I thought I would share a little more info since a handful of people seemed to find my last post helpful.
If you are looking for the maximum impact on your images from gear, I find it helpful to compare:
- camera 1 + lens 1
- camera 2 + lens 2
Such a comparison can really illustrate the value of upgrading both components of a system. Be careful though, doing so can get REALLY expensive! And to save someone (or many someones) the time, I'll go ahead and say it (read this in a pedantic voice, please) "it's not the gear, it's the photographer". Now that this incredibly annoying, obvious, and useless observation has been acknowledged (we're looking at options for one photographer, NOT comparing photographers), let's get geeky
Let's say that a person is currently shooting with a Canon APSC camera and a kit lens. They find that most often, they're shooting at about 22mm on the kit lens, but they want better IQ. So, they seek out a comparison between
- their current camera plus a 24mm prime lens
- a 6D plus a 35mm budget prime lens (to get roughly the same angle of view)
- a 5Dsr plus the very best 35mm prime lens.
The current setup is a 70D (20mp sensor - which is roughly the same number of pixels as the 6D, conveniently) plus the 18-55 IS STM kit lens. The options are to get the 24mm EF-S pancake lens or the 24mm f/2.8 IS lens. The overview comparison looks like this...
- 70D + 18-55 kit lens gets a sharpness score of 9 (but keep in mind that's an amalgamation of various focal lengths and apertures with a prime lens, it's only one focal length).
- 70D + 24mm f/2.8 STM pancake lens gets a sharpness score of 12
- 70D + 24mm f/2.8 IS USM lens gets a sharpness score of 13
But what about the field map? There are two scenarios to present.
open performance of each lens at 24mm...
Notice that wide open on the kit lens means an aperture of f/4 whereas wide open on the primes is an aperture of f/2.8. Even though the primes are a stop faster at 24mm, those lenses are still sharper than the kit lens at f/4.
The next scenario is all lenses at the same aperture. The lowest common denominator is f/4 as the kit lens doesn't open up wider than that. So here they all are at f/4...
Clearly, both primes are outperforming the kit lens. The best performance is from the 70D + 24mm f/2.8 IS USM lens so we'll use that as the comparator against the 2 full frame possibilities. I'm going to compare:
- 70D + 24mm f/2.8 IS USM
- 6D + 35mm f/2
- 5Dsr + 35mm f/1.4L II
we'll check the overview...
We see sharpness scores of 13, 16, and 37 respectively. Note there are differences in other parameters as well but for the sake of brevity, I'll ignore those. Also keep in mind that the first 2 comparisons have the same (rough) number of megapixels (20), so there's no advantage of pixels there, that only comes in with the last comparison with the 5Dsr.
Let's check out the field maps... We're going to look at two field maps. The first will be performance wide open.
Check THAT out! The 70D + 24mm f/2.8 IS lens is outperforming the 6D + 35mm f/2 (which is an OLD lens, btw - this is NOT the modern "IS" version of the lens) when looking at sharpness across the frame. HOWEVER, this is NOT an apples-to-apples comparison of sharpness. Why? Because the images produced will NOT be equal. There will be less DOF in the 6D image (and the 5Dsr image). We have to account for what the crop factor does to DOF. So if we want to compare (as best as possible) equal images, we need to look at what the 6D + 35mm f/2 and the 5Dsr + 35mm f/1.4L II look like when stopped down to an aperture which will give (approximately) the same DOF as the 70D + 24mm f/2.8 IS when shot at f/2.8.
The Canon crop factor is 1.6x and the wide open aperture of the lens is f/2.8. So, 2.8 x 1.6 is 4.5 (4.48 actually but 4.5 is the closest aperture). Unfortunately, DxO did not test the 35mm lenses at f/4.5 but they did at f/4 and f/5.6. I'll handicap the 35mm lenses and share the results at f/4 (because lenses get sharper as you stop them down [for a while, anyway] so f/5.6 shows better sharpness than f/4).
Here are the results of the 70D + 24mm f/2.8 IS at f/2.8 (equivalent DOF as FF + f/4.5 at roughly 35mm) and the two FF comparators at f/4.
NOW we see that the 6D and 70D are more similar in performance but that the 6D + 35mm f/2 actually pulls ahead in sharpness. The 5Dsr + 35mm f/1.4L II are even FURTHER ahead.
And here's the last comparison I'll share.
What you're looking at here is the same comparison as above EXCEPT that I reverted the 5Dsr back to f/1.4. Notice that the sharpness performance from the 5Dsr + 35mm f/1.4L II is SUPERIOR to the 70D + 24mm f/2.8 IS wide open AND to the 6D + 35mm f/2 STOPPED DOWN to f/4!!!! In fact, there is NO tested aperture on the 35mm f/2 when mounted on the 6D which has better sharpness than the 5Dsr + 35mm f/1.4L II when shot wide open.
To say it more plainly, the 5Dsr + 35mm f/1.4L II is sharper at f/1.4 than the 6D + 35mm f/2 at f/2, f/2.8, f/4, f/5.6, f/8, f/11, or f/22. That's just NUTS!
One can sit on DxO all day long making comparisons like this, adjusting for sensor size and the effect on aperture, etc. But the resounding message at the end of the day is that
IN GENERAL (especially with modern lenses from the last 4-5 years), the best results in terms of image quality will come from the very best L glass and the highest pixel density FF sensors you can afford.
ok... my curiosity got the best of me and I also made this comparison...
- 6D + 35mm f/2
- 5D Mark IV + 35mm f/2 IS (note that this is the "IS" version)
- 5Dsr + 35mm f/1.4L II
This works out probably like you expect. The more you spend, the better the results.
Here's the field map. Keep in mind that the first two are at f/2 and the last is at f/1.4...
You could also look at any of these 3 cameras with all 3 lenses (ie, 6D + 35 f/2, 6D + 35 f/2 IS, 6D + 35 f/1.4L II) or any of the 3 lenses with all 3 bodies (ie, the 35mm f/1.4L II on the 6D, 5D Mark IV and 5Dsr).
I hope that this, too, was helpful.