Canon 80D vs Nikon D500

Having no interest in video, I'd choose the 7DII. I'm also told by others (I haven't shot video on my 7DII in over fifteen months of owning it) that video on the 7DII is pretty good. It doesn't have a touchscreen, but videographers managed for many years without one, and I'm told (again, no personal experience) that selecting the focus point with the joystick is pretty easy. No 4K, of course, but I have a hard time seeing why 4K is necessary for home video. It seems like a waste of space and processing power to me, but I don't even own a 4K TV, and see no need to get one. As for still shooting, the 7DII is simply amazing. The AF system is top notch, and it shoots at 10fps. It has 65 selectable AF points, all cross-type. The D500 has 55 points, only 35 of which are cross-type (the other "points" are marketing speak--Canon has those too, just doesn't count them). For all I know, the D500 AF system will be as good as, or even a bit better than, the 7DII. No-one knows yet. The sensor may be slightly better too in the D500. It might even be better enough that you can tell the difference, if you look at your image at 100% on a screen from one or two feet away. For regular, and sane, display sizes and viewing distances, no-one will be able to tell the difference. If I had no investment in either system, I might be tempted to wait until the 80D and D500 were available, and then choose between the 80D, 7DII, D500, and D7200. Given that I've used Canon for many years and have a lot of lenses, I think it would be sheer insanity to switch systems in the hope (probably vain) of vanishingly small perceptible differences in results.
 
Having no interest in video, I'd choose the 7DII. I'm also told by others (I haven't shot video on my 7DII in over fifteen months of owning it) that video on the 7DII is pretty good. It doesn't have a touchscreen, but videographers managed for many years without one, and I'm told (again, no personal experience) that selecting the focus point with the joystick is pretty easy. No 4K, of course, but I have a hard time seeing why 4K is necessary for home video. It seems like a waste of space and processing power to me, but I don't even own a 4K TV, and see no need to get one. As for still shooting, the 7DII is simply amazing. The AF system is top notch, and it shoots at 10fps. It has 65 selectable AF points, all cross-type. The D500 has 55 points, only 35 of which are cross-type (the other "points" are marketing speak--Canon has those too, just doesn't count them). For all I know, the D500 AF system will be as good as, or even a bit better than, the 7DII. No-one knows yet. The sensor may be slightly better too in the D500. It might even be better enough that you can tell the difference, if you look at your image at 100% on a screen from one or two feet away. For regular, and sane, display sizes and viewing distances, no-one will be able to tell the difference. If I had no investment in either system, I might be tempted to wait until the 80D and D500 were available, and then choose between the 80D, 7DII, D500, and D7200. Given that I've used Canon for many years and have a lot of lenses, I think it would be sheer insanity to switch systems in the hope (probably vain) of vanishingly small perceptible differences in results.
 
Having no interest in video, I'd choose the 7DII. I'm also told by others (I haven't shot video on my 7DII in over fifteen months of owning it) that video on the 7DII is pretty good. It doesn't have a touchscreen, but videographers managed for many years without one, and I'm told (again, no personal experience) that selecting the focus point with the joystick is pretty easy. No 4K, of course, but I have a hard time seeing why 4K is necessary for home video. It seems like a waste of space and processing power to me, but I don't even own a 4K TV, and see no need to get one. As for still shooting, the 7DII is simply amazing. The AF system is top notch, and it shoots at 10fps. It has 65 selectable AF points, all cross-type. The D500 has 55 points, only 35 of which are cross-type (the other "points" are marketing speak--Canon has those too, just doesn't count them). For all I know, the D500 AF system will be as good as, or even a bit better than, the 7DII. No-one knows yet. The sensor may be slightly better too in the D500. It might even be better enough that you can tell the difference, if you look at your image at 100% on a screen from one or two feet away. For regular, and sane, display sizes and viewing distances, no-one will be able to tell the difference. If I had no investment in either system, I might be tempted to wait until the 80D and D500 were available, and then choose between the 80D, 7DII, D500, and D7200. Given that I've used Canon for many years and have a lot of lenses, I think it would be sheer insanity to switch systems in the hope (probably vain) of vanishingly small perceptible differences in results.
 
I know that more people will support Canon since this is a Canon Forum. I shoot both systems. From my personal point of view, Canon is lag behind Nikon when comparing 80D with Nikon D500. Both cameras have plenty of new things added in. 4K video and auto AF microadjustment are something which I appreciate more in Nikon D500. Maybe they are not directly comparable. Nikon D500 is more close to 7D series. However we don't have a new 7D III at the moment. If you have money available and have dual system lenses in hand which one would you buy? I will put my money in Nikon D500.
Neither camera has been released or tested. Fortunately, I'm not in the market. I have a 7DMII for sports, and a Nikon D7200 for wildlife (I prefer its IQ and low-light capabilities). If the 80D significantly closes the gap to the D7200, my 7DMII will be replaced with it. I have a lot of great Canon glass, and it would be great to have a Canon APS-C body that could fully exploit their potential.

As much as I am enchanted by the D500-- auto-AF tuning seems very enticing; I don't care about video--I struggle to imagine what would prompt me to purchase it. I am extremely skeptical that it will provide a significant improvement over the D7200s IQ/low-light abilities. For me I'd rather not shoot above ISO3200. ISO6400 is okay on FF but anything higher requires too much of a compromise in IQ on any camera body. Therefore, I highly doubt that there will be enough (if any) improvement in low-light ability to get me to fork out the big bucks that Nikon is asking for this body.

Thus, unless you need the special D500 features--high continuous rate, bigger buffer, improved AF, improved video, better weather sealing--the D7200 provides more than enough features for DX shooters and would be a better choice. By contrast, the 80D has a greater potential to move the needle for Canon.

So for me, let's wait and see the test results. I could be tempted by the 80D; but I don't see spending more money on top-of-the-line Nikon bodies.
 
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The need for a 4K video is often almost amusing - has anyone seen a good amateur video ? In YouTube or Vimeo the 4K does not really shine. I'm sure 4K has great resolution - but how is it used in real life. And where can we see the results ? I hope not 4K home videos ;-)

So, i'm happy with less than 4K - because i rarely shoot video. Camera has several interesting useful things. I hope the sensor is better....
4K video does look a lot better than 1080p. If you're serious about video, I think 4K is the way to go, because it is what clients will want in the future. Of course, if you aren't serious about video, it doesn't matter.
4k video is great for getting extra zoom and lot of editing choices.

4k video can be away to get the picture you couldn't .....

By 30 fps and 8mp stills extracted from 4k movie you have more chance to get the exact moment..

* Of course you have to set proper shutter speed for not getting motion blur etc.

* The AF system got to be up for it.

This is what I think the Canons Dual pixel AF could have shined to bad they didn't include 4k video.

When 8k video is coming I think it will change the way "how to get THE picture".
But making a good "movie " is not that easy. It is so difficult , that it is a rarity to see a well edited amateur video that tells a story and has decent sound . Where could we see one? It is quite painful to look at technically great videoclips from some good looking place - admiring IQ of 4K gets boring and 8K probably makes it deadly...;-).

If you enjoy it - then just enjoy ! Great thing to own great tools - really great if i could use them.
 
The need for a 4K video is often almost amusing - has anyone seen a good amateur video ? In YouTube or Vimeo the 4K does not really shine. I'm sure 4K has great resolution - but how is it used in real life. And where can we see the results ? I hope not 4K home videos ;-)

So, i'm happy with less than 4K - because i rarely shoot video. Camera has several interesting useful things. I hope the sensor is better....
4K video does look a lot better than 1080p. If you're serious about video, I think 4K is the way to go, because it is what clients will want in the future. Of course, if you aren't serious about video, it doesn't matter.
4k video is great for getting extra zoom and lot of editing choices.

4k video can be away to get the picture you couldn't .....

By 30 fps and 8mp stills extracted from 4k movie you have more chance to get the exact moment..

* Of course you have to set proper shutter speed for not getting motion blur etc.

* The AF system got to be up for it.

This is what I think the Canons Dual pixel AF could have shined to bad they didn't include 4k video.

When 8k video is coming I think it will change the way "how to get THE picture".
But making a good "movie " is not that easy. It is so difficult , that it is a rarity to see a well edited amateur video that tells a story and has decent sound . Where could we see one? It is quite painful to look at technically great videoclips from some good looking place - admiring IQ of 4K gets boring and 8K probably makes it deadly...;-).

If you enjoy it - then just enjoy ! Great thing to own great tools - really great if i could use them.

--
Kari
SLR photography started in 1968, first DSLR was Canon 40D in 2007. Now Fuji X-T1 is my favourite. I still have my Canon 7D and Canon gear
I don't get what this have to do with 4k it isn't harder to make a good movie because you use 4k as a source it's hard with 1080 sources too.

I was pointing out that 4k can be used for extracting 8mp stills.

and when 8k come you extracting 32mp stills.

then there is S-log, V-log and C-log to extend your editing possibilities.
 
... The D500 has 55 selectable points, only 35 of which are cross-type. All the other "points" that they mention are in-between the selectable points and used only for assisting.
That's certainly what the Nikon literature says, but I'd be very interested to know more about it. If the in-between points are not actual physical AF points on the sensor, how can Nikon get away with claiming 153 points? On the other hand if they are actual AF points, what possible advantage is there in making them not selectable? <scratches head>
They only really come into play in the continuous tracking modes. They act like any other 'selectable' AF point would in this mode, by transferring information across the frame and doing AF type tasks such as focusing the lens :) personally I have no desire to have to manually scroll around 155 points - most of the time I limit it to 9 or 21 anyway. Even with the 7dmk2 I change to the group AF modes to make it easier.
 
Having no interest in video, I'd choose the 7DII. I'm also told by others (I haven't shot video on my 7DII in over fifteen months of owning it) that video on the 7DII is pretty good. It doesn't have a touchscreen, but videographers managed for many years without one, and I'm told (again, no personal experience) that selecting the focus point with the joystick is pretty easy. No 4K, of course, but I have a hard time seeing why 4K is necessary for home video. It seems like a waste of space and processing power to me, but I don't even own a 4K TV, and see no need to get one. As for still shooting, the 7DII is simply amazing. The AF system is top notch, and it shoots at 10fps. It has 65 selectable AF points, all cross-type. The D500 has 55 points, only 35 of which are cross-type (the other "points" are marketing speak--Canon has those too, just doesn't count them). For all I know, the D500 AF system will be as good as, or even a bit better than, the 7DII. No-one knows yet. The sensor may be slightly better too in the D500. It might even be better enough that you can tell the difference, if you look at your image at 100% on a screen from one or two feet away. For regular, and sane, display sizes and viewing distances, no-one will be able to tell the difference. If I had no investment in either system, I might be tempted to wait until the 80D and D500 were available, and then choose between the 80D, 7DII, D500, and D7200. Given that I've used Canon for many years and have a lot of lenses, I think it would be sheer insanity to switch systems in the hope (probably vain) of vanishingly small perceptible differences in results.
 
Having no interest in video, I'd choose the 7DII. I'm also told by others (I haven't shot video on my 7DII in over fifteen months of owning it) that video on the 7DII is pretty good. It doesn't have a touchscreen, but videographers managed for many years without one, and I'm told (again, no personal experience) that selecting the focus point with the joystick is pretty easy. No 4K, of course, but I have a hard time seeing why 4K is necessary for home video. It seems like a waste of space and processing power to me, but I don't even own a 4K TV, and see no need to get one. As for still shooting, the 7DII is simply amazing. The AF system is top notch, and it shoots at 10fps. It has 65 selectable AF points, all cross-type. The D500 has 55 points, only 35 of which are cross-type (the other "points" are marketing speak--Canon has those too, just doesn't count them). For all I know, the D500 AF system will be as good as, or even a bit better than, the 7DII. No-one knows yet. The sensor may be slightly better too in the D500. It might even be better enough that you can tell the difference, if you look at your image at 100% on a screen from one or two feet away. For regular, and sane, display sizes and viewing distances, no-one will be able to tell the difference. If I had no investment in either system, I might be tempted to wait until the 80D and D500 were available, and then choose between the 80D, 7DII, D500, and D7200. Given that I've used Canon for many years and have a lot of lenses, I think it would be sheer insanity to switch systems in the hope (probably vain) of vanishingly small perceptible differences in results.

--
As the length of a thread approaches 150, the probability that someone will make the obvious "it's not the camera, it's the photographer" remark approaches 1.
Alastair
http://anorcross.smugmug.com
Equipment in profile
No the D5/500 has 99 cross type ( discrete points by nature) , Canon doesn't have that, why are you fabulating?
Most of those 99 points are "assist" points and not user selectable. So essentially those are invisible for all practical purposes.
just because they are not selectable, does not mean they don't focus the lens like any ther AF point in continuous AF...

--
-------------------
http://timoconnor.photography/
The D500 and the 80D belong in different markets and applications. The D500's AF system is, at least on paper, the most advanced of any camera existing or announced, exactly same as the one in the D5, Nikon's flagship. It may or may not perform as proposed, that's something users and testers will check.

The D500 may be compared to the 7D2 now, and to the 7D3 when it comes, as they are designed to be used in action, they have top AF systems and are very fast. I doubt the 80D's AF will match the D500's system in continuous mode. It'd be interesting to see how it compares to the one in the D7200, its obvious competitor from Nikon.

--
Renato.
http://www.flickr.com/photos/rhlpedrosa/
OnExposure member
http://www.onexposure.net/
Good shooting and good luck
(after Ed Murrow)
 
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The need for a 4K video is often almost amusing - has anyone seen a good amateur video ? In YouTube or Vimeo the 4K does not really shine. I'm sure 4K has great resolution - but how is it used in real life. And where can we see the results ? I hope not 4K home videos ;-)

So, i'm happy with less than 4K - because i rarely shoot video. Camera has several interesting useful things. I hope the sensor is better....
4K video does look a lot better than 1080p. If you're serious about video, I think 4K is the way to go, because it is what clients will want in the future. Of course, if you aren't serious about video, it doesn't matter.
Even for year 2015,
People still asks their DVD format videos than Full HD outputs
2016 might change a bit more but doubt that 4K will be easily acceptable

I got experience client opening Full HD video that I sent using Intel Atom NETBOOK and saying that the video is laggy until I ask, what computers you are using and #facepalm when they say NETBOOK Intel Atom
 
Having no interest in video, I'd choose the 7DII. I'm also told by others (I haven't shot video on my 7DII in over fifteen months of owning it) that video on the 7DII is pretty good. It doesn't have a touchscreen, but videographers managed for many years without one, and I'm told (again, no personal experience) that selecting the focus point with the joystick is pretty easy. No 4K, of course, but I have a hard time seeing why 4K is necessary for home video. It seems like a waste of space and processing power to me, but I don't even own a 4K TV, and see no need to get one. As for still shooting, the 7DII is simply amazing. The AF system is top notch, and it shoots at 10fps. It has 65 selectable AF points, all cross-type. The D500 has 55 points, only 35 of which are cross-type (the other "points" are marketing speak--Canon has those too, just doesn't count them). For all I know, the D500 AF system will be as good as, or even a bit better than, the 7DII. No-one knows yet. The sensor may be slightly better too in the D500. It might even be better enough that you can tell the difference, if you look at your image at 100% on a screen from one or two feet away. For regular, and sane, display sizes and viewing distances, no-one will be able to tell the difference. If I had no investment in either system, I might be tempted to wait until the 80D and D500 were available, and then choose between the 80D, 7DII, D500, and D7200. Given that I've used Canon for many years and have a lot of lenses, I think it would be sheer insanity to switch systems in the hope (probably vain) of vanishingly small perceptible differences in results.

--
As the length of a thread approaches 150, the probability that someone will make the obvious "it's not the camera, it's the photographer" remark approaches 1.
Alastair
http://anorcross.smugmug.com
Equipment in profile
No the D5/500 has 99 cross type ( discrete points by nature) , Canon doesn't have that, why are you fabulating?
Clearly you haven't read the detailed specs. The D500 has 55 selectable points, only 35 of which are cross-type. All the other "points" that they mention are in-between the selectable points and used only for assisting. If you look at the AF layout of the 7DII or the 1DX, you'll see that the AF coverage extends between the selectable points too. That's how tracking works. Canon simply doesn't claim that these AF sensitive areas between selectable points are also "points". In that respect, they are less deceptive than Nikon in their marketing.

--
As the length of a thread approaches 150, the probability that someone will make the obvious "it's not the camera, it's the photographer" remark approaches 1.
Alastair
http://anorcross.smugmug.com
Equipment in profile
Well you are wrong

An AF cross point is where there is a cross between two orthogonal sections of the

ccd-array where there is a discrete potential= point

Nikon choose not to make all those point selectable and Canon won't either when they have a AF system with that many discrete points
Sounds like you are confused, probably by the marketing materials.
--
As the length of a thread approaches 150, the probability that someone will make the obvious "it's not the camera, it's the photographer" remark approaches 1.

Alastair
http://anorcross.smugmug.com
Equipment in profile
Yes you are sure the one to listen to when it's about Nikon AF-system (or any other make), not

-
They do have 99 cross type, but only 35 selectable cross type. What also seems strange to me is the way all of the points are clustered near the center of the frame and within that block of points, there is only a central square and then a left and right stripe that are selectable cross type. You would think that with 99 cross type they would give you 55 selectable to evenly cover the entire sensor module.

For some applications, I can see that the grouping combined with Nikon's tracking would be very effective. For other applications, I can imagine being frustrated with the lack of frame coverage.
 
The need for a 4K video is often almost amusing - has anyone seen a good amateur video ? In YouTube or Vimeo the 4K does not really shine. I'm sure 4K has great resolution - but how is it used in real life. And where can we see the results ? I hope not 4K home videos ;-)

So, i'm happy with less than 4K - because i rarely shoot video. Camera has several interesting useful things. I hope the sensor is better....
4K video does look a lot better than 1080p. If you're serious about video, I think 4K is the way to go, because it is what clients will want in the future. Of course, if you aren't serious about video, it doesn't matter.
4k video is great for getting extra zoom and lot of editing choices.

4k video can be away to get the picture you couldn't .....

By 30 fps and 8mp stills extracted from 4k movie you have more chance to get the exact moment..

* Of course you have to set proper shutter speed for not getting motion blur etc.

* The AF system got to be up for it.

This is what I think the Canons Dual pixel AF could have shined to bad they didn't include 4k video.

When 8k video is coming I think it will change the way "how to get THE picture".
But making a good "movie " is not that easy. It is so difficult , that it is a rarity to see a well edited amateur video that tells a story and has decent sound . Where could we see one? It is quite painful to look at technically great videoclips from some good looking place - admiring IQ of 4K gets boring and 8K probably makes it deadly...;-).

If you enjoy it - then just enjoy ! Great thing to own great tools - really great if i could use them.
 
Shouldn't make much diff, look, it's the exact same AF module as the D5, which is supposedly improved on the excellent D4S. I have no doubt the D500 will have incredible AF, metering and tracking. As good as the 7D2? That's another thread for later. Better than the 80D? Undoubtedly. At that price, it better.
 
I know that more people will support Canon since this is a Canon Forum. I shoot both systems. From my personal point of view, Canon is lag behind Nikon when comparing 80D with Nikon D500. Both cameras have plenty of new things added in. 4K video and auto AF microadjustment are something which I appreciate more in Nikon D500. Maybe they are not directly comparable. Nikon D500 is more close to 7D series. However we don't have a new 7D III at the moment. If you have money available and have dual system lenses in hand which one would you buy? I will put my money in Nikon D500.
Nikon colors out of the box still stink compared to Canon. I have ten years experience in image editing, not only my photos but editing whatever photographers on assignment deliver (from Nikon to Canon to Hasselblad).

That alone is reason enough for me to prefer Canon for my personal work. It is simply far less hassle.

As far as performance is concerned, I´m still satisfied with an "old" EOS 50D. I dont see anything a 7D / 7DII or D500 or whatever could do to improve my photography. I dont need a million ISO, I dont need ten frames a second, I dont need 200 cross-type AF points or a shitload of dynamic range. And I dont need a flippy screen or electronic finder.

PS: For video I have this little Sony NEX plastic toy. Works great.
 
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I know that more people will support Canon since this is a Canon Forum. I shoot both systems. From my personal point of view, Canon is lag behind Nikon when comparing 80D with Nikon D500. Both cameras have plenty of new things added in. 4K video and auto AF microadjustment are something which I appreciate more in Nikon D500. Maybe they are not directly comparable. Nikon D500 is more close to 7D series. However we don't have a new 7D III at the moment. If you have money available and have dual system lenses in hand which one would you buy? I will put my money in Nikon D500.
Nikon colors out of the box still stink compared to Canon. I have ten years experience in image editing, not only my photos but editing whatever photographers on assignment deliver (from Nikon to Canon to Hasselblad).

That alone is reason enough for me to prefer Canon for my personal work. It is simply far less hassle.

As far as performance is concerned, I´m still satisfied with an "old" EOS 50D. I dont see anything a 7D / 7DII or D500 or whatever could do to improve my photography. I dont need a million ISO, I dont need ten frames a second, I dont need 200 cross-type AF points or a shitload of dynamic range. And I dont need a flippy screen or electronic finder.

PS: For video I have this little Sony NEX plastic toy. Works great.
Check the images the best pros were able to shoot in pre af days with top cameras, say football. Now check what a pretty average shooter can do with current systems at a school football game.

This thing about gear doesn't matter is pure bs.
 
Check the images the best pros were able to shoot in pre af days with top cameras, say football. Now check what a pretty average shooter can do with current systems at a school football game.

This thing about gear doesn't matter is pure bs.
Not sure if you´re adressing me. Of course gear matters. That´s why I prefer Canon. You may want to read my post again.

Im also not interested in school football. In that case you may need a current high end camera with whatever features are necessary for relevant pictures of school football. Cheers!
 
Shouldn't make much diff, look, it's the exact same AF module as the D5, which is supposedly improved on the excellent D4S. I have no doubt the D500 will have incredible AF, metering and tracking. As good as the 7D2? That's another thread for later. Better than the 80D? Undoubtedly. At that price, it better.
I hope the D500 is as good as it looks by the specs. That will mean a better 7diii whenever that will be. Nikonians have been waiting a long time for a worthy D300 upgrade. : )
 
Strange no further comment from her, almost a little trollish behaviour.

Light the blue touch paper and stand back. ;-)
 

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