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Yes, a lot wider than the FE1635Z, and surprisingly rectilinear :oh boy is that wide...
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Am I the only one that thinks the internet is scary??
and the distance between you and the car is... 5 feets?CV10 - defringed in LR from RAW (no lens profile yet)![]()
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Cheers,
Henry
Thanks for those shots. Too wide and "specialized" and too challenging to compose with for this guy (just me thinking out loud). The 12 might be a "sweeter spot" for me. However, if the 12 also seems too wide I will not be getting any of the Sony mount Voigtlanders, as I think the 15 is too close to the 16 of my 16-35 F4 for it to make sense (for me) to buy one.See this album, just a few quick f/5.6 OOC JPGs with this new CV10 lens.
Last two (garbage can) are at f/11 (but I moved camera after MF).
Will look for better photo ops on weekend,
https://www.flickr.com/photos/111458433@N02/albums/72157668930670325
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Cheers,
Henry
See this album, just a few quick f/5.6 OOC JPGs with this new CV10 lens.
Last two (garbage can) are at f/11 (but I moved camera after MF).
Will look for better photo ops on weekend,
https://www.flickr.com/photos/111458433@N02/albums/72157668930670325
Do you have trouble keeping your feet out of the verticals?See this album, just a few quick f/5.6 OOC JPGs with this new CV10 lens.
Last two (garbage can) are at f/11 (but I moved camera after MF).
Will look for better photo ops on weekend,
https://www.flickr.com/photos/111458433@N02/albums/72157668930670325
LOL your eyes are fine. Do check the filenames and date stamps. Except for a few redundant ones, these were a rapid shooting parking lot exercise, while my friend was waiting in the car. At least it was a lunch time opportunity.Impressive and extreme indeed - but not a single one of these photos looks attractive to me. Probably it is my my old-fashioned eyes?![]()
Do you have trouble keeping your feet out of the verticals?See this album, just a few quick f/5.6 OOC JPGs with this new CV10 lens.
Last two (garbage can) are at f/11 (but I moved camera after MF).
Will look for better photo ops on weekend,
https://www.flickr.com/photos/111458433@N02/albums/72157668930670325
Jim
Only if your definition of "creative" equals "extreme"But yeah, the CV10 is a specialty lens. I do expect that it will get a lot of attention though, as it allows more creative uses than the 12mm FOV does.
I am curious - are the buyers a bit disappointed when they realize that what looked like a palace space in the photos is really the size of a closet?Agree - I do some occasional real estate work and see the value here. Right now I alternate between the Rokinon 14/2.8 and the SigmaArt 24/1.4 and depending on floor plan, the 10 (and 12) could be very useful.
Perhaps, stitching with ultra wides causes non-linear distortion that is hard to correct (linearize). Try stitching 3 or 4 images of the L21 together.Loxia 21 plus stitching if ever I need wider. For my "old-fashioned" eyes that is as wide as I need or want![]()
You are right, stitching may introduce additional distortions. It is better in fact, to use a longer focal length (i.e. 35mm or 55mm) to stich together long panoramas. This of course works only on non-moving objects.Perhaps, stitching with ultra wides causes non-linear distortion that is hard to correct (linearize). Try stitching 3 or 4 images of the L21 together.Loxia 21 plus stitching if ever I need wider. For my "old-fashioned" eyes that is as wide as I need or want![]()
The 'magic' of this lens is that it's rendering is recti-linear without corrections being applied. The much wider view also enables a larger amount of perspective (keystone) corrections to be applied.
I did find that the FE1635Z at times wasn't wide enough. Whether it should be 10mm, 12mm, or 15mm is a guess, and I can see why CV produces all three.
So far, I am impressed with the lens.