

That's my two bob's worth.

--
Thoughts, Musings, Ideas and Images from South Gippsland
https://australianimage.com.au
 
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I personally reached a point in my life where I needed a fresh challenge after many years of stills shooting, and 6yrs ago I stumbled upon M43 and the Panasonic GH2...and there was no turning back for me, and it has been video all the way since then.
I will second that it was the GH2 especially with all the videocentric hacks that were available for that camera that camera that dragged me down the video road :-) Video is indeed a whole different challenge with a lot more to think about than capturing stills but very rewarding in the long run

I still shoot the same subject matter, and am able to use much of the gear that I previously used for stills, and apply much of my previous experiences to the video genre.

I personally find video to be far more challenging, and therefore more fulfilling overall.

Ironically, I find myself watching my short videos far more frequently than I ever viewed my prints....even though my prints tended to be more instantly accessible.
 
erichK wrote:


And a recent spur-of-the-moment clip for the local German community.

Erich, since your output is 1080p, you might consider using the G85 for 4K recording and render your video at 1080p. This will allow you to pan and zoom via the editing software and avoid the jerky optical zooming and refocusing you've been doing.
 
So, let me say this about that: I just saw the photo book my niece put together with a selection of professionally shot wedding pictures. The ones she selected are all good and a couple are breathtakingly beautiful (my compliments to their photographer). It is possible to flip through the album in perhaps 10 minutes or so and really appreciate how happy everyone was, and what happened at the wedding.

Now, suppose instead they had hired a videographer and and had over an hour of video from the ceremony and several more hours of video from the party? Who would watch it, ever?

Until people stop saying "wedding album" and start saying "wedding video", I think stills clearly have their place.

I've made photobooks of visits to my daughter and my only grand daughter, and even though I do have video clips, the photo books are what sit out on my coffee table and get picked up and looked at. I doubt anyone besides my wife and daughter have seen the video clips.
 
One of my major objections to programs such Power Director is the degree to which they cater to GoPro style vieography - ultra-wide angle, 3D and increasingly 360 degree.- which, after the initial rush provided by the deluge of light and colou, quickly reduces to vapid, unselective, impersonal imagery.
I have no idea how you're using PowerDirector, but what you are saying is completely false. To me , your comments indicates someone that doesn't know how to use the program. I started using PowerDirector and AudioDirector in a serious way only two weeks ago.

I produced this from a video with no sound whatsoever and added background music, and sound recorded from other devices. It consists of one video clip and 21 separate audio clips combined/blended together.

Then you are obviously much smarter and more talented than I. I record events, recently mostly classical solo and chamber music performances. The more complicated stuff I mention is still in production/ not yet approved for public posting by the artists and concert boards involved.Here are a couple of simple ones I feel free to post.



And a recent spur-of-the-moment clip for the local German community.


These are simple single camera grabs The ones in the pipeline are more complicated. They use a master WAV track, from a couple Schoepps mics high-mounted as a Blumlein pair feeding a Stereo Devices digital recorder. Sound tracks from the tripod mounted OM5ii (still my mainstay) and G85 and the EM1I operate actively for closeup clips are then just used to synch, though I always equip one of the two high cameras with a decent shotgun and preamp as an emergency backup.
PowerDirector works with every video capable camera I have. It's designed to work with any video camera, no more, no less than say DaVinci Resolve.
Yes, but whole focus for DaVinci Resolve seems much more professional. The tutorials certainly seem to be, Unfortunately I've been unable to get it to work properly on my most powerful compute, a hex-core Windows PC. Just finally got a reasonably fast iMac to replace an ancient MBP, so this may be a solution.

You enjoy working with Power Director. I have found it very frustrating.
That's all pretty simple stuff with the camera positioned in just one spot. I wouldn't rave about the sound (can't hear the player speak) or camera positioning (power isolators and whatever in the background and heads in the way), zooming too much, jerky panning, varying colour casts and focus drift. All the best gear in the world isn't going to make video any good if the basics are ignored. I think the video editor is the least of your problems.

I use Rode microphones and an external audio/sound recorder (Olympus LS-14, but higher grade models are available) that is designed for music etc and remotely controlled, it also sets the ambient background noise so that the sound is properly balanced. I'm also starting to compile video from multiple cameras.

I find PowerDirector to be a capable and functional tool. Sure, you can get better like DaVinci, which it's far more valuable for those who are doing professional video. When people suggest that PowerDirector is crap, I see that it reflects more on the user than the program, much like when people say some camera is crap, because they don't know the basics of photography.

That's my two bob's worth.
 
Let me explain my observations. In your first post you made out as if you were a novice that finds video difficult.
'I also find video frustrating and demanding. Such basic skills as framing, selectively focussing, selecting a high enough shutter speed and properly exposing are helpful, but all but the first are much more difficult in video, especially when constrained - as I usually am - by the need to keep a continuing record.

And post-processing is still some-thing of a nightmare for me. In part because it requires a whole new set of terminology and skills, which, at 69, doesn't come easily. '
But then you responded to my post as if you were a seasoned video professional; a 'creative' that prefers a Mac like other 'creatives'. And you quote that you use specialist 'German' audio equipment, again like a seasoned professional.
'...but - like much of the world, especially in the arts - much prefer the Mac user interface.'

'... from a couple Schoepps mics high-mounted as a Blumlein pair feeding a Stereo Devices digital recorder.'
But then you show your videos, which are neither creative nor professional; displaying the most fundamental errors a novice can make. And I'll list them in detail:

1. You don't position yourself appropriately, so audience members heads are in the way, people even move across your field of view and distracting, out of focus, objects appear at random in your shots.

2. You don't position yourself so that distracting backgrounds aren't visible.

3. Your lighting, exposure and white balance is all over the place.

4. You pan erratically, clearly not using a fluid head.

5. You zoom erratically and zooming is not something overly favoured when it comes to professional video.

6. You don't focus properly, with subjects going in and out of focus at random.

7. It appears as if some of the video is just hand holding and hoping for the best.

8. You don't record audio well, spoken words are unclear, the music seems obscured and often just flat.

9. You don't appear to use an appropriate audio recorder that would allow you to record the entire event on a separate device or, if you do, you don't use it correctly.

10. You barely make use of cuts, close ups, views from different positions/angles, you just point your camera, zoom and pan and think that's enough.

11. I don't know what you use to edit your video and audio, since you hate PowerDirector and AudioDirector so much, but it's certainly not making things any better.

14. And don't pull the age card. I'm 63 and don't use that as an excuse for any failures that I experience.

And you wonder why I'm critical?
 
No direct link, except we can just appreciate both without crowning one as being more real or valid than the other.

Whether stills or video, the artistic vision of the artist and her ability to communicate that vision makes the product more or less meaningful IMO. I agree to some extent with McLuhan that the "medium is the message." Think about how a light bulb "creates" conditions for activities not before possible in the dark. (Of course dark sometimes creates some pretty great conditions as well). Where I diverge with McLuhan is that the I don't completely believe the light bulb has an essence of it's own that is doing this, and I think McLuhan leans that way--I'll leave that to the animists.

Think about going to a movie and then seeing a slide show of the same story. Even if the slide show were narrated by Morgan Freeman, it would be really different artistically, stylistically, and the entertainment value would be anticipated and perceived by the audience very differently. Does one need to be better than the other?

Happy Thanksgiving Everyone

Seth
 
As I have -repeatedly- made clear- almost none of the things you would have me do were possible for these videos.

The Festival of Chamber Music is held on Quadra Island. the Schoepps mics, which are indeed German, the big 8 foot ComLock stand on which they are usually mounted as a "Blumlein pair" (named after Alan Dower Blumlein (1903 –1942), an English electronic engineer) to feed Sound Design digital recorder, which is American, were not available for any of these clips. They were still in Saskatoon.

The central issue is why shoot video. My three clips are examples of how it can be used to record and communicate unique events. I choose not to spend my time adding canned music to yet another travelog. We all have our preferences.

You were promoting Video Director. I was warning other of the problems that I have had with it.

No further comment.
Let me explain my observations. In your first post you made out as if you were a novice that finds video difficult.
'I also find video frustrating and demanding. Such basic skills as framing, selectively focussing, selecting a high enough shutter speed and properly exposing are helpful, but all but the first are much more difficult in video, especially when constrained - as I usually am - by the need to keep a continuing record.

And post-processing is still some-thing of a nightmare for me. In part because it requires a whole new set of terminology and skills, which, at 69, doesn't come easily. '
But then you responded to my post as if you were a seasoned video professional; a 'creative' that prefers a Mac like other 'creatives'. And you quote that you use specialist 'German' audio equipment, again like a seasoned professional.
'...but - like much of the world, especially in the arts - much prefer the Mac user interface.'

'... from a couple Schoepps mics high-mounted as a Blumlein pair feeding a Stereo Devices digital recorder.'
But then you show your videos, which are neither creative nor professional; displaying the most fundamental errors a novice can make. And I'll list them in detail:

1. You don't position yourself appropriately, so audience members heads are in the way, people even move across your field of view and distracting, out of focus, objects appear at random in your shots.

2. You don't position yourself so that distracting backgrounds aren't visible.

3. Your lighting, exposure and white balance is all over the place.

4. You pan erratically, clearly not using a fluid head.

5. You zoom erratically and zooming is not something overly favoured when it comes to professional video.

6. You don't focus properly, with subjects going in and out of focus at random.

7. It appears as if some of the video is just hand holding and hoping for the best.

8. You don't record audio well, spoken words are unclear, the music seems obscured and often just flat.

9. You don't appear to use an appropriate audio recorder that would allow you to record the entire event on a separate device or, if you do, you don't use it correctly.

10. You barely make use of cuts, close ups, views from different positions/angles, you just point your camera, zoom and pan and think that's enough.

11. I don't know what you use to edit your video and audio, since you hate PowerDirector and AudioDirector so much, but it's certainly not making things any better.

14. And don't pull the age card. I'm 63 and don't use that as an excuse for any failures that I experience.

And you wonder why I'm critical?
 
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Let me explain my observations. In your first post you made out as if you were a novice that finds video difficult.
'I also find video frustrating and demanding. Such basic skills as framing, selectively focussing, selecting a high enough shutter speed and properly exposing are helpful, but all but the first are much more difficult in video, especially when constrained - as I usually am - by the need to keep a continuing record.

And post-processing is still some-thing of a nightmare for me. In part because it requires a whole new set of terminology and skills, which, at 69, doesn't come easily. '
But then you responded to my post as if you were a seasoned video professional; a 'creative' that prefers a Mac like other 'creatives'. And you quote that you use specialist 'German' audio equipment, again like a seasoned professional.
'...but - like much of the world, especially in the arts - much prefer the Mac user interface.'

'... from a couple Schoepps mics high-mounted as a Blumlein pair feeding a Stereo Devices digital recorder.'
But then you show your videos, which are neither creative nor professional; displaying the most fundamental errors a novice can make. And I'll list them in detail:

1. You don't position yourself appropriately, so audience members heads are in the way, people even move across your field of view and distracting, out of focus, objects appear at random in your shots.

2. You don't position yourself so that distracting backgrounds aren't visible.

3. Your lighting, exposure and white balance is all over the place.

4. You pan erratically, clearly not using a fluid head.

5. You zoom erratically and zooming is not something overly favoured when it comes to professional video.

6. You don't focus properly, with subjects going in and out of focus at random.

7. It appears as if some of the video is just hand holding and hoping for the best.

8. You don't record audio well, spoken words are unclear, the music seems obscured and often just flat.

9. You don't appear to use an appropriate audio recorder that would allow you to record the entire event on a separate device or, if you do, you don't use it correctly.

10. You barely make use of cuts, close ups, views from different positions/angles, you just point your camera, zoom and pan and think that's enough.

11. I don't know what you use to edit your video and audio, since you hate PowerDirector and AudioDirector so much, but it's certainly not making things any better.

14. And don't pull the age card. I'm 63 and don't use that as an excuse for any failures that I experience.

And you wonder why I'm critical?
 
He already explained it was a compromised situation. Some video is always better than none.
If someone is posts examples in order to validate what one's argument, the examples should actually validate what they are saying. Making excuses about why the examples are no good is not the way of a professional or even an accomplished amateur.
Where's your concert footage?
I don't do concerts and this discussion wasn't about concerts. It was about video editing. I provided examples of what the video editor in question is capable of doing, contrary to our concert expert's opinion. But if I did do concerts, I'd do a much better job than those examples.

At least when I shoot something completely off the cuff, it's actually audible and not obscured:
.

dKg_R610jpg


And do you feel better now that you've waded into this debate and beaten your chest to prove your moral superiority?

--
Thoughts, Musings, Ideas and Images from South Gippsland
https://australianimage.com.au
 
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