***This week with your a7x, 3/18/2017***

Thanks Jim, agreed, I liked this one a lot too. Unfortunately I rarely get up there, and where I am on the coast doesn't have this great wave action, or piers of this density which helps. This was also the first time I'd shot larger surf with a slow shutter, personally I think it's a cooler effect than what I usually see with smaller waves. Guess I'll have to shoot in more rough seas.
Got myself out of bed yesterday, it was a grey morning, but the sun peaked through as it came up. A7RII with the Loxia 35.

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Nice set. This is my favorite. I really like the way the light plays on the wave patterns in the foreground. If you're there on a similar morning in the future, you might experiment with that.

Jim

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http://blog.kasson.com


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AdaptedLenses.com
 
Indonesian friend saw my camera and asked for me to snap a shot... she was happy with the results.



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Shutter speeds in the EXIF are all wrong, btw. All taken at Bulb - all approx two minutes.
Man, I am trying to learn to do good night photography, too. Two minutes seem like really long exposures. What were you going for with exposures that long? Teach me. Smoothing of cloud motion? Star trails?

Can you provide other EXIF info like aperture and ISO?

Just curious. I took some night shots in my submission and I don't think there was any exposure over 30 sec...But I'll have to look again. Some were shot as relatively high ISO, so that may be the reason, but some were shot at ISO 200 and were still under 30 sec.

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http://www.flickr.com/photos/joelcure/
 
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Not as dramatic as some you've shot Jim, but I like these two, especially the second which is quite interesting. Personally I'd like to see a little more detail and color in the hills even though the clouds are the subject. Otherwise why not go even more abstract and shoot just the clouds?
I've kind of gotten down to an every-other-week pace here, because making these things is so time-consuming. Fortunately for me, the time that is consumed is mainly the computer's but it stll takes a lot of mine, too. These are the results of a single day's shooting -- about 8000 images. They were munched by the computer into about 1700 renderings, and today I picked the first group to work on in Ps. I will probably produce 30 or 40 finished images out of this set, which had the wind shear that I look for, but, sadly, find only infrequently.

All with an a7RII and a Leica 90mm f/2 Apo-Summicron-M ASPH.



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Comments are gratefully received.

Jim

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Great light, gotta love when you find it!
I was out for my daily walk, when the light on this wall stopped my dead in my tracks.

Wall Raked With Light ©2017 Derek Dean
Wall Raked With Light ©2017 Derek Dean


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Nice shots Michael, especially like number 2 for composition.
WTC is one of my favorite photo subjects.

Greenwich Street view outside 4 WTC and 9/11 Memorial
Greenwich Street view outside 4 WTC and 9/11 Memorial

Under construction 3 WTC
Under construction 3 WTC

6th floor terrace of the Courtyard Marriott Downtown - Stack of 6 hand held shots to reduce noise
6th floor terrace of the Courtyard Marriott Downtown - Stack of 6 hand held shots to reduce noise

26th floor view from the Courtyard Marriott Downtown
26th floor view from the Courtyard Marriott Downtown

WTC and 9/11 Memorial
WTC and 9/11 Memorial

Mirrors
Mirrors

Michael

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See my website here MichaelLeePicsNYC
See my Flickr photostream here Michael.Lee.Pics.NYC
See my gallery on Getty Images here
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This made me laugh.

I do a lot of similar shots, and I like the 1 point perspective (1PP) on those old buildings. As an architectural photographer I enjoy them for the sake of it, but they do come with a problem. Regardless, good composition in interesting light, looks like late dusk? Other notes below.

The problem (and I don't have a solution, it's a problem for me as well) is that unless the viewer has a connection to that particular building, the photo lacks a gesture or emotion. It becomes documentary. Walk closer, find details in the building that tell the story of the building while conveying something more.
Eyes tend to go towards the light, in this case that street light takes us straight out of the photo.
Interesting old building in Anniston, AL
Interesting old building in Anniston, AL
I really like the toning here but the building isn't giving you much to work with...
I hate this because in a 1PP I want everything square. I love it because it makes me hate it.
I think this needed to be square, which will emphasize the steps falling apart at the bottom.
Sunset Reflections in Old Store Windows
Sunset Reflections in Old Store Windows
Another one that isn't giving you a lot to work with. A longer lens and the sunset in the second floor windows could be interesting.
Lacy Shadows, Silver Chapel, Fort McLellan
Lacy Shadows, Silver Chapel, Fort McLellan
Crop it and fix the verticals. What's the dirty parking lot for?
I do like the lines and the colors, but the "almost" 1PP becomes a problem. I'd probably shoot it a bit looser then fix verticals in post.
Windows like piano keys, windows like mirrors.
Windows like piano keys, windows like mirrors.
Too much dead space up and down for me. I'd shoot landscape so you can see those piano keys through the window, but get more detail out of the broken pane.
Old Building in Warm Streetlight
Old Building in Warm Streetlight
This is a pretty dull light for a whole building. Shoot a detail with a harsh shadow.
And I like the harsh shadows here, but I'd try and crop out or burn out the inside lights.
Not sure here...
Again I really like the toning here. Need to fix converging lines, and tighten up on the building. The street? doesn't add anything. A tighter shot will catch more of the light and shadow.
Thanks for looking.
Nice, series Neurad1. Kind of interesting light in these shots. You may be a rookie, but you are certainly trying. Very trying. Don't be discouraged if no one else comments. Do this for yourself. Let it be a creative outlet in your otherwise excruciatingly boring life. Carry on, brother.
Just keep shooting and keep studying the light. Creating the interesting out of the mundane is very, very difficult.
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Great shot, I'm going to steal this for my daughter!
From a photoshoot yesterday. This was a quick edit from a JPG to share on social media but her mom fell in love with the shot so I may not even get to edit the RAW for this one! lol

Honeywell turbo fan was my "wind machine".
SMDV 36" softbox
Xplor 600 as main light.

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This made me laugh.

I do a lot of similar shots, and I like the 1 point perspective (1PP) on those old buildings. As an architectural photographer I enjoy them for the sake of it, but they do come with a problem. Regardless, good composition in interesting light, looks like late dusk? Other notes below.

The problem (and I don't have a solution, it's a problem for me as well) is that unless the viewer has a connection to that particular building, the photo lacks a gesture or emotion. It becomes documentary. Walk closer, find details in the building that tell the story of the building while conveying something more.
Eyes tend to go towards the light, in this case that street light takes us straight out of the photo.
Interesting old building in Anniston, AL
Interesting old building in Anniston, AL
I really like the toning here but the building isn't giving you much to work with...
I hate this because in a 1PP I want everything square. I love it because it makes me hate it.
I think this needed to be square, which will emphasize the steps falling apart at the bottom.
Sunset Reflections in Old Store Windows
Sunset Reflections in Old Store Windows
Another one that isn't giving you a lot to work with. A longer lens and the sunset in the second floor windows could be interesting.
Lacy Shadows, Silver Chapel, Fort McLellan
Lacy Shadows, Silver Chapel, Fort McLellan
Crop it and fix the verticals. What's the dirty parking lot for?
I do like the lines and the colors, but the "almost" 1PP becomes a problem. I'd probably shoot it a bit looser then fix verticals in post.
Windows like piano keys, windows like mirrors.
Windows like piano keys, windows like mirrors.
Too much dead space up and down for me. I'd shoot landscape so you can see those piano keys through the window, but get more detail out of the broken pane.
Old Building in Warm Streetlight
Old Building in Warm Streetlight
This is a pretty dull light for a whole building. Shoot a detail with a harsh shadow.
And I like the harsh shadows here, but I'd try and crop out or burn out the inside lights.
Not sure here...
Again I really like the toning here. Need to fix converging lines, and tighten up on the building. The street? doesn't add anything. A tighter shot will catch more of the light and shadow.
Thanks for looking.
Nice, series Neurad1. Kind of interesting light in these shots. You may be a rookie, but you are certainly trying. Very trying. Don't be discouraged if no one else comments. Do this for yourself. Let it be a creative outlet in your otherwise excruciatingly boring life. Carry on, brother.
Just keep shooting and keep studying the light. Creating the interesting out of the mundane is very, very difficult.
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AdaptedLenses.com
@Mathieu18: Thanks so much for all of these helpful comments. Please help me with advice about how to optimally "square" images. I know that some of it is done by shooting more carefully/holding the camera "square" to the subject. But how do you do it in post processing? I try to optimize using the vertical/horizontal/rotate adjustments in LR, but this is cumbersome and doesn't evidently work all that well (in my hands anyway). How do YOU straighten/square images on post? I'd appreciate some pointers here.

Here's another version of the warehouse windows shot....Tell me if you like it better please:

Warehouse windows.
Warehouse windows.

Thanks

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Do you use Adobe Camera Raw? Same menu where the veritcal/horizontal sliders are, you can click and draw lines along straight edges and it will do it for you. I don't use Lightroom so I'm less sure exactly where it is in there. Otherwise it just takes practice to adjust the images.
@Mathieu18: Thanks so much for all of these helpful comments. Please help me with advice about how to optimally "square" images. I know that some of it is done by shooting more carefully/holding the camera "square" to the subject. But how do you do it in post processing? I try to optimize using the vertical/horizontal/rotate adjustments in LR, but this is cumbersome and doesn't evidently work all that well (in my hands anyway). How do YOU straighten/square images on post? I'd appreciate some pointers here.

Here's another version of the warehouse windows shot....Tell me if you like it better please:

Warehouse windows.
Warehouse windows.
I do like that better. I think they work best together, and now I'm less sure what those two shapes left and right are. Maybe focus stack so it's all sharp. Also, lift the blacks a bit to bring in some detail in the ceiling. But I think this is a stronger shot.
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Do you use Adobe Camera Raw? Same menu where the veritcal/horizontal sliders are, you can click and draw lines along straight edges and it will do it for you. I don't use Lightroom so I'm less sure exactly where it is in there. Otherwise it just takes practice to adjust the images.
I used LR and PS. Where do you access Adobe Camera Raw? I am confused about this...I guess I should have it as a part of Photoshop, but where do you access the part with the sliders that you are discussing? I've seen it when playing with my own software before, but forget "how I got there". I usually load my RAW files directly into LR. If I need to do any PS tweaking I open the file in PS from LR. So I don't see the ACR interface in my usual workflow.

JC
 
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Do you use Adobe Camera Raw? Same menu where the veritcal/horizontal sliders are, you can click and draw lines along straight edges and it will do it for you. I don't use Lightroom so I'm less sure exactly where it is in there. Otherwise it just takes practice to adjust the images.
I used LR and PS. Where do you access Adobe Camera Raw? I am confused about this...I guess I should have it as a part of Photoshop, but where do you access the part with the sliders that you are discussing? I've seen it when playing with my own software before, but forget "how I got there".
I've always regarded LR as ACR with extras. The Transform tools of ACR are in LR too. You'd click on the hashtag symbol within the Transform block to use the mouse to draw your guide lines.

If you want to use ACR from LR, in LR select the image and choose to edit in PS as a Smart Object. Then when in PS double click the icon on the layer and ACR will come up allowing you to use that.
 
Do you use Adobe Camera Raw? Same menu where the veritcal/horizontal sliders are, you can click and draw lines along straight edges and it will do it for you. I don't use Lightroom so I'm less sure exactly where it is in there. Otherwise it just takes practice to adjust the images.
I used LR and PS. Where do you access Adobe Camera Raw? I am confused about this...I guess I should have it as a part of Photoshop, but where do you access the part with the sliders that you are discussing? I've seen it when playing with my own software before, but forget "how I got there".
I've always regarded LR as ACR with extras. The Transform tools of ACR are in LR too. You'd click on the hashtag symbol within the Transform block to use the mouse to draw your guide lines.

If you want to use ACR from LR, in LR select the image and choose to edit in PS as a Smart Object. Then when in PS double click the icon on the layer and ACR will come up allowing you to use that.
 
Do you use Adobe Camera Raw? Same menu where the veritcal/horizontal sliders are, you can click and draw lines along straight edges and it will do it for you. I don't use Lightroom so I'm less sure exactly where it is in there. Otherwise it just takes practice to adjust the images.
I used LR and PS. Where do you access Adobe Camera Raw? I am confused about this...I guess I should have it as a part of Photoshop, but where do you access the part with the sliders that you are discussing? I've seen it when playing with my own software before, but forget "how I got there".
I've always regarded LR as ACR with extras. The Transform tools of ACR are in LR too. You'd click on the hashtag symbol within the Transform block to use the mouse to draw your guide lines.

If you want to use ACR from LR, in LR select the image and choose to edit in PS as a Smart Object. Then when in PS double click the icon on the layer and ACR will come up allowing you to use that.
 
Do you use Adobe Camera Raw? Same menu where the veritcal/horizontal sliders are, you can click and draw lines along straight edges and it will do it for you. I don't use Lightroom so I'm less sure exactly where it is in there. Otherwise it just takes practice to adjust the images.
I used LR and PS. Where do you access Adobe Camera Raw? I am confused about this...I guess I should have it as a part of Photoshop, but where do you access the part with the sliders that you are discussing? I've seen it when playing with my own software before, but forget "how I got there".
I've always regarded LR as ACR with extras. The Transform tools of ACR are in LR too. You'd click on the hashtag symbol within the Transform block to use the mouse to draw your guide lines.

If you want to use ACR from LR, in LR select the image and choose to edit in PS as a Smart Object. Then when in PS double click the icon on the layer and ACR will come up allowing you to use that.
 
Ctrl + Shift + A opens it in PS. The tools are usually integrated in LR as well but I couldn't tell you there, hate LR myself.
 
Do you use Adobe Camera Raw? Same menu where the veritcal/horizontal sliders are, you can click and draw lines along straight edges and it will do it for you. I don't use Lightroom so I'm less sure exactly where it is in there. Otherwise it just takes practice to adjust the images.
I used LR and PS. Where do you access Adobe Camera Raw? I am confused about this...I guess I should have it as a part of Photoshop, but where do you access the part with the sliders that you are discussing? I've seen it when playing with my own software before, but forget "how I got there".
I've always regarded LR as ACR with extras. The Transform tools of ACR are in LR too. You'd click on the hashtag symbol within the Transform block to use the mouse to draw your guide lines.
There are more transform options in PS, but I probably use PS at 5% of its capacity. Transform Warp is something I've been using recently to reduce the sloping horizontal lines in the corners of wide angle shots.
If you want to use ACR from LR, in LR select the image and choose to edit in PS as a Smart Object. Then when in PS double click the icon on the layer and ACR will come up allowing you to use that.
I believe ACR is also found under the Filter drop down menu.
 

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