Do these people believe their own BS? "it's not the equipment, it's the photographer!"

understanding timing, composition, lighting, use of flash. Camera position, depth of field , and understand what makes your subject (be it a person, rock , or bug) look best are all more important than if you have a high end lens or a consumer camera or an advanced amateur lens.
100% completely agree. But one's understanding doesn't change from one fraction of a second before they own a high end lens to the exact moment they buy it. They're still the same person. The person stayed the same, the gear changed. The capabilities of the person may have changed, however, with the addition of the new gear. But that still doesn't change the person, it changes the output. Which sometimes, is the whole purpose of buying better gear. Right?
No. All it might change is you field of view or let you use a lower iso, or have longer flash range. A 1D X2 with a 500 f/4 in the hands of a beginner will still be snapshots.
--
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If indisputable knowledge of a subject were a requirement to answer questions on DPR forums, the forums would die overnight.
I disagree. Sometimes upgrading can help a person utilize their talent they already have. And that can be a photographer of any skill level. I'm not saying gear can MAKE someone a better photographer, I'm saying it can help them utilize their skill and/or talent if their gear was holding them back.
Different equipment only gives different options, potentially. Doesn't improve your skills or capabilities.
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My signature - attached to every post:
If indisputable knowledge of a subject were a requirement to answer questions on DPR forums, the forums would die overnight.
 
understanding timing, composition, lighting, use of flash. Camera position, depth of field , and understand what makes your subject (be it a person, rock , or bug) look best are all more important than if you have a high end lens or a consumer camera or an advanced amateur lens.
100% completely agree. But one's understanding doesn't change from one fraction of a second before they own a high end lens to the exact moment they buy it. They're still the same person. The person stayed the same, the gear changed. The capabilities of the person may have changed, however, with the addition of the new gear. But that still doesn't change the person, it changes the output. Which sometimes, is the whole purpose of buying better gear. Right?
No. All it might change is you field of view or let you use a lower iso, or have longer flash range. A 1D X2 with a 500 f/4 in the hands of a beginner will still be snapshots.
 
  • RedFox88 wrote:
understanding timing, composition, lighting, use of flash. Camera position, depth of field , and understand what makes your subject (be it a person, rock , or bug) look best are all more important than if you have a high end lens or a consumer camera or an advanced amateur lens.
100% completely agree. But one's understanding doesn't change from one fraction of a second before they own a high end lens to the exact moment they buy it. They're still the same person. The person stayed the same, the gear changed. The capabilities of the person may have changed, however, with the addition of the new gear. But that still doesn't change the person, it changes the output. Which sometimes, is the whole purpose of buying better gear. Right?
No. All it might change is you field of view or let you use a lower iso, or have longer flash range. A 1D X2 with a 500 f/4 in the hands of a beginner will still be snapshots.
 
that a very well renown and some consider one of the greatest photographers of all time, say Ansel Adams, who most of the time used 4x5 and 8x10 view cameras was asked to take an action sports shot with that equipment, what percentage of success would he get?
I like your example because it reveals how utterly terrible most sports photographers really are.

The only way THEY can get the shot is when they have a machine gun to do it for them.

How can you miss when you're practically shooting video?

You might as well have a robot move the camera for you too. Just sit at home and use a remote from your couch and never leave the house.

I think Ansel Adams would still show up sports photographers because his artistry was in post-processing as well. One of more famous quotes from him is about how other photographers take a picture and he views photography as an entire artistic process of not just taking a picture but also making a photograph.

Anyway, you're really reaching.

Suppose, just suppose, Ansel Adams lived in the year 2192 and had a bionic eye camera. Come on!
 
that a very well renown and some consider one of the greatest photographers of all time, say Ansel Adams, who most of the time used 4x5 and 8x10 view cameras was asked to take an action sports shot with that equipment, what percentage of success would he get?
I like your example because it reveals how utterly terrible most sports photographers really are.

The only way THEY can get the shot is when they have a machine gun to do it for them.

How can you miss when you're practically shooting video?

You might as well have a robot move the camera for you too. Just sit at home and use a remote from your couch and never leave the house.

I think Ansel Adams would still show up sports photographers because his artistry was in post-processing as well. One of more famous quotes from him is about how other photographers take a picture and he views photography as an entire artistic process of not just taking a picture but also making a photograph.

Anyway, you're really reaching.

Suppose, just suppose, Ansel Adams lived in the year 2192 and had a bionic eye camera. Come on!

--
There are 10 types of people in this world, those who understand binary and those who don't.
Obviously you haven't shot sports/actions, and BTW a average photographer that can change ISO/SS/aperture-WB with good equipment will kick Ansel @ss and 4x5 on shooting a stage show or on the sideline ;-)
Do fish out of water comparisons really mean anything or are you just self sexing on your keyboard?
 
  • RedFox88 wrote:
understanding timing, composition, lighting, use of flash. Camera position, depth of field , and understand what makes your subject (be it a person, rock , or bug) look best are all more important than if you have a high end lens or a consumer camera or an advanced amateur lens.
100% completely agree. But one's understanding doesn't change from one fraction of a second before they own a high end lens to the exact moment they buy it. They're still the same person. The person stayed the same, the gear changed. The capabilities of the person may have changed, however, with the addition of the new gear. But that still doesn't change the person, it changes the output. Which sometimes, is the whole purpose of buying better gear. Right?
No. All it might change is you field of view or let you use a lower iso, or have longer flash range. A 1D X2 with a 500 f/4 in the hands of a beginner will still be snapshots.
--
My signature - attached to every post:
If indisputable knowledge of a subject were a requirement to answer questions on DPR forums, the forums would die overnight.
I disagree. Sometimes upgrading can help a person utilize their talent they already have. And that can be a photographer of any skill level. I'm not saying gear can MAKE someone a better photographer, I'm saying it can help them utilize their skill and/or talent if their gear was holding them back.
Different equipment only gives different options, potentially. Doesn't improve your skills or capabilities.
--
My signature - attached to every post:
If indisputable knowledge of a subject were a requirement to answer questions on DPR forums, the forums would die overnight.
But these options can effect image quality. For example, my D7100 can produce banding And noise in the shadows. Most of the time, this has zero impact on what I am doing. But, I am reluctant to shoot images with challenging lighting conditions like sunsets unless I want the shadows to be silhouettes. Nikon, obviously aware of this situation, produced a D7200 that has no banding issue.
Lifting shadows by extreme values is a week argument.
Same photographer, two different cameras, different results. A D720O would not improve me but it would allow me to capture a wider range of images and do that without worry.

--
http://www.flickr.com/photos/brev00
 
  • RedFox88 wrote:
understanding timing, composition, lighting, use of flash. Camera position, depth of field , and understand what makes your subject (be it a person, rock , or bug) look best are all more important than if you have a high end lens or a consumer camera or an advanced amateur lens.
100% completely agree. But one's understanding doesn't change from one fraction of a second before they own a high end lens to the exact moment they buy it. They're still the same person. The person stayed the same, the gear changed. The capabilities of the person may have changed, however, with the addition of the new gear. But that still doesn't change the person, it changes the output. Which sometimes, is the whole purpose of buying better gear. Right?
No. All it might change is you field of view or let you use a lower iso, or have longer flash range. A 1D X2 with a 500 f/4 in the hands of a beginner will still be snapshots.
 
  • RedFox88 wrote:
understanding timing, composition, lighting, use of flash. Camera position, depth of field , and understand what makes your subject (be it a person, rock , or bug) look best are all more important than if you have a high end lens or a consumer camera or an advanced amateur lens.
100% completely agree. But one's understanding doesn't change from one fraction of a second before they own a high end lens to the exact moment they buy it. They're still the same person. The person stayed the same, the gear changed. The capabilities of the person may have changed, however, with the addition of the new gear. But that still doesn't change the person, it changes the output. Which sometimes, is the whole purpose of buying better gear. Right?
No. All it might change is you field of view or let you use a lower iso, or have longer flash range. A 1D X2 with a 500 f/4 in the hands of a beginner will still be snapshots.
 
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"...gear doesn't matter? Really?"

Really!

That is what I tell people on these forums when they upload real trash images and ask should they replace their mirrorless with D4 (or other way around) to improve their pictures.

That is what I tell people who ask me what camera should they buy to replace their perfectly fine hardware.

When I see a friend who makes his living and feeds his family and does not even know that his equipment is 2-3 models behind (OMG) that is when I say, "it's not the equipment, it's the photographer!"
 
that a very well renown and some consider one of the greatest photographers of all time, say Ansel Adams, who most of the time used 4x5 and 8x10 view cameras was asked to take an action sports shot with that equipment, what percentage of success would he get?
I like your example because it reveals how utterly terrible most sports photographers really are.

The only way THEY can get the shot is when they have a machine gun to do it for them.

How can you miss when you're practically shooting video?
Back in film days it actually took tremendous skill and powers of anticipation to get the shot.



b27b948347564bbb89427a79da934f33.jpg



--
Tom
Look at the picture, not the pixels
------------
Misuse of the ability to do 100% pixel peeping is the bane of digital photography.
 
"...gear doesn't matter? Really?"

Really!

That is what I tell people on these forums when they upload real trash images and ask should they replace their mirrorless with D4 (or other way around) to improve their pictures.

That is what I tell people who ask me what camera should they buy to replace their perfectly fine hardware.

When I see a friend who makes his living and feeds his family and does not even know that his equipment is 2-3 models behind (OMG) that is when I say, "it's not the equipment, it's the photographer!"
 
Of course the gear matters to some degree. I think that folks often overrate how important it is though, which is probably why the saying "it's not the equipment.... " resonates with me, even if it isn't 100% true. I think that the gear matters less and less these days with the technology as capable as it is.

In terms of IQ, except for the kind of stuff that is reliant on a ton of really fine detail (and I would argue that a lot of styles of photography clearly aren't) or for shooting in very low light, that the difference between a 1" sensor and FF is more often than not, not going to be something that is easily noticed.



I worked selling cameras for a bit and so many customers seemed ready to trade in decent, barely used, recent model gear so that they could get "the quality of FF." I tend to think that most of these folks hadn't even exploited the gear they already had and were just assuming that if they moved to the latest and greatest larger format gear they would be upping their game a lot. I've seen too much great work done with modest gear to believe that it's really going to hold folks back. Better, I think to really learn to use what you've got and to develop an artistic eye than to be caught on the upgrade train.

Think about how many truly great photographs where made on 35mm gear, gear that I'd say doesn't even match the IQ of cheap digital stuff (though you can argue that stuff like shallow DOF and certain other effects are more possible).
 
"...gear doesn't matter? Really?"

Really!

That is what I tell people on these forums when they upload real trash images and ask should they replace their mirrorless with D4 (or other way around) to improve their pictures.

That is what I tell people who ask me what camera should they buy to replace their perfectly fine hardware.

When I see a friend who makes his living and feeds his family and does not even know that his equipment is 2-3 models behind (OMG) that is when I say, "it's not the equipment, it's the photographer!"
 
that a very well renown and some consider one of the greatest photographers of all time, say Ansel Adams, who most of the time used 4x5 and 8x10 view cameras was asked to take an action sports shot with that equipment, what percentage of success would he get?
I like your example because it reveals how utterly terrible most sports photographers really are.

The only way THEY can get the shot is when they have a machine gun to do it for them.

How can you miss when you're practically shooting video?
Back in film days it actually took tremendous skill and powers of anticipation to get the shot.

b27b948347564bbb89427a79da934f33.jpg

--
Tom
Look at the picture, not the pixels
------------
Misuse of the ability to do 100% pixel peeping is the bane of digital photography.
Technology is a great equalizer if not advancer of capability for the common man, ain't that great!

If I have a sideline pass and sat next to him I as well as many of the other shooing 10+ FPS would likely get that shot. Tools matter, you sure don't want to be sitting next to us with your film camera, light meter and 10 frames left on that 36 roll, LOL. Though business to be eeking out a living these days, but sweet for us lame unskilled hobbiest, we just upgrade each generation, who says gear doesn't matter for sports/action, you can never have too much high ISO, FPS/deep buffer, or AF-C, bring on the D5 and 1DMkX II

--
" Today's Pictures Are Tomorrow's Memories "
 
that a very well renown and some consider one of the greatest photographers of all time, say Ansel Adams, who most of the time used 4x5 and 8x10 view cameras was asked to take an action sports shot with that equipment, what percentage of success would he get?
I like your example because it reveals how utterly terrible most sports photographers really are.

The only way THEY can get the shot is when they have a machine gun to do it for them.

How can you miss when you're practically shooting video?
Back in film days it actually took tremendous skill and powers of anticipation to get the shot.

b27b948347564bbb89427a79da934f33.jpg

--
Tom
Look at the picture, not the pixels
------------
Misuse of the ability to do 100% pixel peeping is the bane of digital photography.
Technology is a great equalizer if not advancer of capability for the common man, ain't that great!

If I have a sideline pass and sat next to him I as well as many of the other shooing 10+ FPS would likely get that shot. Tools matter, you sure don't want to be sitting next to us with your film camera, light meter and 10 frames left on that 36 roll, LOL. Though business to be eeking out a living these days, but sweet for us lame unskilled hobbiest, we just upgrade each generation, who says gear doesn't matter for sports/action, you can never have too much high ISO, FPS/deep buffer, or AF-C, bring on the D5 and 1DMkX II

--
" Today's Pictures Are Tomorrow's Memories "
What's sad about that statement is that he literally doesn't realize how bad it sounds.

The guy that took that picture with film was truly skilled.
The people who do it now might as well have a robot do it.

The days are coming when cameras will shoot video at full resolution.... 60 frames per second. Then you can sit at home and go through 400,000 pictures and find the ones you deem to be most perfect without ever having to push a button the whole time.

The reality though will always be that the man who took this photo made an instantaneous painting masterpiece, while you simply captured light repeatedly really fast. One person is a true photographer, an artist, skilled and capable. The other person is practically a robot behind the technology, simply just there, not learning much at all, and leaning heavily on the crutch of modern cameras. One is a master the other is a slave.

--
There are 10 types of people in this world, those who understand binary and those who don't.
 
Last edited:
"...gear doesn't matter? Really?"

Really!

That is what I tell people on these forums when they upload real trash images and ask should they replace their mirrorless with D4 (or other way around) to improve their pictures.

That is what I tell people who ask me what camera should they buy to replace their perfectly fine hardware.

When I see a friend who makes his living and feeds his family and does not even know that his equipment is 2-3 models behind (OMG) that is when I say, "it's not the equipment, it's the photographer!"
 
What's sad about that statement is that he literally doesn't realize how bad it sounds.

The guy that took that picture with film was truly skilled.
The people who do it now might as well have a robot do it.

The days are coming when cameras will shoot video at full resolution.... 60 frames per second. Then you can sit at home and go through 400,000 pictures and find the ones you deem to be most perfect without ever having to push a button the whole time.
They still had to find a good vantage point, give them credit for that.

The reality though will always be that the man who took this photo made an instantaneous painting masterpiece, while you simply captured light repeatedly really fast. One person is a true photographer, an artist, skilled and capable. The other person is practically a robot behind the technology, simply just there, not learning much at all, and leaning heavily on the crutch of modern cameras. One is a master the other is a slave.
That was beautiful.
 

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