CV10, a few images

blue_skies

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See this album, just a few quick f/5.6 OOC JPGs with this new CV10 lens.

Last two (garbage can) are at f/11 (but I moved camera after MF).

Will look for better photo ops on weekend,

 
oh boy is that wide...
 
oh boy is that wide...

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Am I the only one that thinks the internet is scary??
Yes, a lot wider than the FE1635Z, and surprisingly rectilinear :

FE1635Z @ 16mm

FE1635Z @ 16mm

CV10 (uncorrected JPG - see fringing e.g. upper left)

CV10 (uncorrected JPG - see fringing e.g. upper left)

CV10 - defringed in LR from RAW (no lens profile yet)

CV10 - defringed in LR from RAW (no lens profile yet)

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Cheers,
Henry
 
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Thanks Henry. This CV10 seems like a fun lens, and one that will pose a great challenge when making compositions :)

Keep us updated with your impressions.
 
See this album, just a few quick f/5.6 OOC JPGs with this new CV10 lens.

Last two (garbage can) are at f/11 (but I moved camera after MF).

Will look for better photo ops on weekend,

https://www.flickr.com/photos/111458433@N02/albums/72157668930670325

--
Cheers,
Henry
Thanks for those shots. Too wide and "specialized" and too challenging to compose with for this guy (just me thinking out loud). The 12 might be a "sweeter spot" for me. However, if the 12 also seems too wide I will not be getting any of the Sony mount Voigtlanders, as I think the 15 is too close to the 16 of my 16-35 F4 for it to make sense (for me) to buy one.

The only reason I might "bite" is if I decide I really need a wide small/light kit for traveling. But If I were to thereby rationalize purchasing a small wide-ish lens (especially if I wanted it to be "fast"), I'd probably choose the Loxia 21.

I was most interested in the Batis 18 until I saw how large it is. But I guess that's the price you have to pay for AF and "fast".

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http://www.flickr.com/photos/joelcure/
 
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The sharpness is there, the corners look good. Thanks for sharing.

I hope the CV15 is as good as this, once they correct the imperfections it initially showed, i.e., the soft corners.
 
Agree - I do some occasional real estate work and see the value here. Right now I alternate between the Rokinon 14/2.8 and the SigmaArt 24/1.4 and depending on floor plan, the 10 (and 12) could be very useful. Though, admittedly, the compositional (probably not a real word :-)) impacts are a little daunting.
 
Impressive and extreme indeed - but not a single one of these photos looks attractive to me. Probably it is my my old-fashioned eyes? :)
 
Impressive and extreme indeed - but not a single one of these photos looks attractive to me. Probably it is my my old-fashioned eyes? :)
LOL your eyes are fine. Do check the filenames and date stamps. Except for a few redundant ones, these were a rapid shooting parking lot exercise, while my friend was waiting in the car. At least it was a lunch time opportunity. :-)

On a side note, extreme wide can be impressive, but they are seldom attractive, imho. However, I added one image in the album after applying perspective correction, as the wide can do double duty as a T&S lens.
 
Loxia 21 plus stitching if ever I need wider. For my "old-fashioned" eyes that is as wide as I need or want :)
 
But yeah, the CV10 is a specialty lens. I do expect that it will get a lot of attention though, as it allows more creative uses than the 12mm FOV does.
Only if your definition of "creative" equals "extreme" :) ... just saying ...
 
That driveway looks like a runway with the 10mm, awesome.
 
Agree - I do some occasional real estate work and see the value here. Right now I alternate between the Rokinon 14/2.8 and the SigmaArt 24/1.4 and depending on floor plan, the 10 (and 12) could be very useful.
I am curious - are the buyers a bit disappointed when they realize that what looked like a palace space in the photos is really the size of a closet? :)
 
Haha.. I would mostly use for outdoor photos if anything. Places with smallish yards and multiple stories Maybe smaller bathrooms too. One would definitely need to proceed with extreme caution in either scenario. The Rokinon is usually wide enough in most scenarios for my tastes. All things considered, I couldn't see spending the money on this glass unless it was a full time job (which it is not).

But again - there is some value here... that value however is very debatable. :-)
 
Loxia 21 plus stitching if ever I need wider. For my "old-fashioned" eyes that is as wide as I need or want :)
Perhaps, stitching with ultra wides causes non-linear distortion that is hard to correct (linearize). Try stitching 3 or 4 images of the L21 together.

The 'magic' of this lens is that it's rendering is recta-lineair without corrections being applied. The much wider view also enables a larger amount of perspective (keystone) corrections to be applied.

I did find that the FE1635Z at times wasn't wide enough. Whether it should be 10mm, 12mm, or 15mm is a guess, and I can see why CV produces all three.

So far, I am impressed with the lens.
 
Loxia 21 plus stitching if ever I need wider. For my "old-fashioned" eyes that is as wide as I need or want :)
Perhaps, stitching with ultra wides causes non-linear distortion that is hard to correct (linearize). Try stitching 3 or 4 images of the L21 together.

The 'magic' of this lens is that it's rendering is recti-linear without corrections being applied. The much wider view also enables a larger amount of perspective (keystone) corrections to be applied.

I did find that the FE1635Z at times wasn't wide enough. Whether it should be 10mm, 12mm, or 15mm is a guess, and I can see why CV produces all three.

So far, I am impressed with the lens.
You are right, stitching may introduce additional distortions. It is better in fact, to use a longer focal length (i.e. 35mm or 55mm) to stich together long panoramas. This of course works only on non-moving objects.

Yes, the result from the 10mm lens certainly looks impressive and sharp!
 

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