The 70D is soooo much easier to use. I'm sure that plenty of the shots that I captured today would not have been possible (for me at least) with the FZ330. One example was when birds came close (which gives opportunities for some of the best shots) but I needed to pull the zoom back to avoid them filling the frame. I can't do that fast enough on the FZ330. Also, when scanning round for opportunities, the time from first noticing something moving to getting the first shot is far faster with the 70D. And I could see what I was doing with the optical viewfinder. Bliss. And the almost instant change from short to long focal length and vice versa made subject acquisition and re-acquisition when lost much, much faster and much less prone to failure.
No contest. Don't sell the 70D. You've almost got me looking for a DSLR on Ebay.
I haven't looked at the 70D images yet.
I have now.
Numbers are rounded in what follows.
Yesterday I had a quick run through the 1600 FZ330 captures and 800 70D captures. In both cases this was my very fast first cut "reject the obvious rubbish" run. I think I probably average somewhere between 1 and 2 seconds per image. I mark up the ones that aren't immediately, obviously not usable, and then transfer them to another directory to work on. I selected 600 of the 1600 FZ330 images and 300 of the 800 70D images. I did not deliberately choose the same proportion for each camera. It just came out that way.
The initial purpose of the exercise was to see if I was being unfair in criticising the FZ330 for the focus problems I was having with it - images with soft focus on the subject and images which were completely out of focus. I wasn't counting during the first cut run, but I got the rather surprising (to me) impression that the 70D focus issues were at least as bad as those of the FZ330, and possibly worse.
I had the 70D set for slow burst, around 3fps I think. This means I can use single shots, which I generally prefer, or a modest burst, the slowness of which stops the 13 shot raw buffer filling up quite as quickly as with the 7 fps burst.
I have put four examples of the 70D focusing issues in
this album at Flickr. The first example is a sequence of 11 consecutive shots of the same subject shot in five seconds. The first 10 are grossly out of focus. The final one is in focus, just before I lost track of the bird. The second example is six shots in three seconds. The first four are soft. The last two are in focus but the bird was by then too small in the frame to give a useful image. The third example is 20 images captured over 9 seconds. In the first 18 the subject is either too soft to be usable or grossly out of focus. The fourth example only has two images, and in both cases the subject is far too soft to be useful.
I then put the 900 first cut images through the DXO and Silkypix batch process. I then went through them picking the ones I thought might be ok, doing image-specific adjustments as I went. This included cropping by whatever amount I thought suitable to produce an image I liked the look of. That varied from not much to quite a lot of cropping, for both cameras. Also for both cameras I used Nik Dfine in some cases to reverse the side effects of Silkypix sharpening on plain areas especially in the more cropped images.
After the usual winnowing procedure I ended up with 81 images from the 70D and 45 from the FZ330. The 70D images are in
this album and the FZ330 images are in
this album at Flickr, all 1300 pixels high as usual. So I kept about 10% for the 70D and about 3% for the FZ330.
Now we need to be careful not to read too much into these numbers as I think the opportunities were better for the 70D. But I don't think they were
that much better. It is very noticeable that over half of the FZ330 images that I kept are of birds that were in a relatively fixed position. In contrast, most of the 70D images are of birds moving laterally and/or towards me, including some rather difficult shots of pigeons in flight. There are not many of them at these sites and they rarely take to the wing. When they do they present a small and fast moving target for a very brief period. This is the first shot of a sequence of 7 captured over three seconds, of which I kept 6. It was close to me at this point so the angular velocity was large.
The pigeons provided two of the shots I liked best. I saw it coming in towards me but failed to align on it while it was in flight. However, I just got the camera on it as it came into land, which gave me these two shots. Given the zooming speed issue, I don't think I could have captured these with the FZ330.
The 70D also handled shots of birds against complicated backgrounds better. The FZ330 seems to get shots like these wrong a lot, focusing on the background with the bird too soft to use.
I think the FZ330 picks up on whatever has the strongest contrast in the area(s) it is looking at. I was using single area focusing with the FZ330, using the fourth or fifth largest of the FZ330's eight size options for the focusing box. I spent a long time trying different focus box sizes with this bird, which conveniently stayed there for quite a while. I could only gain focus if I used the smallest or next sized focus box, so the box was entirely inside the outline of the bird. If I used a larger box and any of the box was outside that outline the camera insisted on focusing on the background.
Then there is the issue of image quality. That is a bit of an aside I think, because the 70D has a sensor 10 times the area of the FZ330, so you would expect it to be better. I think that is reflected in the images I kept from the two cameras. I felt a lot of the FZ330 images that I kept for this exercise were not of a quality that I would feel comfortable posting as they seemed to lack clarity and detail. The 70D images were not of the highest quality, but I felt that I would feel less uncomfortable about posting them. And there were several that I quite liked (although that is partly an opportunity issue of course, and liking them isn't an issue of image quality, beyond a certain baseline of - for my taste - acceptable image quality).
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Nick
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