K1 AF-C looks like a winner ........

Jpeg, AF-C was the default settings here and with 33 points chosen. Although in hindsight the fewer 9 would have been better as in the last images at 210mm (horrible optically) where I feel the AF chose to pick up on the big green car rather than the skateboarder.
I assume you were using Auto AF point selection? Try Expanded Area AF for tracking. You select the initial focus point and the camera uses the other points to keep focus on the subject.

With AF Auto point selection, the camera will focus on something, but not necessarily the subject you want, and will constantly refocus instead of tracking.

--
Dan
Dan,

Thank you, yes I was. I have had another play and referred to the manual. That will be another improvement no doubt.
 
Please Re-Do these tables for the same subject framing as in the end its the same result we're after not 50% more out of focus area around the subject

So APS-C at 10ft, FF at 6.67ft what are the DOF differences then?
.....FF DoF itself is 50% deeper than in a crop camera when using the same lens and aperture.
Am I missing something here? I thought one of the 'advantages' of FF over APS-C was a shallower DOF?
It is a very common mistake, repeated everywhere, and many reviewers too are just rambling without real understanding. "Shallower DoF" is used as a misnomer for "more blurry DoF to OoF transition". While in fact, FF camera has more DoF — total space in front and in the back of the subject available to achieve acceptable focus. That is 50% more room for error. Therefore correct wording should be (using same parameters as per table below):

FF has deeper DoF,
FF produces OoF transition with less details
FF allows more room for focusing errors

APS-C has shallower DoF,
APS-C produces OoF transition with more details
APS-C allows little room for focusing error


Conclusion: APS-C cameras are more difficult to master.
See this image from the DoF Calculator. Using same lens and same aperture, at the same distance an FF camera yields 50% more DoF. That is significant, and that means, you have 50% more chances to get a keeper.

Nothing was wrong with Pentax AF or its precision all these years; but Pentax needed an FF camera to show many people they don't understand at all ...

4f682d900bed4f2cb68fd2b7535254f1.jpg.png

--
Madamina, il catalogo è questo; Delle belle che amò il padron mio; un catalogo egli è che ho fatt'io; Osservate, leggete con me.


--
Mike from Canada
"I am not a great photographer! God is a great creator! All I do is capture His creation with the tools He has provided me."
'I like to think so far outside the box that it would require a telephoto lens just to see the box!' ~ 'My Quote :)'
 
NO DOF is identical.

To frame the shot exactly the same you need to stand back 1,5 times further with an APSc camera so 1.5x .79 = 1.185 ie THE SAME DOF.
No, that is what you cannot do if you have the same lens, same aperture setting and same distance.

That is what it is it all about; when using same settings, and same distance from the subject (say, at the ringside, next to road, in a concert, in a play, etc.), FF delivers 50% more DoF. Wherever you are, FF gives DoF advantage, always. And you can use it.
What if people don't want 50% more FOV??? matching subject framing! its perfectly acceptable.
That is what people always do — they do not walk away, drive away, nor change aperture (they want max light gathering), nor do acrobatics, nor they purchase new tickets.

Most of the time the set is, well, set, and that's it. If you have an FF camera with you, you have 50% more chances to get a keeper.
Not for photos i take, and when it comes to airshows i just use a longer lens.
And that, in short, is all the fuss about the Pentax AF "problem". Which is now miraculously fixed to a great degree.]
Its not miraculously fixed, its more definite about obtaining its lock but not fixed, it still have its quirks
 
Please Re-Do these tables for the same subject framing as in the end its the same result we're after not 50% more out of focus area around the subject

So APS-C at 10ft, FF at 6.67ft what are the DOF differences then?
.....FF DoF itself is 50% deeper than in a crop camera when using the same lens and aperture.
Am I missing something here? I thought one of the 'advantages' of FF over APS-C was a shallower DOF?
It is a very common mistake, repeated everywhere, and many reviewers too are just rambling without real understanding. "Shallower DoF" is used as a misnomer for "more blurry DoF to OoF transition". While in fact, FF camera has more DoF — total space in front and in the back of the subject available to achieve acceptable focus. That is 50% more room for error. Therefore correct wording should be (using same parameters as per table below):

FF has deeper DoF,
FF produces OoF transition with less details
FF allows more room for focusing errors

APS-C has shallower DoF,
APS-C produces OoF transition with more details
APS-C allows little room for focusing error


Conclusion: APS-C cameras are more difficult to master.
See this image from the DoF Calculator. Using same lens and same aperture, at the same distance an FF camera yields 50% more DoF. That is significant, and that means, you have 50% more chances to get a keeper.

Nothing was wrong with Pentax AF or its precision all these years; but Pentax needed an FF camera to show many people they don't understand at all ...

4f682d900bed4f2cb68fd2b7535254f1.jpg.png

--
Madamina, il catalogo è questo; Delle belle che amò il padron mio; un catalogo egli è che ho fatt'io; Osservate, leggete con me.
--
Mike from Canada
"I am not a great photographer! God is a great creator! All I do is capture His creation with the tools He has provided me."
'I like to think so far outside the box that it would require a telephoto lens just to see the box!' ~ 'My Quote :)'
http://www.michaelfastphotography.com/galleries/VP-BDI_3a.jpg
http://www.airliners.net/search/[email protected]&thumbnails=
Or, looking at it another way, do it at the same distance to get the same framing i.e. the equivalent aperture on the APSC to that used on the FF. 1.5, I think, so it should be FF 55mm versus APSC 36.666666 (oh well, say 37) mm on APSC. If the original proposal were correct it would be a miracle if I got anything in focus on my 1/2.5" sensor bridge camera. Nice, though, it really woke me up....
 
Jpeg, AF-C was the default settings here and with 33 points chosen. Although in hindsight the fewer 9 would have been better as in the last images at 210mm (horrible optically) where I feel the AF chose to pick up on the big green car rather than the skateboarder.
I assume you were using Auto AF point selection? Try Expanded Area AF for tracking. You select the initial focus point and the camera uses the other points to keep focus on the subject.

With AF Auto point selection, the camera will focus on something, but not necessarily the subject you want, and will constantly refocus instead of tracking.
 
But Zvonimir if you are at the same distance your framing will be totally different.

Take a shot in FF mode then take it in crop mode - totally different framing!

I repeat the only thing that changes dof is aperture when using cameras with the same registration distance.

Even if you go from a 50mm lens on the same camera to a 100mm lens at the same aperture because you need to stand back twice as far to get identical framing the dof will be the same - it is directly proportional to the focal length.

Now if we put the same lens on the Q the dof increases and if we put it on the 645 it decreases because of registration distance.

That's why MF has that different look ie perspective.
 
The real advantage of FF is in the bokeh for the likes of portraiture & studio where you are working at a close set distance.

On APSC you will use a 55 - wider angle of view so busier background = less pleasing bokeh

ON FF you will use 55 x 1.5 = 82.5 (85) narrower angle of view smaller back ground = more pleasing bokeh

If you could use an 82.5, dof will be the same but bokeh better because it is a less busy background which always gives a more pleasing bokeh.

Note I have used 1.5 as the crop factor but I think it is actually slightly less than that.
 
.....FF DoF itself is 50% deeper than in a crop camera when using the same lens and aperture.
Am I missing something here? I thought one of the 'advantages' of FF over APS-C was a shallower DOF?
It is a very common mistake, repeated everywhere, and many reviewers too are just rambling without real understanding. "Shallower DoF" is used as a misnomer for "more blurry DoF to OoF transition". While in fact, FF camera has more DoF — total space in front and in the back of the subject available to achieve acceptable focus. That is 50% more room for error. Therefore correct wording should be (using same parameters as per table below):

FF has deeper DoF,
FF produces OoF transition with less details
FF allows more room for focusing errors

APS-C has shallower DoF,
APS-C produces OoF transition with more details
APS-C allows little room for focusing error


Conclusion: APS-C cameras are more difficult to master.
See this image from the DoF Calculator. Using same lens and same aperture, at the same distance an FF camera yields 50% more DoF. That is significant, and that means, you have 50% more chances to get a keeper.

Nothing was wrong with Pentax AF or its precision all these years; but Pentax needed an FF camera to show many people they don't understand at all ...

4f682d900bed4f2cb68fd2b7535254f1.jpg.png

--
Madamina, il catalogo è questo; Delle belle che amò il padron mio; un catalogo egli è che ho fatt'io; Osservate, leggete con me.
Thank you for these examples Zvonimir, that helps also.

--
Peter.
 
I repeat the only thing that changes dof is aperture when using cameras with the same registration distance.

Even if you go from a 50mm lens on the same camera to a 100mm lens at the same aperture because you need to stand back twice as far to get identical framing the dof will be the same - it is directly proportional to the focal length.

Now if we put the same lens on the Q the dof increases and if we put it on the 645 it decreases because of registration distance.

That's why MF has that different look ie perspective.
DOF changes with focal length, position and aperture. These are the only parameters one needs to enter in a DOF calculator. Registration distance is irrelevant.

I'll copy and paste from a previous post because starting over is too much work:

Equivalence for a lens means same DOF, same FOV, same noise, same diffraction, same perspective. Perspective is dependent on subject distance, so keep it the same for each system. Adjust focal length and f-number by the crop factor. Use ISO to equalize brightness. Here are a few equivalents:

Nikon V1, 1" sensor, 100mm f/2.0, crop factor 2.7X
@ 10 ft. subject distance, DOF is 0.13 ft.
@ 100 ft. subject distance, DOF is 13.4 ft.

Pentax K-50 APS-C sensor, 180mm f/3.6, crop factor 1.5X
@ 10 ft. subject distance, DOF is 0.13 ft.
@ 100 ft. subject distance, DOF is 13.4 ft.

Nikon D800, FF sensor, 270mm f/5.6, crop factor 1X
@ 10 ft. subject distance, DOF is 0.13 ft.
@ 100 ft. subject distance, DOF is 14.1 ft. (The DOF calculator would not allow f5.4, which explains the slight difference in DOF at 100 feet).

http://www.dofmaster.com/dofjs.html

Now let's look at noise equivalence using DXOMark:

Nikon V1, 100mm, 1/300s, f/2.0, ISO 100; SNR is ~35dB
Pentax K-50, 180mm, 1/300s, f/3.6, ISO 350; SNR ~35dB
Nikon D800, 270mm, 1/300s, f5.6, ISO 640; SNR ~35dB

Nikon D800 versus Pentax K-50 versus Nikon 1 V1 - Side by side camera comparison - DxOMark

In summary, photos taken with the above setups will be equivalent in FOV, DOF, perspective, diffraction and noise, i.e. equivalent photos.

I could show the same equivalence with Medium Frame given sufficient data. (Neither the DOF calculator nor DXO show data for MF). For equivalence to the above on a 645Z (0.79 crop), you would need a 340mm lens at f6.8.

--
Dan
 
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I achieved near 100% .... ???

I need lessons on how to achieve less, lol
 
I achieved near 100% .... ???

I need lessons on how to achieve less, lol
LOL

Couldn't have been a K1 though, clearly!
 

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