Exactly correct...no examples needed. His thoughts were sufficiently descriptive about methodology that he didn't need to post examples, certainly not his own examples...which is what makes your reasoning fallacious...as in ad hominem fallacious.
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If you want to send a message, use Western Union - although a txt msg would be more appropriate these days.
Photographs don't have to say anything. If they result in an image which pleases you, then they're good photographs; if they please other people, you're a good photographer.
You "saying" too much, Mr. "Professional".I’m not saying it is not possible to take good photos of ugly people or ugly places
Most photographs say "look at this". Photographs are often used to illustrate a story and then become representative of that story - people then claim that they "tell the story" but unless you know the story behind the photo, the best they can do is suggest what may have been happening. In most cases, any message is something layered on top of the photo by the viewer; not something the photographer set out to say.Wrong. Every photograph contains a message,If you want to send a message, use Western Union - although a txt msg would be more appropriate these days.
Photographs don't have to say anything.
I don't. I take photos of things that beg to be photographed. I've watched videos showing how other photographers work - photographers like Jay Maisel - who just look around and shoot when they see something visually appealing. Juxtapositions. Contrasts. Motion. I don't think a lot of photographers are looking to say anything beyond "look at this". "Isn't this beautiful". And that's pretty much automatic - it's the reason you pick up a camera in the first place, not something you consciously think about.So, if you have something to say, and can find a way to say it through a camera and lens, you will be a better photographer. Maybe you don't have much to say?
"good", "not good" > "Beauty is in the eye of the beholder"The photos I take at my kids' sports events are not "good," per se, but when a parent sees a shot of his kid connecting with the ball with a focused look on his face and likes it, that makes me feel good about my photography.
All these factors you mentioned - equipment, skill, lighting, beautiful location, attractive model, etc. etc. but you never once mentioned the idea of content. A photo that makes you smile (not as in 'what a pretty waterfall', but) because it connects with your soul, a photo that makes you laugh or think or in some other way REACHES you more deeply than just your eyes.I’m not trying to beat people over the head here, I have to admit I have almost never taken a really good WOW worthy photo myself, the kind that would let’s say, win a challenge here on DPR, or join the sample gallery of a photographic product, or be featured on a manufacturer’s instagram account. That’s the standard of “good” I’m talking about here.
I think there are two general types of misconceptions regarding this, and obviously neither is correct:
In fact, I would say neither of those factors are really that important, or at least they are quite misleading. I think if we were to rank the factors that affect the quality of a photo, form the most to the least relevant, it should actually look something like this:
- My camera isn’t good enough, if only I can afford a Leica M10.
- My skill isn’t good enough, a great photographer could’ve taken that with a phone.
I’m not saying it is not possible to take good photos of ugly people or ugly places. Sure you can, you can take creative photos of those things, but you can’t take a photo of an unattractive person that is comparable to beauty magazine covers with “photography skill”. In the same way, you can’t take a breathtakingly beautiful photo of the scenery in a heavily polluted mid-sized recently developed city in China. You may be able to take some thoughtful and interesting photos there, that depends on your skill.
- The quality of the scene itself. Are you actually in a beautiful place, at a beautiful vantage point. The ability to judge arguably counts as skill, cuz the average tourist do like to snap at stuff that would never look good.
- If you’re shooting people it includes the attractiveness of your model. It is simply way easier to take an attractive photos of Scarlet Johansson in professional makeup and styling, than some random woman you personally know. There are also different types of attractiveness obviously, if you look at an iPhone commercial they rarely employ your standard hot white actress, but they do get models who have very strong character and attractive in a more subtle way. You’ll never see iPhone sample images of people everyone would consider to be ugly.
- If you are shooting models, you need to give them directions, or the skill of the model to pose.
- Lighting, arguably this also counts as skill. But it’s not like skill can make bad lighting good. Maybe you would be able to salvage a bad lighting condition in a creative way. The point is that you can’t take the same photo as someone with a professional lighting studio with just skill alone. You also need your own studio. Or if the weather isn’t good it’s just boring overcast all the way, you can’t take a photos of a beautiful sunset with raw skill under those conditions.
- framing, composition etc... Ok, yea this is just part of “skill”, nothing to argue. But look it’s only raked 4th.
- Performance of your camera. I’m not talking about like, D810 vs. D850 that kind of performance difference here. More like, crappy point&shoot versus any decent interchangeable lens camera. Obviously this will start to matter more in challenging conditions compared to sunny day. This also includes the use of an appropriate lens.
- Post, image manipulation. Color and tonal adjustments.
- Image sharpness, aberrations, “micro contrast” , “zeiss color”, “3D pop” etc.... The things you can ONLY improve by spending more money on your lens (of the same focal length and aperture size).
Many of my favorite photos are totally lacking a beautiful subject, beautiful setting, perfect lighting, etc.Talk about basic underlying assumptions. This may all be very good advice if the photographer's goal is to take "beautiful" pictures of "beautiful" things. But it is not wise to assume that that is everyone's goal. There are plenty of us out there actively trying *not* to do that.
And maybe not a 'fantastic' photo but you've captured a neat moment in that young man's life and that is something he and his parents will long enjoy. THAT is what photography is most about to me, capturing the rare moments that mean something to the person looking the photo.The photos I take at my kids' sports events are not "good," per se, but when a parent sees a shot of his kid connecting with the ball with a focused look on his face and likes it, that makes me feel good about my photography.
The world's most perfectly cooked oatmeal is still only mush.This is a variation of what my own first teacher taught me, which was that a good photograph is in focus, correctly exposed and well composed.
And there we have the ruby slippers, the key to the whole thing that's under our noses the whole time. We need a photo that connects with our brain, not just our eyes.Beyond that, you need to pick a subject that you think is worth photographing, and make a photograph that shows why you think that.
If I want to say anything I use words, spoken or written. That way I can be sure that I'm communicating effectively.Maybe you don't have much to say?
I hate to be picky (actually, I don't) but our eyes are part of our brain,We need a photo that connects with our brain, not just our eyes.
My feelings exactly.In most cases, any message is something layered on top of the photo by the
viewer; not something the photographer set out to say.
To be really picky the retina is part of the brain the same way the brain is part of the head and the eye is part of the head; but the eye as a whole isn't part of the brain.I hate to be picky (actually, I don't) but our eyes are part of our brain,We need a photo that connects with our brain, not just our eyes.