It is the must have lense for SonyNEX user

Sutlore

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I have to say I have never be disappointed from using this lense. It is brilliant. I can shot everything from this lense, a bit of landscaping, a bit of distance shot that I can crop to an actual image size and use it right away. The colour and the sharpness from this lense is the top of the range. Never regret of buying this one.
 
I have to say I have never be disappointed from using this lense. It is brilliant. I can shot everything from this lense, a bit of landscaping, a bit of distance shot that I can crop to an actual image size and use it right away. The colour and the sharpness from this lense is the top of the range. Never regret of buying this one.
It seems like a very good lens, but not not as sharp as the ~$200 Sigma 30 mm. If I want more color, contrast or sharpness, etc... (which is not needed), you can always add that later in post processing. You can also crop images on the Sigma 30 mm to get excellent IQ and resolution.

If you get the the Sigma 30 mm instead, you can also get the Sony 50 mm and 55-210 for the same price. To me, getting those three lenses gives you a lot more bang for the buck with more versatility and focal lengths for the same price.
 
The image has not been resized. So by some definition it is a 100% crop.

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Sony R1, NEX C3 & 5R + Zeiss 24mm, 16-70, & FE 70-200 Lenses, Nikon V1 + 10-30 & 30-110 lenses.
i'll take that as a grudging 'yes'

..finally
 
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I can only speak for the 28 and the 21. I would put the 28 ahead of the 24, and the 21 ahead of both. MF is not an issue for me. So even without the zoom, there are better options that make me sell my 24.
I choose the FE28 F2 and I'm happy with it, but have not tried the 24z. If you have owned both, could you say what makes the 28mm better than the 24 in your experience?

My opinion on the 28mm is that it is a very good lens without any weak points. It perform well in every situation. It is very sharp, the bokeh is nice, the colors and contrast are quite good, it is light and small. With the added bonus of being FF.

28mm on APS-C (like 42mm FOV on FF) is a focal length that always works for me. I think it is as wide as you can get without distorting perspective, so you can take pictures of people with it without taking care of not getting too close. I feel that with 24mm I would have to constantly stand back and then crop to get half body portraits. The 28 is not as good as the 24 for landscape, but better for people photography. And for landscape I usually go wider than 24mm anyway.
Here are some samples showing the versatility of the 24mm including portraits, landscapes, and macro:



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www.flickr.com/photos/sonyartisan/
 
I don't see the 24 listed at your link. As far as a slew of negative review - don't see those either. I've yet to read a bad one.
I was referring to E mount Zeiss lenses in general.

And the fact that people can go soft in the head when the Z word comes up and use all sorts vague descriptions like 'pop' and '3d effect' to justify where their money went.

I think the 24Z is a pretty nice lens but dramatically overpriced.
I might be misreading your intent but I think that "soft in the head" comment is pretty insulting actually and typical of those who choose less expensive options then justify their own choice with this sort of comment. And the 5 x value comments are similar. Price extremes occur in all sorts of items with marginal improvements in performance. Take computer processors for example. An i7 might be twice the price of an i5 and 5 x an i3 but yield only modest speed gains. But those with the means or need for speed will buy and its up to them to justify the cost. There's no need to say those who pay extra are witless fools with their money.

It all comes down to perceived value. I don't have the CZ 24/1.8 myself because I won't use one enough to get value from it. Instead I have a nice little Canon 24/2.8 pancake and adapter that is incredible value because it's images aren't too far behind the Zony and very low cost. It will never perform like the Zony but the compromises it has are easy to accommodate for when I want to shoot with it.

On the other hand, the one Sony Zeiss I do have is the often maligned 16-70/4.0. Yep, mine is slightly soft in the corners at 16mm/f4 but unless I'm shooting a brick wall or building on a flat plane to the central focus point, you'd be pressed to take much notice. I love the lens's sharpness at f5.6-8.0 across the frame and through to 70mm and easily justify the cost because the FL range is fantastic as a lightweight travel zoom, is way sharper than the 16-50 kit with longer reach, wider or longer than the FE zooms yet is little bigger than the CZ 24mm subject of this review.

I'm a pretty hard-nosed guy when it comes to spending money and once I finally weeded out the bull dust of many ill-informed or unlucky (the ones who got poor examples) commentators, and tried the lens in-store, I could immediately see the advantages and value for me. No one else matters where it counts. So while everyone has an opinion and right to voice it, I don't see much reason to insult those who have a different set of standards or values.
 
I don't see the 24 listed at your link. As far as a slew of negative review - don't see those either. I've yet to read a bad one.
I was referring to E mount Zeiss lenses in general.

And the fact that people can go soft in the head when the Z word comes up and use all sorts vague descriptions like 'pop' and '3d effect' to justify where their money went.

I think the 24Z is a pretty nice lens but dramatically overpriced.
I might be misreading your intent but I think that "soft in the head" comment is pretty insulting actually and typical of those who choose less expensive options then justify their own choice with this sort of comment. And the 5 x value comments are similar. Price extremes occur in all sorts of items with marginal improvements in performance. Take computer processors for example. An i7 might be twice the price of an i5 and 5 x an i3 but yield only modest speed gains. But those with the means or need for speed will buy and its up to them to justify the cost. There's no need to say those who pay extra are witless fools with their money.

It all comes down to perceived value. I don't have the CZ 24/1.8 myself because I won't use one enough to get value from it. Instead I have a nice little Canon 24/2.8 pancake and adapter that is incredible value because it's images aren't too far behind the Zony and very low cost. It will never perform like the Zony but the compromises it has are easy to accommodate for when I want to shoot with it.

On the other hand, the one Sony Zeiss I do have is the often maligned 16-70/4.0. Yep, mine is slightly soft in the corners at 16mm/f4 but unless I'm shooting a brick wall or building on a flat plane to the central focus point, you'd be pressed to take much notice. I love the lens's sharpness at f5.6-8.0 across the frame and through to 70mm and easily justify the cost because the FL range is fantastic as a lightweight travel zoom, is way sharper than the 16-50 kit with longer reach, wider or longer than the FE zooms yet is little bigger than the CZ 24mm subject of this review.

I'm a pretty hard-nosed guy when it comes to spending money and once I finally weeded out the bull dust of many ill-informed or unlucky (the ones who got poor examples) commentators, and tried the lens in-store, I could immediately see the advantages and value for me. No one else matters where it counts. So while everyone has an opinion and right to voice it, I don't see much reason to insult those who have a different set of standards or values.
 
No worries Vermont, I see now...

Pragmatic would describe my buying choices. So yes, like you I hate to waste money. Took a lot of gumption to buy the 16-70 because of the hype vs hysteria. ;-) As I said it turned out well for me.

In fact you and I seem to have similar kits. Not listed in my gear are a 100D (I'm in Australia), 10-18, 18-135, 55-250 and 24 STM. They are excellent value for money! And if I didn't like my Sony kit so much I would probably be very happy with that. Only keep them because I can put the lenses on my A6000 if I feel inclined to carry them with me.

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Cheers,
John
 
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I might be misreading your intent but I think that "soft in the head" comment is pretty insulting actually and typical of those who choose less expensive options then justify their own choice with this sort of comment.
John
It`s all just sour grapes, with touch of ridiculous like - "3 Sigmas instead". Could be also washing machine and bicycle instead of a a6000, by such "logic".
 
I might be misreading your intent but I think that "soft in the head" comment is pretty insulting actually and typical of those who choose less expensive options then justify their own choice with this sort of comment.
John
It`s all just sour grapes, with touch of ridiculous like - "3 Sigmas instead". Could be also washing machine and bicycle instead of a a6000, by such "logic".
Actually it's 5 Sigmas :)

Please read above...where is the 'sour grapes'?

And sorry....we are talking about lenses...not washing machines, bicycles or camera bodies
 
No,

value is most certainly relevant in choosing lenses to most folks.
 
To each his own. The SZ Zeiss is vastly superior to the Sigma 30mm 2.8 however and much more versatile. With a small minimum focusing area the 24 can be used as a macro. I could never get this shot with my 30.

DSC05985-XL.jpg


I also could never shoot anything faster than 2.8 on my 30 :). The 24 is sharp at 1.8 and was made to shoot wide open. The 30 is sharp no doubt, but you can see where Sigma compromised. Kurt Munger really disliked the lens and I experienced much the same with it.


"Flare and ghosting control is poor; I see magenta streaks and loss of contrast when the sun is in the image, or just outside the image. A large green blob shows up too when the sun is towards the center. Viewing your images on your camera screen may not always show this stuff, it's much more noticeable when you get home and look at the pictures on a large screen. Use you hand to block the sun from the front element, otherwise you'll be sorry."

"Lateral color fringing is noticeable along the sides of the image, this is about as bad as it gets."

"Overall, the Sigma 30mm F/2.8 EX DN lens is pretty good in optical terms, it's just not a useful combo in my opinion. Add in the poor flare control, small reproduction size, lack of image stabilization, and this lens really doesn't make a whole lot of sense."

"Also check out the superb CZ 24/1.8, it's expensive, but worth it."



For me, I bought the lens used for just over $600 and after using it for 2 years could sell it for the same. I don't know why you would get a camera with class leading sensor capabilities and pair it with average glass.
 
Value is subjective, cost is not.

There is a difference in cost, for me the 24mm, f/1.4 has value because I use it. The 30mm Sigma has no value (for me) because I would not use it. A subjective conclusion.
 
I could never get this shot with my 30.
I do not own either lens but I see lots of close up's on Flickr from the sigma lens like this example:

photo by Rich D.
photo by Rich D.

At the most it would be easy to add an $20 extension tube to get even closer. I guess the 24 would win a point for convenience from not having to add a tube but I do not think it is totally fair to say you can't achieve the same shot.

--
-Chris
https://www.flickr.com/photos/cspics/albums
 
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The Sigma produces a magnification of 1:8.1 while the 24mm is at 1:4 so it's impossible for the Sigma to produce the same shot. Now if you throw in the extension tubes than yes, you can get close, but keep in mind what you can do with an extension tube on the 24 - get even closer as has been demonstrated in this thread.
 
I guess you can keep adding tubes to the both of them or use the money you save on the sigma and buy a real macro lens also.

The point is I think that either can produce fairly similar shots. But the 24 has a slight edge in convenience and speed as well as most likely slightly better control of CA etc..

In the vast majority of shots it would be impossible to distinguish one from the other.
 
The Sigma produces a magnification of 1:8.1 while the 24mm is at 1:4 so it's impossible for the Sigma to produce the same shot. Now if you throw in the extension tubes than yes, you can get close, but keep in mind what you can do with an extension tube on the 24 - get even closer as has been demonstrated in this thread.
You can add extension tubes to the Sigma to match the magnification of the 24mm, but you have to take the tubes off again if you want to focus at normal distances so it is much less convenient than the 24mm without tubes.
 
I guess you can keep adding tubes to the both of them or use the money you save on the sigma and buy a real macro lens also.

The point is I think that either can produce fairly similar shots. But the 24 has a slight edge in convenience and speed as well as most likely slightly better control of CA etc..

In the vast majority of shots it would be impossible to distinguish one from the other.
 
I guess you can keep adding tubes to the both of them or use the money you save on the sigma and buy a real macro lens also.

The point is I think that either can produce fairly similar shots. But the 24 has a slight edge in convenience and speed as well as most likely slightly better control of CA etc..

In the vast majority of shots it would be impossible to distinguish one from the other.

--
-Chris
https://www.flickr.com/photos/cspics/albums
The same is true of the Sigma and the kit lens, which is at its best from about 20-35mm. Either can produce "fairly similar shots" and you'd be hard-pressed to tell the difference between the kit lens and the E24 when shot at f8 in good light, especially at smaller sizes. So what???
So what? -I guess that is relevant information. At least it would be for me if I where trying to decide to buy it.
This is a Toyota Corolla vs. Mercedes Benz discussion. It's absolutely inane. Both are cars, both will get you from point A to point B. Both have 4 wheels and seats. Clearly, then, the MB is not worth the money.
-it would be worth the money if you wanted it for more than to get from A-B -for example as a status symbol.
Average glass can give you excellent shots when used within its limitations. That's not news. Top-notch glass has fewer limitations. That's what you pay for. That's true in any mount. Marginal increases in performance cost a bundle in most industries, including photography. Always has been true, always will be true. The E24 is one of the very best lenses for E-class cameras and is priced accordingly. The end.
-Did anyone say otherwise?

-not understanding what point you think you are making?

--
-Chris
https://www.flickr.com/photos/cspics/albums
 
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If you are trying to make a buying decision, I would ask myself the follow;

Do i need f/1.8? Will I be shooting indoors or low light? The 24mm is sharp at 1.8 but if you don't need it why spend for it. One stop of light however is a material difference in DOF and exposure, especially for APSC.

Is bokeh important? The bokeh of the 24 is very good for that focal range. The 30 is harsh.

What am I looking to use the lens for? All around type or specialty. 24mm to 30mm may not sound like a big difference, but I noticed it when shooting indoors or at events. The 30 was always bordering on "too tight". In fact when I wanted a "carry around" lens and I had the choice between the 19mm and 30mm I always choice the 19mm. If you have a special need for 30mm then obviously the Sigma is the choice, but it is a limited lens.

Is close focal distance important? The 24mm with the cropping ability of the Sony sensor is great for close up shots. It's not a macro lens but much better than the 30.

Do you like to shoot into the sun? The flaring of the 30mm is a problem.

What is my budget? Obviously the 24 is expensive. I bought mine used - it may be "worth" $1,000 but I wasn't going to pay that (but I don't bash people that do). If my budget was $600-$700 I would buy a good used 24mm. If it was lower I would buy or save up for the FE 28mm 2.0. If it was minimal and I was desperate for a light average 30mm lens then go Sigma.
 

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