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Comments?OUCH!
Watched it last night! No comments here?
I am as surprised as you, but for very different reasons. I wonder if he was playing to the interviewer's audience somewhat here. He sang Pentax's praises, to the heavens, in dozens and dozens of posts on this board across 2-3 years. Even when he eventually switched to Nikon, he gave the impression that it was a real wrench for him, and that he would keep a K-01 for some of his video work.He stated he used such Pentax setup for several years? I wonder why it took him so long? As a professional he should have reacted earlier, so that part of his story I find idiosyncratic and odd. He'd better switched earlier, spared himself, and Pentax too.
I vaguely remember some sort of a scandal, in which a publication complained about Mr. Kanarek being positive about Pentax.Here is some info from his own point of view when he made the change:
http://benjaminkanarekblog.com/2013/07/28/nikon-d600-canon-6d-question/
Best regards
Holger
Dear Alex, thank you for the link. I found some words from Ben Kanarek within:I vaguely remember some sort of a scandal, in which a publication complained about Mr. Kanarek being positive about Pentax.Here is some info from his own point of view when he made the change:
http://benjaminkanarekblog.com/2013/07/28/nikon-d600-canon-6d-question/
Best regards
Holger
Wait, it was Popular Photogaphy:
"It was Pop Photo that sent their complaint to Ned that marked the beginning of my demise of my sponsorship with Pentax..Yes it was the almighty Jack Howard. I think that was his name. The editor."
Read more at: https://www.pentaxforums.com/forums...1114-popphoto-skeptical-k7.html#ixzz4l01nPKaL
Alex
I have NEVER shot catwalks. That is totally alien to me. I generally shoot in Studio under ideal lighting conditions or on the street using very fast lenses. So please before making sweeping generalisations of how you think I shoot or shot, do your research or at least look at my website to get an idea of the gendre of my style! Afterwards you can try to explain to me what I was doing wrong. That would be a revelation and quite illuminating...Comments?OUCH!
Watched it last night! No comments here?
I browsed Benjamin's work and it seems he was using .. screwdrive DA lenses?. That setup cannot be used in a professional setup for catwalks and fast-paced fashion work in artificial light. There will be some hits but too many misses and hisses from the lenses and overall, it is an utter waste of time.
Pentax camera can be used in such a setup for outdoor photography only, for shooting landscapes at f8 and beyond, because for everything else, especially fast paced photography, results are unpredictable.
However, though, one may ask, how some fashion photographers use manual focusing cameras and lenses then? A full frame rangefinder delivers a different focusing experience, and manual focus can be trusted more than an unpredictable autofocus with a lens technology totally unsuitable for such work. Manual focusing won't produce as many photographs, though, but they will be fine.
Undeveloped AF system with inadequate lens tech for the purpose spells disaster.
Therefore, choosing Nikon was a logical step. He stated he used such Pentax setup for several years? I wonder why it took him so long? As a professional he should have reacted earlier, so that part of his story I find idiosyncratic and odd. He'd better switched earlier, spared himself, and Pentax too.
You have a point (pun not quite intended) ;-)My Response:
That is nice to hear...again as I also stated in my interview, 33 AF points and where they are clustered doesn't even get close to the eye placement of the AF point that is needed without having to focus on the eye and then re-frame the image.
Dear Benjamin,From a Pentax K1 user commenting on my interview with Ken Wheeler in Part 1 of our interview:
David Carman
I can attest that the AF accuracy has improved significantly with the K-1, I don't experience anything near the out of focus problems you did (this was around 2012?). I have the DFA* 70-200, and my results are much better than what you experienced (I just did a photo shoot, and had at least 95% accuracy). They are also making improvements in speed with their new PLM motor, which is their the fastest AF to date.
My Response:
That is nice to hear...again as I also stated in my interview, 33 AF points and where they are clustered doesn't even get close to the eye placement of the AF point that is needed without having to focus on the eye and then re-frame the image. I often shoot off axis and once I have reframed the image the focus will be out, especially as I shoot a lot of my stuff wide open. But, I won't expend any more of my energy in having to explain how I need to work to make things happen nor regarding my knowledge of Pentax in the past and where they are today. I kind of have a bit of a handle on the basic tech difficiencies of the tool i.e. the K1. I lost toooooooooo much of my precious life force with that brand. When their AF cluster can at least cover the upper or lower 1/3rd quadrant and the AF can "REALLY" nail the focus with confidence and off axis as well, I might consider the brand viable...not for me but viable nonetheless!
Thank you!
https://www.pentaxforums.com/articles/gear-guides/pentax-k-1-viewfinder-overview.html
Dear Benjamin,From a Pentax K1 user commenting on my interview with Ken Wheeler in Part 1 of our interview:
David Carman
I can attest that the AF accuracy has improved significantly with the K-1, I don't experience anything near the out of focus problems you did (this was around 2012?). I have the DFA* 70-200, and my results are much better than what you experienced (I just did a photo shoot, and had at least 95% accuracy). They are also making improvements in speed with their new PLM motor, which is their the fastest AF to date.
My Response:
That is nice to hear...again as I also stated in my interview, 33 AF points and where they are clustered doesn't even get close to the eye placement of the AF point that is needed without having to focus on the eye and then re-frame the image. I often shoot off axis and once I have reframed the image the focus will be out, especially as I shoot a lot of my stuff wide open. But, I won't expend any more of my energy in having to explain how I need to work to make things happen nor regarding my knowledge of Pentax in the past and where they are today. I kind of have a bit of a handle on the basic tech difficiencies of the tool i.e. the K1. I lost toooooooooo much of my precious life force with that brand. When their AF cluster can at least cover the upper or lower 1/3rd quadrant and the AF can "REALLY" nail the focus with confidence and off axis as well, I might consider the brand viable...not for me but viable nonetheless!
Thank you!
https://www.pentaxforums.com/articles/gear-guides/pentax-k-1-viewfinder-overview.html
Thank you for your response. I like your work and when I hear about new photos published by you I immediatelly have a look at them. I am not a professional and even as enthusiast hobby photographer I never shoot fashion and very seldom portrait. To me photography is about beauty, aesthetics and celebrating life - and a photographer is a person opening our mind towards these aspects of our world. And there are masters of this business and art - and you are one of the best amongst them!
The relation of Pentaxians to their special brand maybe regarded as strange. But when you were shooting with Pentax cameras your work had something like an "extra-joy" aspect to me. Therefore, I am almost shocked that you "lost toooooooooo mouch of your precious life force with this brand". Maybe you gave this life force to people you don't know and who haven't paid you anything for this suffering but love.
I am glad you found your optimal gear. The Nikon 800E was the first camera using the great sensor we have in our K1. It was an outstanding camera and it still is.
There were some problems with this camera regarding AF:
http://www.falklumo.com/lumolabs/articles/D800Focus/OuterSensors.html
The problems were especially about those sensor fields that you are missing at K1. But the problem seems to be solved if you reach a very high keeper rate.
Autofocus was not an important technique for me. I work in the field. I either do landscape where I have enough time to set the focus - and sometimes arrage the DOF so that all I want to have covered by sharpness is within the DOF. I also do macro work. For my macro work wind is a problem and no AF system of the world will follow the focus of a bee on a flower that is swinging with it in the wind. Getting the correct focus in this situation is about pressing the release button in exactly the correct moment.
First time AF became interesting for me was when I got a camera having these 9 point AF clusters (K-S1). Before, all cameras falied to guess to point where I wanted to have the focus - and so I had to measure focus with centre field AF and next select the frame - or work with MF right from the beginning.
I know about the problem with extremely small DOF. And I see your need of having AF points exactly where you need the focus.
But if you want the focus directly at the eye of the model - why not using face-detection and live view. Right this moment I gave my K1 a try with my 70 mm Sigma macro at f 2.8. Worked fine! The Sigma macro lens is a snail regarding AF speed - but precision was OK - and I am sure I will find some lenses in my bag that will offer much higher speed. It is a little different working than looking through the view finder - but wasn't there professionals working with Pentax 6x7 and that hooded reflex screen?
Any AF system that does not analyse the content of the photo will not know where the eye of your model is - and for this reason I would expect to get best results using this technique. Just an idea.
Dear Benjamin - please keep on taking great photos and sharing them with us! I will love your work no matter which gear you use and your expertise and comments are worthy to me.
Best regards
Holger
Well, Pentax should give a bow to those few professional photographers like Benjamin, who still, or at some time ago use(d) their equipment as the professional tools. For us, amateurs (doesn't matter how enthusiastic we are), many of those limitations do not cause any serious problems. But the professionals need the professional tools, no doubt.
I am just wondering, who of the remaining professionals still use Pentax. O.K. to be fair, the 645 models are considered to be professional tools, so I believe that there are still profis using them, like tcom/Dominique.
Well, Pentax should give a bow to those few professional photographers like Benjamin, who still, or at some time ago use(d) their equipment as the professional tools. For us, amateurs (doesn't matter how enthusiastic we are), many of those limitations do not cause any serious problems. But the professionals need the professional tools, no doubt.
I am just wondering, who of the remaining professionals still use Pentax. O.K. to be fair, the 645 models are considered to be professional tools, so I believe that there are still profis using them, like tcom/Dominique.
LOL...she likes it. If it ain't broke why fix it...Just look at the results. She won Silver Medal for Fashion Video of the Year. No problem with focus as she is obviously using Live View.Yes, I know that, we've discussed this, though I still do not understand your reasoning. The (poor) video mode is considered to be the second weakest feature of the Pentax cameras. Or is this not true? Are your Nikon cameras even less suitable for shooting video?Every single video we do are done with the Pentax K3...or earlier with the K1RWell, Pentax should give a bow to those few professional photographers like Benjamin, who still, or at some time ago use(d) their equipment as the professional tools. For us, amateurs (doesn't matter how enthusiastic we are), many of those limitations do not cause any serious problems. But the professionals need the professional tools, no doubt.
I am just wondering, who of the remaining professionals still use Pentax. O.K. to be fair, the 645 models are considered to be professional tools, so I believe that there are still profis using them, like tcom/Dominique.
--
Regards,
Peter
My wife is the video director.
https://www.youtube.com/channel/UCzYkqsIjhy28IxZ6DxaXAYg
--
http://www.benjaminkanarek.com
http://www.benjaminkanarekblog.com
InstaGram: https://www.instagram.com/benjaminkanarek/
--
Regards,
Peter
Well, Pentax should give a bow to those few professional photographers like Benjamin, who still, or at some time ago use(d) their equipment as the professional tools. For us, amateurs (doesn't matter how enthusiastic we are), many of those limitations do not cause any serious problems. But the professionals need the professional tools, no doubt.
I am just wondering, who of the remaining professionals still use Pentax. O.K. to be fair, the 645 models are considered to be professional tools, so I believe that there are still profis using them, like tcom/Dominique.
Dear Benjamin,From a Pentax K1 user commenting on my interview with Ken Wheeler in Part 1 of our interview:
David Carman
I can attest that the AF accuracy has improved significantly with the K-1, I don't experience anything near the out of focus problems you did (this was around 2012?). I have the DFA* 70-200, and my results are much better than what you experienced (I just did a photo shoot, and had at least 95% accuracy). They are also making improvements in speed with their new PLM motor, which is their the fastest AF to date.
My Response:
That is nice to hear...again as I also stated in my interview, 33 AF points and where they are clustered doesn't even get close to the eye placement of the AF point that is needed without having to focus on the eye and then re-frame the image. I often shoot off axis and once I have reframed the image the focus will be out, especially as I shoot a lot of my stuff wide open. But, I won't expend any more of my energy in having to explain how I need to work to make things happen nor regarding my knowledge of Pentax in the past and where they are today. I kind of have a bit of a handle on the basic tech difficiencies of the tool i.e. the K1. I lost toooooooooo much of my precious life force with that brand. When their AF cluster can at least cover the upper or lower 1/3rd quadrant and the AF can "REALLY" nail the focus with confidence and off axis as well, I might consider the brand viable...not for me but viable nonetheless!
Thank you!
https://www.pentaxforums.com/articles/gear-guides/pentax-k-1-viewfinder-overview.html
Thank you for your response. I like your work and when I hear about new photos published by you I immediatelly have a look at them. I am not a professional and even as enthusiast hobby photographer I never shoot fashion and very seldom portrait. To me photography is about beauty, aesthetics and celebrating life - and a photographer is a person opening our mind towards these aspects of our world. And there are masters of this business and art - and you are one of the best amongst them!
The relation of Pentaxians to their special brand maybe regarded as strange. But when you were shooting with Pentax cameras your work had something like an "extra-joy" aspect to me. Therefore, I am almost shocked that you "lost toooooooooo mouch of your precious life force with this brand". Maybe you gave this life force to people you don't know and who haven't paid you anything for this suffering but love.
I am glad you found your optimal gear. The Nikon 800E was the first camera using the great sensor we have in our K1. It was an outstanding camera and it still is.
There were some problems with this camera regarding AF:
http://www.falklumo.com/lumolabs/articles/D800Focus/OuterSensors.html
The problems were especially about those sensor fields that you are missing at K1. But the problem seems to be solved if you reach a very high keeper rate.
Autofocus was not an important technique for me. I work in the field. I either do landscape where I have enough time to set the focus - and sometimes arrage the DOF so that all I want to have covered by sharpness is within the DOF. I also do macro work. For my macro work wind is a problem and no AF system of the world will follow the focus of a bee on a flower that is swinging with it in the wind. Getting the correct focus in this situation is about pressing the release button in exactly the correct moment.
First time AF became interesting for me was when I got a camera having these 9 point AF clusters (K-S1). Before, all cameras falied to guess to point where I wanted to have the focus - and so I had to measure focus with centre field AF and next select the frame - or work with MF right from the beginning.
I know about the problem with extremely small DOF. And I see your need of having AF points exactly where you need the focus.
But if you want the focus directly at the eye of the model - why not using face-detection and live view. Right this moment I gave my K1 a try with my 70 mm Sigma macro at f 2.8. Worked fine! The Sigma macro lens is a snail regarding AF speed - but precision was OK - and I am sure I will find some lenses in my bag that will offer much higher speed. It is a little different working than looking through the view finder - but wasn't there professionals working with Pentax 6x7 and that hooded reflex screen?
Any AF system that does not analyse the content of the photo will not know where the eye of your model is - and for this reason I would expect to get best results using this technique. Just an idea.
Dear Benjamin - please keep on taking great photos and sharing them with us! I will love your work no matter which gear you use and your expertise and comments are worthy to me.
Best regards
Holger