What body do you prefer w/adapted lenses?

photoholiko

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I use several camera brand bodies which allows me many different lens attachments with my current crop of legacy lenses. My favorite for using adapted lenses is my Sony A3000, it has a 20.1MP sensor, focus peeking, sweep panorama and good color. I wish it had a tilt screen and IBS though.

Any of you care to share your camera body preferences?
 
Not looking for an argument but this seems a bit unnecessarily insulting to A7 owners. Toms assessment is fair and valid; I'd forgotten about the ledge and agree it was a terrible design decision. I also get his point about assigning custom functions. Both those things have gotten better on the MkII bodies. You also do see plenty of complaints about ergonomics and/or menus. You also see a huge pool of users who love the cameras. Are we all delusional? Regarding fading around with buttons in the dark, sorry but once you use the camera it becomes second nature as well. I'm actually re-learning mine at the moment after Sony added focus standard in response to users asking for better focus point selection. But it's made the camera even quicker and once muscle memory is dialed in it'll fade back into the background and let me shoot.

I have no "vested" interest in my camera. I buy and seller used and am fortunate to earn good side money shooting real estate which funds my hobby. As such, any purchase is as much a loaner as anything, be it the $100 Canon M1 or $2400 A7RII. No camera is perfect but I'm not fooling myself into liking the Sonys, I genuinely love the A7II and can't see myself switching any time soon, unless it's the A7III.
Well put Mark. I would agree that the MkII fixed many of the major issues that were so bad on the MkI version. But the Mk II was (last time I looked) AUD$4,500 in the shops in Australia.

One of my underlying issues is that a camera company such as Sony should not have made such a kluzt of a design job in the first place and then expected its devoted users to simply bin their MkI version when Sony "miraculously" fixed them in their MkII version and then put their hand out for such a steep "upgrade" price without a blush. Methinks they should have recalled their MkI bodies and crushed them whilst at the same time given a concessional price to replace them with a MkII version. That would have made me a very happy camper indeed.

So I cannot make myself spend another AUD$4,500 to replace what is should be a reasonably good camera body which should last for years. I get 5-10 years out of my dslr bodies and will probably get the same out of an A7R MkI as it is well made and works. But this means that I am stuck with a klutz (to use) camera because I refuse to fork out another substantial sum for the pleasure of getting rid of it. And of course the A7R MkIII is probably not that far away and would be another significant outlay for those that must stay up to date.

I gave up the expensive dslr body churn because of the constant recurring cost of replacement. Sony simply joined that club. My admittedly late to the party purchase of an Olympus E-M1 cost me <AUD$1,000. The Olympus is not perfect either but it is still within my personal parameters of freaked out annoyance. I use it regularly but the A7R MkI hardly ever. One of my sons on the other hand takes incredibly good images with his A7R and is not terribly bothered by its ergonomics. As mentioned before I have a very short bad-ergonomics fuse :)

If Sony must make great camera bodies and charge substantial prices for them then surely it is not too much to ask that they put serious thought to getting their ergonomics right before they ask people to pay for them

I suppose my biggest beef is that I hate being the Beta tester to sort out some product that I have bought that was poorly designed. That Sony made their MkII better through hordes of unpaid market researchers who actually bought these MkI things with their own money which still leaves me continuing to do just that.

I might wait a while and see what the MkIII might bring. Or even get my hands in an A9 so that I can see if I can live with the new interface long term.

My three criteria are 1) that the interface is logical and easy to use, and 2) that the camera will handle EF lenses with oem levels of performance, and 3) I am likely to be able to use the body every day for many years with an idiotic smile on my face :)

If I like it enough I can get over the price hurdle.

I don't need any FE lenses.

But I suggest that I am now so wedded to the M4/3 mount that it would require quite a lot of anticipated use-excitement to winkle me away from bodies that are at the very worst no more than 1/3 of the current price of an A7Rii (each).

Just added a Panasonic GX85 to the fleet at <AUD$700.

The actual body shape does not worry me but I would prefer RF style and wish that they could have made the "FF NEX" that had been widely anticipated. The NEX is much nicer to use.
GnarlydogOZ, post: 59728702"]
I like your analysis: honest. You can sit back and say it as it is without the vested interest of not saying "I admit and I am ashamed I have made of a mistake". If people would look at their cameras more honestly and be more critical of their purchases and less "I have to love it since I spent so much money on it" probably we would read more cases like yours. About Sony A7/A9 series: to me it feels designed by hipsters that want to emulated the modern Leica look (also incredibly un-ergonomic) to then make it stand out. I like to compare them to my car: a Toyota Rukus (aka Scion XB in USA): butt ugly :-)
 
Yes, I have been eyeing the A7, I feel it's the one that would suite me best and is priced right.
I find them horrid to use, but they are fine cameras and many others don't mind using them.

I would sell mine but I need something to remind me never to buy a camera again that I think that I could get used to and overcome a poor user interface.

Don't let my negativity get in the way of what might be an excellent purchase. But if you wish to really work your camera and have a low tolerance for bad ergonomics then be aware.
 
- Full frame so that lenses will have their proper field of view,
ah, "proper" :-D

I think some of us like to be "improper" and use the best (centre part) out of some ho-hum lenses on smaller sensors while cropping out the improper bits (distortion, low resolution, vignetting, smearing, haze etc). Some also like to use a speed-booster to suddenly have insane resolution and speed on lenses that otherwise don't exist or simply cost more than a small house ;-)
Minor point: a speed booster merely gives you what the FF sensor gives you without it. Same as that a tele converter gives you on FF what you get on a smaller sensor.
Not quite - you should read Brian Caldwell's white paper on the subject which is usually found somewhere around the Metabones site and which I also think is a strict scientific appraisal.

My understanding is that focal reduction always improves the image because it concentrates the light on to a smaller surface area - that is also why it also includes an extra stop value of light. It is precisely the opposite of a tele-convertor which spreads the light beam and always degrades the image and reduces the light at the same time.

A side problem of the focal reducer is that it can accentuate lens faults. But Brian has claimed that his "Ultra" lens designs always improve the quality of any lens and produced some measurements that showed that even a Zeiss "Batis" could be improved when focal reduced. I am only an amateur in these matters but I have no reason to disbelieve his claim.

Of course the matter of individual sensor performance is something that adds another variable. But basically (sensors excluded) a FF lens focal reduced to aps-c should be giving a better performance optically from a well designed adapter than the optical performance on a FF sensor body. If they are not then it might be more that the sensor has been the weak spot.
But of course, to each their own.
--
Tom Caldwell
 
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With adapted lenses I use mostly the Sony A7II for the last 2.5 years. Before it was one of the NXes. I like with it, that my wide lenses are real wide lenses. Also IBIS, EVF and support for manual focus are on the pro side. 24MP is actually enough for my purposes. Some of my lenses for Nikon even have working AF with the Commlite adapter. Nevertheless, I'm not completely happy with the A7II. AutoISO is crappy compared with my other cameras, some bugs don't get fixed.

If I need long lenses and better quality than my P900 may deliver, I take to my 1" NX Mini and the 4/100-300 or the 3.5/400. Nothing for moving objects and lack of EVF means bad visibility in the sun. But it works and it's better than a teleconverter.
 
I use several camera brand bodies which allows me many different lens attachments with my current crop of legacy lenses. My favorite for using adapted lenses is my Sony A3000, it has a 20.1MP sensor, focus peeking, sweep panorama and good color. I wish it had a tilt screen and IBS though.

Any of you care to share your camera body preferences?
Like you, I bought an A3000 to use with my old MF lenses and I haven't had a moment of regret/ In fact, I haven't had so much fun since I was shooting film with the original 35mm bodies. Not only does it have a great sensor but it also looks and feels right with one of the old lenses installed.





Sony A3000 with a Yashica ML 50mm f2.0 lens
Sony A3000 with a Yashica ML 50mm f2.0 lens



--
Peter Davies
 
Not looking for an argument but this seems a bit unnecessarily insulting to A7 owners. Toms assessment is fair and valid; I'd forgotten about the ledge and agree it was a terrible design decision. I also get his point about assigning custom functions. Both those things have gotten better on the MkII bodies. You also do see plenty of complaints about ergonomics and/or menus. You also see a huge pool of users who love the cameras. Are we all delusional? Regarding fading around with buttons in the dark, sorry but once you use the camera it becomes second nature as well. I'm actually re-learning mine at the moment after Sony added focus standard in response to users asking for better focus point selection. But it's made the camera even quicker and once muscle memory is dialed in it'll fade back into the background and let me shoot.

I have no "vested" interest in my camera. I buy and seller used and am fortunate to earn good side money shooting real estate which funds my hobby. As such, any purchase is as much a loaner as anything, be it the $100 Canon M1 or $2400 A7RII. No camera is perfect but I'm not fooling myself into liking the Sonys, I genuinely love the A7II and can't see myself switching any time soon, unless it's the A7III.
Well put Mark. I would agree that the MkII fixed many of the major issues that were so bad on the MkI version. But the Mk II was (last time I looked) AUD$4,500 in the shops in Australia.

One of my underlying issues is that a camera company such as Sony should not have made such a kluzt of a design job in the first place and then expected its devoted users to simply bin their MkI version when Sony "miraculously" fixed them in their MkII version and then put their hand out for such a steep "upgrade" price without a blush. Methinks they should have recalled their MkI bodies and crushed them whilst at the same time given a concessional price to replace them with a MkII version. That would have made me a very happy camper indeed.
Since we're now in the realm of wild and completely subjective opinion, I'd like to put things a bit in perspective: I used M4/3 cameras for over 2 years before switching over, so I believe that I do know something about what I'm talking about (2 years M4/3 vs. 3 years Sony Aplha Mks I & II).

I find the ergonomics of the Sony A7 (aka Mk I) completely acceptable and certainly no worse than those of the Olympus EM-5. Contrary to most opinion, I even slightly prefer the ergonomics of the Mk I Sony cameras because of their slightly smaller and lighter form factor, and certainly have no problem using them. For me, the main advantages of the Mk II models is the presence of IBIS and the higher resolution (where applicable).

In any case, I don't go around ranting that the Olympus EM-5 should be crushed because of its ergonomics and that the Panasonic GX-7 is a "total disaster" because of its awful viewfinder.... ;-)
If Sony must make great camera bodies and charge substantial prices for them then surely it is not too much to ask that they put serious thought to getting their ergonomics right before they ask people to pay for them
Ergonomics is completely subjective...
I suppose my biggest beef is that I hate being the Beta tester to sort out some product that I have bought that was poorly designed. That Sony made their MkII better through hordes of unpaid market researchers who actually bought these MkI things with their own money which still leaves me continuing to do just that.
I like and use my A7. Far more than my M4/3 cameras, which I don't use at all anymore (and could label as "wasted money" if I really wanted to rant for the sake of ranting).
Tom Caldwell
 
Yes, I have been eyeing the A7, I feel it's the one that would suite me best and is priced right.
I find them horrid to use, but they are fine cameras and many others don't mind using them.

I would sell mine but I need something to remind me never to buy a camera again that I think that I could get used to and overcome a poor user interface.

Don't let my negativity get in the way of what might be an excellent purchase. But if you wish to really work your camera and have a low tolerance for bad ergonomics then be aware.
 
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hmm, my VIEW must have strung a chord?
I imagine so, though I didn't take it personally.
All I said it was that I liked Tom's view (and why) and that to me it feels that Sony was designed by a team to appeal to hipsters, not unlike the car I drive. So, yes, you can view that it was a personal attack if you want (didn't know you used Sony) but then was I attacking myself?
Maybe I misread your message; I do respect and enjoy others opinions. You and Tom and others are right to dislike Sonys and you certainly aren't alone. But it also seemed to suggest that it couldn't be a likable camera. Simply due to cost, its buyers wouldn't admit fault and so all the positive reviews were misleading. I've bought 4 now and love the cameras. They aren't perfect but it's the best camera I've yet tried by a good bit. Don't find them ugly or attractive, but enjoy them regardless.
ah, semantics...
Devils in the details as they say!
"It's a camera, not religion" somebody once said.
Ha, saying that on DPR is like walking into an opium den and telling them true happiness lies elsewhere.

Anyway, back to the regularly scheduled programming of can I adapt X to Y.
 
- Full frame so that lenses will have their proper field of view,
ah, "proper" :-D

I think some of us like to be "improper" and use the best (centre part) out of some ho-hum lenses on smaller sensors while cropping out the improper bits (distortion, low resolution, vignetting, smearing, haze etc). Some also like to use a speed-booster to suddenly have insane resolution and speed on lenses that otherwise don't exist or simply cost more than a small house ;-)
Minor point: a speed booster merely gives you what the FF sensor gives you without it. Same as that a tele converter gives you on FF what you get on a smaller sensor.
Not quite
Yes, quite. Actually. :-)
- you should read Brian Caldwell's white paper on the subject which is usually found somewhere around the Metabones site and which I also think is a strict scientific appraisal.

My understanding is that focal reduction always improves the image because it concentrates the light on to a smaller surface area - that is also why it also includes an extra stop value of light. It is precisely the opposite of a tele-convertor which spreads the light beam and always degrades the image and reduces the light at the same time.
It is really as I said it is. With the FF sensor you get the same as what you get with APS-C and a speedbooster.

The improvement you mention is of smaller sensor with and without speedbooster. Not FF versus APS-C + speedbooster.

The extra light you also already get with an FF sensor, the smaller sensor without speedbooster cropped that light and trashed it in black plastic.
A side problem of the focal reducer is that it can accentuate lens faults. But Brian has claimed that his "Ultra" lens designs always improve the quality of any lens and produced some measurements that showed that even a Zeiss "Batis" could be improved when focal reduced. I am only an amateur in these matters but I have no reason to disbelieve his claim.

Of course the matter of individual sensor performance is something that adds another variable. But basically (sensors excluded) a FF lens focal reduced to aps-c should be giving a better performance optically from a well designed adapter than the optical performance on a FF sensor body.
No it will not.
If they are not then it might be more that the sensor has been the weak spot.
But of course, to each their own.
--
Tom Caldwell
 
Hello!

I have wondered about that for a while but only recently got a Speedbooster (only for MFT) - unfortunately I only have 16MP MFT bodies available to me atm and the only 16MP FF body I still have is a D4 - do you think a little test given these low MP counts would still be useful?

Best,

Alex
 
Hello!

I have wondered about that for a while but only recently got a Speedbooster (only for MFT) - unfortunately I only have 16MP MFT bodies available to me atm and the only 16MP FF body I still have is a D4 - do you think a little test given these low MP counts would still be useful?
If you feel like testing. As long as you do not use a supersharp lens that will anyway outresolve the sensors.

**edit: Wait, I see now you said MFT. I do not think that speedboosters for MFT will approach FF? You would need to test with APS-C and a speedbooster, for that? ***

A Speedbooster is exactly the other way around of what a teleconverter is.

If you have a FF lens, and you put it on APS-C, the sensor crops the FF "excess" and throws it in the black plastic rubbish bin. That includes the resolving power of that cropped off part of the optics. A speedbooster avoids the throwing away of the "excess". And you avoid that "loss of resolution" of the lens.

A teleconverter crops the projected image, just like a APS-C sensor would do. That is why you always will see a loss of resolution, when you compare the results on the same sensor, with and without TC (the TC crops the resolution of the lens, compared to no TC) . But you can also do the reverse as with the speedbooster:

You can use a lens on APS-C, and the same lens on FF with a TC.

Of course, the speedbooster on APS-C and the TC on FF both will have extra loss due to their own optics, but with a good speedbooster and a good TC the losses won't be that big.

I have a APS-C EOS M (~18mp) and a FF EOS 6D (~20mp), and a ~1.6x TC. That would make for a "reverse" test haha.
Best,

Alex

--
carpe diem, quam minimum credula postero
 
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Thank you Tom, I'm leaning towards the A7 but still searching and comparing just to make sure.
 
I've already taken what you said into consideration and one feature that interests me about the A7 series is the available AF adapters for Nikon and Canon lenses, I also have some Minolta AF lenses.
 
+1, I agree with you 100%.
 
"The MkII fixed some of the most glaring idiocies of the interface, but they put up the entry price as well”

That doesn’t square very well with the DPR review when it was posted – there were doubts about the “improvements” to the interface, with DPR staff divided on whether they’d got better or worse than the A7. The reviewers also pointed out that the new model wasn’t a replacement for the original A7, but would sit alongside it. The main difference was IBIS, hence it being bigger and heavier than the original.

This is the ‘Conclusions’ section, worth a read before anyone accepts your opinion that the AN7 II was a straightforward interface improvement at face value - https://www.dpreview.com/reviews/sony-alpha-7-ii/12
 
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Late to the party - but having seen the responses, I think this is the perfect time to jump in. I'm 100% with Mathieu and RollieNut on the A7ii. While a camera's looks don't mean anything when you're looking through the finder, I actually like the A7ii styling. It's clean and purposeful. Like a German automobile. So well balanced, I can dangle it comfortably and securely from 3 fingers with a heavy Contax 100/2 lens mounted and no straps. Never dropped it once!

I bought mine used, in like new condition with the box and all accessories, for a cool $1,200 when everyone was dumping them for the A7Rii. Two years down the road, including hundreds of miles walking the streets of NY and 2 week-long ski trips shooting in all kinds of wet, nasty conditions, the body looks and works like new. Not one issue. Not one.

I always scratch my head when people say the Sony menus or ergonomics are bad. All I can think is that those comments come from people who have not spent much time with the camera. Spend a few days getting it set up the way you like, learn where everything is, and it quickly becomes 2nd nature. (Same with ANY camera!)

All that said, the BIGGEST thing the Sony A7ii (specifically the "A7ii") has going for it is an uncanny ability to bring out the best in "Adapted Lenses". And isn't that what we're all after on this forum???

I was (still am) an active member of a Fuji forum. A few of us adapted lens fanatics picked up A7ii's, and the immediate consensus was that there is some "magic" there. Maybe it's due to the pixel density of the 24MP sensor? Not sure, but there's an "X Factor" that makes adapted lenses shine. I've used dozens of adapted lenses on Micro 4/3rds (GF1, OMD-EM5, GM5) and Fuji (APS-C), and the exact same lenses shot on the FF Sony simply perform better. It's quite astounding.

And don't even get me started on the advantages of IBIS and adapted lenses. I can hand-hold a Contax 180mm or 80-200mm and get sharp images at @1/30.

So I guess the decision is do you want the "best camera for adapted lenses", or a camera that looks cool but doesn't perform as well. haha :-)
 
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Biggest problem with the A3000 is the viewfinder. If you've used a higher resolution one, it's pretty hard to deal with that one. Otherwise I've certainly recommended that camera in the past has incredible bang for the buck.
I use several camera brand bodies which allows me many different lens attachments with my current crop of legacy lenses. My favorite for using adapted lenses is my Sony A3000, it has a 20.1MP sensor, focus peeking, sweep panorama and good color. I wish it had a tilt screen and IBS though.

Any of you care to share your camera body preferences?
Like you, I bought an A3000 to use with my old MF lenses and I haven't had a moment of regret/ In fact, I haven't had so much fun since I was shooting film with the original 35mm bodies. Not only does it have a great sensor but it also looks and feels right with one of the old lenses installed.

Sony A3000 with a Yashica ML 50mm f2.0 lens
Sony A3000 with a Yashica ML 50mm f2.0 lens

--
Peter Davies
https://www.flickr.com/photos/14480792@N03/


--
----------------------------------------------
MattParvin.com
"We're the hot rodders of the camera world!" ~ Tom Caldwell
 
I don't really recall any significant changes being a plus or minus from the mark one to the mark two. However, since release the Mark two has received numerous significant updates, the most recent probably being the best from a usability standpoint. The original has received many fewer updates, it's still fine camera but that review is less relevant now than it was on the mark twp release.

Just my two cents.
"The MkII fixed some of the most glaring idiocies of the interface, but they put up the entry price as well”

That doesn’t square very well with the DPR review when it was posted – there were doubts about the “improvements” to the interface, with DPR staff divided on whether they’d got better or worse than the A7. The reviewers also pointed out that the new model wasn’t a replacement for the original A7, but would sit alongside it. The main difference was IBIS, hence it being bigger and heavier than the original.

This is the ‘Conclusions’ section, worth a read before anyone accepts your opinion that the AN7 II was a straightforward interface improvement at face value - https://www.dpreview.com/reviews/sony-alpha-7-ii/12
 
Well you are entitled to your opinions as much as I am entitled to mine.

I see no need to get hot under the collar simply because the A7R has been an ergonomic failure for me personally.

I don't know the E-M5 but my E-M1 is not exactly a perfect ergonomic body either but I tolerate it more than the A7R. My only experience with an E-M5 was what a call "a wave around" in a shop when I concluded that I did not like its feel and ergonomics and declined to buy. Therefore I can only presume that the E-M1 might have actually been an improvement on the E-M5 ergonomics wise - but I don't have enough experience to tell and my 1-minute association is hardly enough to form any particular opinion whilst I have had a couple of years to regret the A7R.

I have quite clearly noted that my dislike is a personal one and that many others don't mind the A7R at all.

Perhaps it is the way I use the camera. Maybe I tend to use the controls more. But I think that the essence is that the MkI bodies don't particularly auto focus EF lenses very well - varies consideraby - some lenses are actually fine. But use for MF is good but not good enough for live theatre work which was my main reason for buying it. And the fact that I turn off auto playback on every camera that I use. This means that when I do wish to check the images I have to use the that awful screen magnify Fn2 in a ledge and scroll the over-magnified screen back with a wheel also in a ledge. Otherwise I could live with the camera and forget its eccentricities - until I need to check another capture .... :)

I have also been spoilt by long experience with Canon dslr rugged simple logistics (nothing to write home about but not annoying eiher) and also the fact that Ricoh and Panasonic camera bodies do have good ergonomic control structures. So the A7R was a bit of a shock to me - a sort of step back into the dark ages.

It is all relative to what each user knows and I am quite willing to accept that there are many who don't mind the interface of the A7 series MkI and I believe that Sony listened to the huge wave of complaints that were made about this. The MkII was a solid effort to correct the worst problems and no doubt the MkIII will be even better.

I was complaining that the MkII fixed many of the issues but that it was at a slap your face price of AUD$4,500. This leaves the owner of a Series I body with the choice of either selling or mothballing a perfectly good camera and finding a considerable sum to replace it. Or keeping it and trying to like it. But when I have other camera bodies to use the A7R simply does not get picked.

I have been informed that the price in Australia has recently been reduced. Obviously the impending A9 and prospective A7 series MkIII have made Sony sharpen their pencil. I might even get me an A7RII if they get cheap enough. But not cheap enough yet.

I might buy other brand cameras sight unseen but no more Sonys until I can be assured that I find them comfortable to use - just my personal opinion and no offence meant to those that quite like them.
 

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