MFT and Low Light

43review

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Is MTF is becoming the secret Low light Tip or am I missing something.

With the latest GH5 and M1.1 we got reliable Low Light AF.

With the latest Raw Development Software you can up the usable ISO to 6400 or even more for some shoots.

Given you need the same DOF you have to use ISO 25600 on FF.

Even the Top FF Gear has a hard time to stand up with 25600 against 6400 of the latest MFT.

If you can use IBIS or even Dual/Sync IS you gain at least another 1.5-2 Stops against the FF Bodys with IBIS or OIS Lens.

So the only left advantage is when you can not use IBIS and can use thin DOF.

But to compete with the 1.2 AF Focus Lenses you need at least F2.

And with OIS there is only one F2 Canon FE 35mm lens.

Ok if we forget OIS we got a lot more, but the MFT lenses are sharp wide open while most of the FF must be stopped down.

So the Low Light advantage is given when
  • I do not need the fastest Low Light AF
  • have moving objects so I can not use IBIS
  • can make use of tin DOF with wide open FF
  • and only need a sharp center
Am I missing something?
 
Many people do not seem to realize the lack of benefits on larger formats in low light when deep DOF is desired. In fact, smaller sensors have higher quantum efficiency and µ4/3 probably has the best image stabilization, so in terms of pure IQ, µ4/3 should be better than FF, when the two conditions are met. I am happy that you brought this up.

I think it's partially a myth that FF lenses benefit more from stopping down than µ4/3 lenses. Obviously the differences between MP counts play a role here.
 
Is MTF is becoming the secret Low light Tip or am I missing something.
You might be missing something ;)

• There are more fast lenses available for APS / 35mm

• You gain about 1.5 stops of both noise and DR performance

• If your subject is in motion, you still need a higher shutter speed, more than you need IS

• You don't always need the greater DoF of M43

I think if you're doing low light every once in awhile, and are willing to use fast primes, M43 works out OK. If I was doing low-light work for a living, I'd definitely test 35mm options.
 
Sorry, but I just have to reply. Did you not read the post you are responding to? This thread is about low light shooting when greater DoF is wanted.
Is MTF is becoming the secret Low light Tip or am I missing something.
You might be missing something ;)

• There are more fast lenses available for APS / 35mm
When greater DOF is wanted, they need to be stopped down.
• You gain about 1.5 stops of both noise and DR performance
There should not be a drastic difference in noise between ISO 25600 on FF and 6400 on 4/3.
• If your subject is in motion, you still need a higher shutter speed, more than you need IS
True, and clearly stated in OP.
• You don't always need the greater DoF of M43
True, but this is clearly stated in the last four dots (low-light situations where FF is better than µ4/3)
 
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Sorry, but I just have to reply. Did you not read the post you are responding to? This thread is about low light shooting when greater DoF is wanted.
You titled the thread 'MFT and Low Light"

Your first sentence was "Is MTF is becoming the secret Low light Tip or am I missing something"

You didn't acknowledge DR advantages

You are blowing off the advantages of faster lenses

Getting 1.5 - 2 stops, plus another stop or so from lenses, is significant in a lot of situations where you're shooting low light

And I have to ask, when exactly do you need more DoF in low-light situations? Concerts? No. Sports? Rarely. Events? Not so much.

So if you're asking if you're missing something? Then yes, you are missing quite a bit.

 
43review wrote:
Given you need the same DOF you have to use ISO 25600 on FF.
In a test scenario where one is keeping DOF constant, yes this is true. But you don't have to shoot with the exact, equivalent DOF. You might be limited by the lens. So let's say you're shooting with f1.8 on a 25mm f1.8, and that's the widest aperture you can go to. Roughly F3.5 DOF. A 50mm f1.8 can use f2, or f2.8, which may still be sufficient DOF for your subject. However you wouldn't have had access to the DOF of f2 or f2.8 (f1 or f1.4) on the m43 lens. Still, your point holds true for scenarios where you're not as close to maximum aperture.
And with OIS there is only one F2 Canon FE 35mm lens.
I guess there's Sony's A7ii line with IBIS.
Ok if we forget OIS we got a lot more, but the MFT lenses are sharp wide open while most of the FF must be stopped down.
Yep, true unless you're willing to spend a lot on your FF lenses
So the Low Light advantage is given when
  • I do not need the fastest Low Light AF
  • have moving objects so I can not use IBIS
  • can make use of tin DOF with wide open FF
  • and only need a sharp center
Am I missing something?
No, but depending on what you shoot such these conditions may hold true less often than they don't. As usual, it really depends on your needs.
 
As a long time m43 user, and also FF user (not anymore) I can quickly share my experience, and that does not mean other won't have a different opinion

I never had any issues with low light on m43, but there are a few aspects to consider

- if you use f/2.8 zooms, you might reach some limitations

- if you use slow kit zooms, you definitely will reach limitations

- if you use primes, you're gold (I use primes 95% of the time, and not for low-light only)

- if you use flash, no problems. What I discovered over the years, is that proper use of flash will yeld better photos I don't care how ISO-capable the camera is, flash will be better.

- amateur sports indoors, m43 struggle/ professional sports indoors, all good because the lighting is very good

Things are easier said than done, for example, flash is not something many people know how to use, that's why you hear that flash is bad, or available light is better looking(it's not). And I've seen so many people praising the FF low light while using f/5.6 zooms because they are cheap or whatever reason.

I love m43, and for me its low light is never an issue, but there's no getaway for the fact that in some situations, like indoor sports in poorly lit interiors, there is much better equipment outhere.
 
Those axes won't grind themselves, you know. ;-)

My "ah-ha" moment was SLR vs. mirrorless, not this and that format. Shooting an event with E-5 and my then-new E-M5 I preferred the E-5 early on because it had the better lens (12-60 SWD). As the evening progressed and dusk became night I was surprised when I could no longer compose and focus to my satisfaction and had to stow the E-5. The E-M5 kept going through to the end and I had a successful set to hand off to the organizers.

Since, my m4/3 kit has grown "bigly" and I have better cameras and much faster lenses, so am able to tackle projects I'd have politely refused previously. My takeaway: yes, we can do low-light work with good success, with the right components and technique.

Whether "kit B" would be even better is irrelevant, perhaps unless the only thing one pursues.

Cheers,

Rick
 
Sorry, but I just have to reply. Did you not read the post you are responding to? This thread is about low light shooting when greater DoF is wanted.
You titled the thread 'MFT and Low Light"
No I didn't.
Your first sentence was "Is MTF is becoming the secret Low light Tip or am I missing something"
I did not write that sentence.
You didn't acknowledge DR advantages
There are no DR advanteages in the presented scenario.
You are blowing off the advantages of faster lenses
There are no advantages in the presented scenario.
Getting 1.5 - 2 stops, plus another stop or so from lenses, is significant in a lot of situations where you're shooting low light
Absolutely true! And strawberries are delicious!
And I have to ask, when exactly do you need more DoF in low-light situations? Concerts? No. Sports? Rarely. Events? Not so much.
The amount of light does not have anything to do whether I would prefer shallow or greater DoF.
So if you're asking if you're missing something? Then yes, you are missing quite a bit.
No I am not asking that question. However, you seem to be missing what is the topic of the discussion. You also make false claims what other people have said/written. These are the two worst mistakes one can do when writing something. Apparently the reason is that you did not comprehend what you read. I can forgive that.
 
Sorry, but I just have to reply. Did you not read the post you are responding to? This thread is about low light shooting when greater DoF is wanted.
You titled the thread 'MFT and Low Light"
No I didn't.
Sorry, I thought you were the OP... y'know, the person whose post I was responding to.

Thus, my point remains: The OP did not specify "only when you need greater DoF." And it's not actually an advantage in those situations, because the larger sensor user can just crank up the ISO with less of a penalty.

At best, M43 breaks even with larger sensors... and "breaking even" is not, in fact, an advantage.

It does mean that if you only occasionally shoot in low light, and you have fast lenses, and you're not doing it for a living, you should be fine. If you're doing it all the time? You might need to do some tests to compare which works better for you.
You didn't acknowledge DR advantages
There are no DR advanteages in the presented scenario.
...yes, there are, assuming you use Sony or Nikon 35mm sensors. Those cameras provide about 1.5 more stops of DR at the same ISOs. Thus if you're shooting at 800, 1600, 3200, 6400 ISO? The larger sensor will look a little better, it will have less noise, it will need less NR etc. In some use cases, that can be important.

And of course, if you go for an a7s ii, it's gonna blow the doors off of any M43 camera for low light. It is, after all, designed specifically for that purpose.
You are blowing off the advantages of faster lenses
There are no advantages in the presented scenario.
You mean, the scenario that almost never applies? Fascinating.

And there don't seem to be any advantages of M43 over 35mm in this esoteric scenario, except that the gear is generally lighter and smaller.
And I have to ask, when exactly do you need more DoF in low-light situations? Concerts? No. Sports? Rarely. Events? Not so much.
The amount of light does not have anything to do whether I would prefer shallow or greater DoF.
Egads

You're trying to make the case that M43 offers an advantage in low light scenarios when you need more DoF, and... there kinda don't seem to be any. You responded by... not offering any.

I mean, really. Which photographic subjects usually benefit from greater DoF? Landscape, architecture, product photography, studio work, macro. How often are you doing that in low light? And in the few cases when you do, aren't you just going to put the camera on a tripod and set it for a low ISO, in which case better noise performance can be an advantage?
So if you're asking if you're missing something? Then yes, you are missing quite a bit.
No I am not asking that question. However, you seem to be missing what is the topic of the discussion. You also make false claims what other people have said/written. These are the two worst mistakes one can do when writing something.
Whatever, dude.

Let's get real. If you're shooting low light on a regular basis, most of the time you're going to want fast lenses, you'll want to shoot wide open, you want better noise performance.

M43 offers its usual advantages: Size and weight. And it comes with the usual price: You can't get as shallow DoF. And if you go for greater DoF, they break even. And no one has yet made a purpose-built low-light M43 camera.

So yes, if you're comparing systems in low light, and leave those aspects out? You're missing something.
 
Is MTF is becoming the secret Low light Tip or am I missing something.

With the latest GH5 and M1.1 we got reliable Low Light AF.

With the latest Raw Development Software you can up the usable ISO to 6400 or even more for some shoots.

Given you need the same DOF you have to use ISO 25600 on FF.
"have to" ? . . or you can use the same ISO, drop the the shutter speed and put the FF camera on a tripod or use a monopod
Even the Top FF Gear has a hard time to stand up with 25600 against 6400 of the latest MFT.

If you can use IBIS or even Dual/Sync IS you gain at least another 1.5-2 Stops against the FF Bodys with IBIS or OIS Lens.

So the only left advantage is when you can not use IBIS and can use thin DOF.

But to compete with the 1.2 AF Focus Lenses you need at least F2.

And with OIS there is only one F2 Canon FE 35mm lens.

Ok if we forget OIS we got a lot more, but the MFT lenses are sharp wide open while most of the FF must be stopped down.

So the Low Light advantage is given when
  • I do not need the fastest Low Light AF
  • have moving objects so I can not use IBIS
  • can make use of tin DOF with wide open FF
  • and only need a sharp center
Am I missing something?
 
Thus, my point remains: The OP did not specify "only when you need greater DoF." And it's not actually an advantage in those situations, because the larger sensor user can just crank up the ISO with less of a penalty.
OP stated that FF has advantage if "can make use of t(h)in DOF with wide open FF". But in theory it should be better at given DoF due to higher quantum efficiency. Likewise, smart phone sensors perform better than they should, when we make the estimation only by taking into account how much light hits the sensor.
It does mean that if you only occasionally shoot in low light, and you have fast lenses, and you're not doing it for a living, you should be fine. If you're doing it all the time? You might need to do some tests to compare which works better for you.
I agree, and no-one has argued that µ4/3 overall would be better in low light than larger sensors.
You didn't acknowledge DR advantages
There are no DR advanteages in the presented scenario.
...yes, there are, assuming you use Sony or Nikon 35mm sensors. Those cameras provide about 1.5 more stops of DR at the same ISOs. Thus if you're shooting at 800, 1600, 3200, 6400 ISO? The larger sensor will look a little better, it will have less noise, it will need less NR etc. In some use cases, that can be important.
To get certain DoF, FF sensor needs to have four times (two stops) higher ISO. This applies to scenarios where the ISO on FF is 800 or more. So in the scenario of low light and deep DoF,
You are blowing off the advantages of faster lenses
There are no advantages in the presented scenario.
You mean, the scenario that almost never applies? Fascinating.
This is what we are talking about.

Larger sensors have larger envelope. This means that:
  1. In good light larger sensors are better.
  2. in low light larger sensors can be used to produce less noise and more DR by sacrificing DoF.
  3. In other situations (low light, more DoF is needed), there is no benefit (except higher MP count).
Points 1 and 2 are very obvious. But the point 3 is IMHO interesting. It's very simple.
And there don't seem to be any advantages of M43 over 35mm in this esoteric scenario, except that the gear is generally lighter and smaller.
True, except perhaps higher quantum efficiency of the sensor and potentially better IS.
And I have to ask, when exactly do you need more DoF in low-light situations? Concerts? No. Sports? Rarely. Events? Not so much.
The amount of light does not have anything to do whether I would prefer shallow or greater DoF.
Egads

You're trying to make the case that M43 offers an advantage in low light scenarios when you need more DoF, and... there kinda don't seem to be any. You responded by... not offering any.
No, no, no! The whole point is that larger sensor does not offer an advantage in certain situations. There are many people who think that if they invest 4000€ for FF body and 5000€ for fast-aperture lenses, they can get better shots in any situation, especially in low light.
I mean, really. Which photographic subjects usually benefit from greater DoF? Landscape, architecture, product photography, studio work, macro. How often are you doing that in low light? And in the few cases when you do, aren't you just going to put the camera on a tripod and set it for a low ISO, in which case better noise performance can be an advantage?
I often stop the lens down at ISO higher than 200 on my µ4/3. In these situations larger sensor would not have improved the IQ. At ISO 3200 and higher I usually shoot wide open, no matter what.

I wish there will be a µ4/3 camera with good ISO 50 or even ISO 100. This would make µ4/3 "as good" in more situations than currently. At the moment, going below ISO 200 improves the IQ only slightly.
 
Thus, my point remains: The OP did not specify "only when you need greater DoF." And it's not actually an advantage in those situations, because the larger sensor user can just crank up the ISO with less of a penalty.
OP stated that FF has advantage if "can make use of t(h)in DOF with wide open FF".
In which case, he or she is overlooking the advantage of faster lenses, higher DR with selected bodies, and the outlier of the a9s ii.
It does mean that if you only occasionally shoot in low light, and you have fast lenses, and you're not doing it for a living, you should be fine. If you're doing it all the time? You might need to do some tests to compare which works better for you.
I agree, and no-one has argued that µ4/3 overall would be better in low light than larger sensors.
...and yet, the OP is trying to make that case, basically by saying "if I don't shoot in the situations where larger sensors win, then M43 has the advantage!" while (again) ignoring the faster lens options, better DR, and situations where there is no need for greater DoF.

It's sort of like saying "fighting with one hand behind my back is an advantage, if my opponent doesn't have one arm!"
You are blowing off the advantages of faster lenses
There are no advantages in the presented scenario.
You mean, the scenario that almost never applies? Fascinating.
This is what we are talking about.

Larger sensors have larger envelope. This means that:
  1. In good light larger sensors are better.
  2. in low light larger sensors can be used to produce less noise and more DR by sacrificing DoF.
  3. In other situations (low light, more DoF is needed), there is no benefit (except higher MP count).
Points 1 and 2 are very obvious. But the point 3 is IMHO interesting. It's very simple.
If it's simple, then why do you keep dancing around the fact that there are almost no situations that meet the OP's restrictions?

In most low-light situations, DoF and IS takes a back seat to stopping motion, noise performance, dynamic range etc.

So as I said, M43 has its usual advantages -- light weight, less bulk. That can work in some situations; I know there are a few people here who prefer M43 for theater work. I've used it, it's OK, but guess what? When photographing performers on stage, I had to use fast primes wide open, and still had to use 3200-6400 ISO.

If I were a concert photographer, I'd most likely want to stick to a 35mm sensor camera, preferably one optimized for low-light performance, coupled with the fastest tele lenses I can get.
You're trying to make the case that M43 offers an advantage in low light scenarios when you need more DoF, and... there kinda don't seem to be any. You responded by... not offering any.
No, no, no! The whole point is that larger sensor does not offer an advantage in certain situations. There are many people who think that if they invest 4000€ for FF body and 5000€ for fast-aperture lenses, they can get better shots in any situation, especially in low light.
Yes yes yes! At best, you're saying that M43 keeps up with 35mm, while ignoring the ways 35mm is advantageous and is normally used in low light situations.

As to the second half: Will dropping huge sums make you a better photographer? Of course not. Skill is far more important than a few technical details.

That said: If you shoot in low light all the time, and you want the best results (which isn't necessary for a lot of people today), then 35mm is likely to be your best option.
I mean, really. Which photographic subjects usually benefit from greater DoF? Landscape, architecture, product photography, studio work, macro. How often are you doing that in low light? And in the few cases when you do, aren't you just going to put the camera on a tripod and set it for a low ISO, in which case better noise performance can be an advantage?
I often stop the lens down at ISO higher than 200 on my µ4/3. In these situations larger sensor would not have improved the IQ. At ISO 3200 and higher I usually shoot wide open, no matter what.
So basically, you're helping me prove my point. Thanks!

I concur that at ISO 200, the differences between are minimal. However, there should be no question that at ISO 3200, a 35mm sensor will produce a cleaner image than an M43 camera.

That doesn't matter to a lot of people, and I'm not telling anyone to adjust their standards. I'm only pointing out that M43 doesn't really have an advantage over 35mm in low light.
 
It looks like your opinions and examples are just as short sighted as the OP. You tried to prove something but managed to prove nothing. He ignores some aspects, yes, and you reply and do exactly the same thing.
 
And I have to ask, when exactly do you need more DoF in low-light situations? Concerts? No. Sports? Rarely. Events? Not so much.
The amount of light does not have anything to do whether I would prefer shallow or greater DoF.
In fact in low light you are almost always sacrificing DoF for shutter speed. Meaning more DoF would be better, but you just can't afford it.
 
Which photographic subjects usually benefit from greater DoF? Landscape, architecture, product photography, studio work, macro.
Just about any. Sports, wildlife, event, portrait, street, kids&family ... you name it. In low light, when you are forced to use f/1.8 or f/1.2, DoF is generally sub-optimal.
 
Is MTF is becoming the secret Low light Tip or am I missing something.

With the latest GH5 and M1.1 we got reliable Low Light AF.

With the latest Raw Development Software you can up the usable ISO to 6400 or even more for some shoots.

Given you need the same DOF you have to use ISO 25600 on FF.

Even the Top FF Gear has a hard time to stand up with 25600 against 6400 of the latest MFT.

If you can use IBIS or even Dual/Sync IS you gain at least another 1.5-2 Stops against the FF Bodys with IBIS or OIS Lens.

So the only left advantage is when you can not use IBIS and can use thin DOF.

But to compete with the 1.2 AF Focus Lenses you need at least F2.

And with OIS there is only one F2 Canon FE 35mm lens.

Ok if we forget OIS we got a lot more, but the MFT lenses are sharp wide open while most of the FF must be stopped down.

So the Low Light advantage is given when
  • I do not need the fastest Low Light AF
  • have moving objects so I can not use IBIS
  • can make use of tin DOF with wide open FF
  • and only need a sharp center
Am I missing something?
Yes, you are Ii think you are missing something...

With FF, you can have a zoom which is good for everything, including low light, thin dof,...

With m43 you will need to have primes,...

You have the 12-40 f2.8 zoom but if it is big, expensive and not so fast, I think this is better then to choose FF.
 
Which photographic subjects usually benefit from greater DoF? Landscape, architecture, product photography, studio work, macro.
Just about any. Sports, wildlife, event, portrait, street, kids&family ... you name it. In low light, when you are forced to use f/1.8 or f/1.2, DoF is generally sub-optimal.
Uh huh

Back in the real world, it's pretty routine to use shallow DoF for low-light events, concerts, sports and more, especially when flash is not an option, or not preferable.

There are also lots of times with those very subjects that the photographer will prefer shallow DoF, to isolate the subject.

And of course, with many of those subjects, you're using tele lenses anyway, which means you're not getting a lot of DoF anyway.

And guess what? If you're using a larger format (notably 35mm), you can stop down without a shutter speed penalty, because you can boost the ISO with less of a penalty.

Sorry, but... in terms of low light, M43 may meet your needs, or offer non-IQ benefits (like lighter weight), but in terms of IQ it does not actually offer an advantage.
 
Which photographic subjects usually benefit from greater DoF? Landscape, architecture, product photography, studio work, macro.
Just about any. Sports, wildlife, event, portrait, street, kids&family ... you name it. In low light, when you are forced to use f/1.8 or f/1.2, DoF is generally sub-optimal.
Uh huh

Back in the real world, it's pretty routine to use shallow DoF for low-light events, concerts, sports and more, especially when flash is not an option, or not preferable.
Of course it is, but not because you want to, or like to, but because you have to (to prevent motion blur in low light at acceptable ISO).

"Subject isolation" is a fad, especially loved by mediocre photographers.
 

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