Sharpening A Merrill Photo In GIMP 2.8.18

Scottelly

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I exported this photo from raw at full size as an sRGB jpeg at level 10 compression. The adjustments I used were -0.2 exposure, +0.4 X3F Fill Light, and a reduction of sharpness (-0.2). I set the noise reduction to the lowest settings (all the way to the left), since it's an ISO 100 photo. Then in GIMP I retouched the sky to get rid of sensor spots and sharpened the whole photo with a setting of about 35, using the sharpening filter (not "Unsharp Mask"). I saved it with a level 95 compression setting, and it ended up being 4.8 MB (not big at all). I like the way it turned out.

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

This was a handheld shot using OS.

Here is how the photo looked right out of SPP 6.4.0:

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

What do you think? Did I sharpen too much at some point? I do realize that reducing the sharpening in this conversion from the raw file in SPP by only -0.2 is not much, but I'm pretty happy with the result. I haven't tried reducing sharpening in SPP by -0.5 though. It just seems like that's a bit too much blur to me. I don't see how I could get the image to look better. You gurus probably have some better ideas though, huh?

--
Scott Barton Kennelly
 
Your post processing is excellent and not over sharpened at all, just about right. Noise is very minor and appears only in darker parts of the image. No noticeable jpeg artifacts, lots of detail in expanded image, color looks normal. And....GIMP is FREEWARE!!!
 
Your post processing is excellent and not over sharpened at all, just about right. Noise is very minor and appears only in darker parts of the image. No noticeable jpeg artifacts, lots of detail in expanded image, color looks normal. And....GIMP is FREEWARE!!!
Thanks!

;)

I think I'll try exporting at -0.5 sharpening some time and sharpen a little more in GIMP, because I saw some artifacts on the 40" screen. The photo looks great on my 13" MacBook Air though.

:)
 
I think I'll try exporting at -0.5 sharpening some time and sharpen a little more in GIMP, because I saw some artifacts on the 40" screen.
Scott, I may not have mentioned it much before LOL, but neutral sharpening in SPP 5.5.3 for your camera with your 17-50mm is -1.0, pretty much:

53923a067f754d1bbe59b7dc48feb08e.jpg.gif

Has the sharpening slider changed in SPP6 for SD1M ?

--
"What we've got hyah is Failyah to Communicate": 'Cool Hand Luke' 1967.
 
Thanks Ted. I don't know if the sharpening slider has changed, but I was wondering about the -0.2 setting that I used, so I was thinking maybe -0.5 would be better. Since you say -1.0 is the better setting to remove all sharpening (presumably that's what your comment means), I've done that too. Here is the before and after of those two settings using GIMP for sharpening at a setting of 35 in each case. I think that's maybe "under-sharpening" in the case of -1.0 in SPP 6.4.0, so I decided to post a fifth and final photo with sharpening set to 50 in GIMP for that image that I exported at -1.0 sharpening from SPP.

This time when I exported the jpegs I used level 12 compression, so there would be the least amount of artifacting possible. I used 98 compression setting in GIMP (significantly more than with the previous files), which resulted in a file almost three times the size in megabytes. I tried 16 bit TIFF too, but the version of GIMP that I am using does not support 16 bit files - go figure! I guess I'd have to use RawTherapee to handle such "advanced" image files. lol

Here is a screen capture that shows the settings I used for the first image. The other images all had the same settings, except for the different sharpness setting.

SPP settings for these images - sharpness set to -0.5 at this point
SPP settings for these images - sharpness set to -0.5 at this point

SPP jpeg export - Sharpness set to -0.5
SPP jpeg export - Sharpness set to -0.5

GIMP jpeg export from edited SPP jpeg (-0.5 sharpness) - Sharpened in GIMP to level 35
GIMP jpeg export from edited SPP jpeg (-0.5 sharpness) - Sharpened in GIMP to level 35

SPP jpeg export - Sharpness set to -1.0
SPP jpeg export - Sharpness set to -1.0

GIMP jpeg export from edited SPP jpeg (-1.0 sharpness) - Sharpened in GIMP to level 35
GIMP jpeg export from edited SPP jpeg (-1.0 sharpness) - Sharpened in GIMP to level 35

GIMP jpeg export from edited SPP jpeg (-1.0 sharpness) - Sharpened in GIMP to level 50
GIMP jpeg export from edited SPP jpeg (-1.0 sharpness) - Sharpened in GIMP to level 50

Just so people with data limits or slow connections can see without viewing those huge 10 MB files full screen, here is a comparison I did on my screen, which is less than 1 MB:

GIMP sharpening - level 35 on top and level 50 on bottom
GIMP sharpening - level 35 on top and level 50 on bottom

I think maybe setting sharpening to level 50 is a bit much.

What do you think?

If you want to download the raw file and try yourself, here's where you can find it:

https://www.dropbox.com/sh/7x7xl6vywrmy6kh/AADTBZxKSsHPxty0jw66SV4ia?dl=0

. . . and just in case you are like me and see sharpening halos on a 40" screen on the images I posted above, here is the -1.0 un-sharpened file from SPP:

https://www.dropbox.com/s/q309e23fdpubn6c/SDIM3441-10sharp.jpg?dl=0

I checked this jpeg and they're definitely there. I don't know why. Apparently even -1.0 sharpness does some sharpening, which on some monitors is very visible. I see it really obviously on either side of those pier supports at the left bottom of this photo.

:(

--
Scott Barton Kennelly
http://www.bigprintphotos.com
 
Last edited:
Thanks Ted. I don't know if the sharpening slider has changed, but I was wondering about the -0.2 setting that I used, so I was thinking maybe -0.5 would be better. Since you say -1.0 is the better setting to remove all sharpening (presumably that's what your comment means), I've done that too.
No, I did NOT mean "remove all sharpening". I meant the sharpness setting that gives the best edge response with no overshooting. By definition, as Tom mentioned, captured raw image data is invariably a bit soft (lens aberrations, sensor performance, diffraction, imperfect focus, etc) and needs some "Capture" sharpening before moving to the post-processing "Creative" sharpening phase . . see:

<examples of post-processing>

What do you think?

If you want to download the raw file and try yourself, here's where you can find it:

https://www.dropbox.com/sh/7x7xl6vywrmy6kh/AADTBZxKSsHPxty0jw66SV4ia?dl=0

Apparently even -1.0 sharpness does some sharpening, which on some monitors is very visible. I see it really obviously on either side of those pier supports at the left bottom of this photo.
I find it hard to tell because of the CA there.

But thanks for the X3F, Scott. Where was your point of focus and what lens did you use?
 
Last edited:
Thanks Ted. I don't know if the sharpening slider has changed, but I was wondering about the -0.2 setting that I used, so I was thinking maybe -0.5 would be better. Since you say -1.0 is the better setting to remove all sharpening (presumably that's what your comment means), I've done that too.
No, I did NOT mean "remove all sharpening".
Oh. Ooops.

;)
I meant the sharpness setting that gives the best edge response with no overshooting. By definition, as Tom mentioned, captured raw image data is invariably a bit soft (lens aberrations, sensor performance, diffraction, imperfect focus, etc) and needs some "Capture" sharpening before moving to the post-processing "Creative" sharpening phase . . see:

http://www.cambridgeincolour.com/tutorials/image-sharpening.htm
Thanks for that link Ted.
<examples of post-processing>

What do you think?

If you want to download the raw file and try yourself, here's where you can find it:

https://www.dropbox.com/sh/7x7xl6vywrmy6kh/AADTBZxKSsHPxty0jw66SV4ia?dl=0

Apparently even -1.0 sharpness does some sharpening, which on some monitors is very visible. I see it really obviously on either side of those pier supports at the left bottom of this photo.
I find it hard to tell because of the CA there.
CA? I didn't notice any CA . . . but I wasn't looking for any either. lol
But thanks for the X3F, Scott.
You're welcome Ted.
Where was your point of focus and what lens did you use?
I focused on the pier, but as you know, focus with my kit is a bit of hit-or-miss, so I really am not sure what part of the scene was in perfect focus. Since the lens only goes to 50mm and I used a pretty small aperture, I figure that just about everything from 100 ft. to the horizon should be in focus, and the pier should be in perfect focus. It certainly looks like it is to me.

I used the 17-50mm f2.8 OS EX lens handheld with OS turned on Ted. I figure the fast shutter speed should make up for my handholding badness.

;)
 
I exported this photo from raw at full size as an sRGB jpeg at level 10 compression. The adjustments I used were -0.2 exposure, +0.4 X3F Fill Light, and a reduction of sharpness (-0.2). I set the noise reduction to the lowest settings (all the way to the left), since it's an ISO 100 photo. Then in GIMP I retouched the sky to get rid of sensor spots and sharpened the whole photo with a setting of about 35, using the sharpening filter (not "Unsharp Mask"). I saved it with a level 95 compression setting, and it ended up being 4.8 MB (not big at all). I like the way it turned out.

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

This was a handheld shot using OS.

Here is how the photo looked right out of SPP 6.4.0:

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

What do you think? Did I sharpen too much at some point? I do realize that reducing the sharpening in this conversion from the raw file in SPP by only -0.2 is not much, but I'm pretty happy with the result. I haven't tried reducing sharpening in SPP by -0.5 though. It just seems like that's a bit too much blur to me. I don't see how I could get the image to look better. You gurus probably have some better ideas though, huh?

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Seems a lot of effort technically for a modest composition :-)

I can't help but feel that photography isn't just about how sharp something is. I appreciate that DPReview is a gear forum and that this is probably the premier place on the internet for arguing about sharpness and halos but 14 or 15 years after the invention of Foveon you'd have thought the conversation would have moved on just a little. Or maybe not!

I know... it's interesting....and a great distraction from the much more difficult process of making memorable images.

For a little light relief from sharpening artefacts you could real about aesthetics, photographic/artistic emotions and the picture making process:

http://www.brucepercy.co.uk/blog/

or

http://guytal.com/wordpress/



--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/

Save
 
I exported this photo from raw at full size as an sRGB jpeg at level 10 compression. The adjustments I used were -0.2 exposure, +0.4 X3F Fill Light, and a reduction of sharpness (-0.2). I set the noise reduction to the lowest settings (all the way to the left), since it's an ISO 100 photo. Then in GIMP I retouched the sky to get rid of sensor spots and sharpened the whole photo with a setting of about 35, using the sharpening filter (not "Unsharp Mask"). I saved it with a level 95 compression setting, and it ended up being 4.8 MB (not big at all). I like the way it turned out.

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

This was a handheld shot using OS.

Here is how the photo looked right out of SPP 6.4.0:

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

What do you think? Did I sharpen too much at some point? I do realize that reducing the sharpening in this conversion from the raw file in SPP by only -0.2 is not much, but I'm pretty happy with the result. I haven't tried reducing sharpening in SPP by -0.5 though. It just seems like that's a bit too much blur to me. I don't see how I could get the image to look better. You gurus probably have some better ideas though, huh?

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Seems a lot of effort technically for a modest composition :-)

I can't help but feel that photography isn't just about how sharp something is. I appreciate that DPReview is a gear forum and that this is probably the premier place on the internet for arguing about sharpness and halos but 14 or 15 years after the invention of Foveon you'd have thought the conversation would have moved on just a little. Or maybe not!

I know... it's interesting....and a great distraction from the much more difficult process of making memorable images.

For a little light relief from sharpening artefacts you could real about aesthetics, photographic/artistic emotions and the picture making process:

http://www.brucepercy.co.uk/blog/

or

http://guytal.com/wordpress/

--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/

Save
Oh David . . . my photo looks THAT mundane to you, does it? I thought it represented real life pretty well . . . and not that many people get to see such lovely beaches other than in pictures. And if you lived in China you'd probably appreciate that beautiful clear blue sky and those pretty fluffy clouds. Where do you live? Bermuda or something?

;)

--
Scott Barton Kennelly
http://www.bigprintphotos.com
 
Last edited:
I exported this photo from raw at full size as an sRGB jpeg at level 10 compression. The adjustments I used were -0.2 exposure, +0.4 X3F Fill Light, and a reduction of sharpness (-0.2). I set the noise reduction to the lowest settings (all the way to the left), since it's an ISO 100 photo. Then in GIMP I retouched the sky to get rid of sensor spots and sharpened the whole photo with a setting of about 35, using the sharpening filter (not "Unsharp Mask"). I saved it with a level 95 compression setting, and it ended up being 4.8 MB (not big at all). I like the way it turned out.

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

This was a handheld shot using OS.

Here is how the photo looked right out of SPP 6.4.0:

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

What do you think? Did I sharpen too much at some point? I do realize that reducing the sharpening in this conversion from the raw file in SPP by only -0.2 is not much, but I'm pretty happy with the result. I haven't tried reducing sharpening in SPP by -0.5 though. It just seems like that's a bit too much blur to me. I don't see how I could get the image to look better. You gurus probably have some better ideas though, huh?

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Seems a lot of effort technically for a modest composition :-)

I can't help but feel that photography isn't just about how sharp something is. I appreciate that DPReview is a gear forum and that this is probably the premier place on the internet for arguing about sharpness and halos but 14 or 15 years after the invention of Foveon you'd have thought the conversation would have moved on just a little. Or maybe not!

I know... it's interesting....and a great distraction from the much more difficult process of making memorable images.

For a little light relief from sharpening artefacts you could real about aesthetics, photographic/artistic emotions and the picture making process:

http://www.brucepercy.co.uk/blog/

or

http://guytal.com/wordpress/

--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/

Save
Oh David . . . my photo looks THAT mundane to you, does it? I thought it represented real life pretty well . . . and not that many people get to see such lovely beaches other than in pictures. And if you lived in China you'd probably appreciate that beautiful clear blue sky and those pretty fluffy clouds. Where do you live? Bermuda or something?

;)

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Sorry, Scott, wasn't trying to insult the picture in particular. I'm just of the view that if manage to come up with a "hail mary" image, then applying huge amounts of technical effort to eke out the last bit of goodness is worth the effort. Other shots while perfectly fine images, might not deserve such commitment to perfection.

But, of course, I also recognise that there is no such thing as universal taste and it is the absolute right of the photographer to decide whether they consider an image worth of exceptional effort.

--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/
 
I exported this photo from raw at full size as an sRGB jpeg at level 10 compression. The adjustments I used were -0.2 exposure, +0.4 X3F Fill Light, and a reduction of sharpness (-0.2). I set the noise reduction to the lowest settings (all the way to the left), since it's an ISO 100 photo. Then in GIMP I retouched the sky to get rid of sensor spots and sharpened the whole photo with a setting of about 35, using the sharpening filter (not "Unsharp Mask"). I saved it with a level 95 compression setting, and it ended up being 4.8 MB (not big at all). I like the way it turned out.

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

This was a handheld shot using OS.

Here is how the photo looked right out of SPP 6.4.0:

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

What do you think? Did I sharpen too much at some point? I do realize that reducing the sharpening in this conversion from the raw file in SPP by only -0.2 is not much, but I'm pretty happy with the result. I haven't tried reducing sharpening in SPP by -0.5 though. It just seems like that's a bit too much blur to me. I don't see how I could get the image to look better. You gurus probably have some better ideas though, huh?

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Seems a lot of effort technically for a modest composition :-)

I can't help but feel that photography isn't just about how sharp something is. I appreciate that DPReview is a gear forum and that this is probably the premier place on the internet for arguing about sharpness and halos but 14 or 15 years after the invention of Foveon you'd have thought the conversation would have moved on just a little. Or maybe not!

I know... it's interesting....and a great distraction from the much more difficult process of making memorable images.

For a little light relief from sharpening artefacts you could real about aesthetics, photographic/artistic emotions and the picture making process:

http://www.brucepercy.co.uk/blog/

or

http://guytal.com/wordpress/

--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/

Save
Oh David . . . my photo looks THAT mundane to you, does it? I thought it represented real life pretty well . . . and not that many people get to see such lovely beaches other than in pictures. And if you lived in China you'd probably appreciate that beautiful clear blue sky and those pretty fluffy clouds. Where do you live? Bermuda or something?

;)

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Sorry, Scott, wasn't trying to insult the picture in particular. I'm just of the view that if manage to come up with a "hail mary" image, then applying huge amounts of technical effort to eke out the last bit of goodness is worth the effort. Other shots while perfectly fine images, might not deserve such commitment to perfection.

But, of course, I also recognise that there is no such thing as universal taste and it is the absolute right of the photographer to decide whether they consider an image worth of exceptional effort.

--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/
Oh, I get it. Well, no exceptional effort here anyway. I was just playing around with sharpening, because I saw lots of interesting details in that particular photo. The distant pier offers lots of opportunity to see the results of sharpening. I find fishing rods of particular interest, knowing how skinny they are. Have you seen my 4x5 scan and sharpening in my gallery? One day I'll use a good lens and shoot that scene with my 4x5 again, using Ektar film. I'll shoot it at the same time with my SD1 Merrill and a good lens (maybe my 70mm f2.8 EX macro). That should be an interesting comparison . . . especially since my newer scanner should do a better job . . . and since then I've learned about wet mounting film, to get a better quality scan. If the 4x5 can match or exceed the quality from the SD1 Merrill, I'll just have to get that 8x10 I've been wanting to buy, because I don't see a new camera coming out any time soon that can double the horizontal and vertical definition of the SD1 Merrill with a good lens on it. If not, I'll have to think about it some more.

--
Scott Barton Kennelly
 
I exported this photo from raw at full size as an sRGB jpeg at level 10 compression. The adjustments I used were -0.2 exposure, +0.4 X3F Fill Light, and a reduction of sharpness (-0.2). I set the noise reduction to the lowest settings (all the way to the left), since it's an ISO 100 photo. Then in GIMP I retouched the sky to get rid of sensor spots and sharpened the whole photo with a setting of about 35, using the sharpening filter (not "Unsharp Mask"). I saved it with a level 95 compression setting, and it ended up being 4.8 MB (not big at all). I like the way it turned out.

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

This was a handheld shot using OS.

Here is how the photo looked right out of SPP 6.4.0:

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

What do you think? Did I sharpen too much at some point? I do realize that reducing the sharpening in this conversion from the raw file in SPP by only -0.2 is not much, but I'm pretty happy with the result. I haven't tried reducing sharpening in SPP by -0.5 though. It just seems like that's a bit too much blur to me. I don't see how I could get the image to look better. You gurus probably have some better ideas though, huh?

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Seems a lot of effort technically for a modest composition :-)

I can't help but feel that photography isn't just about how sharp something is. I appreciate that DPReview is a gear forum and that this is probably the premier place on the internet for arguing about sharpness and halos but 14 or 15 years after the invention of Foveon you'd have thought the conversation would have moved on just a little. Or maybe not!

I know... it's interesting....and a great distraction from the much more difficult process of making memorable images.

For a little light relief from sharpening artefacts you could real about aesthetics, photographic/artistic emotions and the picture making process:

http://www.brucepercy.co.uk/blog/

or

http://guytal.com/wordpress/

--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/

Save
Oh David . . . my photo looks THAT mundane to you, does it? I thought it represented real life pretty well . . . and not that many people get to see such lovely beaches other than in pictures. And if you lived in China you'd probably appreciate that beautiful clear blue sky and those pretty fluffy clouds. Where do you live? Bermuda or something?

;)

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Sorry, Scott, wasn't trying to insult the picture in particular. I'm just of the view that if manage to come up with a "hail mary" image, then applying huge amounts of technical effort to eke out the last bit of goodness is worth the effort. Other shots while perfectly fine images, might not deserve such commitment to perfection.

But, of course, I also recognise that there is no such thing as universal taste and it is the absolute right of the photographer to decide whether they consider an image worth of exceptional effort.

--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/
Oh, I get it. Well, no exceptional effort here anyway. I was just playing around with sharpening, because I saw lots of interesting details in that particular photo. The distant pier offers lots of opportunity to see the results of sharpening. I find fishing rods of particular interest, knowing how skinny they are. Have you seen my 4x5 scan and sharpening in my gallery? One day I'll use a good lens and shoot that scene with my 4x5 again, using Ektar film. I'll shoot it at the same time with my SD1 Merrill and a good lens (maybe my 70mm f2.8 EX macro). That should be an interesting comparison . . . especially since my newer scanner should do a better job . . . and since then I've learned about wet mounting film, to get a better quality scan. If the 4x5 can match or exceed the quality from the SD1 Merrill, I'll just have to get that 8x10 I've been wanting to buy, because I don't see a new camera coming out any time soon that can double the horizontal and vertical definition of the SD1 Merrill with a good lens on it. If not, I'll have to think about it some more.

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Onlandscape.co.uk (a subscription magazine) did a big comparison a while back between film of various formats and a Phase One back.

They concluded that drum scanned 10x8 film was equivelent to 627MP!

It's a very comprehensive article: https://www.onlandscape.co.uk/2011/12/big-camera-comparison/

Tell me what you think.



--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/

Save
 
I exported this photo from raw at full size as an sRGB jpeg at level 10 compression. The adjustments I used were -0.2 exposure, +0.4 X3F Fill Light, and a reduction of sharpness (-0.2). I set the noise reduction to the lowest settings (all the way to the left), since it's an ISO 100 photo. Then in GIMP I retouched the sky to get rid of sensor spots and sharpened the whole photo with a setting of about 35, using the sharpening filter (not "Unsharp Mask"). I saved it with a level 95 compression setting, and it ended up being 4.8 MB (not big at all). I like the way it turned out.

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

This was a handheld shot using OS.

Here is how the photo looked right out of SPP 6.4.0:

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

What do you think? Did I sharpen too much at some point? I do realize that reducing the sharpening in this conversion from the raw file in SPP by only -0.2 is not much, but I'm pretty happy with the result. I haven't tried reducing sharpening in SPP by -0.5 though. It just seems like that's a bit too much blur to me. I don't see how I could get the image to look better. You gurus probably have some better ideas though, huh?

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Seems a lot of effort technically for a modest composition :-)

I can't help but feel that photography isn't just about how sharp something is. I appreciate that DPReview is a gear forum and that this is probably the premier place on the internet for arguing about sharpness and halos but 14 or 15 years after the invention of Foveon you'd have thought the conversation would have moved on just a little. Or maybe not!

I know... it's interesting....and a great distraction from the much more difficult process of making memorable images.

For a little light relief from sharpening artefacts you could real about aesthetics, photographic/artistic emotions and the picture making process:

http://www.brucepercy.co.uk/blog/

or

http://guytal.com/wordpress/

--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/

Save
Oh David . . . my photo looks THAT mundane to you, does it? I thought it represented real life pretty well . . . and not that many people get to see such lovely beaches other than in pictures. And if you lived in China you'd probably appreciate that beautiful clear blue sky and those pretty fluffy clouds. Where do you live? Bermuda or something?

;)

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Sorry, Scott, wasn't trying to insult the picture in particular. I'm just of the view that if manage to come up with a "hail mary" image, then applying huge amounts of technical effort to eke out the last bit of goodness is worth the effort. Other shots while perfectly fine images, might not deserve such commitment to perfection.

But, of course, I also recognise that there is no such thing as universal taste and it is the absolute right of the photographer to decide whether they consider an image worth of exceptional effort.

--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/
Oh, I get it. Well, no exceptional effort here anyway. I was just playing around with sharpening, because I saw lots of interesting details in that particular photo. The distant pier offers lots of opportunity to see the results of sharpening. I find fishing rods of particular interest, knowing how skinny they are. Have you seen my 4x5 scan and sharpening in my gallery? One day I'll use a good lens and shoot that scene with my 4x5 again, using Ektar film. I'll shoot it at the same time with my SD1 Merrill and a good lens (maybe my 70mm f2.8 EX macro). That should be an interesting comparison . . . especially since my newer scanner should do a better job . . . and since then I've learned about wet mounting film, to get a better quality scan. If the 4x5 can match or exceed the quality from the SD1 Merrill, I'll just have to get that 8x10 I've been wanting to buy, because I don't see a new camera coming out any time soon that can double the horizontal and vertical definition of the SD1 Merrill with a good lens on it. If not, I'll have to think about it some more.

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Onlandscape.co.uk (a subscription magazine) did a big comparison a while back between film of various formats and a Phase One back.

They concluded that drum scanned 10x8 film was equivelent to 627MP!

It's a very comprehensive article: https://www.onlandscape.co.uk/2011/12/big-camera-comparison/

Tell me what you think.

--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/

Save
I haven't read the article yet, but I want you to know what I believe about large format and any other film. In my estimate, when you use an excellent quality lens and shoot the photo in the best way to get the best detail, a good quality film, like Ektar or Portra should be equivalent to approximately 10 MP per square inch, if scanned properly. I've seen drum scans of 35mm film, which is just over 1 square inch in in size, that looked to be equivalent to comparison photos from a Nikon D3x (both were shot with the same Nikon 50mm lens at f5.6, which makes my 10 MP per square inch estimate very realistic. If indeed film is equivalent to 10 MP for practical use, then an 8x10, which offers 80 square inches of film, is equivalent to 800 MP, once scanned properly . . . if you use a very good lens and don't stop it down too much. (i.e. if you shoot with an f5.6 lens at f8 or f11, rather than the typical f22 or f45 that many large format photographers do). I currently have a Schneider 240mm f5.6 Symmar S, which covers the 8x10 format. I will be using that lens for my tests with my 4x5 camera. If my scans out-resolve my SD1 Merrill, I can's see how an 8x10 wouldn't out-resolve a 100 MP Phase One XF, using the exact same lens, which is far from the World's best or highest resolution 8x10 lens. Well, that's my thinking anyway, and the article you're mentioning seems to support my thinking, given your comment about 627 MP.

I don't believe we're going to see a camera from Sigma that does 4x the image of the SD1 Merrill this year, next year, or the year after, so if/when I get an 8x10 camera that means I'll have the resolution of such a camera for years before it becomes available . . . if the 4x5 out-resolves my SD1 Merrill the way I'll be shooting, developing, and scanning (using a flatbed scanner). We'll see. I'll post samples here, when I get the test done.

Yes, there are other advantages of using a large format camera, which go along with the massive disadvantages of the bulk, weight, slow going, incredibly high expense, etc. Believe me, I wish we could buy a 200 MP digital camera today for a reasonable price. I probably wouldn't even consider buying an 8x10 film camera then. Just the expense is so much than it's going to be cost-prohibitive to shoot a lot of 8x10 photos, unfortunately.

BTW, thanks for the link!

:)

--
Scott Barton Kennelly
http://www.bigprintphotos.com
 
Last edited:
I exported this photo from raw at full size as an sRGB jpeg at level 10 compression. The adjustments I used were -0.2 exposure, +0.4 X3F Fill Light, and a reduction of sharpness (-0.2). I set the noise reduction to the lowest settings (all the way to the left), since it's an ISO 100 photo. Then in GIMP I retouched the sky to get rid of sensor spots and sharpened the whole photo with a setting of about 35, using the sharpening filter (not "Unsharp Mask"). I saved it with a level 95 compression setting, and it ended up being 4.8 MB (not big at all). I like the way it turned out.

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

This was a handheld shot using OS.

Here is how the photo looked right out of SPP 6.4.0:

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

What do you think? Did I sharpen too much at some point? I do realize that reducing the sharpening in this conversion from the raw file in SPP by only -0.2 is not much, but I'm pretty happy with the result. I haven't tried reducing sharpening in SPP by -0.5 though. It just seems like that's a bit too much blur to me. I don't see how I could get the image to look better. You gurus probably have some better ideas though, huh?

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Seems a lot of effort technically for a modest composition :-)

I can't help but feel that photography isn't just about how sharp something is. I appreciate that DPReview is a gear forum and that this is probably the premier place on the internet for arguing about sharpness and halos but 14 or 15 years after the invention of Foveon you'd have thought the conversation would have moved on just a little. Or maybe not!

I know... it's interesting....and a great distraction from the much more difficult process of making memorable images.

For a little light relief from sharpening artefacts you could real about aesthetics, photographic/artistic emotions and the picture making process:

http://www.brucepercy.co.uk/blog/

or

http://guytal.com/wordpress/

--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/

Save
Oh David . . . my photo looks THAT mundane to you, does it? I thought it represented real life pretty well . . . and not that many people get to see such lovely beaches other than in pictures. And if you lived in China you'd probably appreciate that beautiful clear blue sky and those pretty fluffy clouds. Where do you live? Bermuda or something?

;)

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Sorry, Scott, wasn't trying to insult the picture in particular. I'm just of the view that if manage to come up with a "hail mary" image, then applying huge amounts of technical effort to eke out the last bit of goodness is worth the effort. Other shots while perfectly fine images, might not deserve such commitment to perfection.

But, of course, I also recognise that there is no such thing as universal taste and it is the absolute right of the photographer to decide whether they consider an image worth of exceptional effort.

--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/
Oh, I get it. Well, no exceptional effort here anyway. I was just playing around with sharpening, because I saw lots of interesting details in that particular photo. The distant pier offers lots of opportunity to see the results of sharpening. I find fishing rods of particular interest, knowing how skinny they are. Have you seen my 4x5 scan and sharpening in my gallery? One day I'll use a good lens and shoot that scene with my 4x5 again, using Ektar film. I'll shoot it at the same time with my SD1 Merrill and a good lens (maybe my 70mm f2.8 EX macro). That should be an interesting comparison . . . especially since my newer scanner should do a better job . . . and since then I've learned about wet mounting film, to get a better quality scan. If the 4x5 can match or exceed the quality from the SD1 Merrill, I'll just have to get that 8x10 I've been wanting to buy, because I don't see a new camera coming out any time soon that can double the horizontal and vertical definition of the SD1 Merrill with a good lens on it. If not, I'll have to think about it some more.

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Onlandscape.co.uk (a subscription magazine) did a big comparison a while back between film of various formats and a Phase One back.

They concluded that drum scanned 10x8 film was equivelent to 627MP!

It's a very comprehensive article: https://www.onlandscape.co.uk/2011/12/big-camera-comparison/

Tell me what you think.

--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/

Save
I haven't read the article yet, but I want you to know what I believe about large format and any other film. In my estimate, when you use an excellent quality lens and shoot the photo in the best way to get the best detail, a good quality film, like Ektar or Portra should be equivalent to approximately 10 MP per square inch, if scanned properly. I've seen drum scans of 35mm film, which is just over 1 square inch in in size, that looked to be equivalent to comparison photos from a Nikon D3x (both were shot with the same Nikon 50mm lens at f5.6, which makes my 10 MP per square inch estimate very realistic. If indeed film is equivalent to 10 MP for practical use, then an 8x10, which offers 80 square inches of film, is equivalent to 800 MP, once scanned properly . . . if you use a very good lens and don't stop it down too much. (i.e. if you shoot with an f5.6 lens at f8 or f11, rather than the typical f22 or f45 that many large format photographers do). I currently have a Schneider 240mm f5.6 Symmar S, which covers the 8x10 format. I will be using that lens for my tests with my 4x5 camera. If my scans out-resolve my SD1 Merrill, I can's see how an 8x10 wouldn't out-resolve a 100 MP Phase One XF, using the exact same lens, which is far from the World's best or highest resolution 8x10 lens. Well, that's my thinking anyway, and the article you're mentioning seems to support my thinking, given your comment about 627 MP.

I don't believe we're going to see a camera from Sigma that does 4x the image of the SD1 Merrill this year, next year, or the year after, so if/when I get an 8x10 camera that means I'll have the resolution of such a camera for years before it becomes available . . . if the 4x5 out-resolves my SD1 Merrill the way I'll be shooting, developing, and scanning (using a flatbed scanner). We'll see. I'll post samples here, when I get the test done.

Yes, there are other advantages of using a large format camera, which go along with the massive disadvantages of the bulk, weight, slow going, incredibly high expense, etc. Believe me, I wish we could buy a 200 MP digital camera today for a reasonable price. I probably wouldn't even consider buying an 8x10 film camera then. Just the expense is so much than it's going to be cost-prohibitive to shoot a lot of 8x10 photos, unfortunately.

BTW, thanks for the link!

:)

--
Scott Barton Kennelly
http://www.bigprintphotos.com
You and Dave might find this post of interest (scroll to bottom):


How about 153MP (APS-C)? ;-)

--
"What we've got hyah is Failyah to Communicate": 'Cool Hand Luke' 1967.
 
I exported this photo from raw at full size as an sRGB jpeg at level 10 compression. The adjustments I used were -0.2 exposure, +0.4 X3F Fill Light, and a reduction of sharpness (-0.2). I set the noise reduction to the lowest settings (all the way to the left), since it's an ISO 100 photo. Then in GIMP I retouched the sky to get rid of sensor spots and sharpened the whole photo with a setting of about 35, using the sharpening filter (not "Unsharp Mask"). I saved it with a level 95 compression setting, and it ended up being 4.8 MB (not big at all). I like the way it turned out.

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

This was a handheld shot using OS.

Here is how the photo looked right out of SPP 6.4.0:

Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100
Sigma SD1 Merrill & 17-50mm f2.8 EX OS at 40mm 1/250 @ f7.1 ISO 100

What do you think? Did I sharpen too much at some point? I do realize that reducing the sharpening in this conversion from the raw file in SPP by only -0.2 is not much, but I'm pretty happy with the result. I haven't tried reducing sharpening in SPP by -0.5 though. It just seems like that's a bit too much blur to me. I don't see how I could get the image to look better. You gurus probably have some better ideas though, huh?

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Seems a lot of effort technically for a modest composition :-)

I can't help but feel that photography isn't just about how sharp something is. I appreciate that DPReview is a gear forum and that this is probably the premier place on the internet for arguing about sharpness and halos but 14 or 15 years after the invention of Foveon you'd have thought the conversation would have moved on just a little. Or maybe not!

I know... it's interesting....and a great distraction from the much more difficult process of making memorable images.

For a little light relief from sharpening artefacts you could real about aesthetics, photographic/artistic emotions and the picture making process:

http://www.brucepercy.co.uk/blog/

or

http://guytal.com/wordpress/

--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/

Save
Oh David . . . my photo looks THAT mundane to you, does it? I thought it represented real life pretty well . . . and not that many people get to see such lovely beaches other than in pictures. And if you lived in China you'd probably appreciate that beautiful clear blue sky and those pretty fluffy clouds. Where do you live? Bermuda or something?

;)

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Sorry, Scott, wasn't trying to insult the picture in particular. I'm just of the view that if manage to come up with a "hail mary" image, then applying huge amounts of technical effort to eke out the last bit of goodness is worth the effort. Other shots while perfectly fine images, might not deserve such commitment to perfection.

But, of course, I also recognise that there is no such thing as universal taste and it is the absolute right of the photographer to decide whether they consider an image worth of exceptional effort.

--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/
Oh, I get it. Well, no exceptional effort here anyway. I was just playing around with sharpening, because I saw lots of interesting details in that particular photo. The distant pier offers lots of opportunity to see the results of sharpening. I find fishing rods of particular interest, knowing how skinny they are. Have you seen my 4x5 scan and sharpening in my gallery? One day I'll use a good lens and shoot that scene with my 4x5 again, using Ektar film. I'll shoot it at the same time with my SD1 Merrill and a good lens (maybe my 70mm f2.8 EX macro). That should be an interesting comparison . . . especially since my newer scanner should do a better job . . . and since then I've learned about wet mounting film, to get a better quality scan. If the 4x5 can match or exceed the quality from the SD1 Merrill, I'll just have to get that 8x10 I've been wanting to buy, because I don't see a new camera coming out any time soon that can double the horizontal and vertical definition of the SD1 Merrill with a good lens on it. If not, I'll have to think about it some more.

--
Scott Barton Kennelly
http://www.bigprintphotos.com
Onlandscape.co.uk (a subscription magazine) did a big comparison a while back between film of various formats and a Phase One back.

They concluded that drum scanned 10x8 film was equivelent to 627MP!

It's a very comprehensive article: https://www.onlandscape.co.uk/2011/12/big-camera-comparison/

Tell me what you think.

--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/

Save
I haven't read the article yet, but I want you to know what I believe about large format and any other film. In my estimate, when you use an excellent quality lens and shoot the photo in the best way to get the best detail, a good quality film, like Ektar or Portra should be equivalent to approximately 10 MP per square inch, if scanned properly. I've seen drum scans of 35mm film, which is just over 1 square inch in in size, that looked to be equivalent to comparison photos from a Nikon D3x (both were shot with the same Nikon 50mm lens at f5.6, which makes my 10 MP per square inch estimate very realistic. If indeed film is equivalent to 10 MP for practical use, then an 8x10, which offers 80 square inches of film, is equivalent to 800 MP, once scanned properly . . . if you use a very good lens and don't stop it down too much. (i.e. if you shoot with an f5.6 lens at f8 or f11, rather than the typical f22 or f45 that many large format photographers do). I currently have a Schneider 240mm f5.6 Symmar S, which covers the 8x10 format. I will be using that lens for my tests with my 4x5 camera. If my scans out-resolve my SD1 Merrill, I can's see how an 8x10 wouldn't out-resolve a 100 MP Phase One XF, using the exact same lens, which is far from the World's best or highest resolution 8x10 lens. Well, that's my thinking anyway, and the article you're mentioning seems to support my thinking, given your comment about 627 MP.

I don't believe we're going to see a camera from Sigma that does 4x the image of the SD1 Merrill this year, next year, or the year after, so if/when I get an 8x10 camera that means I'll have the resolution of such a camera for years before it becomes available . . . if the 4x5 out-resolves my SD1 Merrill the way I'll be shooting, developing, and scanning (using a flatbed scanner). We'll see. I'll post samples here, when I get the test done.

Yes, there are other advantages of using a large format camera, which go along with the massive disadvantages of the bulk, weight, slow going, incredibly high expense, etc. Believe me, I wish we could buy a 200 MP digital camera today for a reasonable price. I probably wouldn't even consider buying an 8x10 film camera then. Just the expense is so much than it's going to be cost-prohibitive to shoot a lot of 8x10 photos, unfortunately.

BTW, thanks for the link!

:)

--
Scott Barton Kennelly
http://www.bigprintphotos.com
You and Dave might find this post of interest (scroll to bottom):

https://www.dpreview.com/forums/post/59853259

How about 153MP (APS-C)? ;-)

--
"What we've got hyah is Failyah to Communicate": 'Cool Hand Luke' 1967.
Interesting Ted. I bet Sigma could squeeze on quite a few more pixels horizontally and vertically using the Quattro H sensor without making that much difference to the noise levels. I wonder how long we'll have to wait for them to up the resolution. Probably at least two years, I'm guessing. BTW, at what aperture would we have to shoot to not be diffraction limited if they make a new Quattro H sensor with a 39 MP top layer? I'm thinking f4 with the 50mm f1.4 Art or that new 85mm f1.4 Art will do just fine. Even the 24-35mm f2 Art might handle such a sensor pretty well at f4.

(I'm suggesting a 39 MP top layer because I think that's what would be perfect for displaying on 8K screens - after the top and bottom of the image is cropped off, or when using the 16:9 format mode.)

--
Scott Barton Kennelly
 
You and Dave might find this post of interest (scroll to bottom):

https://www.dpreview.com/forums/post/59853259

How about 153MP (APS-C)? ;-)
Interesting Ted. I bet Sigma could squeeze on quite a few more pixels horizontally and vertically using the Quattro H sensor without making that much difference to the noise levels. I wonder how long we'll have to wait for them to up the resolution. Probably at least two years, I'm guessing.
Not betting, wondering or guessing today, Scott. ;-)
BTW, at what aperture would we have to shoot to not be diffraction-limited if they make a new Quattro H sensor with a 39 MP top layer?
What lens?

Do you, by any chance, think that "not diffraction-limited" is better than "diffraction-limited"? (it's the way the question is worded that makes me ask that).

Here's some old 50mm lenses:

50mmlenses.gif


Anything below the dashed line is departing from the ideal.

Anyhow, the image sensor does not affect lens diffraction in any way. There could be toilet paper in the image plane instead of a sensor and the lens diffraction would be completely unaffected.

Have a look here:

https://www.edmundoptics.com/resources/application-notes/imaging/diffraction-limit/

Then perhaps review your own thoughts below . . .
I'm thinking f4 with the 50mm f/1.4 Art or that new 85mm f/1.4 Art will do just fine. Even the 24-35mm f/2 Art might handle such a sensor pretty well at f4.

(I'm suggesting a 39 MP top layer because I think that's what would be perfect for displaying on 8K screens - after the top and bottom of the image is cropped off, or when using the 16:9 format mode.)
Perfect for your eagle eyes, no doubt . . mine would see "8K" no differently than my current WUXGA. :-D

--
"What we've got hyah is Failyah to Communicate": 'Cool Hand Luke' 1967.
 
Last edited:
You and Dave might find this post of interest (scroll to bottom):

https://www.dpreview.com/forums/post/59853259

How about 153MP (APS-C)? ;-)
Interesting Ted. I bet Sigma could squeeze on quite a few more pixels horizontally and vertically using the Quattro H sensor without making that much difference to the noise levels. I wonder how long we'll have to wait for them to up the resolution. Probably at least two years, I'm guessing.
Not betting, wondering or guessing today, Scott. ;-)
BTW, at what aperture would we have to shoot to not be diffraction-limited if they make a new Quattro H sensor with a 39 MP top layer?
What lens?

Do you, by any chance, think that "not diffraction-limited" is better than "diffraction-limited"? (it's the way the question is worded that makes me ask that).

Here's some old 50mm lenses:

50mmlenses.gif


Anything below the dashed line is departing from the ideal.

Anyhow, the image sensor does not affect lens diffraction in any way. There could be toilet paper in the image plane instead of a sensor and the lens diffraction would be completely unaffected.

Have a look here:

https://www.edmundoptics.com/resources/application-notes/imaging/diffraction-limit/

Then perhaps review your own thoughts below . . .
I'm thinking f4 with the 50mm f/1.4 Art or that new 85mm f/1.4 Art will do just fine. Even the 24-35mm f/2 Art might handle such a sensor pretty well at f4.

(I'm suggesting a 39 MP top layer because I think that's what would be perfect for displaying on 8K screens - after the top and bottom of the image is cropped off, or when using the 16:9 format mode.)
Perfect for your eagle eyes, no doubt . . mine would see "8K" no differently than my current WUXGA. :-D

--
"What we've got hyah is Failyah to Communicate": 'Cool Hand Luke' 1967.
We could aim for deconvolving lens designs where the lenses have deliberate aberrations that natural diffraction fixes!

I'll add this one to my previous inventions of using IBIS to simulate an AA filter and the in-exposure resettable pixel to generate infinite dynamic range sensors!!!



--
Galleries and website: http://www.whisperingcat.co.uk/
Flickr: http://www.flickr.com/photos/davidmillier/
 

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